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The night can sweat with terror as before We pieced our thoughts into philosophy, And planned to bring the world under a rule, Who are but weasels fighting in a hole. W.B. Yeats, 'Nineteen Hundred and Nineteen' This is a book about how poetry, seen through the instance of a single poem, seeks to make sense of a turbulent and dangerous world. Poetry must introduce order and shape where there is none, and also, in certain crucial cases, remain faithful to the disorder and shapelessness of experience. Many poems manage the first of these tasks; very few manage both. W.B. Yeats 'Nineteen Hundred and Nineteen' (written and first published in 1921) is one of them. It is a work which asks what happens when what is taken to be civilization crumbles. What apocalyptic events wait in the wings? What are history's victims (and executors) to do except mock and mourn? Successive chapters investigate the six parts of the poem, connecting them to Yeats' broader poetic practice, his interest in the occult and his changing vision of Irish nationalism; to the work of other poets (Irish, English, Russian German); and to Irish and European history between 1916 (the date of the Easter Uprising in Dublin) and 1923 (the date of the end of the Irish Civil War). Theoretical considerations of the shape and meaning of violence, both political and religious, link the chapters to each other.
Violence, Narrative and Myth in Joyce and Yeats by T. Balinisteanu Pdf
How can we use art to reconstruct ourselves and the material world? Is every individual an art object? Is the material world an art text? This book answers these questions by examining modernist literature, especially James Joyce and W.B. Yeats, in the context of anarchist intellectual thought and Georges Sorel's theory of social myth.
Yeats and the Drama of Sacred Space by Nicholas Meihuizen Pdf
In recent years Yeats scholarship has been, to a large extent, historically-based in emphasis. Much has been gained from this emphasis, if we consider the refinement of critical awareness resulting from a better understanding of the intricate relationship between the poet and his times. However, the present author feels that an exclusive adherence to this approach impacts negatively on our ability to appreciate and understand Yeatsian creativity from within the internally located imperatives of creativity itself, as opposed to our understanding it on the basis of aesthetically constitutive socio-historical forces operative from without. He feels a need to relocate the study of Yeats in the work and thought of the poet himself, to focus again on the poet’s own myth-making. To this end Nicholas Meihuizen examines this myth-making as it relates to certain archetypal figures, places, and structures. The figures in question are the antagonist and goddess, embodiments of conflict and feminine forces in Yeats, and they participate in a lively drama within the places and shapes considered sacred by the poet: places such as the Sligo district and Byzantium; shapes such as the circling gyres of his system. The book should be interesting and valuable to students and scholars of varying degrees of acquaintance with the poet. To long-time Yeatsians it offers fresh perspectives onto important works and preoccupations. To new students it offers a means of exploring wide-ranging material within a few central, interrelated frames, a means that mirrors Yeats’s own commitment to unity in diversity.
Violence, Narrative and Myth in Joyce and Yeats by T. Balinisteanu Pdf
How can we use art to reconstruct ourselves and the material world? Is every individual an art object? Is the material world an art text? This book answers these questions by examining modernist literature, especially James Joyce and W.B. Yeats, in the context of anarchist intellectual thought and Georges Sorel's theory of social myth.
The Gaelic Twilight and Poetics of W. B. Yeats by Samiran Kumar Paul Pdf
This book explores the question of Yeats’s identity as an important issue in the criticism of the Irish poet. The identity of the poet with the advent of postcolonial theory into Irish studies in general and Yeats’s studies in particular, this controversial issue has gained new dimensions. Whether Yeats was a revolutionary and anti-colonial nationalist or a poet with unionist and colonialist inclinations has been the subject of much debate and less agreement. One can justify any of these versions of Yeats by concentrating on some of his works and utterances and ignoring some others. However, this will result in an incomplete and partial picture of a complex, multidimensional, and ever-changing poet such as Yeats. It explores the different aspects of W. B. Yeats’s poetic theory and political ideology. It also studies Yeats’s modernity and influences on his contemporaries as well as successors, such as T. S. Eliot, Ezra Pound and W. B. Aden. Though three common themes in Yeats’ poetry are love, Irish nationalism and mysticism, modernism is the overriding theme in his writings. Yeats started his long literary career as a romantic poet and gradually evolved into a modernist poet. As a typical modern poet, he regrets the post-war modern world, which is now in disorder and chaotic tuition and laments the past.
Dans ce recueil convergent différents regards sur la poésie de W.B. Yeats. Ces pages le situent par rapport à d’autres poètes comme MacNeice. Elles nous promènent aussi des premiers volumes, où l’espace de l’écriture devient l’écriture de l’espace, à Responsabilities, volume qui témoigne d’une intensité qu’Ezra Pound qualifie de « robustesse nouvelle », puis à travers les thèmes sexuels, politiques et esthétiques de Michael Robartes and the Dancer. Nous abordons ensuite les grands poèmes de la maturité avec The Tower. Cet ouvrage envisage également des sujets généraux, comme l’importance de la tradition pour Yeats, sa conception de l’au-delà avec la dette envers l’Inde en particulier, son attitude face à la dégénérescence, sa vision de l’Apocalypse avec le symbole de la spirale. D’autres études se concentrent sur certains grands poèmes tels que « The Circus Animais Desertion », qui tisse ensemble et la vie et l’art, ou « Lapis Lazuli » et la notion de « joie tragique ».
'But I, being poor, have only my dreams; / I have spread my dreams under your feet...' By turns joyful and despairing, some of the twentieth century's greatest verse on fleeting youth, fervent hopes and futile sacrifice.
W.B. Yeats and World Literature by Barry Sheils Pdf
Arguing for a reconsideration of William Butler Yeats’s work in the light of contemporary studies of world literature, Barry Sheils shows how reading Yeats enables a fuller understanding of the relationship between the extensive map of world literary production and the intensities of poetic practice. Yeats’s appropriation of Japanese Noh theatre, his promotion of translations of Rabindranath Tagore and Shri Purohit Swãmi, and his repeated ventures into American culture signalled his commitment to moving beyond Europe for his literary reference points. Sheils suggests that a reexamination of the transnational character of Yeats's work provides an opportunity to reflect critically on the cosmopolitan assumptions of world literature, as well as on the politics of modernist translation. Through a series of close and contextual readings, the book demonstrates how continuing global debates around the crises of economic liberalism and democracy, fanaticism, asymmetric violence, and bioethics were reflected in the poet's formal and linguistic concerns. Challenging orthodox readings of Yeats as a late-romantic nationalist, W.B. Yeats and World Literature: The Subject of Poetry makes a compelling case for reading Yeats’s work in the context of its global modernity.
Religion and Aesthetic Experience in Joyce and Yeats by T. Balinisteanu Pdf
This monograph is based on archival research and close readings of James Joyce's and W. B. Yeats's poetics and political aesthetics. Georges Sorel's theory of social myth is used as a starting point for exploring the ways in which the experience of art can be seen as a form of religious experience.
The Oxford Handbook of W. B. Yeats by Lauren Arrington Pdf
The forty-two chapters in this book consider Yeats's early toil, his practical and esoteric concerns as his career developed, his friends and enemies, and how he was and is understood. This Handbook brings together critics and writers who have considered what Yeats wrote and how he wrote, moving between texts and their contexts in ways that will lead the reader through Yeats's multiple selves as poet, playwright, public figure, and mystic. It assembles a variety of views and adds to a sense of dialogue, the antinomian or deliberately-divided way of thinking that Yeats relished and encouraged. This volume puts that sense of a living dialogue in tune both with the history of criticism on Yeats and also with contemporary critical and ethical debates, not shirking the complexities of Yeats's more uncomfortable political positions or personal life. It provides one basis from which future Yeats scholarship can continue to participate in the fascination of all the contributors here in the satisfying difficulty of this great writer.