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Bitch Planet: Triple Feature #5 by Matt Fraction,Nyambi Nyambi,Bassey Nyambi,Eyang Nyambi,Jon Tsuei Pdf
DeCONNICK and DE LANDRO PRESENT: The Triple Feature! Patriarchy is the disease. We are the cure. Join the resistance with tales of appropriation, erasure, and feminist grannies...all with a healthy dose of backmatter. 100% Grade-A satire. Doctor approved, patient demanded.
Bitch Planet Volume 2: President Bitch by Kelly Sue DeConnick Pdf
Eisner Award-nominated writer KELLY SUE DeCONNICK (PRETTY DEADLY, Captain Marvel) and VALENTINE DE LANDRO (X-Factor) follow up on the success of EXTRAORDINARY MACHINE with the second installment of their highly acclaimed and fiercely unapologetic BITCH PLANET. A few years down the road in the wrong direction, a woman's failure to comply with her patriarchal overlords results in exile to the meanest penal planet in the galaxy. But what happened on Earth that this new world order came to pass in the first place? Return to the grim corridors of Auxiliary Compliance Outpost #2, to uncover the first clues to the history of the world as we know it…and meet PRESIDENT BITCH This volume collects issues #6-10, a reader discussion guide and additional bonus materials. "BITCH PLANET is the best kind of [f-d]-up: a comic that entertains, breaks hearts and wields the power to change the way you look at the world around you." - kotaku.com
2014 Best Writer Eisner Award nominee KELLY SUE DeCONNICK (PRETTY DEADLY, Captain Marvel) and VALENTINE DE LANDRO (X-Factor) team up for the very third time to bring you the premiere issue of BITCH PLANET, their highly-anticipated womenin- prison sci-fi exploitation riff. Think Margaret Atwood meets Inglourious Basterds.
DeCONNICK & DE LANDRO PRESENT: THE TRIPLE FEATURE! Ripped directly from the world of BITCH PLANET, a crack team of creators spin 15 teeth-clenching tales of rage, revolution, and ridicule. Patriarchy bewarethis sci-fi kidney punch can't be stopped'! 100% Grade-A satire. Accept no substitutes. Collects BITCH PLANET: TRIPLE FEATURE #1-5
Bitch Planet Triple Feature #2 by Che Grayson,Danielle Henderson,Jordan Clark Pdf
DECONNICK and DE LANDRO PRESENT: The Triple Feature! Patriarchy bewareÉthis sci-fi kidney punch can't be stopped! Return to BITCH PLANET for more tales from a world gone upside downÉthat might just be around the corner Plus all the backmatter you can handle! 100 percent Grade A satire. Tell your friends. Tell your enemies.
Bitch Planet: Triple Feature #3 by Alissa Sallah,Dylan Meconis,Kit Cox Pdf
DeCONNICK DE LANDRO PRESENT: THE TRIPLE FEATURE! Back for more?? Three talented teams bring the hot, hot heat to entrenched patriarchy everywhere. New stories from the front lines of BITCH PLANET and all the backmatter you can handle. 100% Grade-A satire. Funny 'til it hurts.
The Bitches enter the arena for their very first deathsport match. From 2014 Best Writer Eisner nominee KELLY SUE DeCONNICK (PRETTY DEADLY, Captain Marvel) and VALENTINE De LANDRO (X-Factor) with colorist CRIS PETER (CASANOVA) and letterer CLAYTON COWLES (THE WICKED + THE DIVINE).
Bitch Planet: Triple Feature #1 by Cheryl Lynn Eaton,Andrew Aydin,Conley Lyons Pdf
DECONNICK & DE LANDRO PRESENT: THE TRIPLE FEATURE! Ripped directly from the world of BITCH PLANET, a crack team of creators spin three teeth-clenching tales of rage, revolution, and ridicule. PLUS: Essays, letter column, and more! 100% Grade A satire. Accept no substitutes.
After a cataclysmic plague sweeps across America, survivors come together to form citystate-like communities for safety. Daisy Walker is a Runner for The Compound, a mix of post-apocalyptic postal service and black market salvaging operation. It is a Runner's job to ferry items and people between settlements, and on occasion scavenge through the ruins of the old world. Daisy is the best there is at what she does. Out beyond the settlement walls are innumerable dangers: feral animals, crumbling structures, and Abominations - those that were touched by the plague and became something other. After a decade of surviving, Daisy isn't phased by any of it - until her lover, another Runner named Heather, goes missing on a job. Desperate to find her, Daisy begins to see that there may be little difference between the world inside the walls and the horrors beyond. From writer Vita Ayala (X-Men: Children Of The Atom, Bitch Planet: Triple Feature, Morbius) and Emily Pearson (Snap Flash Hustle) with a cover by Natasha Alterici (Heathen), comes this bold tale of surviving in bleak times. Collects issues 1-5. "With a beautiful and horrific twist on the classic zombie at the heart, Ayala and Pearson craft a bold new dystopia that can't be missed." - James Tynion IV (Batman, Something Is Killing The Children, Department Of Truth) "The Wilds is the kind of book that stays with you long after you read it. The characters, the world, the images, all leave you desperate to read more. It's haunting in the best possible way." -Matthew Rosenberg (4 Kids Walk Into A Bank, Uncanny X-Men) "Mad Max meets Day Of The Dead, with the beautiful impressionistic style of Tarsem Singh... this is The Wilds. A pitch-perfect callback to the metaphorical heart of apocalypse fiction that began with Night Of The Living Dead, with the action you need waiting beneath the cover." -Steve Orlando (Midnighter, Supergirl, Justice League of America) “The Wilds is that rare book you open to page one and know immediately you’ve found something special. A dark, creeping garden of story full of wonders and terrors... With the Wilds, Ayala has crafted a gripping, poetic and deeply scary, post apocalyptic world like none other." –Scott Snyder (Batman, Wytches)
With his stunning debut novel, She's Come Undone, Wally Lamb won the adulation of critics and readers with his mesmerizing tale of one woman's painful yet triumphant journey of self-discovery. Now, this brilliantly talented writer returns with I Know This Much Is True, a heartbreaking and poignant multigenerational saga of the reproductive bonds of destruction and the powerful force of forgiveness. A masterpiece that breathtakingly tells a story of alienation and connection, power and abuse, devastation and renewal--this novel is a contemporary retelling of an ancient Hindu myth. A proud king must confront his demons to achieve salvation. Change yourself, the myth instructs, and you will inhabit a renovated world. When you're the same brother of a schizophrenic identical twin, the tricky thing about saving yourself is the blood it leaves on your bands--the little inconvenience of the look-alike corpse at your feet. And if you're into both survival of the fittest and being your brother's keeper--if you've promised your dying mother--then say so long to sleep and hello to the middle of the night. Grab a book or a beer. Get used to Letterman's gap-toothed smile of the absurd, or the view of the bedroom ceiling, or the influence of random selection. Take it from a godless insomniac. Take it from the uncrazy twin--the guy who beat the biochemical rap. Dominick Birdsey's entire life has been compromised and constricted by anger and fear, by the paranoid schizophrenic twin brother he both deeply loves and resents, and by the past they shared with their adoptive father, Ray, a spit-and-polish ex-Navy man (the five-foot-six-inch sleeping giant who snoozed upstairs weekdays in the spare room and built submarines at night), and their long-suffering mother, Concettina, a timid woman with a harelip that made her shy and self-conscious: She holds a loose fist to her face to cover her defective mouth--her perpetual apology to the world for a birth defect over which she'd had no control. Born in the waning moments of 1949 and the opening minutes of 1950, the twins are physical mirror images who grow into separate yet connected entities: the seemingly strong and protective yet fearful Dominick, his mother's watchful "monkey"; and the seemingly weak and sweet yet noble Thomas, his mother's gentle "bunny." From childhood, Dominick fights for both separation and wholeness--and ultimately self-protection--in a house of fear dominated by Ray, a bully who abuses his power over these stepsons whose biological father is a mystery. I was still afraid of his anger but saw how he punished weakness--pounced on it. Out of self-preservation I hid my fear, Dominick confesses. As for Thomas, he just never knew how to play defense. He just didn't get it. But Dominick's talent for survival comes at an enormous cost, including the breakup of his marriage to the warm, beautiful Dessa, whom he still loves. And it will be put to the ultimate test when Thomas, a Bible-spouting zealot, commits an unthinkable act that threatens the tenuous balance of both his and Dominick's lives. To save himself, Dominick must confront not only the pain of his past but the dark secrets he has locked deep within himself, and the sins of his ancestors--a quest that will lead him beyond the confines of his blue-collar New England town to the volcanic foothills of Sicily 's Mount Etna, where his ambitious and vengefully proud grandfather and a namesake Domenico Tempesta, the sostegno del famiglia, was born. Each of the stories Ma told us about Papa reinforced the message that he was the boss, that he ruled the roost, that what he said went. Searching for answers, Dominick turns to the whispers of the dead, to the pages of his grandfather's handwritten memoir, The History of Domenico Onofrio Tempesta, a Great Man from Humble Beginnings. Rendered with touches of magic realism, Domenico's fablelike tale--in which monkeys enchant and religious statues weep--becomes the old man's confession--an unwitting legacy of contrition that reveals the truth's of Domenico's life, Dominick learns that power, wrongly used, defeats the oppressor as well as the oppressed, and now, picking through the humble shards of his deconstructed life, he will search for the courage and love to forgive, to expiate his and his ancestors' transgressions, and finally to rebuild himself beyond the haunted shadow of his twin. Set against the vivid panoply of twentieth-century America and filled with richly drawn, memorable characters, this deeply moving and thoroughly satisfying novel brings to light humanity's deepest needs and fears, our aloneness, our desire for love and acceptance, our struggle to survive at all costs. Joyous, mystical, and exquisitely written, I Know This Much Is True is an extraordinary reading experience that will leave no reader untouched.
Gender and the Superhero Narrative by Michael Goodrum,Tara Prescott-Johnson,Philip Smith Pdf
Contributions by Dorian L. Alexander, Janine Coleman, Gabriel Gianola, Mel Gibson, Michael Goodrum, Tim Hanley, Vanessa Hemovich, Christina Knopf, Christopher McGunnigle, Samira Nadkarni, Ryan North, Lisa Perdigao, Tara Prescott-Johnson, Philip Smith, and Maite Ucaregui The explosive popularity of San Diego’s Comic-Con, Star Wars: The Force Awakens and Rogue One, and Netflix’s Jessica Jones and Luke Cage all signal the tidal change in superhero narratives and mainstreaming of what were once considered niche interests. Yet just as these areas have become more openly inclusive to an audience beyond heterosexual white men, there has also been an intense backlash, most famously in 2015’s Gamergate controversy, when the tension between feminist bloggers, misogynistic gamers, and internet journalists came to a head. The place for gender in superhero narratives now represents a sort of battleground, with important changes in the industry at stake. These seismic shifts—both in the creation of superhero media and in their critical and reader reception—need reassessment not only of the role of women in comics, but also of how American society conceives of masculinity. Gender and the Superhero Narrative launches ten essays that explore the point where social justice meets the Justice League. Ranging from comics such as Ms. Marvel, Batwoman: Elegy, and Bitch Planet to video games, Netflix, and cosplay, this volume builds a platform for important voices in comics research, engaging with controversy and community to provide deeper insight and thus inspire change.