Cinema Italian Style

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Italian Style

Author : Eugenia Paulicelli
Publisher : Bloomsbury Publishing USA
Page : 288 pages
File Size : 55,5 Mb
Release : 2016-09-22
Category : Performing Arts
ISBN : 9781623568580

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Italian Style by Eugenia Paulicelli Pdf

This is the first in-depth, book-length study on fashion and Italian cinema from the silent film to the present. Italian cinema launched Italian fashion to the world. The book is the story of this launch. The creation of an Italian style and fashion as they are perceived today, especially by foreigners, was a product of the post World War II years. Before then, Parisian fashion had dominated Europe and the world. Just as fashion was part of Parisian and French national identity, the book explores the process of shaping and inventing an Italian style and fashion that ran parallel to, and at times took the lead in, the creation of an Italian national identity. In bringing to the fore these intersections, as well as emphasizing the importance of craft in cinema, fashion and costume design, the book aims to offer new visions of films by directors such as Nino Oxilia, Mario Camerini, Alessandro Blasetti, Federico Fellini, Michelangelo Antonioni, Luchino Visconti and Paolo Sorrentino, of film stars such as Lyda Borelli, Francesca Bertini, Pina Menichelli, Lucia Bosè, Monica Vitti, Marcello Mastroianni, Toni Servillo and others, and the costume archives and designers who have been central to the development of Made in Italy and Italian style.

Comedy Italian Style

Author : Rémi Fournier Lanzoni
Publisher : Continuum
Page : 294 pages
File Size : 43,9 Mb
Release : 2008
Category : Performing Arts
ISBN : UOM:39015080845970

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Comedy Italian Style by Rémi Fournier Lanzoni Pdf

'Comedy Italian Style' is an essential guide to the glorious works and filmmakers who make the world laugh with them. It is for all lovers of enduring, wry, over-the-top, side-splitting humour on film.

Cinema Italian Style

Author : Silvia Bizio
Publisher : Gremese Editore
Page : 172 pages
File Size : 51,8 Mb
Release : 2002
Category : Performing Arts
ISBN : UOM:39015056206207

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Cinema Italian Style by Silvia Bizio Pdf

Lists Italian movies that were big hits, nominated, and won Oscars for Best Foreign Language Film.

The Cinema of Ettore Scola

Author : Rémi Lanzoni,Edward Bowen
Publisher : Wayne State University Press
Page : 382 pages
File Size : 47,7 Mb
Release : 2020-09-08
Category : Performing Arts
ISBN : 9780814343807

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The Cinema of Ettore Scola by Rémi Lanzoni,Edward Bowen Pdf

Brings to light Scola’s cinematic style and contextualizes his commentary on Italian society and politics.

Stardom, Italian Style

Author : Marcia Landy
Publisher : Unknown
Page : 320 pages
File Size : 45,9 Mb
Release : 2008
Category : Biography & Autobiography
ISBN : STANFORD:36105124006755

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Stardom, Italian Style by Marcia Landy Pdf

The definitive book on stardom in Italian cinema

Cinema, Gender, and Everyday Space

Author : Natalie Fullwood
Publisher : Springer
Page : 260 pages
File Size : 40,7 Mb
Release : 2015-03-05
Category : Performing Arts
ISBN : 9781137403575

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Cinema, Gender, and Everyday Space by Natalie Fullwood Pdf

Commedia all'italiana, or Comedy, Italian style, became popular at a time of great social change. This book, utilizing comedies produced in Italy from 1958-70, examines the genre's representation of gender in the everyday spaces of beaches and nightclubs, offices, cars, and kitchens, through the exploration of key spatial motifs.

Sophia Loren

Author : Cindy De La Hoz,Turner Classic Movies
Publisher : Running Press Adult
Page : 495 pages
File Size : 54,5 Mb
Release : 2017-09-26
Category : Biography & Autobiography
ISBN : 9780762461325

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Sophia Loren by Cindy De La Hoz,Turner Classic Movies Pdf

The first book on Sophia of its kind, Sophia Loren: Movie Star Italian Style is a photographic tribute to the beloved icon, recounting the star's extraordinary life and notable films. From the humblest of beginnings in her native Italy, Sophia Loren has gone on to have one of the most interesting paths in motion picture history. In a career spanning close to seven decades, she starred in epic blockbusters of the '50s, '60s, and '70s; dazzled in dramatic roles opposite the likes of Cary Grant, Marcello Mastroianni, John Wayne, Gregory Peck, and Marlon Brando; and turned heads in classics like Houseboat, Marriage Italian Style, Grumpy Old Men, and Two Women, for which she was awarded the first Academy Award for Best Actress in a leading role given to the star of a foreign film. Sophia Loren is a photographic tribute to the beloved icon, taking you on an illustrative journey through her remarkable life, dearest relationships, and diverse film canon. Filled with hundreds of rare color and black-and-white photographs and featuring quotes by Sophia and those who have known her best, it's a volume as stunning as its ageless subject.

Male Anxiety and Psychopathology in Film

Author : Andrea Bini
Publisher : Springer
Page : 248 pages
File Size : 49,8 Mb
Release : 2016-04-08
Category : Performing Arts
ISBN : 9781137515841

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Male Anxiety and Psychopathology in Film by Andrea Bini Pdf

The most popular film genre during the golden years of Italian cinema, the Comedy Italian Style emerged after the fall of the Facist regime, narrating the identity crisis of many Italian men. Exploring the birth, growth, and decline of this genre, Bini shows this notable style was the search for a new role in the shattered postwar middle class.

Terrorism, Italian Style

Author : Ruth S. Glynn,Giancarlo Lombardi,Alan O'Leary
Publisher : Igrs, University of London
Page : 244 pages
File Size : 54,7 Mb
Release : 2012
Category : Literary Criticism
ISBN : 0854572287

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Terrorism, Italian Style by Ruth S. Glynn,Giancarlo Lombardi,Alan O'Leary Pdf

The legacy of Italy's experience of political violence and terrorism in the anni di piombo ('years of lead', c. 1969-83) continues to exercise the Italian imagination to an extraordinary degree. Cinema has played a particularly prominent role in articulating the ongoing impact of the anni di piombo and in defining the ways in which Italians remember and work through the atrocities and traumas of those years. Terrorism, Italian Style brings together some of the most important scholars contributing to the study of cinematic representations of the anni di piombo. Drawing on a comparative approach and a broad range of critical perspectives (including genre theory, family and gender issues, trauma theory and ethics), the book addresses an extensive range of films produced between the 1970s and the present and articulates their significance and relevance to contemporary Italian society and culture. Ruth Glynn is Senior Lecturer in Italian at the University of Bristol.Giancarlo Lombardi is Professor of Italian Literature at the City University of New York. Alan O'Leary is Senior Lecturer in Italian at the University of Leeds.

Experimental and Independent Italian Cinema

Author : Cristiano Anthony Cristiano
Publisher : Edinburgh University Press
Page : 344 pages
File Size : 48,7 Mb
Release : 2020-07-06
Category : Reference
ISBN : 9781474474054

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Experimental and Independent Italian Cinema by Cristiano Anthony Cristiano Pdf

Discussing a variety of independent and experimental Italian films, this book gives voice to a critcically neglected form of Italian cinema. By examining the work of directors such as Marinella Pirelli, Mirko Locatelli and Cesrae Zavattini, the book defines, inspects and studies the cinematic panorama of Italy through a new lens. It thereby explores the character of independent films and their related practices within the Italian historical, cultural and cinematic landscape.

The Cinema of Italy

Author : Giorgio Bertellini
Publisher : Wallflower Press
Page : 294 pages
File Size : 42,8 Mb
Release : 2004
Category : Performing Arts
ISBN : 1903364981

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The Cinema of Italy by Giorgio Bertellini Pdf

Giorgio Bertellini examines the historical and aesthetic connections of some of Italy's most important films with both Italian and Western film culture.

Italian Fascism's Empire Cinema

Author : Ruth Ben-Ghiat
Publisher : Indiana University Press
Page : 421 pages
File Size : 46,7 Mb
Release : 2015-02-11
Category : History
ISBN : 9780253015662

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Italian Fascism's Empire Cinema by Ruth Ben-Ghiat Pdf

Ruth Ben-Ghiat provides the first in-depth study of feature and documentary films produced under the auspices of Mussolini’s government that took as their subjects or settings Italy’s African and Balkan colonies. These "empire films" were Italy's entry into an international market for the exotic. The films engaged its most experienced and cosmopolitan directors (Augusto Genina, Mario Camerini) as well as new filmmakers (Roberto Rossellini) who would make their marks in the postwar years. Ben-Ghiat sees these films as part of the aesthetic development that would lead to neo-realism. Shot in Libya, Somalia, and Ethiopia, these movies reinforced Fascist racial and labor policies and were largely forgotten after the war. Ben-Ghiat restores them to Italian and international film history in this gripping account of empire, war, and the cinema of dictatorship.

A Cinema of Poetry

Author : Joseph Luzzi
Publisher : JHU Press
Page : 228 pages
File Size : 47,9 Mb
Release : 2016-03-30
Category : Art
ISBN : 9781421419848

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A Cinema of Poetry by Joseph Luzzi Pdf

A Cinema of Poetry brings Italian film studies into dialogue with fields outside its usual purview by showing how films can contribute to our understanding of aesthetic questions that stretch back to Homer. Joseph Luzzi considers the relation between film and literature, especially the cinematic adaptation of literary sources and, more generally, the fields of rhetoric, media studies, and modern Italian culture. The book balances theoretical inquiry with close readings of films by the masters of Italian cinema: Roberto Rossellini, Vittorio De Sica, Luchino Visconti, Michelangelo Antonioni, Federico Fellini, Pier Paolo Pasolini, Bernardo Bertolucci, and others. Luzzi's study is the first to show how Italian filmmakers address such crucial aesthetic issues as the nature of the chorus, the relation between symbol and allegory, the literary prehistory of montage, and the place of poetry in cinematic expression—what Pasolini called the "cinema of poetry." While Luzzi establishes how certain qualities of film—its link with technological processes, capacity for mass distribution, synthetic virtues (and vices) as the so-called total art—have reshaped centuries-long debates, A Cinema of Poetry also explores what is specific to the Italian art film and, more broadly, Italian cinematic history. In other words, what makes this version of the art film recognizably "Italian"? "A thought-provoking and well-written investigation of the role of history and realism in Italian cinema and the role played by the centuries-long tradition of poetry (or more precisely, poesis) in this quest."—H-Italy "Ambitious, inventive, learned . . . A Cinema of Poetry . . . brilliantly analyzes the art in the art film by showing how Italian cinema uses a chorus or expresses itself through allegory . . . This impressively intelligent re-description of the tradition surely takes its place alongside other necessary histories of Italian cinema."—Choice Joseph Luzzi is a professor of comparative literature at Bard College. He is the author of Romantic Europe and the Ghost of Italy, which received the MLA’s Scaglione Prize for Italian Studies; My Two Italies, a New York Times Book Review Editors' Choice; and In a Dark Wood: What Dante Taught Me about Grief, Healing, and the Mysteries of Love.

The Body in the Mirror

Author : Angela Dalle Vacche
Publisher : Princeton University Press
Page : 325 pages
File Size : 50,5 Mb
Release : 2014-07-14
Category : Performing Arts
ISBN : 9781400862542

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The Body in the Mirror by Angela Dalle Vacche Pdf

This rich, wide-ranging book explores Italy's national film style by relating it closely to politics and to the historicist thought of Croce, Gentile, and Gramsci. Here is a new kind of film history--a nonlinear, intertextual approach that confronts the total story of the growth of a national cinema while challenging the traditional formats of general histories and period studies. Examining Italian silent films of the fascist era through neorealism to modernist filmmaking after May 1968, Angela Dalle Vacche reveals opera and the commedia dell'arte to be the strongest influences. As she presents the whole history of Italian cinema from the standpoint of a dialectic between these two styles, she offers brilliant interpretations of individual films. The "body in the mirror" is the national self-image on the screen, which changes shape in response to historical and political context. To discover how the nation represents, understands, and recognizes this fictional "body," Dalle Vacche discusses changes in the strongest parameters of Italian cinema: allegory, spectacle, body, history, unity, and continuity. In her hands these concepts yield a wealth of insights for film scholars, art historians, political scientists, and those concerned with cultural studies in general, as well as for other educated readers interested in Italian cinema. Originally published in 1992. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Re-viewing Fascism

Author : Jacqueline Reich,Piero Garofalo
Publisher : Indiana University Press
Page : 385 pages
File Size : 46,7 Mb
Release : 2002-05-07
Category : Performing Arts
ISBN : 9780253109149

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Re-viewing Fascism by Jacqueline Reich,Piero Garofalo Pdf

When Benito Mussolini proclaimed that "Cinema is the strongest weapon," he was telling only half the story. In reality, very few feature films during the Fascist period can be labeled as propaganda. Re-viewing Fascism considers the many films that failed as "weapons" in creating cultural consensus and instead came to reflect the complexities and contradictions of Fascist culture. The volume also examines the connection between cinema of the Fascist period and neorealism—ties that many scholars previously had denied in an attempt to view Fascism as an unfortunate deviation in Italian history. The postwar directors Luchino Visconti, Roberto Rossellini, and Vittorio de Sica all had important roots in the Fascist era, as did the Venice Film Festival. While government censorship loomed over Italian filmmaking, it did not prevent frank depictions of sexuality and representations of men and women that challenged official gender policies. Re-viewing Fascism brings together scholars from different cultural and disciplinary backgrounds as it offers an engaging and innovative look into Italian cinema, Fascist culture, and society.