Cinematic Independence

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Cinematic Independence

Author : Noah Tsika
Publisher : Univ of California Press
Page : 276 pages
File Size : 53,5 Mb
Release : 2022-02-22
Category : History
ISBN : 9780520386099

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Cinematic Independence by Noah Tsika Pdf

"Cinematic Independence traces the emergence, demise, and rebirth of big-screen film exhibition in Nigeria. Film companies flocked to Nigeria in the years following independence, beginning a long history of interventions by Hollywood and corporate America. The 1980s and 90s saw a shuttering of cinemas, which were almost entirely replaced by television and direct-to-video movies. After 1999, the exhibition sector was again revitalized with the construction of multiplexes. Cinematic Independence is about the periods that straddle this disappearing act: the decades bracketing independence in 1960, and the years after 1999. At stake in both instances is the postcolony's role in global debates about the future of the movie theater. That it was eventually resurrected in the flashy form of the multiplex is not simply an achievement of commercial real estate but also a testament to cinema's persistence--its capacity to stave off annihilation or, in this case, come back from the dead"--

Cinematic Independence

Author : Noah Tsika
Publisher : Univ of California Press
Page : 276 pages
File Size : 50,7 Mb
Release : 2022-02-22
Category : Performing Arts
ISBN : 9780520386105

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Cinematic Independence by Noah Tsika Pdf

A free open access ebook is available upon publication. Learn more at www.luminosoa.org. Cinematic Independence traces the emergence, demise, and rebirth of big-screen film exhibition in Nigeria. Film companies flocked to Nigeria in the years following independence, beginning a long history of interventions by Hollywood and corporate America. The 1980s and 1990s saw a shuttering of cinemas, which were almost entirely replaced by television and direct-to-video movies. However, after 1999, the exhibition sector was revitalized with the construction of multiplexes. Cinematic Independence is about the periods that straddle this disappearing act: the immediate decades bracketing independence in 1960, and the years after 1999. At stake is the Nigerian postcolony’s role in global debates about the future of the movie theater. That it was eventually resurrected in the flashy form of the multiplex is not simply an achievement of commercial real estate, but also a testament to cinema’s persistence—its capacity to stave off annihilation or, in this case, come back from the dead.

Independence Day Resurgence Movie Novelization

Author : Anonim
Publisher : Simon and Schuster
Page : 144 pages
File Size : 45,5 Mb
Release : 2016-06-21
Category : Juvenile Fiction
ISBN : 9781481478595

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Independence Day Resurgence Movie Novelization by Anonim Pdf

Prepare for another alien invasion with this action-packed retelling of Independence Day: Resurgence that features an eight-page full-color insert with images from the film! Independence Day: Resurgence—starring Liam Hemsworth, Jeff Goldblum, and Vivica A. Fox—invades theaters on June 24, 2016 with an all-new adventure! We always knew they were coming back… Humans are fighters. Twenty years ago, we fought off an alien invasion, and against all odds, we won. We recovered alien technology. We built a global defense system. We trained more fighters. But now the aliens are back…and this time, they’re stronger than they were before. Humankind will fight. But will humankind win? Find out in this epic retelling of Independence Day: Resurgence. Based on the Screenplay by Nicolas Wright & James A. Woods and Dean Devlin & Roland Emmerich and James Vanderbilt and the Story by Dean Devlin & Roland Emmerich and Nicolas Wright & James A. Woods and directed by Roland Emmerich. Based on Characters created by Dean Devlin & Roland Emmerich. INDEPENDENCE DAY: RESURGENCE TM & © 2016 Twentieth Century Fox Film Corporation. All rights reserved.

India's New Independent Cinema

Author : Ashvin Immanuel Devasundaram
Publisher : Routledge
Page : 338 pages
File Size : 43,7 Mb
Release : 2016-06-10
Category : Performing Arts
ISBN : 9781317290735

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India's New Independent Cinema by Ashvin Immanuel Devasundaram Pdf

This is the first-ever book on the rise of the new wave of independent Indian films that is revolutionising Indian cinema. Contemporary scholarship on Indian cinema so far has focused asymmetrically on Bollywood—India’s dominant cultural export. Reversing this trend, this book provides an in-depth examination of the burgeoning independent Indian film sector. It locates the new 'Indies' as a glocal hybrid film form—global in aesthetic and local in content. They critically engage with a diverse socio-political spectrum of ‘state of the nation’ stories; from farmer suicides, disenfranchised urban youth and migrant workers to monks turned anti-corporation animal rights agitators. This book provides comprehensive analyses of definitive Indie new wave films including Peepli Live (2010), Dhobi Ghat (2010), The Lunchbox (2013) and Ship of Theseus (2013). It explores how subversive Indies, such as polemical postmodern rap-musical Gandu (2010) transgress conventional notions of ‘traditional Indian values’, and collide with state censorship regulations. This timely and pioneering analysis shows how the new Indies have emerged from a middle space between India’s globalising present and traditional past. This book draws on in-depth interviews with directors, actors, academics and members of the Indian censor board, and is essential reading for anyone seeking an insight into a current Indian film phenomenon that could chart the future of Indian cinema.

Experimental and Independent Italian Cinema

Author : Cristiano Anthony Cristiano
Publisher : Edinburgh University Press
Page : 344 pages
File Size : 55,8 Mb
Release : 2020-07-06
Category : Reference
ISBN : 9781474474054

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Experimental and Independent Italian Cinema by Cristiano Anthony Cristiano Pdf

Discussing a variety of independent and experimental Italian films, this book gives voice to a critcically neglected form of Italian cinema. By examining the work of directors such as Marinella Pirelli, Mirko Locatelli and Cesrae Zavattini, the book defines, inspects and studies the cinematic panorama of Italy through a new lens. It thereby explores the character of independent films and their related practices within the Italian historical, cultural and cinematic landscape.

Crowdfunding and Independence in Film and Music

Author : Blanka Brzozowska,Patryk Galuszka
Publisher : Routledge
Page : 118 pages
File Size : 55,9 Mb
Release : 2021-05-10
Category : Performing Arts
ISBN : 9781000415810

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Crowdfunding and Independence in Film and Music by Blanka Brzozowska,Patryk Galuszka Pdf

This book explores how independent film and music artists and labels use crowdfunding and where this use places crowdfunding in the contemporary system of cultural production. It complements an analysis of independence in film and music with the topic of crowdfunding as a firmly established form of financing cultural activity. In the second half of the 20th century, the concept of artistic independence was vital to classifying and distinguishing artists, their works, and labels or publishers who released them. However, during the last three decades, this term has become increasingly blurred, and some commentators argue that independence is in crisis. Can crowdfunding be the answer to this crisis? Some believe that it is, whereas others argue otherwise, seeing crowdfunding instead as just the next manifestation of this crisis. This dilemma is a starting point for the analyses of the relationships between crowdfunding and artistic independence conducted in this book, and will be of great interest to people looking for a deeper understanding of crowdfunding, how it can influence artistic independence, and what it means for artists and audiences. It will be a stimulating read for scholars and students with an interest in media and cultural studies, digital humanities, fandom, sociology, economics, business studies, and law, while also offering insights to artists and practitioners in the creative industries.

Critical Dictionary of Film and Television Theory

Author : Roberta Pearson,Philip Simpson
Publisher : Routledge
Page : 731 pages
File Size : 54,8 Mb
Release : 2005-12-08
Category : Performing Arts
ISBN : 9781134716982

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Critical Dictionary of Film and Television Theory by Roberta Pearson,Philip Simpson Pdf

The Critical Dictionary of Film and Television Theory clearly and accessibly explains the major theoretical approaches now deployed in the study of the moving image, as well as defining key theoretical terms. This dictionary provides readers with the conceptual apparatus to understand the often daunting language and terminology of screen studies. Entries include: *audience * Homi K. Bhabha * black cinema * the body * children and media * commodification * cop shows * deep focus * Umberto Eco * the gaze * Donna Haraway * bell hooks * infotainment * master narrative * medical dramas * morpheme * myth * panopticon * pastiche * pleasure * real time * social realism * sponsorship * sport on television * subliminal * third cinema * virtual reality Consultant Editors: David Black, USA, William Urricchio, University of Utrecht, The Netherlands, Gill Branston, Cardiff University, UK ,Elayne Rapping, USA

Contemporary American Independent Film

Author : Christine Holmlund,Justin Wyatt
Publisher : Routledge
Page : 322 pages
File Size : 49,9 Mb
Release : 2004-08-02
Category : Performing Arts
ISBN : 9781134576203

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Contemporary American Independent Film by Christine Holmlund,Justin Wyatt Pdf

From Easy Rider to The Blair Witch Project, this book is a comprehensive examination of the independent film scene. Exploring the uneasy relationship between independent films and the major studios, the contributors trace the changing ideas and definitions of independent cinema, and the diversity of independent film practices. They consider the ways in which indie films are marketed and distributed, and how new technologies such as video, cable and the internet, offered new opportunities for filmmakers to produce and market independent films. Turning to the work of key auteurs such as John Sayles and Haile Gerima, contributors ask whether independent filmmakers can also be stars, and consider how indie features like Boys Don't Cry and Shopping for Fangs address issues of gender, sexuality and ethnicity normally avoided by Hollywood. For all students of film studies and American studies, this cultural journey through independent film history will be an absolute must read.

American Independent Cinema

Author : Geoff King
Publisher : Bloomsbury Publishing
Page : 324 pages
File Size : 51,6 Mb
Release : 2014-09-08
Category : Performing Arts
ISBN : 9780857737335

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American Independent Cinema by Geoff King Pdf

The independent sector has produced many of the most distinctive films to have appeared in the US in recent decades. From 'Sex, Lies and Videotape' in the 1980s to 'The Blair Witch Project' and New Queer Cinema in the 1990s and the ultra-low budget digital video features of the 2000s, indie films have thrived, creating a body of work that stands out from the dominant Hollywood mainstream. But what exactly is 'independent' cinema? This, the first book to examine the question in detail, argues that independence can be defined partly in industry terms but also according to formal and aesthetic strategies and by distinctive attitudes towards social and political issues, suggesting that independence is a dynamic rather than a fixed quality. Chapters focus on distribution and relationships with Hollywood studios; narrative ('Clerks' and 'Slacker' to 'Pulp Fiction', 'Magnolia' and 'Memento') and other formal dimensions (from 'Blair Witch's' 'authenticity' to expressive and stylized camerawork and editing in work from Harmony Korine to the Coen brothers); approaches to genre and alternative socio-political visions.

Identity, Nationhood and Bangladesh Independent Cinema

Author : Fahmidul Haq,Brian Shoesmith
Publisher : Taylor & Francis
Page : 150 pages
File Size : 52,8 Mb
Release : 2022-07-08
Category : Social Science
ISBN : 9781000605648

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Identity, Nationhood and Bangladesh Independent Cinema by Fahmidul Haq,Brian Shoesmith Pdf

This book analyses how independent filmmakers from Bangladesh have represented national identity in their films. The focus of this book is on independent and art house filmmakers and how cinema plays a vital role in constructing national and cultural identity. The authors examine post-2000 films which predominantly deal with issues of national identity and demonstrate how they tackle questions of national identity. Bangladesh is seemingly a homogenous country consisting 98% of Bengali and 90% of Muslim. This majority group has two dominant identities – Bengaliness (the ethno-linguistic identity) and Muslimness (the religious identity). Bengaliness is perceived as secular-modern whereas Muslimness is perceived as traditional and conservative. However, Bangladeshi independent and art house filmmakers portray the nationhood of the country with an enthusiasm and liveliness that exceeds these two categories. In addition to these categories, the authors add two more dimensions to the approach to discuss identity: Popular Religion and Transformation. The study argues that these identity categories are represented in the films, and that they both reproduce and challenge dominant discourses of nationalism. Providing a new addition to the discourse of contemporary national identity, the book will be of interest to researchers studying international film and media studies, independent cinema studies, Asian cinema, and South Asian culture, politics, and identity politics.

African Cinema: Manifesto and Practice for Cultural Decolonization

Author : Michael T. Martin,Gaston Jean-Marie Kaboré
Publisher : Indiana University Press
Page : 536 pages
File Size : 41,5 Mb
Release : 2023-08-08
Category : Performing Arts
ISBN : 9780253066237

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African Cinema: Manifesto and Practice for Cultural Decolonization by Michael T. Martin,Gaston Jean-Marie Kaboré Pdf

Challenging established views and assumptions about traditions and practices of filmmaking in the African diaspora, this three-volume set offers readers a researched critique on black film. Volume One of this landmark series on African cinema draws together foundational scholarship on its history and evolution. Beginning with the ideological project of colonial film to legitimize the economic exploitation and cultural hegemony of the African continent during imperial rule to its counter-historical formation and theorization. It comprises essays by film scholars and filmmakers alike, among them Roy Armes, Med Hondo, Fèrid Boughedir, Haile Gerima, Oliver Barlet, Teshome Gabriel, and David Murphy, including three distinct dossiers: a timeline of key dates in the history of African cinema; a comprehensive chronicle and account of the contributions by African women in cinema; and a homage and overview of Ousmane Sembène, the "Father" of African cinema.

Cinema and the Algerian War of Independence

Author : Ahmed Bedjaoui
Publisher : Springer Nature
Page : 274 pages
File Size : 46,9 Mb
Release : 2020-03-25
Category : Performing Arts
ISBN : 9783030379940

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Cinema and the Algerian War of Independence by Ahmed Bedjaoui Pdf

The book examines the war of images between France and Algeria. Discussing the role of the United States during the war, it covers topics such the presence of American reporters in Algeria, John F. Kennedy’s support for Algerian independence while a senator, the broadcasting of documentaries on the Algerian war on public television, and reporting in the press. Even half a century after Algerian independence, there remains a need for both film and literature on the war from both sides of the Mediterranean. This might seem surprising, particularly to media professionals, given the quantity of output on the subject, but both French and Algerian portrayals of the war remain flawed and shackled to their respective ideologies. The generation of FLN leaders recognized early on the importance of images, and established a clandestine film structure that would bring the Algerian cause to the world stage. The book offers an insightful and timely contribution not just to the field of North African studies but also to other disciplines, such as film and media studies, anthropology, history, journalism, and political science. Providing a rich source of research topics and viable ideas for film and documentary projects, it is a must-read for students, scholars and media professionals alike.

Revisiting Women's Cinema

Author : Lingzhen Wang
Publisher : Duke University Press
Page : 194 pages
File Size : 53,7 Mb
Release : 2020-12-14
Category : Performing Arts
ISBN : 9781478012337

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Revisiting Women's Cinema by Lingzhen Wang Pdf

In Revisiting Women’s Cinema, Lingzhen Wang ponders the roots of contemporary feminist stagnation and the limits of both commercial mainstream and elite minor cultures by turning to socialist women filmmakers in modern China. She foregrounds their sociopolitical engagements, critical interventions, and popular artistic experiments, offering a new conception of socialist and postsocialist feminisms, mainstream culture, and women’s cinema. Wang highlights the films of Wang Ping and Dong Kena in the 1950s and 1960s and Zhang Nuanxin and Huang Shuqin in the 1980s and 1990s to unveil how they have been profoundly misread through extant research paradigms entrenched in Western Cold War ideology, post-second-wave cultural feminism, and post-Mao intellectual discourses. Challenging received interpretations, she elucidates how socialist feminism and culture were conceptualized and practiced in relation to China’s search not only for national independence and economic development but also for social emancipation, proletarian culture, and socialist internationalism. Wang calls for a critical reevaluation of historical materialism, socialist feminism, and popular culture to forge an integrated emancipatory vision for future transnational feminist and cultural practices.

The Cinema of Paul Thomas Anderson

Author : Ethan Warren
Publisher : Columbia University Press
Page : 509 pages
File Size : 40,9 Mb
Release : 2023-04-25
Category : Performing Arts
ISBN : 9780231555609

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The Cinema of Paul Thomas Anderson by Ethan Warren Pdf

Paul Thomas Anderson’s evolution from a brash, self-anointed “Indiewood” auteur to one of his generation’s most distinctive voices has been one of the most remarkable career trajectories in recent film history. From early efforts to emulate his cinematic heroes to his increasingly singular late films, Anderson has created a body of work that balances the familiar and the strange, history and myth: viewers feel perpetually off balance, unsure of whether to expect a pitch-black joke or a moment of piercing emotional resonance. This book provides the most complete account of Anderson’s career to date, encompassing his varied side projects and unproduced material; his personal and professional relationships with directors such as Jonathan Demme, Robert Altman, and Robert Downey Sr.; and his work as a director of music videos for Fiona Apple, Joanna Newsom, and Haim. Ethan Warren explores Anderson’s recurring thematic preoccupations—the fraught dynamics of gender and religious faith, biological and found families, and his native San Fernando Valley—as well as his screenwriting methods and his relationship to his influences. Warren argues that Anderson’s films conjure up an alternate American history that exaggerates and elides verifiable facts in search of a heightened truth marked by a deeper level of emotional hyperrealism. This book is at once an unconventional primer on Anderson’s films and a provocative reframing of what makes his work so essential.

Cinema in the Arab World

Author : Ifdal Elsaket,Daniel Biltereyst,Philippe Meers
Publisher : Bloomsbury Publishing
Page : 337 pages
File Size : 45,9 Mb
Release : 2023-01-26
Category : History
ISBN : 9781350163737

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Cinema in the Arab World by Ifdal Elsaket,Daniel Biltereyst,Philippe Meers Pdf

Cinema in the Arab world has been the subject of varied and rigorous studies, but most have focused on films as text, providing in-depth analyses of plot, style, ideologies, or examination of the biographies of prominent directors or actors. This innovative new volume shifts the focus on Arab cinema off-screen, to examine the histories, politics, and conditions of distribution, exhibition, and cinema-going in the Arab world. Through broadening the frame of study beyond the screen, the book widens understanding of the cinema, not merely as a collection of films-as-texts, but as a site of cultural and political contestation in the Arab world. Divided into two sections, and guided by interdisciplinary considerations, the contributors examine historical and contemporary issues of Arab cinema in terms of the experience of movie-going and filmmaking. They examine the networks of distribution and exhibition, as well as the contested and multiple meanings that the cinema embodied through diverse historical periods and geographical locations. Part I focuses on new histories of Arab cinema in terms of film production, distribution, exhibition and audience's experiences of cinema-going. Part II deals with more recent issues within scholarship on Arab cinema such as issues of politics, economics, ideologies, as well as issues related to Arab movies' international circulation and screenings at festivals. Together, the chapters enrich our understanding of the cinema in the Arab world, showing how deeply embedded it is within its social, political, and economic contexts.