British Tv Film Culture In The 1950s

British Tv Film Culture In The 1950s Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of British Tv Film Culture In The 1950s book. This book definitely worth reading, it is an incredibly well-written.

British Tv & Film Culture in the 1950s

Author : Su Holmes
Publisher : Intellect (UK)
Page : 282 pages
File Size : 54,5 Mb
Release : 2005
Category : Performing Arts
ISBN : UCSC:32106018013588

Get Book

British Tv & Film Culture in the 1950s by Su Holmes Pdf

This book focuses on the emerging historical relations between British television and film culture in the 1950s. Drawing upon archival research, it does this by exploring the development of the early cinema programme on television - principally Current Release (BBC, 1952-3), Picture Parade (BBC, 1956) and Film Fanfare (ABC, 1956-7) - and argues that it was these texts which played the central role in the developing relations between the media. Particularly when it comes to Britain, the early co-existence of television and cinema has been seen as hostile and antagonistic, but in situating these programmes within the contexts of their institutional production, aesthetic construction and reception, the book aims to 'reconstruct' television's coverage of the cinema as crucial to the fabric of British film and television culture at the time. It demonstrates how the roles of cinema and television - as media industries and cultural forms, but crucially as sites of screen entertainment - effectively came together at this time in such a way that is unique to this decade.

British Tv & Film Culture in the 1950s

Author : Su Holmes
Publisher : Intellect (UK)
Page : 280 pages
File Size : 50,6 Mb
Release : 2005
Category : Performing Arts
ISBN : UOM:39015060847749

Get Book

British Tv & Film Culture in the 1950s by Su Holmes Pdf

This book focuses on the emerging historical relations between British television and film culture in the 1950s. Drawing upon archival research, it does this by exploring the development of the early cinema programme on television - principally Current Release (BBC, 1952-3), Picture Parade (BBC, 1956) and Film Fanfare (ABC, 1956-7) - and argues that it was these texts which played the central role in the developing relations between the media. Particularly when it comes to Britain, the early co-existence of television and cinema has been seen as hostile and antagonistic, but in situating these programmes within the contexts of their institutional production, aesthetic construction and reception, the book aims to 'reconstruct' television's coverage of the cinema as crucial to the fabric of British film and television culture at the time. It demonstrates how the roles of cinema and television - as media industries and cultural forms, but crucially as sites of screen entertainment - effectively came together at this time in such a way that is unique to this decade.

The Shifting Definitions of Genre

Author : Lincoln Geraghty,Mark Jancovich
Publisher : McFarland
Page : 269 pages
File Size : 51,6 Mb
Release : 2008-04-07
Category : Performing Arts
ISBN : 9780786434305

Get Book

The Shifting Definitions of Genre by Lincoln Geraghty,Mark Jancovich Pdf

Histories of science fiction often dicuss Fritz Lang's Metropolis as a classic work within the genre--yet the term "science fiction" had not been invented at the time of the film's release. If the genre did not have a name, did it exist? Does retroactive assignment to a genre change our understanding of a film? Do films shift in meaning and status as the name of a genre changes meaning over time? These provocative questions are at the heart of this book, whose thirteen essays examine the varying constructions of genre within film, television, and other entertainment media. Collectively, the authors argue that generic labels are largely irrelevant or even detrimental to the works to which they are applied. Part One examines the meanings of genre and reveals how the media is involved in the production and dissemination of generic definitions. Part Two considers specific films (or groups of films) and their relationships within various categorizations. Part Three focuses on the closely tied concepts of history and memory as they relate to the perceptions of genre.

Television and Consumer Culture

Author : Rob Turnock
Publisher : Bloomsbury Publishing
Page : 256 pages
File Size : 43,6 Mb
Release : 2007-07-30
Category : Social Science
ISBN : 9780857717320

Get Book

Television and Consumer Culture by Rob Turnock Pdf

The radical expansion of television broadcasting in the post-war years and beyond both reflected and promoted a cultural revolution sweeping across British society. Reaching out to a mass audience for the first time, the new television industry made visible the transition from drab austerity and seeming cultural consensus to the brash, heady glitz and individualism of the new consumer age."Television and Consumer Culture" explores television's institutional, technological and programming developments during this period, revealing how genres as different as action adventure series, serious dramas, situation comedies and quiz and game shows simultaneously promoted both consumer culture and class conflict. Drawing on historical analysis and sociological theory, and looking at issues such as celebrity, scheduling, intimacy and sociability, Turnock argues that television during this era established and promoted itself as a culturally powerful force, a fact that has implications for the way that media power is understood to operate today.

A Companion to British and Irish Cinema

Author : John Hill
Publisher : John Wiley & Sons
Page : 605 pages
File Size : 51,7 Mb
Release : 2019-07-18
Category : Performing Arts
ISBN : 9781118477519

Get Book

A Companion to British and Irish Cinema by John Hill Pdf

A stimulating overview of the intellectual arguments and critical debates involved in the study of British and Irish cinemas British and Irish film studies have expanded in scope and depth in recent years, prompting a growing number of critical debates on how these cinemas are analysed, contextualized, and understood. A Companion to British and Irish Cinema addresses arguments surrounding film historiography, methods of textual analysis, critical judgments, and the social and economic contexts that are central to the study of these cinemas. Twenty-nine essays from many of the most prominent writers in the field examine how British and Irish cinema have been discussed, the concepts and methods used to interpret and understand British and Irish films, and the defining issues and debates at the heart of British and Irish cinema studies. Offering a broad scope of commentary, the Companion explores historical, cultural and aesthetic questions that encompass over a century of British and Irish film studies—from the early years of the silent era to the present-day. Divided into five sections, the Companion discusses the social and cultural forces shaping British and Irish cinema during different periods, the contexts in which films are produced, distributed and exhibited, the genres and styles that have been adopted by British and Irish films, issues of representation and identity, and debates on concepts of national cinema at a time when ideas of what constitutes both ‘British’ and ‘Irish’ cinema are under question. A Companion to British and Irish Cinema is a valuable and timely resource for undergraduate and postgraduate students of film, media, and cultural studies, and for those seeking contemporary commentary on the cinemas of Britain and Ireland.

The Routledge Companion to British Media History

Author : Martin Conboy,John Steel
Publisher : Routledge
Page : 628 pages
File Size : 52,6 Mb
Release : 2014-09-15
Category : Social Science
ISBN : 9781317629467

Get Book

The Routledge Companion to British Media History by Martin Conboy,John Steel Pdf

The Routledge Companion to British Media History provides a comprehensive exploration of how different media have evolved within social, regional and national contexts. The 50 chapters in this volume, written by an outstanding team of internationally respected scholars, bring together current debates and issues within media history in this era of rapid change, and also provide students and researchers with an essential collection of comparable media histories. The Routledge Companion to British Media History provides an essential guide to key ideas, issues, concepts and debates in the field. Chapter 40 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 3.0 license. https://www.routledgehandbooks.com/doi/10.4324/9781315756202.ch40

The Tube Has Spoken

Author : Julie Anne Taddeo,Ken Dvorak
Publisher : University Press of Kentucky
Page : 275 pages
File Size : 55,7 Mb
Release : 2009-12-31
Category : Performing Arts
ISBN : 9780813139388

Get Book

The Tube Has Spoken by Julie Anne Taddeo,Ken Dvorak Pdf

Featuring ordinary people, celebrities, game shows, hidden cameras, everyday situations, and humorous or dramatic situations, reality TV is one of the fastest growing and important popular culture trends of the past decade, with roots reaching back to the days of radio. The Tube Has Spoken provides an analysis of the growing phenomenon of reality TV, its evolution as a genre, and how it has been shaped by cultural history. This collection of essays looks at a wide spectrum of shows airing from the 1950s to the present, addressing some of the most popular programs including Alan Funt's Candid Camera, Big Brother, Wife Swap, Kid Nation, and The Biggest Loser. It offers both a multidisciplinary approach and a cross-cultural perspective, considering Australian, Canadian, British, and American programs. In addition, the book explores how popular culture shapes modern western values; for example, both An American Family and its British counterpart, The Family, showcase the decline of the nuclear family in response to materialistic pressures and the modern ethos of individualism. This collection highlights how reality TV has altered the tastes and values of audiences in the twentieth and twenty-first centuries. It analyzes how reality TV programs reflect the tensions between the individual and the community, the transformative power of technology, the creation of the celebrity, and the breakdown of public and private spheres.

British Cinema in the 1950's

Author : Ian MacKillop,Neil Sinyard
Publisher : Manchester University Press
Page : 252 pages
File Size : 44,6 Mb
Release : 2003-06-28
Category : History
ISBN : 0719064899

Get Book

British Cinema in the 1950's by Ian MacKillop,Neil Sinyard Pdf

Covering a variety of genres, such as war films and women's pictures, as well as social issues which affect film-making, this is a re-evaluation of what has until now been seen as the most critically lacklustre period of the British film industry.

British Cinema of the 1950s

Author : Sue Harper,Vincent Porter
Publisher : OUP Oxford
Page : 436 pages
File Size : 41,9 Mb
Release : 2003-09-11
Category : Performing Arts
ISBN : 9780191541643

Get Book

British Cinema of the 1950s by Sue Harper,Vincent Porter Pdf

In this definitive and long-awaited history of 1950s British cinema, Sue Harper and Vincent Porter draw extensively on previously unknown archive material to chart the growing rejection of post-war deference by both film-makers and cinema audiences. Competition from television and successive changes in government policy all forced the production industry to become more market-sensitive. The films produced by Rank and Ealing, many of which harked back to wartime structures of feeling, were challenged by those backed by Anglo-Amalgamated and Hammer. The latter knew how to address the rebellious feelings and growing sexual discontents of a new generation of consumers. Even the British Board of Film Censors had to adopt a more liberal attitude. The collapse of the studio system also meant that the screenwriters and the art directors had to cede creative control to a new generation of independent producers and film directors. Harper and Porter explore the effects of these social, cultural, industrial, and economic changes on 1950s British cinema.

Framing Celebrity

Author : Su Holmes,Sean Redmond
Publisher : Routledge
Page : 366 pages
File Size : 50,5 Mb
Release : 2012-11-12
Category : Performing Arts
ISBN : 9781135653712

Get Book

Framing Celebrity by Su Holmes,Sean Redmond Pdf

Celebrity culture has a pervasive presence in our everyday lives – perhaps more so than ever before. It shapes not simply the production and consumption of media content but also the social values through which we experience the world. This collection analyses this phenomenon, bringing together essays which explore celebrity across a range of media, cultural and political contexts. The authors investigate topics such as the intimacy of fame, political celebrity, stardom in American ‘quality’ television (Sarah Jessica Parker), celebrity 'reality' TV (I’m a Celebrity ... Get Me Out of Here!), the circulation of the porn star, the gallery film (David/David Beckham), the concept of cartoon celebrity (The Simpsons), fandom and celebrity (k.d. lang, *NSYNC), celebrity in the tabloid press, celebrity magazines (heat, Celebrity Skins), the fame of the serial killer and narratives of mental illness in celebrity culture. The collection is organized into four themed sections: Fame Now broadly examines the contemporary contours of fame as they course through new media sites (such as 'reality' TV and the internet) and different social, cultural and political spaces. Fame Body attempts to situate the star or celebrity body at the centre of the production, circulation and consumption of contemporary fame. Fame Simulation considers the increasingly strained relationship between celebrity and artifice and ‘authenticity’. Fame Damage looks at the way the representation of fame is bound up with auto-destructive tendencies or dissolution.

The Tories and Television, 1951-1964

Author : Anthony Ridge-Newman
Publisher : Springer
Page : 168 pages
File Size : 42,5 Mb
Release : 2016-11-08
Category : History
ISBN : 9781137562548

Get Book

The Tories and Television, 1951-1964 by Anthony Ridge-Newman Pdf

This book explores the role of television in the 1950s and early 1960s, with a focus on the relationship between Tories and TV. The early 1950s were characterized by recovery from war and high politics. Television was a new medium that eventually came to dominate mass media and political culture. But what impact did this transition have on political organization and elite power structures? Winston Churchill avoided it; Anthony Eden wanted to control it; Harold Macmillan tried to master it; and Alec Douglas-Home was not Prime Minister long enough to fully utilize it. The Conservative Party’s relationship with the new medium of television is a topic rich with scholarly questions and interesting quirks that were characteristic of the period. This exploration examines the changing dynamics between politics and the media, at grassroots and elite levels. Through analysing rich and diverse source materials from the Conservative Party Archive, Anthony Ridge-Newman takes a case study approach to comparing the impact of television at different points in the party’s history. In mapping changes across a thirteen year period of continual Conservative governance, this book argues that the advent of television contributed to the party’s transition from a membership-focused party to a television-centric professionalized elite.

Film Criticism and Digital Cultures

Author : Andrew McWhirter
Publisher : Bloomsbury Publishing
Page : 272 pages
File Size : 45,9 Mb
Release : 2016-08-26
Category : Performing Arts
ISBN : 9781786730398

Get Book

Film Criticism and Digital Cultures by Andrew McWhirter Pdf

'The critic is dead.' 'Everyone's a critic.' These statements reflect some of the perceptions of film criticism in a time when an opinion can be published in seconds, yet reach an audience of millions. This book examines the reality of contemporary film criticism, by talking to leading practitioners in the UK and North America - such as Nick James, Mark Cousins, Jonathan Rosenbaum and Richard Porton - and by covering a broad spectrum of influential publications - including Sight & Sound, The Guardian, Cineaste, indieWIRE and Variety. Forming a major new contribution to an emerging field of study, these enquiries survey the impact of larger cultural, economic and technological processes facing society, media and journalism. Historical perspectives on criticism from ancient times and current debates in journalism and digital media are used to unravel questions, such as: what is the relationship between crisis and criticism? In what way does the web change the functions and habits of practitioners? What influences do film industries have on the critical act? And how engaged are practitioners with converged and creative film criticism such as the video essay?In the face of transformative digital idealism, empirical findings here redress the balance and argue the case for evolution rather than revolution taking place within film criticism.

London’s Working-Class Youth and the Making of Post-Victorian Britain, 1958–1971

Author : Felix Fuhg
Publisher : Springer Nature
Page : 444 pages
File Size : 48,7 Mb
Release : 2021-05-20
Category : History
ISBN : 9783030689681

Get Book

London’s Working-Class Youth and the Making of Post-Victorian Britain, 1958–1971 by Felix Fuhg Pdf

This book examines the emergence of modern working-class youth culture through the perspective of an urban history of post-war Britain, with a particular focus on the influence of young people and their culture on Britain’s self-image as a country emerging from the constraints of its post-Victorian, imperial past. Each section of the book – Society, City, Pop, and Space – considers in detail the ways in which working-class youth culture corresponded with a fast-changing metropolitan and urban society in the years following the decline of the British Empire. Was teenage culture rooted in the urban experience and the transformation of working-class neighbourhoods? Did youth subcultures emerge simply as a reaction to Britain's changing racial demographic? To what extent did leisure venues and institutions function as laboratories for a developing British pop culture, which ultimately helped Britain re-establish its prominence on the world stage? These questions and more are answered in this book.

Shakespeare and Sexuality in the Comedy of Morecambe & Wise

Author : Stephen Hamrick
Publisher : Springer Nature
Page : 346 pages
File Size : 40,7 Mb
Release : 2020-02-18
Category : Performing Arts
ISBN : 9783030339586

Get Book

Shakespeare and Sexuality in the Comedy of Morecambe & Wise by Stephen Hamrick Pdf

Contextualizing the duo’s work within British comedy, Shakespeare criticism, the history of sexuality, and their own historical moment, this book offers the first sustained analysis of the 20th Century’s most successful double-act. Over the course of a forty-four-year career (1940-1984), Eric Morecambe & Ernie Wise appropriated snippets of verse, scenes, and other elements from seventeen of Shakespeare’s plays more than one-hundred-and-fifty times. Fashioning a kinder, more inclusive world, they deployed a vast array of elements connected to Shakespeare, his life, and institutions. Rejecting claims that they offer only nostalgic escapism, Hamrick analyses their work within contemporary contexts, including their engagement with many forms and genres, including Variety, the heritage industry, journalism, and more. ‘The Boys’ deploy Shakespeare to work through issues of class, sexuality, and violence. Lesbianism, drag, gay marriage, and a queer aesthetics emerge, helping to normalize homosexuality and complicate masculinity in the ‘permissive’ 1960s.

Network Nations

Author : Michele Hilmes
Publisher : Routledge
Page : 368 pages
File Size : 48,6 Mb
Release : 2012-05-23
Category : Language Arts & Disciplines
ISBN : 9781136911187

Get Book

Network Nations by Michele Hilmes Pdf

In Network Nations, Michele Hilmes reveals and re-conceptualizes the roots of media globalization through a historical look at the productive transnational cultural relationship between British and American broadcasting. Though frequently painted as opposites--the British public service tradition contrasting with the American commercial system--in fact they represent two sides of the same coin. Neither could have developed without the constant presence of the other, in terms not only of industry and policy but of aesthetics, culture, and creativity, despite a long history of oppositional rhetoric. Based on primary research in British and American archives, Network Nations argues for a new transnational approach to media history, looking across the traditional national boundaries within which media is studied to encourage an awareness that media globalization has a long and fruitful history. Placing media history in the framework of theories of nationalism and national identity, Hilmes examines critical episodes of transnational interaction between the US and Britain, from radio’s amateurs to the relationship between early network heads; from the development of radio features and drama to television spy shows and miniseries; as each other’s largest suppliers of programming and as competitors on the world stage; and as a network of creative, business, and personal relationships that has rarely been examined, but that shapes television around the world. As the global circuits of television grow and as global regions, particularly Europe, attempt to define a common culture, the historical role played by the British/US media dialogue takes on new significance.