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William Shakespeare's Land of the Dead by John Heimbuch Pdf
"London, 1599. Shakespeare's 'Henry V' opens the Globe Playhouse, but while the actors strut and fret, an excess of bile plagues the populace outside. After the opening of his newest play, William Shakespeare must once again defend his work--fending off the embittered clown Will Kemp while trying to appease Francis Bacon, a wealthy lawyer who has come with an idea to pitch. But when the company's costumer is bitten by a plague-ridden madman, and the Queen and her men arrive seeking safety, life in the playhouse takes a turn for the worse. As the affliction spreads through London, the Globe is placed in quarantine and the survivors within must fight for their lives. Can they escape? Is there a cure? Is artistic integrity ever worth dying for? A true and accurate account of the Elizabethan zombie plague"--P. [4] of cover.
The last quarter century has seen a “turn to religion” in Shakespeare studies as well as competing assertions by secular critics that Shakespeare’s plays reflect profound skepticism and even dismissal of the truth claims of revealed religion. This divide, though real, obscures the fact that Shakespeare often embeds both readings within the same play. This book is the first to propose an accommodation between religious and secular readings of the plays. Benson argues that Shakespeare was neither a mere debunker of religious orthodoxies nor their unquestioning champion. Religious inquiry in his plays is capacious enough to explore religious orthodoxy and unorthodoxy, everything from radical belief and the need to tolerate religious dissent to the possibility of God’s nonexistence. Shakespeare’s willingness to explore all aspects of religious and secular life, often simultaneously, is a mark of his tremendous intellectual range. Taking the heterodox as his focus, Benson examines five figures and ideas on the margins of the post-Reformation English church: nonconforming puritans such as Malvolio as well as physical revenants—the walking dead—whom Shakespeare alludes to and features so tantalizingly in Hamlet. Benson applies what Keats called Shakespeare’s “negative capability”—his ability to treat both sides of an issue equally and without prejudice—to show that Shakespeare considers possible worlds where God is intimately involved in the lives of persons and, in the very same play, a world in which God may not even exist. Benson demonstrates both that the range of Shakespeare’s investigation of religious questions is more daring than has previously been thought, and that the distinction between the sacred and the profane, between the orthodox and the unorthodox, is one that Shakespeare continually engages.
Author : William Shakespeare Publisher : Oxford University Press, USA Page : 388 pages File Size : 52,9 Mb Release : 1906 Category : English drama ISBN : CHI:41417867
The Tragedy of Anthony and Cleopatra by William Shakespeare Pdf
New Shakespeare, long since out-of-print, is now reissued. Each work contains a lengthy and lively introduction, main text, and substantial notes and glossary.
Shakespeare and the Afterlife by John Garrison Pdf
The question of what happens after death was a vital one in Shakespeare's time, as it is today. And, like today, the answers were by no means universally agreed upon. Early moderns held surprisingly diverse beliefs about the afterlife and about how earthly life affected one's fate after death. Was death akin to a sleep where one did not wake until judgment day? Were sick bodies healed in heaven? Did sinners experience torment after death? Would an individual reunite with loved ones in the afterlife? Could the dead communicate with the world of the living? Could the living affect the state of souls after death? How should the dead be commemorated? Could the dead return to life? Was immortality possible? The wide array of possible answers to these questions across Shakespeare's work can be surprising. Exploring how particular texts and characters answer these questions, Shakespeare and the Afterlife showcases the vitality and originality of the author's language and thinking. We encounter characters with very personal visions of what awaits them after death, and these visions reveal new insights into these individuals' motivations and concerns as they navigate the world of the living. Shakespeare and the Afterlife encourages us to engage with the author's work with new insight and new curiosity. The volume connects some of the best-known speeches, characters, and conflicts to cultural debates and traditions circulating during Shakespeare's time.
The Works of William Shakespeare: Pericles. Venus and Adonis. The rape of Lucrece. Sonnets. A lover's complaint. The passionate pilgrim. The phoenix and turtle. Reprints: The merry wives of Windsor. The chronicle historie of Henry the Fift. The first part of the contention. The true tragedie. Romeo and Juliet. Hamlet by William Shakespeare Pdf
The Works of William Shakespeare: Pericles. Venis and Adonis. The rape of Lucrece. Sonnets. A lover's complaint. The passionate pilgrim. The phoenix and the turtle. Reprints: The merry wives of Windsor. The chronicle historie of Henry the Fift. The first part of the contention. The true tragedie. Romeo and Juliet. Hamlet by William Shakespeare Pdf
The Works of William Shakespeare: Pericles. Venus and Adonis. The rape of Lucrece. Sonnets. A lover's complaint. The passionate pilgrim. The phoenix and turtle. Reprint: The merry wives of Windsor. The chronicle historie of Henry the Fift. The first part of the contention. The true tragedie. Romeo and Juliet. Hamlet by William Shakespeare Pdf
Is Shakespeare Dead? is a short, semi-autobiographical work by American humorist Mark Twain. It explores the controversy over the authorship of the Shakespearean literary canon via satire, anecdote, and extensive quotation of contemporary authors on the subject. Mark Twain, pseudonym of Samuel Langhorne Clemens, (born November 30, 1835, Florida, Missouri, U.S.--died April 21, 1910, Redding, Connecticut), American humorist, journalist, lecturer, and novelist who acquired international fame for his travel narratives, especially The Innocents Abroad (1869), Roughing It (1872), and Life on the Mississippi (1883), and for his adventure stories of boyhood, especially The Adventures of Tom Sawyer (1876) and Adventures of Huckleberry Finn (1885). A gifted raconteur, distinctive humorist, and irascible moralist, he transcended the apparent limitations of his origins to become a popular public figure and one of America's best and most beloved writers. Samuel Clemens, the sixth child of John Marshall and Jane Lampton Clemens, was born two months prematurely and was in relatively poor health for the first 10 years of his life. His mother tried various allopathic and hydropathic remedies on him during those early years, and his recollections of those instances (along with other memories of his growing up) would eventually find their way into Tom Sawyer and other writings. Because he was sickly, Clemens was often coddled, particularly by his mother, and he developed early the tendency to test her indulgence through mischief, offering only his good nature as bond for the domestic crimes he was apt to commit. When Jane Clemens was in her 80s, Clemens asked her about his poor health in those early years: "I suppose that during that whole time you were uneasy about me?" "Yes, the whole time," she answered. "Afraid I wouldn't live?" "No," she said, "afraid you would." Insofar as Clemens could be said to have inherited his sense of humour, it would have come from his mother, not his father. John Clemens, by all reports, was a serious man who seldom demonstrated affection. No doubt his temperament was affected by his worries over his financial situation, made all the more distressing by a series of business failures. It was the diminishing fortunes of the Clemens family that led them in 1839 to move 30 miles (50 km) east from Florida, Missouri, to the Mississippi River port town of Hannibal, where there were greater opportunities. John Clemens opened a store and eventually became a justice of the peace, which entitled him to be called "Judge" but not to a great deal more. In the meantime, the debts accumulated. Still, John Clemens believed the Tennessee land he had purchased in the late 1820s (some 70,000 acres [28,000 hectares]) might one day make them wealthy, and this prospect cultivated in the children a dreamy hope. Late in his life, Twain reflected on this promise that became a curse: It put our energies to sleep and made visionaries of us--dreamers and indolent....It is good to begin life poor; it is good to begin life rich--these are wholesome; but to begin it prospectively rich! The man who has not experienced it cannot imagine the curse of it.
“Is Shakespeare Dead?” is a scholarly work of profound erudition, and has been accepted by critics as the final word on the Baconian controversy. No Shakespearite after reading it can longer cling to the Stratford fallacy. The author reasons logically that the writer of the plays could not have been Shakespeare, because they exhibit an intimate knowledge of the technicalities of the law, and there is no evidence that Shakespeare, the actor, had at any time the leisure to acquire legal lore.