Antisemitism In Film Comedy In Nazi Germany

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Antisemitism in Film Comedy in Nazi Germany

Author : Valerie Weinstein
Publisher : Indiana University Press
Page : 278 pages
File Size : 49,6 Mb
Release : 2019-03-05
Category : Political Science
ISBN : 9780253040749

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Antisemitism in Film Comedy in Nazi Germany by Valerie Weinstein Pdf

How party propagandists worked behind the scenes to create unspoken racist messages in the German culture—even in the most lighthearted of movies. Today many Germans look back fondly on 1930s film comedies, viewing them as a part of the Nazi era that was not tainted with antisemitism. Here, Valerie Weinstein scrutinizes these comic productions and demonstrates that film comedy, despite its innocent appearance, was a critical component in the effort to separate “Jews” from “Germans” physically, economically, and artistically. Weinstein highlights how the German propaganda ministry used directives, pre- and post-production censorship, financial incentives, and influence over film critics and their judgments to replace Jewish “wit” with a slower, simpler, and more direct German “humor” that affirmed values that the Nazis associated with the Aryan race. Through contextualized analyses of historical documents and individual films, Weinstein reveals how humor, coded hints and traces, absences, and substitutes in Third Reich film comedy helped spectators imagine an abstract “Jewishness” and a “German” identity and community free from the former. As resurgent populist nationalism and overt racism continue to grow around the world today, Weinstein’s study helps us rethink racism and prejudice in popular culture and reconceptualize the relationships between film, humor, national identity, and race.

Antisemitism in Film Comedy in Nazi Germany

Author : Valerie Weinstein
Publisher : Indiana University Press
Page : 298 pages
File Size : 42,6 Mb
Release : 2019-03-05
Category : Performing Arts
ISBN : 9780253040732

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Antisemitism in Film Comedy in Nazi Germany by Valerie Weinstein Pdf

Today many Germans remain nostalgic about "classic" film comedies created during the 1930s, viewing them as a part of the Nazi era that was not tainted with antisemitism. In Antisemitism in Film Comedy in Nazi Germany, Valerie Weinstein scrutinizes these comic productions and demonstrates that film comedy, despite its innocent appearance, was a critical component in the effort to separate "Jews" from "Germans" physically, economically, and artistically. Weinstein highlights how the German propaganda ministry used directives, pre- and post-production censorship, financial incentives, and influence over film critics and their judgments to replace Jewish "wit" with a slower, simpler, and more direct German "humor" that affirmed values that the Nazis associated with the Aryan race. Through contextualized analyses of historical documents and individual films, Weinstein reveals how humor, coded hints and traces, absences, and substitutes in Third Reich film comedy helped spectators imagine an abstract "Jewishness" and a "German" identity and community free from the former. As resurgent populist nationalism and overt racism continue to grow around the world today, Weinstein’s study helps us rethink racism and prejudice in popular culture and reconceptualize the relationships between film humor, national identity, and race.

Rethinking Jewishness in Weimar Cinema

Author : Barbara Hales,Valerie Weinstein
Publisher : Berghahn Books
Page : 366 pages
File Size : 53,6 Mb
Release : 2020-11-01
Category : Performing Arts
ISBN : 9781789208733

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Rethinking Jewishness in Weimar Cinema by Barbara Hales,Valerie Weinstein Pdf

The burgeoning film industry in the Weimar Republic was, among other things, a major site of German-Jewish experience, one that provided a sphere for Jewish “outsiders” to shape mainstream culture. The chapters collected in this volume deploy new historical, theoretical, and methodological approaches to understanding the significant involvement of German Jews in Weimar cinema. Reflecting upon different conceptions of Jewishness – as religion, ethnicity, social role, cultural code, or text – these studies offer a wide-ranging exploration of an often overlooked aspect of German film history.

Continuity and Crisis in German Cinema, 1928-1936

Author : Barbara Hales,Mihaela Petrescu,Valerie Weinstein
Publisher : Boydell & Brewer
Page : 345 pages
File Size : 50,8 Mb
Release : 2016
Category : Motion pictures
ISBN : 9781571139351

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Continuity and Crisis in German Cinema, 1928-1936 by Barbara Hales,Mihaela Petrescu,Valerie Weinstein Pdf

New essays examining the differences and commonalities between late Weimar-era and early Nazi-era German cinema against a backdrop of the crises of that time.

Walt Disney

Author : Marc Eliot
Publisher : Unknown
Page : 358 pages
File Size : 52,7 Mb
Release : 1995
Category : Performing Arts
ISBN : UOM:39015038920800

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Walt Disney by Marc Eliot Pdf

This biography of the man behind the magic reconciles the private 'monster' with the artistic genius of popular culture by showing that the disturbing problems of his own life provided the rich, dark side of the animated movies.

East German Film and the Holocaust

Author : Elizabeth Ward
Publisher : Berghahn Books
Page : 259 pages
File Size : 43,8 Mb
Release : 2021-04-01
Category : History
ISBN : 9781789207484

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East German Film and the Holocaust by Elizabeth Ward Pdf

East Germany’s ruling party never officially acknowledged responsibility for the crimes committed in Germany’s name during the Third Reich. Instead, it cast communists as both victims of and victors over National Socialist oppression while marginalizing discussions of Jewish suffering. Yet for the 1977 Academy Awards, the Ministry of Culture submitted Jakob der Lügner – a film focused exclusively on Jewish victimhood that would become the only East German film to ever be officially nominated. By combining close analyses of key films with extensive archival research, this book explores how GDR filmmakers depicted Jews and the Holocaust in a country where memories of Nazi persecution were highly prescribed, tightly controlled and invariably political.

Jewish Comedy: A Serious History

Author : Jeremy Dauber
Publisher : W. W. Norton & Company
Page : 416 pages
File Size : 51,8 Mb
Release : 2017-10-31
Category : Social Science
ISBN : 9780393247886

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Jewish Comedy: A Serious History by Jeremy Dauber Pdf

Finalist for the National Jewish Book Award “Dauber deftly surveys the whole recorded history of Jewish humour.” —Economist In a major work of scholarship that explores the funny side of some very serious business (and vice versa), Jeremy Dauber examines the origins of Jewish comedy and its development from biblical times to the age of Twitter. Organizing Jewish comedy into “seven strands”—including the satirical, the witty, and the vulgar—he traces the ways Jewish comedy has mirrored, and sometimes even shaped, the course of Jewish history. Dauber also explores the classic works of such masters of Jewish comedy as Sholem Aleichem, Isaac Babel, Franz Kafka, the Marx Brothers, Woody Allen, Joan Rivers, Philip Roth, Mel Brooks, Sarah Silverman, Jon Stewart, and Larry David, among many others.

Address Unknown

Author : Kathrine Kressmann Taylor
Publisher : Simon and Schuster
Page : 68 pages
File Size : 50,5 Mb
Release : 2011-04-19
Category : Fiction
ISBN : 9781451655896

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Address Unknown by Kathrine Kressmann Taylor Pdf

A rediscovered classic, originally published in 1938 -- and now an international bestseller. Address Unknown When it first appeared in Story magazine in 1938, Address Unknown became an immediate social phenomenon and literary sensation. Published in book form a year later and banned in Nazi Germany, it garnered high praise in the United States and much of Europe. A series of fictional letters between a Jewish art dealer living in San Francisco and his former business partner, who has returned to Germany, Address Unknown is a haunting tale of enormous and enduring impact.

The "Jew" in Cinema

Author : Omer Bartov
Publisher : Indiana University Press
Page : 396 pages
File Size : 51,6 Mb
Release : 2005-01-07
Category : Performing Arts
ISBN : 0253217458

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The "Jew" in Cinema by Omer Bartov Pdf

Explores cinematic representations of the "Jew" from film's early days to the present.

Dead Funny

Author : Rudolph Herzog
Publisher : Melville House
Page : 213 pages
File Size : 50,5 Mb
Release : 2011-04-26
Category : History
ISBN : 9781935554936

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Dead Funny by Rudolph Herzog Pdf

In Nazi Germany, telling jokes about Hitler could get you killed Hitler and Göring are standing on top of the Berlin radio tower. Hitler says he wants to do something to put a smile on the Berliners’ faces. Göring says, “Why don’t you jump?” When a woman told this joke in Germany in 1943, she was arrested by the Nazis and sentenced to death by guillotine—it didn’t matter that her husband was a good German soldier who died in battle. In this groundbreaking work of history, Rudolph Herzog takes up such stories to show how widespread humor was during the Third Reich. It’s a fascinating and frightening history: from the suppression of the anti-Nazi cabaret scene of the 1930s, to jokes made at the expense of the Nazis during WWII, to the collections of “whispered jokes” that were published in the immediate aftermath of the war. Herzog argues that jokes provide a hitherto missing chapter of WWII history. The jokes show that not all Germans were hypnotized by Nazi propaganda, and, in taking on subjects like Nazi concentration camps, they record a public acutely aware of the horrors of the regime. Thus Dead Funny is a tale of terrible silence and cowardice, but also of occasional and inspiring bravery.

Hollywood and Hitler, 1933-1939

Author : Thomas Doherty
Publisher : Columbia University Press
Page : 449 pages
File Size : 54,6 Mb
Release : 2013-04-02
Category : History
ISBN : 9780231535144

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Hollywood and Hitler, 1933-1939 by Thomas Doherty Pdf

Between 1933 and 1939, representations of the Nazis and the full meaning of Nazism came slowly to Hollywood, growing more ominous and distinct only as the decade wore on. Recapturing what ordinary Americans saw on the screen during the emerging Nazi threat, Thomas Doherty reclaims forgotten films, such as Hitler's Reign of Terror (1934), a pioneering anti-Nazi docudrama by Cornelius Vanderbilt Jr.; I Was a Captive of Nazi Germany (1936), a sensational true tale of "a Hollywood girl in Naziland!"; and Professor Mamlock (1938), an anti-Nazi film made by German refugees living in the Soviet Union. Doherty also recounts how the disproportionately Jewish backgrounds of the executives of the studios and the workers on the payroll shaded reactions to what was never simply a business decision. As Europe hurtled toward war, a proxy battle waged in Hollywood over how to conduct business with the Nazis, how to cover Hitler and his victims in the newsreels, and whether to address or ignore Nazism in Hollywood feature films. Should Hollywood lie low, or stand tall and sound the alarm? Doherty's history features a cast of charismatic personalities: Carl Laemmle, the German Jewish founder of Universal Pictures, whose production of All Quiet on the Western Front (1930) enraged the nascent Nazi movement; Georg Gyssling, the Nazi consul in Los Angeles, who read the Hollywood trade press as avidly as any studio mogul; Vittorio Mussolini, son of the fascist dictator and aspiring motion picture impresario; Leni Riefenstahl, the Valkyrie goddess of the Third Reich who came to America to peddle distribution rights for Olympia (1938); screenwriters Donald Ogden Stewart and Dorothy Parker, founders of the Hollywood Anti-Nazi League; and Harry and Jack Warner of Warner Bros., who yoked anti-Nazism to patriotic Americanism and finally broke the embargo against anti-Nazi cinema with Confessions of a Nazi Spy (1939).

Nazism and Neo-nazism in Film and Media

Author : Charles Jason Peter Lee,Jason Lee
Publisher : Unknown
Page : 0 pages
File Size : 41,6 Mb
Release : 2018
Category : National socialism
ISBN : 9089649360

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Nazism and Neo-nazism in Film and Media by Charles Jason Peter Lee,Jason Lee Pdf

This timely book takes an original transnational approach to the theme of Nazism and neo-Nazism in film, media, and popular culture, with examples drawn from mainland Europe, the UK, North and Latin America, Asia, and beyond. This approach fits with the established dominance of global multimedia formats, and will be useful for students, scholars, and researchers in all forms of film and media. Along with the essential need to examine current trends in Nazism and neo-Nazism in contemporary media globally, what makes this book even more necessary is that it engages with debates that go to the very heart of our understanding of knowledge: history, memory, meaning, and truth.

Nazi Films in America, 1933-1942

Author : Harry Waldman
Publisher : McFarland
Page : 712 pages
File Size : 46,9 Mb
Release : 2020-08-05
Category : Performing Arts
ISBN : 9780786492060

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Nazi Films in America, 1933-1942 by Harry Waldman Pdf

From 1933 until America's entry into World War II in 1941, nearly 500 Nazi films were shown in American theaters, accounting for nearly half of all foreign language film imports during the period. These poorly disguised propaganda films were produced by Germany's top studios and featured prominent pro-German and Nazi actors, directors and technicians. The films were replete with overt and covert anti-Jewish imagery and themes, but in spite of this obvious intent to use the medium to justify Nazi ascendancy, viewers and film critics from such prominent publications as the New York Times, Variety, the Washington Post and the Chicago Times consistently overlooked the films' anti-Semitic message, dubbing them harmless entertainment. This is the complete history of German films shown in America from the founding of the Nazi government to America's involvement in the war. Summaries, descriptions and discussions of these almost 500 films serve to examine the major filmmakers and distributors who kept the German film industry alive during the rule of Hitler and the Third Reich. Special emphasis is placed on films directly commissioned by Joseph Goebbels, head of the German Ministry for the Enlightenment of the People and Propaganda and the man directly responsible for ensuring that the anti-Semitic ideology of the new regime was reflected in all films produced after January 30, 1933. Rarely seen photographs and illustrations complete an in-depth study of the Nazi use of this global medium.

The Merchant of Venice

Author : William Shakespeare
Publisher : Gildan Media LLC aka G&D Media
Page : 125 pages
File Size : 49,8 Mb
Release : 2024-01-09
Category : Drama
ISBN : 9781722525101

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The Merchant of Venice by William Shakespeare Pdf

The Merchant of Venice, is an intriguing drama of love, greed, and revenge. Believed to have been written in 1596, it is classified as a comedy, but while it shares certain aspects with Shakespeare's other romantic comedies, the play is perhaps remembered more for its dramatic scenes, and especially for the character of Shylock, a vengeful Venetian moneylender. At its heart, the play contrasts the characters of Shylock, with the gracious, level-headed Portia, a wealthy young woman, besieged by suitors. One suitor in particular, Antonio, a merchant in Venice, must default on a large loan provided by Shylock, who insists on the enforcement of the binding contract that will cost the life of Antonio, inciting Portia to mount a memorable defense. In this richly plotted drama, Shylock, whom Shakespeare endowed with the depth and vitality of his greatest characters, is not alone in his villainy. In fact, the large cast of ambitious and scheming characters demonstrates in scene after scene, that honesty is a quality often strained where matters of love and money are concerned. In many of the play’s productions, Shylock gives such powerful expression to his alienation due to the hatred around him that, he emerges as the hero. The suspense and gravity of the play's main plot, along with its romance, have made The Merchant of Venice an audience favorite and one of the most studied and performed of Shakespeare's plays.

German Catholicism at War, 1939-1945

Author : Thomas Brodie
Publisher : Unknown
Page : 288 pages
File Size : 51,6 Mb
Release : 2018-10-04
Category : Electronic
ISBN : 9780198827023

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German Catholicism at War, 1939-1945 by Thomas Brodie Pdf

German Catholicism at War explores the mentalities and experiences of German Catholics during the Second World War. Taking the German Home Front, and most specifically, the Rhineland and Westphalia, as its core focus German Catholicism at War examines Catholics' responses to developments inthe war, their complex relationships with the Nazi regime, and their religious practices. Drawing on a wide range of source materials stretching from personal letters and diaries to pastoral letters and Gestapo reports, Thomas Brodie breaks new ground in our understanding of the Catholic communityin Germany during the Second World War.