Writing Now More Stories From Zimbabwe Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Writing Now More Stories From Zimbabwe book. This book definitely worth reading, it is an incredibly well-written.
Writing Now. More Stories from Zimbabwe by Irene Staunton Pdf
The sequel to the award-winning Writing Still, this new collection of stories paints an engaging - and sometimes challenging - picture of contemporary life and concerns in Zimbabwe. Like its predecessor, Writing Now combines well-established writers - Chinodya, Mupfudzi, Eppel, Chingono - with several new voices. Although the stories emerge from lives of economic hardship and privation, their tone is by no means uniformly. Zimbabwean writers continue to demonstrate that sharp humour and surreal fantasy can grow from the bleakest of roots.
The writing in this collection, at times dark, at times laced with comedy, is set against the backdrop of Zimbabwe's 'lost decade' of rampant inflation, violence, economic collapse and the flight of many of its citizens. Its people are left to ponder - where to now? ... In these pages you will meet the prostitute who gets the better of her brothers when they try to marry her off, the wife who is absolved of the charge of adultery, the hero who drowns in a bowser of cheap beer and the poetry slammer who does not get to perform his final poem. And many more."--Back cover
Writing Still - New stories from Zimbabwe by Irene Staunton Pdf
The history of Zimbabwe has always been reflected in its oral and written literature. Much of the serious fiction written in the 1980s and early 1990s focused on the effects of Zimbabwe?s war of liberation. Little has yet been written about post-independence Zimbabwe and the complex and challenging issues that have arisen in the last twenty years. This anthology of twenty-two short stories provides a representative sample of the range and quality of writing in Zimbabwe at the turn of the century, and an impressionistic reflection of the years since independence in 1980. Included are stories by established writers Shimmer Chinodya, Charles Mungoshi, Brian Chikwava; and some younger or less established writers, , Clement Chihota, Wonder Guchu, Chiedza Musengezi, Mary Ndlovu, Vivienne Ndlovu and Stanley Nyamfukudza. The collection also reflects a slightly broader perspective with stories by Alexandra Fuller, Derek Huggins, Pat Brickhill and Chris Wilson, who engage with historical memory of the conflicts out of which Zimbabwe arose, and the lessons to be drawn from living within a culture other than one?s own. Overall, the anthology reaffirms the persistent value attached to imaginative writing in Zimbabwe, and illustrates that the country?s literary tradition is alive and well, and reshaping itself for new times.
Weaver Press's previous collections of short stories, Writing Now and Writing Still, were highly praised for the quality of their prose and the imagination of their writers. They confirmed, for one reviewer, 'the paradoxical truth that troubled societies somehow produce some of the most interesting writing available. Laughing Now goes further, and demonstrates the enduring capacity of Zimbabweans to find humour in even the most difficult of circumstances. The stories embrace funerals, dancing competitions, family tensions, rampant inflation and endless queues for scarce goods. They take a wry look at pompous politicians, foreign filmmakers and the aspirations of the so-called 'new' farmers. Those by Gappah, Chingono and Eppel won the first three prizes in the recent Mukuru.com short story competition. Zimbabwean fiction in English has become world-renowned in recent decades, but its concerns - war, trauma and the trials of independence - have chronicled the pain of those periods. Laughing Now suggests that we are finding new ways to reflect our reality; that however many zeros we add to the rate of inflation, and however hungry we may become, humour is as good a responce as any.
I Will Always Write Back by Martin Ganda,Caitlin Alifirenka Pdf
The New York Times bestselling true story of an all-American girl and a boy from Zimbabwe and the letter that changed both of their lives forever. It started as an assignment... Everyone in Caitlin's class wrote to an unknown student somewhere in a distant place. Martin was lucky to even receive a pen-pal letter. There were only ten letters, and fifty kids in his class. But he was the top student, so he got the first one. That letter was the beginning of a correspondence that spanned six years and changed two lives. In this compelling dual memoir, Caitlin and Martin recount how they became best friends—and better people—through their long-distance exchange. Their story will inspire you to look beyond your own life and wonder about the world at large and your place in it.
Engaging with Literature of Commitment. Volume 1 by Anonim Pdf
This collection ranges far and wide, as befits the personality and accomplishments of the dedicatee, Geoffrey V. Davis, German studies and exile literature scholar, postcolonialist (if there are ‘specialties’, then Australia, Canada, India, South Africa, Black Britain), journal and book series editor.... Themes covered include publishing in Africa, charisma in African drama, the rediscovery of apartheid-era South African literature, Truth and Reconciliation commissions, South African cinema, children’s theatre in England and Eritrea, and the Third Chimurenga in literary anthologies. Surveyed are texts from Botswana, Nigeria, South Africa, Tanzania, and Zimbabwe. Writers discussed (or interviewed: Angela Makholwa) include Ayi Kwei Armah, Seydou Badian, J.M. Coetzee, Chielo Zona Eze, Ruth First, Abdulrazak Gurnah, Bessie Head, Ian Holding, Kavevangua Kahengua, Njabulo Ndebele, Lara Foot Newton, Ngũgĩ wa Thiong’o/Micere Githae Mugo, Sol Plaatje, Ken Saro–Wiwa, Mongane Wally Serote, Wole Soyinka, and Ed¬gar Wallace, together with essays on the artist Sokari Douglas Camp and the filmmaker Rayda Jacobs. Because Geoff’s commitment to literature has always been ‘hands-on’, the book closes with a selection of poems and an entertaining travelogue/memoir.
Mobility in Contemporary Zimbabwean Literature in English by Magdalena Pfalzgraf Pdf
This monograph explores the concept of mobility in Zimbabwean works of fiction published in English between the introduction of the controversial Fast Track Land Reform Programme and the end of the Mugabe era. Since 2000, Zimbabwe has experienced unprecedented levels of transnational out-migration in response to the political conflicts and economic downturn often referred to as the Zimbabwe Crisis. This, in turn, has led to an increased outpouring of literary texts about migration, both in locally produced texts and in works by authors based in the diaspora. Situating Zimbabwe’s recent literary developments in a wider context of Southern African writing and history, this book focuses on texts that portray movement within Zimbabwe’s cities, between village and city, to South Africa, and overseas. The author examines important developments and trends in recent Zimbabwean literature, investigating the link between state authoritarianism and control of mobility, and literature’s potential to intervene into dominant political discourses. The book includes in-depth analyses of ten recent works of fiction published in the post-2000 era and develops mobility as a key category of literary analysis of Zimbabwe’s contemporary literatures. Setting out a rich dialogue between literary criticism and mobility studies, this book will be of interest to researchers of African literature, Southern Africa, migration, and mobility.
War in African Literature Today by Ernest Emenyo̲nu Pdf
Since the second half of the twentieth century, no single phenomenon has marred the image and development of Africa more than senseless fratricidal wars which rapidly followed the political independence of nations. This issue of African Literature Today is devoted to studies of how African writers, as historical witnesses, have handled the recreation of war as a cataclysmic phenomenon in various locations on the continent. The contributors explore the subject from a variety of perspectives: panoramic, regional, national and through comparative studies. War has enriched contemporary African literature, but at what price to human lives, peace and the environment? ERNEST EMENYONU is Professor of the Department of Africana Studies University of Michigan-Flint. The contributors include: CHIMALUM NWANKWO, CHRISTINE MATZKE, CLEMENT A. OKAFOR, INIBONG I. UKO, OIKE MACHIKO, SOPHIE OGWUDE, MAURICE TAONEZVI VAMBE, ZOE NORRIDGE and ISIDORE DIALA. Nigeria: HEBN
Weaver Press's previous collections of short stories, Writing Now and Writing Still, were highly praised for the quality of their prose and the imagination of their writers. They confirmed, for one reviewer, 'the paradoxical truth that troubled societies somehow produce some of the most interesting writing available. Laughing Now goes further, and demonstrates the enduring capacity of Zimbabweans to find humour in even the most difficult of circumstances. The stories embrace funerals, dancing competitions, family tensions, rampant inflation and endless queues for scarce goods. They take a wry look at pompous politicians, foreign filmmakers and the aspirations of the so-called 'new' farmers. Those by Gappah, Chingono and Eppel won the first three prizes in the recent Mukuru.com short story competition. Zimbabwean fiction in English has become world-renowned in recent decades, but its concerns - war, trauma and the trials of independence - have chronicled the pain of those periods. Laughing Now suggests that we are finding new ways to reflect our reality; that however many zeros we add to the rate of inflation, and however hungry we may become, humour is as good a responce as any.
Knowledge-Making from a Postgraduate Writers' Circle by Lucia Thesen Pdf
This book seeks to disrupt the narrative about the process of academic writing and the written products which are currently valued in the university by juxtaposing the messiness and deletions of the writing process with the hegemonic imaginary of what research writing should look like. The author uses writing as both a subject and a method of enquiry in an ethnographic deep dive into her long-term engagement with a postgraduate writers' circle in an elite South African university. The book engages with growing global interest in the geopolitics of research writing and its relationship to patterns of epistemic privilege, drawing on current work on decolonising knowledge production. It opens a space to widen and deepen how we imagine the relationship between writing and knowledge-making.
Finalist for the Booker Prize: the "deeply felt and fiercely written" story of a young girl's journey out of Zimbabwe and to America (New York Times Book Review), from the author of Glory. Darling is only ten years old, and yet she must navigate a fragile and violent world. In Zimbabwe, Darling and her friends steal guavas, try to get the baby out of young Chipo's belly, and grasp at memories of Before. Before their homes were destroyed by paramilitary policemen, before the school closed, before the fathers left for dangerous jobs abroad. But Darling has a chance to escape: she has an aunt in America. She travels to this new land in search of America's famous abundance only to find that her options as an immigrant are perilously few. NoViolet Bulawayo's debut calls to mind the great storytellers of displacement and arrival who have come before her — from Junot Diaz to Zadie Smith to J.M. Coetzee — while she tells a vivid, raw story all her own. "Original, witty, and devastating." —People
Thrilling, heartbreaking, and, at times, absurdly funny, The Last Resort is a remarkable true story about one family in a country under siege and a testament to the love, perseverance, and resilience of the human spirit. Born and raised in Zimbabwe, Douglas Rogers is the son of white farmers living through that country’s long and tense transition from postcolonial rule. He escaped the dull future mapped out for him by his parents for one of adventure and excitement in Europe and the United States. But when Zimbabwe’s president Robert Mugabe launched his violent program to reclaim white-owned land and Rogers’s parents were caught in the cross fire, everything changed. Lyn and Ros, the owners of Drifters–a famous game farm and backpacker lodge in the eastern mountains that was one of the most popular budget resorts in the country–found their home and resort under siege, their friends and neighbors expelled, and their lives in danger. But instead of leaving, as their son pleads with them to do, they haul out a shotgun and decide to stay. On returning to the country of his birth, Rogers finds his once orderly and progressive home transformed into something resembling a Marx Brothers romp crossed with Heart of Darkness: pot has supplanted maize in the fields; hookers have replaced college kids as guests; and soldiers, spies, and teenage diamond dealers guzzle beer at the bar. And yet, in spite of it all, Rogers’s parents–with the help of friends, farmworkers, lodge guests, and residents–among them black political dissidents and white refugee farmers–continue to hold on. But can they survive to the end? In the midst of a nation stuck between its stubborn past and an impatient future, Rogers soon begins to see his parents in a new light: unbowed, with passions and purpose renewed, even heroic. And, in the process, he learns that the "big story" he had relentlessly pursued his entire adult life as a roving journalist and travel writer was actually happening in his own backyard. Evoking elements of The Tender Bar and Absurdistan, The Last Resort is an inspiring, coming-of-age tale about home, love, hope, responsibility, and redemption. An edgy, roller-coaster adventure, it is also a deeply moving story about how to survive a corrupt Third World dictatorship with a little innovation, humor, bribery, and brothel management.
Out of Darkness, Shining Light by Petina Gappah Pdf
A powerful, moving, and revelatory novel set in nineteenth-century Africa--the captivating story of the loyal men and women who carried the body of explorer and missionary David Livingstone from Zambia to Zanzibar so that his remains could be returned home to England. Dawn, 1 May 1873, on the outskirts of Chitambo's village, near Lake Bangweulu in modern-day Zambia. The Scottish explorer and missionary David Livingstone has died. He had been heading south in the African interior on an increasingly maniacal mission to penetrate the greatest secret of Victorian exploration. He wanted to find the source of the world's longest river, the Nile. Instead, on an isolated and swampy floodplain, Dr. Livingstone found his death. How Livingstone is to be buried will be decided by his African companions, a group of sixty-nine men, women, and children. They decide that come what may, Livingstone, his papers and maps, must all be carried to England. They bury his heart and other organs under a tree and dry his flesh like jerky in the sun. Over nine months, battling severe illness and hunger, hostile chiefs and unknown terrain, all while taking a tortuous route of more than 1,000 miles to the coast to avoid marauding slave traders, they march with Livingstone's body and the evidence of his explorations. Their journey has been called "the most extraordinary story in African exploration." In this novel, their story is retold anew in the distinct, indelible voices of Livingstone's sharp-tongued female cook, Halima; a repressed, formerly enslaved African missionary named Jacob Wainwright; and the collective voice of the retainers. The result is a profound and tragic journey--an epic like no other--that encompasses all of the hypocrisy of slavery and colonization while celebrating resilience, loyalty, and love. In Out of Darkness, Shining Light, Petina Gappah has created an ambitious and artful masterpiece.
