Deconstructing Documentary

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Deconstructing Documentary

Author : Geoffrey Dunn
Publisher : Unknown
Page : 612 pages
File Size : 43,6 Mb
Release : 2004
Category : Electronic
ISBN : UCAL:X71300

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Deconstructing Documentary by Geoffrey Dunn Pdf

Deconstruction, Feminism, Film

Author : Sarah Dillon
Publisher : Edinburgh University Press
Page : 322 pages
File Size : 48,9 Mb
Release : 2019-01-22
Category : Performing Arts
ISBN : 9781474434201

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Deconstruction, Feminism, Film by Sarah Dillon Pdf

How can multicultural governance respond to our increasingly complex migratory world?

Film and Phenomenology

Author : Allan Casebier
Publisher : Cambridge University Press
Page : 184 pages
File Size : 44,6 Mb
Release : 1991-10-25
Category : Performing Arts
ISBN : 0521411327

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Film and Phenomenology by Allan Casebier Pdf

Film and Phenomenology presents a new approach to the question of cinematic representation, which runs contrary to the course of contemporary film theory.Film and Phenomenology presents a new approach to the question of cinematic representation which runs contrary to the course of contemporary film theory.

New Philosophies of Film

Author : Robert Sinnerbrink
Publisher : Bloomsbury Publishing
Page : 432 pages
File Size : 53,7 Mb
Release : 2022-07-28
Category : Philosophy
ISBN : 9781350181953

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New Philosophies of Film by Robert Sinnerbrink Pdf

What can philosophy teach us about cinema? Can cinema transform how we understand philosophy? How should we describe the competing approaches to philosophizing on film? New Philosophies of Film answers these questions by offering a lucid introduction to the exciting developments and contentious debates within the philosophy of film. Mapping out the conceptual terrain, it examines both analytic and continental approaches to cinema and puts forward a pluralist film philosophy, grounded in practical examples from film, documentaries and television series. Now thoroughly updated to showcase the most recent developments in the field, this 2nd edition features: · New chapters on phenomenology, cinematic ethics, philosophical documentary film and television as philosophy, incorporating feminist, socio-political, ethical and ecological approaches to cinema · Contemporary case studies including Carol, Roma, Melancholia, two Derrida documentaries, and the Netflix series Black Mirror · Expanded coverage of Gilles Deleuze and Stanley Cavell, two of the most influential philosophers of film · An updated bibliography, filmography and reading lists, with links to online resources to support further study Demonstrating how the film-philosophy encounter can open up new paths for thinking, New Philosophies of Film is an essential resource for putting interdisciplinary inquiry into practice.

Deconstructing Dr. Strangelove

Author : Sean M. Maloney
Publisher : U of Nebraska Press
Page : 615 pages
File Size : 44,7 Mb
Release : 2020-07-01
Category : Performing Arts
ISBN : 9781640123496

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Deconstructing Dr. Strangelove by Sean M. Maloney Pdf

King of the Cold War crisis film, Dr. Strangelove became a cultural touchstone from the moment of its release in 1964. The duck-and-cover generation saw it as a satire on nuclear issues and Cold War thinking. Subsequent generations, removed from the film's historical moment, came to view it as a quasi-documentary about an unfathomable secret world. Sean M. Maloney uses Dr. Strangelove and other genre classics like Fail Safe and The Bedford Incident to investigate a curious pop cultural contradiction. Nuclear crisis films repeatedly portrayed the failures of the Cold War's deterrent system. Yet the system worked. What does this inconsistency tell us about the genre? What does it tell us about the deterrent system, for that matter? Blending film analysis with Cold War history, Maloney looks at how the celluloid crises stack up against reality--or at least as much of reality as we can reconstruct from these films with confidence. The result is a daring intellectual foray that casts new light on Dr. Strangelove, one of the Cold War era's defining films.

Politics of Documentary

Author : Michael Chanan
Publisher : Bloomsbury Publishing
Page : 240 pages
File Size : 52,8 Mb
Release : 2019-07-25
Category : Performing Arts
ISBN : 9781838717636

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Politics of Documentary by Michael Chanan Pdf

This wide-ranging study traces the history of the documentary from the first Lumiere films to Michael Moore's 'Fahrenheit 9/11'. Chanan argues that documentary makes a vital contribution to the public sphere - where ideas are debated, opinion formed and those in authority are held to account.

How Documentaries Work

Author : Jacob Bricca
Publisher : Oxford University Press
Page : 233 pages
File Size : 46,5 Mb
Release : 2023
Category : Performing Arts
ISBN : 9780197554104

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How Documentaries Work by Jacob Bricca Pdf

How Documentaries Work breaks down the hidden conventions of documentaries in clear and accessible language for film students and documentary enthusiasts alike. Jacob Bricca, ACE, an award-winning documentary director, producer, and editor, provides a behind-the-scenes, under-the-hood view of what's really going on in the construction of nonfiction films and television shows. This book presents examples from contemporary documentaries and docuseries and delivers insights from some of the most exciting nonfiction filmmakers and craftspeople working today, including director Steve James (City So Real, Hoop Dreams), producer Amy Ziering (Allen v. Farrow, The Hunting Ground), editor Aaron Wickenden, ACE (Roadrunner: A Film About Anthony Bourdain, 20 Feet from Stardom), and composer Miriam Cutler (RBG, Lost in La Mancha). Chapters such as "Flow," "Narrative," and "Time" offer a new way of looking at documentary film language, while others like "Titles," "Music," and "Sound" delive extraordinary insights on seemingly ordinary topics. A compact volume written in plain, easy-to-understand language, this book promises to change the way you think about nonfiction films and television shows forever.

Deconstructing Obama

Author : Jack Cashill
Publisher : Simon and Schuster
Page : 352 pages
File Size : 41,5 Mb
Release : 2011-02-15
Category : Political Science
ISBN : 1451611137

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Deconstructing Obama by Jack Cashill Pdf

Did Obama write his own books and is the story they tell true? “I've written two books,” Barack Obama told a crowd of teachers in July of 2008. “I actually wrote them myself.” The teachers exploded in laughter. They got the joke: lesser politicians were not bright enough to do the same. During the 2008 presidential campaign, Obama supporters pointed to the first of those two books, the 1995 memoir, Dreams from My Father, as proof of Obama’s superior intellect. Time magazine called Dreams “the best-written memoir ever produced by an American politician.” The Obama campaign machine traded on the candidate’s literary reputation, encouraging volunteers to “get out the vote and keep talking to others about the genius of Barack Obama.” There was just one small flaw, as writer and literary detective Jack Cashill discovered months before the November 2008 election: nothing in Obama’s history suggested he was capable of writing either Dreams or his 2006 book, The Audacity of Hope. In fact, as Cashill continued his research, he came to the shocking conclusion that the real craftsman behind Dreams was terrorist emeritus Bill Ayers. “This was a charge,” David Remnick admits in his definitive Obama biography, The Bridge, “that if ever proved true, or believed to be true among enough voters, could have been the end of the candidacy.” Deconstructing Obama tells the story of what happens when a citizen journalist discovers a game-changing reality that the media refuse to acknowledge. Despite their rejection, Cashill expanded his research into Obama’s literary canon. As he came to see, if Dreams serves as sacred text, the poem “Pop” is the Rosetta stone, the key to deciphering Obama’s shrouded past, his fragile psyche, and his uniquely cryptic political life. In unlocking that past, Cashill discovered that the story that Obama has been telling all his life varies from the true story in ways big and small. In fact, much of Obama’s life story appears to be a wholly constructed fabrication, one that Jack Cashill “deconstructs” to show the world just who Barack Obama really is.

Contemporary Drag Practices and Performers

Author : Mark Edward,Stephen Farrier
Publisher : Bloomsbury Publishing
Page : 248 pages
File Size : 44,6 Mb
Release : 2020-03-19
Category : Performing Arts
ISBN : 9781350082960

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Contemporary Drag Practices and Performers by Mark Edward,Stephen Farrier Pdf

In recent years drag performance has moved from the fringes to emerge as a mainstream phenomenon, showcased on TV shows in the US and the UK. This collection offers a diverse range of critical engagements by drag performers, makers, scholars and writers reflecting on work from the UK, USA, Israel, Germany and Australia. Moving beyond discussions of gender theory, the essays consider contemporary drag performance practices, connecting them to the histories, communities and politics that produced them. Chapters range across discussions of drag kings in the US, UK and drag and activism; the influence of RuPaul on the generation of new forms of work in New York; transfeminist critiques of drag; 'bio'/faux queens; engagements with race and ethnicity through drag performance; drag andragogy; audience concerns; drag intersections with animal personas, and how drag performance relates to personal narratives of history and identity. Collectively the contributions focus on drag as a mode of performance that is diverse and that uncorsets the easy thought that drag is simply a cross dressing man in a dress or a woman in a suit.

Historical Dictionary of Australian and New Zealand Cinema

Author : Karina Aveyard,Albert Moran,Errol Vieth
Publisher : Rowman & Littlefield
Page : 449 pages
File Size : 54,7 Mb
Release : 2017-12-26
Category : Performing Arts
ISBN : 9781538111277

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Historical Dictionary of Australian and New Zealand Cinema by Karina Aveyard,Albert Moran,Errol Vieth Pdf

Filmmakers have honed their skills and many have achieved critical and popular success at home and abroad, as have actors and other crew. American filmmakers and companies have found it cheaper to make films in Australia because wages and salaries are lower, tax rebates have been attractive and the expertise in most areas of filmmaking is comparable to that of anywhere in the world. At the same time, Australian audiences still enjoy watching Australian films, making some of them profitable, even if this is a small profit when considered in Hollywood terms. New Zealand filmmakers, cast and crew have shown that they are equal to the world’s best in making films with international themes, while other films have shown that the world is interested in New Zealand narratives and settings. Increased support for Maori filmmakers and stories has had a significant impact on production levels and on the diversity of stories that now reach the screen. It has also helped create more viable career paths for those who continue to be based in their home country. This second edition of Historical Dictionary of Australian and New Zealand Cinema contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 700 cross-referenced entries on leading films as well as many directors, writers, actors and producers. It also covers early pioneers, film companies, genres and government bodies.

Docufictions

Author : John Parris Springer
Publisher : McFarland
Page : 304 pages
File Size : 45,9 Mb
Release : 2014-10-01
Category : Performing Arts
ISBN : 9781476610498

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Docufictions by John Parris Springer Pdf

Through most of the 20th century, the distinction between the fictional narrative film and the documentary was vigorously maintained. The documentary tradition developed side by side with, but in the shadow of, the more commercially successful feature film. In the latter part of the century, however, the two forms merged on occasion, and mockumentaries (fictional works in a documentary format) and docudramas (reality-based works in a fictional format) became part of the film and television landscape. The 18 essays here examine the relationships between narrative fiction films and documentary filmmaking, focusing on how each influenced the other and how the two were merged in such diverse films and shows as Citizen Kane, M*A*S*H, This Is Spinal Tap, and Destination Moon. Topics include the docudrama in early cinema, the industrial film as faux documentary, the fear evoked in 1950s science fiction films, the selling of “reality” in mockumentaries, and reality television and documentary forms. The essays provide a foundation for significant rethinking of film history and criticism, offering the first significant discussion of two emerging and increasingly important genres. Instructors considering this book for use in a course may request an examination copy here.

Image Ethics

Author : Larry Gross,John Stuart Katz,Jay Ruby
Publisher : Oxford University Press
Page : 401 pages
File Size : 41,8 Mb
Release : 1991-02-28
Category : Social Science
ISBN : 9780195361841

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Image Ethics by Larry Gross,John Stuart Katz,Jay Ruby Pdf

This pathbreaking collection of thirteen original essays examines the moral rights of the subjects of documentary film, photography, and television. Image makers--photographers and filmmakers--are coming under increasing criticism for presenting images of people that are considered intrusive and embarrassing to the subject. Portraying subjects in a "false light," appropriating their images, and failing to secure "informed consent" are all practices that intensify the debate between advocates of the right to privacy and the public's right to know. Discussing these questions from a variety of perspectives, the authors here explore such issues as informed consent, the "right" of individuals and minority groups to be represented fairly and accurately, the right of individuals to profit from their own image, and the peculiar moral obligations of minorities who image themselves and the producers of autobiographical documentaries. The book includes a series of provocative case studies on: the documentaries of Frederick Wiseman, particularly Titicut Follies; British documentaries of the 1930s; the libel suit of General Westmoreland against CBS News; the film Witness and its portrayal of the Amish; the film The Gods Must be Crazy and its portrayal of the San people of southern Africa; and the treatment of Arabs and gays on television. The first book to explore the moral issues peculiar to the production of visual images, Image Ethics will interest a wide range of general readers and students and specialists in film and television production, photography, communications, media, and the social sciences.

Deconstruction

Author : David J. Gunkel
Publisher : MIT Press
Page : 202 pages
File Size : 46,7 Mb
Release : 2021-09-07
Category : Philosophy
ISBN : 9780262365253

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Deconstruction by David J. Gunkel Pdf

An accessible introduction to a concept often considered impossibly abstruse, demonstrating its power as a conceptual tool in the twenty-first century. This volume in the MIT Press Essential Knowledge series offers a clear and concise introduction to a topic often considered difficult and abstruse: deconstruction. David Gunkel sorts out the concept, terminology, and practices of deconstruction, not to defend academic orthodoxy, or to disseminate the thought of Jacques Derrida--the fabricator of the neologism and progenitor of the concept--but to provide readers with a powerful conceptual tool for the twenty-first century. Gunkel explains that deconstruction is not simply the opposite of construction--the "deconstructed" jacket hanging in your closet is not, strictly speaking, accurately named--or synonymous with destruction. It is a way to think beyond the construction/destruction dichotomy and all other conceptual dichotomies and logical oppositions. After describing what deconstruction is not, and developing an abstract and schematic characterization derived from Derrida, Gunkel offers examples in (rather than of) deconstruction, including logocentrism (the speech/writing dichotomy) and virtuality (the ruling philosophical binary of real/appearance), remix (the original/copy distinction), and the posthuman figure of the cyborg (the human/machine conceptual pairing). Finally, Gunkel discusses the costs and benefits of deconstruction, considering the many things deconstruction is good for and identifying potential problems, including Eurocentrism, relativism, difficulties in communicating the concept, and reappropriation.

Contesting British Chinese Culture

Author : Ashley Thorpe,Diana Yeh
Publisher : Springer
Page : 281 pages
File Size : 42,8 Mb
Release : 2018-09-18
Category : Social Science
ISBN : 9783319711591

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Contesting British Chinese Culture by Ashley Thorpe,Diana Yeh Pdf

This is the first text to address British Chinese culture. It explores British Chinese cultural politics in terms of national and international debates on the Chinese diaspora, race, multiculture, identity and belonging, and transnational ‘Chineseness’. Collectively, the essays look at how notions of ‘British Chinese culture’ have been constructed and challenged in the visual arts, theatre and performance, and film, since the mid-1980s. They contest British Chinese invisibility, showing how practice is not only heterogeneous, but is forged through shifting historical and political contexts; continued racialization, the currency of Orientalist stereotypes and the possibility of their subversion; the policies of institutions and their funding strategies; and dynamic relationships with transnationalisms. The book brings a fresh perspective that makes both an empirical and theoretical contribution to the study of race and cultural production, whilst critically interrogating the very notion of British Chineseness.

The A to Z of Australian and New Zealand Cinema

Author : Albert Moran,Errol Vieth
Publisher : Scarecrow Press
Page : 430 pages
File Size : 52,7 Mb
Release : 2009-07-21
Category : Performing Arts
ISBN : 9780810863477

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The A to Z of Australian and New Zealand Cinema by Albert Moran,Errol Vieth Pdf

Whether it was Jane Campion's The Piano, Mel Gibson in Mad Max, Paul Hogan in Crocodile Dundee, or The Lord of the Rings saga, we have all experienced the cinema of Australia and New Zealand. This book is an introduction and guide to the film of Australia and New Zealand. With entries on many exceptional producers, directors, writers and actors, as well as the films indicated above and many others, this reference also presents the early pioneers, the film companies and government bodies, and much more in its hundreds of cross-referenced dictionary entries. Through a chronology that shows how far these cinemas have come in a short time and an introduction that presents them more broadly, a clear portrait of the two countries' motion pictures emerge. The bibliography is an excellent source for further reading.