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Author : Anonim
Publisher : Unknown
Page : 30 pages
File Size : 40,9 Mb
Release : 1995
Category : Indians of North America
ISBN : STANFORD:36105017372025
Includes work by Carm Little Turtle, Shelley Niro, Jolene Rickard, Hulleah Tsinhnahjinnie, Richard Ray Whitman.
Author : Anonim
Publisher : Unknown
Page : 32 pages
File Size : 49,8 Mb
Release : 1995
Category : Indian art
ISBN : UCSC:32106013124653
Includes work by Carm Little Turtle, Shelley Niro, Jolene Rickard, Hulleah Tsinhnahjinnie, Richard Ray Whitman.
Author : Diana Burgess Fuller,Daniela Salvioni
Publisher : Univ of California Press
Page : 405 pages
File Size : 43,9 Mb
Release : 2002-05-29
Category : Art
ISBN : 9780520230651
"This is the book on women’s art I’ve been waiting for—smart, deeply rooted, and up-to-date, with an overdue focus on women of color that fills in the historical cracks. Read it and run with it."—Lucy R. Lippard, author of The Pink Glass Swan: Selected Essays on Feminist Art "More than merely beautiful and ground-breaking, Art/ Women/ California 1950-2000 is also about the enriching interventions created by diverse women artists, the effect of whose work is not only far-reaching, but has also opened up the very definition of American art. It is about intellectual interdisciplinality and the dialectical relationship between art and social context. It is about the way various California cultures—Native, Latino, Asian, feminist, immigrant, politically active, and virtual, which are so different from the trope of the Western cowboy—have intervened in that entity we imagine as ‘America.’ "—Elaine Kim, editor of Dangerous Women: Gender and Korean Nationalism "Rich and provocative. A pleasure to read and to look at."—Linda Nochlin, author of The Body in Pieces: The Fragment as a Metaphor of Modernity "This book should greatly help everyone understand the remarkably diversified evolution of art in California, which is largely due to the great influx of women and the transformative effect of a new feminist consciousness."—Arthur C. Danto, author of Philosophizing Art: Selected Essays
Author : S. E. Wilmer
Publisher : University of Arizona Press
Page : 298 pages
File Size : 43,5 Mb
Release : 2011-11-01
Category : Social Science
ISBN : 9780816502745
Native performance is a multifaceted and changing art form as well as a swiftly growing field of research. Native American Performance and Representation provides a wider and more comprehensive study of Native performance, not only its past but also its present and future. Contributors use multiple perspectives to look at the varying nature of Native performance strategies. They consider the combination and balance of the traditional and modern techniques of performers in a multicultural world. This collection presents diverse viewpoints from both scholars and performers in this field, both Natives and non-Natives. Important and well-respected researchers and performers such as Bruce McConachie, Jorge Huerta, and Daystar/Rosalie Jones offer much-needed insight into this quickly expanding field of study. This volume examines Native performance using a variety of lenses, such as feminism, literary and film theory, and postcolonial discourse. Through the many unique voices of the contributors, major themes are explored, such as indigenous self-representations in performance, representations by nonindigenous people, cultural authenticity in performance and representation, and cross-fertilization between cultures. Authors introduce important, though sometimes controversial, issues as they consider the effects of miscegenation on traditional customs, racial discrimination, Native women’s position in a multicultural society, and the relationship between authenticity and hybridity in Native performance. An important addition to the new and growing field of Native performance, Wilmer’s book cuts across disciplines and areas of study in a way no other book in the field does. It will appeal not only to those interested in Native American studies but also to those concerned with women’s and gender studies, literary and film studies, and cultural studies.
Author : W. Jackson Rushing III
Publisher : Routledge
Page : 249 pages
File Size : 42,7 Mb
Release : 2013-09-27
Category : Art
ISBN : 9781136180033
This illuminating and provocative book is the first anthology devoted to Twentieth Century Native American and First Nation art. Native American Art brings together anthropologists, art historians, curators, critics and distinguished Native artists to discuss pottery, painitng, sculpture, printmaking, photography and performance art by some of the most celebrated Native American and Canadian First Nation artists of our time The contributors use new theoretical and critical approaches to address key issues for Native American art, including symbolism and spirituality, the role of patronage and musuem practices, the politics of art criticism and the aesthetic power of indigenous knowledge. The artist contributors, who represent several Native nations - including Cherokee, Lakota, Plains Cree, and those of the PLateau country - emphasise the importance of traditional stories, myhtologies and ceremonies in the production of comtemporary art. Within great poignancy, thye write about recent art in terms of home, homeland and aboriginal sovereignty Tracing the continued resistance of Native artists to dominant orthodoxies of the art market and art history, Native American Art in the Twentieth Century argues forcefully for Native art's place in modern art history.
Author : Nicole Strathman
Publisher : University of Oklahoma Press
Page : 241 pages
File Size : 53,9 Mb
Release : 2020-03-19
Category : Photography
ISBN : 9780806167060
What is American Indian photography? At the turn of the twentieth century, Edward Curtis began creating romantic images of American Indians, and his works—along with pictures by other non-Native photographers—came to define the field. Yet beginning in the second half of the nineteenth century, American Indians themselves started using cameras to record their daily activities and to memorialize tribal members. Through a Native Lens offers a refreshing, new perspective by highlighting the active contributions of North American Indians, both as patrons who commissioned portraits and as photographers who created collections. In this richly illustrated volume, Nicole Dawn Strathman explores how indigenous peoples throughout the United States and Canada appropriated the art of photography and integrated it into their lifeways. The photographs she analyzes date to the first one hundred years of the medium, between 1840 and 1940. To account for Native activity both in front of and behind the camera, the author divides her survey into two parts. Part I focuses on Native participants, including such public figures as Sarah Winnemucca and Red Cloud, who fashioned themselves in deliberate ways for their portraits. Part II examines Native professional, semiprofessional, and amateur photographers. Drawing from tribal and state archives, libraries, museums, and individual collections, Through a Native Lens features photographs—including some never before published—that range from formal portraits to casual snapshots. The images represent multiple tribal communities across Native North America, including the Inland Tlingit, Northern Paiute, and Kiowa. Moving beyond studies of Native Americans as photographic subjects, this groundbreaking book demonstrates how indigenous peoples took control of their own images and distinguished themselves as pioneers of photography.
Author : Martha Kreisel
Publisher : Bloomsbury Publishing USA
Page : 368 pages
File Size : 54,5 Mb
Release : 1999-02-28
Category : Art
ISBN : 9780313032264
American women have made significant contributions to the field of photography for well over a century. This bibliography compiles more than 1,070 sources for over 600 photographers from the 1880s to the present. As women's role in society changed, so did their role as photographers. In the early years, women often served as photographic assistants in their husbands' studios. The photography equipment, initially heavy and difficult to transport, was improved in the 1880s by George Eastman's innovations. With the lighter camera equipment, photography became accessible to everyone. Women photographers became journalists and portraitists who documented vanishing cultures and ways of life. Many of these important female photographers recorded life in the growing Northwest and the streets of New York City, became pioneers of historic photography as they captured the plight of Americans fleeing the Dust Bowl and the horrors of the concentration camps, and were members of the Photo-Secessionist Movement to promote photography as a true art form. This source serves as a checklist for not only the famous but also the less familiar women photographers who deserve attention.
Author : Suzanne Newman Fricke
Publisher : University of New Mexico Press
Page : 179 pages
File Size : 49,6 Mb
Release : 2023-10-15
Category : Photography
ISBN : 9780826364920
In As We See It, Suzanne Newman Fricke invites readers to explore the work and careers of ten contemporary Native American photographers: Jamison Banks, Anna Hoover, Tom Jones, Larry McNeil, Shelley Niro, Wendy Red Star, Beverly Singer, Matika Wilber, William Wilson, and Tiffiney Yazzie. Inspired by As We See It, an exhibition of these artists’ work cocurated by Fricke in 2015, the book showcases the extraordinary achievements of these groundbreaking photographers. As We See It presents dialogues in which the artists share their unique perspectives about the history and current state of photography. Each chapter includes an overview of the photographer’s career as well as examples of the artist’s work. For added context, Fricke includes an introduction, a preface that explores the original exhibition of the same name, and an essay that challenges the ghost of Edward S. Curtis, whose work serves as a counterpoint to the photography of contemporary Native Americans. The text is designed to be read as a whole or in sections for anyone teaching Native American photography. As We See It is an invaluable addition to the library of anyone interested in Native American photography and will be the key source for teachers, researchers, and lovers of photography for years to come.
Author : Anonim
Publisher : Unknown
Page : 520 pages
File Size : 44,9 Mb
Release : 2006
Category : Indian art
ISBN : UCSC:32106018902772
Author : Roger Matuz
Publisher : Saint James Press
Page : 736 pages
File Size : 46,6 Mb
Release : 1998
Category : Art
ISBN : UOM:39015041330815
Profiling 400 prominent artists of the 20th century, each entry in this reference includes a biographical profile; lists of exhibitions, public galleries and museums; a bibliography of books and articles by and about the entrant; and presents a critical perspective on the artist's work.
Author : Anonim
Publisher : Unknown
Page : 628 pages
File Size : 43,7 Mb
Release : 1999
Category : Electronic journals
ISBN : WISC:89073102766
Author : C.N. Gorman Museum
Publisher : Unknown
Page : 102 pages
File Size : 53,7 Mb
Release : 2006
Category : Photography
ISBN : UOM:39015068818999
Photography. Native American Studies. Edited by Hulleah J. Tsinhnahjinnie and Veronica Passalacqua. Whether probing personal identity or exploring the world around them, twenty-six indigenous photographers present images that are fresh, provocative, iconoclastic, surprising, and--in the broadest and deepest meaning of the word--authentic. Their works range from the artful studio portraits of Benjamin A. Haldane (Tsimshian), who photographed Native communities throughout southeast Alaska and British Columbia in the late 1800s and early 1900s, to the cutting-edge digital photographs of contemporary Native artists. Their cameras variously capture startled eyes, hidden laughter, misappropriated icons, and neon signs of cultural change.
Author : Nancy J. Blomberg
Publisher : Unknown
Page : 178 pages
File Size : 41,6 Mb
Release : 2008
Category : Art
ISBN : UCSD:31822036221992
Accompanied by 1 DVD-video in pocket: Inciting memory: the creative process of Hock E Aye VI, Edgar Heap of Birds. ca. 27 min.; 4 3/4 in.
Author : Hood Museum of Art
Publisher : UPNE
Page : 242 pages
File Size : 55,5 Mb
Release : 2009
Category : Art
ISBN : 9781584657866
"Modern and Contemporary Art at Dartmouth focuses on post-1945 painting, sculpture, works on paper, photography, and new media, including interactive and multimedia works. The catalogue comprises several extensive entries on areas of strength in the Hood Museum of Art's modern and contemporary collections as well as over one hundred color illustrated entries on individual works, many of which have never before been published. Featured artists include El Anatsui, Romare Bearden, Alexander Calder, Bob Haozous, Juan Munoz, Alice Ned, Amir Nom, Mark Rothko, Ed Ruscha, Alison Saar, Richard Serra, and Lorna Simpson." --Book Jacket.