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Taking its cue from the horror film fanzines of yesteryear... Horror and fantasy cinema from around the world with a distinctive retro sensibility, Creeping Flesh focuses on obscure and vilified horror movies, the discovery of "lost" films, BBC telefantasy, and an appreciation of American and British exploitation. Book jacket.
Christopher Lee and Peter Cushing and Horror Cinema by Mark A. Miller,David J. Hogan Pdf
From their first pairing in Hamlet (1948) to House of the Long Shadows (1983), British film stars Christopher Lee and Peter Cushing forged perhaps the most successful collaboration in horror film history. In its revised and expanded second edition, this volume examines their 22 movie team-ups, with critical commentary, complete cast and credits, production information, details on cinematography and make-up, exhibition history and box-office figures. A wealth of background about Hammer, Amicus and other production companies is provided, along with more than 100 illustrations. Lee and Cushing describe particulars of their partnership in original interviews. Exclusive interviews with Robert Bloch, Hazel Court and nearly fifty other actors, directors and others who worked on the Lee-Cushing films are included.
Horror Films of the 1970s by John Kenneth Muir Pdf
The seventies were a decade of groundbreaking horror films: The Exorcist, Carrie, and Halloween were three. This detailed filmography covers these and 225 more. Section One provides an introduction and a brief history of the decade. Beginning with 1970 and proceeding chronologically by year of its release in the United States, Section Two offers an entry for each film. Each entry includes several categories of information: Critical Reception (sampling both '70s and later reviews), Cast and Credits, P.O.V., (quoting a person pertinent to that film's production), Synopsis (summarizing the film's story), Commentary (analyzing the film from Muir's perspective), Legacy (noting the rank of especially worthy '70s films in the horror pantheon of decades following). Section Three contains a conclusion and these five appendices: horror film cliches of the 1970s, frequently appearing performers, memorable movie ads, recommended films that illustrate how 1970s horror films continue to impact the industry, and the 15 best genre films of the decade as chosen by Muir.
IN THE SPOOKLIGHT is a collection of 115 horror movie review columns by Stoker nominated author and film critic Michael Arruda, covering movies from the silent era up until today. The column "In the Spooklight" has appeared monthly in the pages of THE OFFICIAL NEWSLETTER OF THE HORROR WRITERS ASSOCIATION since the summer of 2000. If you love horror movies, you're sure to enjoy Arruda's take on the genre. It's informative, humorous, and most of all, it's a heck of a lot of fun. Make a movie monster happy.
The leading journal devoted to all aspects of popular culture and cult media, Headpress 25 turns its attention to the Dream, or Flicker, Machine. Featuring interviews with William Burroughs and Paul Bowles, Headpress 25 also includes a detailed look at the neglected life and career of the late Luis de Jesus, a star of diminutive stature whose film appearances range from sadistic sidekick in the cult 1976 feature Blood Sucking Freaks, to numerous hardcore porn features, of which the most notorious is The Anal Dwarf.
The Christopher Lee Filmography by Tom Johnson,Mark A. Miller Pdf
The career of Christopher Lee has stretched over half a century in every sort of film from comedy to horror and in such diverse roles as the Man With the Golden Gun, Frankenstein's monster, Fu Manchu and Sherlock Holmes. From Corridor of Mirrors in 1948 to Star Wars: Episode II-Attack of the Clones in 2002, this reference book covers 166 theatrical feature films: all production information, full cast and crew credits, a synopsis, and a critical analysis, with a detailed account of its making and commentary drawn from some thirty hours of interviews with Lee himself. Two appendices list Lee's television feature films and miniseries and his short films. The work concludes with an afterword by Christopher Lee himself. Photographs from the actor's private collection are included.
A social history of the ‘video nasty’. In the early 1980s, video technology forever changed the face of home entertainment. The videocassette – a handy-sized cartridge of magnetic tape inside a plastic shell – domesticated cinema as families across Britain began to consume films in an entirely new way. Demand was high and the result was a video gold rush, with video rental outlets appearing on every high street almost overnight. Without moderation their shelves filled with all manner of films depicting unbridled sex and violence. A backlash was inevitable. Video was soon perceived as a threat to society, a view neatly summed up in the term ‘video nasties’. CANNIBAL ERROR chronicles the phenomenal rise of video culture through a tumultuous decade, its impact and its aftermath. Based on extensive research and interviews, the authors provide a first-hand account of Britain in the 1980s, when video became a scapegoat for a variety of social ills. It examines the confusion spawned by the Video Recordings Act 1984, the subsequent witch hunt that culminated in police raids and arrests, and offers insightful commentary on many contentious and ‘banned’ films that were cited by the media as influential factors in several murder cases. It also investigates the cottage industry in illicit films that developed as a direct result of the ‘video nasty’ clampdown. CANNIBAL ERROR, a revised and reworked edition of SEE NO EVIL (2000), is an exhaustive and startling overview of Britain’s ‘video nasty’ panic, the ramifications of which are still felt today.
Designed as a source for enthusiasts of British horror films, this guide reveals the shooting locations of more than 100 films released between 1932 and 2006, from The Abominable Doctor Phibes (1971) to Witchfinder General (1968). Each entry includes cast/crew credits, a brief plot synopsis, and a description of the film’s in-studio or on-site shooting locations; many include modern day photographs of the sites. Separate chapters provide in-depth accounts of individual locations. For the studio locations, the writeups include a complete list of the films produced at each studio and a brief description of the studio’s historical development. Accounts of the on-site locations feature an in-depth physical description of the location and any available information on its present purpose and ownership.
In October 1957, Screen Gems made numerous horror movies available to local television stations around the country as part of a package of films called Shock Theater. These movies became a huge sensation with TV viewers, as did the horror hosts who introduced the films and offered insight--often humorous--into the plots, the actors, and the directors. This history of hosted horror walks readers through the best TV horror films, beginning with the 1930s black-and-white classics from Universal Studios and ending with the grislier color films of the early 1970s. It also covers and explores the horror hosts who presented them, some of whom faded into obscurity while others became iconic within the genre.
Thinking Through the Skin by Sara Ahmed,Jackie Stacey Pdf
This exciting collection of work from leading feminist scholars including Elspeth Probyn, Penelope Deutscher and Chantal Nadeau engages with and extends the growing feminist literature on lived and imagined embodiment and argues for consideration of the skin as a site where bodies take form - already written upon but open to endless re-inscription. Individual chapters consider such issues as the significance of piercing, tattooing and tanning, the assault of self harm upon the skin, the relation between body painting and the land among the indigenous people of Australia and the cultural economy of fur in Canada. Pierced, mutilated and marked, mortified and glorified, scarred by disease and stretched and enveloping the skin of another in pregnancy, skin is seen here as both a boundary and a point of connection - the place where one touches and is touched by others; both the most private of experiences and the most public marker of a raced, sexed and national history.
A delightful, diverse selection of fairy tales from around the world by one of our most beloved children's writers. GOLD FOIL AND OTHER SPECIAL EFFECTS MAKE FOR A RICH, GIFTY PAPER-OVER-BOARDS COVER International bestselling children's author Cornelia Funke has long been inspired and fascinated by fairy tales. This wonderful anthology is Funke's personal selection of fairy tales from all around the world - not just from her native Germany but from Russia, Japan and the Native American tradition. It's the perfect Christmas gift for any young reader wishing to discover the wider world of fairy tales. This wonderful selection of 13 tales includes: The Tale of the Firebird (Russia) The Boy Who Drew Cats (Japan) The Frog Princess (Ukraine) The Six Swans (Germany) The Girl Who Gave a Knight a Kiss out of Necessity (Sweden) Kotura, Lord of the Winds (Siberia)
Through the Water Curtain and other Tales from Around the World by Cornelia Funke,Various Pdf
A delightful, diverse selection of fairy tales from around the world by one of our most beloved children's writers International bestselling children's author Cornelia Funke has long been inspired and fascinated by fairy tales. This wonderful anthology is Funke's personal selection of fairy tales from all around the world - not just from her native Germany but from Russia, Japan and the Native American tradition. It's the perfect Christmas gift for any young reader wishing to discover the wider world of fairy tales. This wonderful selection of 13 tales includes: The Tale of the Firebird (Russia) The Boy Who Drew Cats (Japan) The Frog Princess (Ukraine) The Six Swans (Germany) The Girl Who Gave a Knight a Kiss out of Necessity (Sweden) Kotura, Lord of the Winds (Siberia)
European Nightmares by Patricia Allmer,David Huxley,Emily Brick Pdf
This volume is the first edited collection of essays focusing on European horror cinema from 1945 to the present. It features new contributions by distinguished international scholars exploring British, French, Spanish, Italian, German and Northern European and Eastern European horror cinema. The essays employ a variety of current critical methods of analysis, ranging from psychoanalysis and Deleuzean film theory to reception theory and historical analysis. The complete volume offers a major resource on post-war European horror cinema, with in-depth studies of such classic films as Seytan (Turkey, 1974), Suspiria (Italy, 1977), Switchblade Romance (France, 2003), and Taxidermia (Hungary, 2006).
In All Sincerity, Peter Cushing by Christopher Gullo Pdf
“In All Sincerity... Peter Cushing” by Christopher Gullo with a foreword by Peter Sasdy In All Sincerity...Peter Cushing is a new book examining the career of the gentle man of horror. In a career spanning six decades and many mediums, including film, television, theatre, radio, and writing, Peter Cushing has been hailed as a consummate actor who was loved by both fans and co-workers alike. Whether through his early days touring with Laurence Olivier, becoming England’s first television star, recreating the characters of Baron Frankenstein and Abraham Van Helsing for Hammer Films, or appearing in Star Wars, the most famous science fiction film ever produced, Peter Cushing exemplified dignity, preparedness and dedication to his craft. Four years in the making, “In All Sincerity...Peter Cushing” breaks down the actor’s career into decades from his very beginnings in local theatre, his stint in Hollywood, and his rise to fame as the king of horror and beyond. Over eighty actors, actresses and directors have contributed to the book, including Val Guest, Robert Quarry, Francis Matthews, Brian Cox, Forrest J. Ackerman, Yvonne Monlaur, Mark Hamill, John Carpenter, Ted Newsom, Caroline Munro and the late Sir Nigel Hawthorne. Featuring dozens of pictures, “In All Sincerity...Peter Cushing” includes some rare candid and never before published photos of Peter Cushing on the sets of The Curse of Frankenstein, The Gorgon, The Skull, Frankenstein Created Woman, and Tendre Dracula, at leisure; indulging in his love of painting, the 1975 Famous Monsters convention and the 1992 opening of ‘Cushing’s View.’ Also featured is a dedication from his life-long love Helen Beck six months before their marriage. In All Sincerity...Peter Cushing offers fans a personal look at a truly talented man. Author Christopher Gullo has been a life-long admirer of actor Peter Cushing. He has spent the last four years collecting rare materials and conducting interviews with Cushing’s co-workers for his research on the book. In the beginning of 2000, he took over the running of The Peter Cushing Association, a club for all fans of the great actor, which was created under the guidance of Peter Cushing’s former secretary, Joyce Broughton. YOU COULD OWN A GENUINE PIECE OF PETER CUSHING MEMORABILIA: Author Christopher Gullo is offering all fans who order the book and e-mail him at [email protected] (including their name, mailing address, and e-mail address) the chance to win an actual letter written by Peter Cushing to the BBC in 1986. It is on a piece of Mr. Cushing’s official stationery, written on both sides, and signed by him. All names and addresses will be kept on file, and at the time of the book’s publication will be entered into a draw - the first one drawn will win Peter Cushing’s letter.
Author : Robin Wood Publisher : Wayne State University Press Page : 447 pages File Size : 55,6 Mb Release : 2018-11-12 Category : Performing Arts ISBN : 9780814345245
Robin Wood—one of the foremost critics of cinema—has laid the groundwork for anyone writing about the horror film in the last half-century. Wood’s interest in horror spanned his entire career and was a form of popular cinema to which he devoted unwavering attention. Robin Wood on the Horror Film: Collected Essays and Reviews compiles over fifty years of his groundbreaking critiques. In September 1979, Wood and Richard Lippe programmed an extensive series of horror films for the Toronto International Film Festival and edited a companion piece: The American Nightmare: Essays on the Horror Film — the first serious collection of critical writing on the horror genre. Robin Wood on the Horror Film now contains all of Wood’s writings from The American Nightmare and nearly everything else he wrote over the years on horror—published in a range of journals and magazines—gathered together for the first time. It begins with the first essay Wood ever published, "Psychoanalysis of Psycho," which appeared in 1960 and already anticipated many of the ideas explored later in his touchstone book, Hitchcock’s Films. The volume ends, fittingly, with, "What Lies Beneath?," written almost five decades later, an essay in which Wood reflects on the state of the horror film and criticism since the genre’s renaissance in the 1970s. Wood’s prose is eloquent, lucid, and convincing as he brings together his parallel interests in genre, authorship, and ideology. Deftly combining Marxist, Freudian, and feminist theory, Wood’s prolonged attention to classic and contemporary horror films explains much about the genre’s meanings and cultural functions. Robin Wood on the Horror Film will be an essential addition to the library of anyone interested in horror, science fiction, and film genre.