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“Poet, lawyer, Librarian of Congress, statesman, and professor, MacLeish (1892–1982) revived the Homeric ideal of a poet as “a man in the world.” In this authorized and idealized biography, his only flaws are a demanding nature, many discreet infidelities, and lack of interest in his children. Fortunately, Donaldson . . . is as successful in celebrating MacLeish’s strengths as he has been in tracing the demons that destroyed Cheever . . . Fitzgerald, and Hemingway. Born into a wealthy Illinois family, MacLeish attended Yale and Harvard Law, married his childhood sweetheart, and moved to Paris, where he joined the circle around Joyce and Hemingway (his lifelong friend) and, sustained by family resources, devoted himself to poetry. Returning to N.Y.C., he spent the 30’s editing and writing for Fortune magazine while producing radio and stage plays (starring the young Orson Welles) that expressed his liberal politics. In the 40’s, MacLeish served as the first Librarian of Congress, then as Secretary of State for Cultural Affairs, and, after helping to write the preamble to the UN Charter, worked for UNESCO. Even after accepting a Harvard professorship in 1946, he remained a mediator between the worlds of art and of public life, urging the release of Ezra Pound from his mental asylum and publishing, the day after the first moon landing, a celebratory poem on the front page of The New York Times. MacLeish’s last years were spent lecturing, traveling, gathering prizes, entertaining friends (including Richard Burton and Liz Taylor), and writing dramas, as well as private but unrevealing poems about old age, his various affairs, and the bliss he found in his marriage. For such a long and spectacular life, this is a spare and unpretentious biography, like MacLeish’s verse. Donaldson is informed, respectful, and comfortable with the many different roles his subject played. He tastefully draws on unpublished verse to illuminate the shadows—but mostly, like MacLeish himself, stays in the light.” —Library Journal
"'Land of the Free' is the opposite of a book of poems illustrated by photographs. It is a book of photographs illustrated by a poem. The photographs, most of which were taken for the Resettlement Administration existed before the poem was written. The book is the result of an attempt to give these photographs an accompaniment of words. In so far as the form of the book is unusual, it is a form imposed by the difficulties of that attempt. The original purpose had been to write some sort of text to which these photographs might serve as commentary. But so great was the power and the stubborn inward livingness of these vivid American documents that the result was a reversal of that plan. The poem was written in July and August, 1937, at Conway, Massachusetts"--A. Mac L., back jacket flap.
A Study Guide for Archibald MacLeish's "J. B." by Gale, Cengage Learning Pdf
A Study Guide for Archibald MacLeish's "J. B.," excerpted from Gale's acclaimed Drama For Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Drama For Students for all of your research needs.
A Study Guide for Archibald MacLeish's "Ars Poetica" by Gale, Cengage Learning Pdf
A Study Guide for Archibald MacLeish's "Ars Poetica," excerpted from Gale's acclaimed Poetry for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Poetry for Students for all of your research needs.
Present at the Creation, Leaping in the Dark, and Going Against the Grain by Stuart Ostrow Pdf
(Applause Books). "The best way I know to resuscitate the theatre is to produce dangerous new works." Stuart Ostrow. Producer Stuart Ostrow's manifesto of how intelligent life might be restored to the theatre is also a unique personal memoir of the producer-creator relationship and an evaluation of the essentials that can make a show fly, or remain earthbound. As a solo producer, Ostrow's many productions include M. Butterfly , which won the Tony Award for Best Play; Pippin ; and 1776 , which received both the New York and London Drama Critics Awards as well as the Tony Award for Best Musical. He produced the original Broadway production of the critically acclaimed La Bete , which won the Olivier Award in London for Best Comedy. Ostrow was brought in to fix the original production of Chicago , collaborated with Anthony Hopkins on a London production of M. Butterfly , that was not meant to be, and even had his own play, Stages , directed on Broadway by the avant-garde theatrical pioneer Richard Foreman. He riffs about the heroes and heels he's met along the way and that great cast includes Frank Loesser, Meredith Willson, Mel Brooks, Mike Nichols, Bob Fosse, David Geffen, Andrew Lloyd Webber, David Henry Hwang, John Kander, Fred Ebb, and many more.
This collection showcases the early work of Pulitzer Prize-winning poet Archibald MacLeish. With themes ranging from love to war, the poems in this volume demonstrate MacLeish's mastery of language and form. A must-have for poetry lovers and fans of MacLeish's work. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Modernism at the Microphone by Melissa Dinsman Pdf
As the Second World War raged throughout Europe, modernist writers often became crucial voices in the propaganda efforts of both sides. Modernism at the Microphone: Radio, Propaganda, and Literary Aesthetics During World War II is a comprehensive study of the role modernist writers' radio works played in the propaganda war and the relationship between modernist literary aesthetics and propaganda. Drawing on new archival research, the book covers the broadcast work of such key figures as George Orwell, Orson Welles, Dorothy L. Sayers, Louis MacNeice, Mulk Raj Anand, T.S. Eliot, and P.G. Wodehouse. In addition to the work of Anglo-American modernists, Melissa Dinsman also explores the radio work of exiled German writers, such as Thomas Mann, as well as Ezra Pound's notorious pro-fascist broadcasts. In this way, the book reveals modernism's engagement with new technologies that opened up transnational boundaries under the pressures of war.