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Josh Hartnett Definitely Wants to Do This ... True Stories From A Life by Bruce Beresford Pdf
A wickedly funny account of celebrity, Hollywood and everything in between ... now in paperback. What's it like to be a veteran director up against the machinations of modern-day Hollywood, with its self-absorbed stars, studio executives who think 'Singapore' is a made-up country, destitute producers posing as lords of finance - the mad, the bad and the downright notorious? Award-winning film-maker Bruce Beresford takes us through the highs and lows of the screen trade - from high-powered dinner tables to obscure backlots, from the centres of power to far-flung locations - with a cast of characters that includes Russell Crowe, Cate Blanchett, Jeffrey Archer, Steven Seagal, and many others. Delightfully literate and sharply observed, this is a highly entertaining insider's account of a rarely glimpsed world.
Josh Hartnett Definitely Wants to Do This-- by Bruce Beresford Pdf
Whats it like to be an Oscar-winning director up against the machinations of modern-day Hollywood with its stars who want to write their own roles, producers who dont read scripts, highly dubious money men who promise unlimited funds: the mad, the bad and the downright notorious? In this no-holds-barred account Bruce Beresford takes us through the highs and lows of the screen trade from deals at dinner tables to dressing downs in backlots, from far-flung locations, to the centres of power, with a cast of characters that includes Russell Crowe, Cate Blanchett, Jodie Foster, Jeffrey Archer, Morgan Freeman and many others. Delightfully literate and sharply observed, this is a candid look at the world of film-making from one of its most accomplished practitioners.
Movie Geek is a nerdy dive into popular movies, brought to you by the award-losing Den Of Geek website, with a foreword by the UK's foremost film critic, Mark Kermode. Discover hidden stories behind movies you love (and, er, don't love so much), and find out just why the most dangerous place to be is in a Tom Hanks film. Fascinating, surprisingly and hugely entertaining, this leftfield movie guide is gold for film buffs, and might just bring out the geek - hidden or otherwise - within you... Includes: Alternative movie endings that were binned Movie sequels you didn't know existed Massive box office hits that were huge gambles The collateral damage of Tom Hanks movies Hidden subtexts in family movies Disastrous things that went wrong on modern movie sets...and much, much more!
A free open access ebook is available upon publication. Learn more at www.luminosoa.org. Cinematic Independence traces the emergence, demise, and rebirth of big-screen film exhibition in Nigeria. Film companies flocked to Nigeria in the years following independence, beginning a long history of interventions by Hollywood and corporate America. The 1980s and 1990s saw a shuttering of cinemas, which were almost entirely replaced by television and direct-to-video movies. However, after 1999, the exhibition sector was revitalized with the construction of multiplexes. Cinematic Independence is about the periods that straddle this disappearing act: the immediate decades bracketing independence in 1960, and the years after 1999. At stake is the Nigerian postcolony’s role in global debates about the future of the movie theater. That it was eventually resurrected in the flashy form of the multiplex is not simply an achievement of commercial real estate, but also a testament to cinema’s persistence—its capacity to stave off annihilation or, in this case, come back from the dead.
This entertaining collection of pieces from the acclaimed director of Breaker Morant, Driving Miss Daisy and Mao’s Last Dancer features memoirs, brief lives and revealing accounts of the film world. Alongside unsung heroes from behind the camera and producers of dubious repute are Madeleine St John and Clive James, Margaret Olley and Jeffrey Smart, as well as a particularly seductive 1963 EH Holden—and Bruce Beresford’s father, whose strange and startling decline in old age is charted in a brilliant, poignant essay. Opinionated, wry and engaging, The Best Film I Never Made will provoke and delight in equal measure. It is the ideal gift not only for cinema buffs but for anyone interested in music, art or literature. Bruce Beresford has directed more than two dozen films, including Breaker Morant, Tender Mercies, Driving Miss Daisy, Black Robe, Double Jeopardy and Mao’s Last Dancer. He has directed Rigoletto for the Los Angeles Opera and A Streetcar Named Desire for Opera Australia, and is the author of Josh Hartnett Definitely Wants to Do This. He lives in Sydney. ‘Beresford’s style resembles the action of a veteran wrist-spinner. His technique looks loose, even effortless. His sentences drift along genially for a while, then suddenly bite the pitch and turn...He isn’t merely smart by Hollywood standards. He is smart by any standard...In a world rife with philistines, he demonstrates that the best revenge is laughter, and living and working well.’ Australian ‘Beresford writes with skill and insight, humour.’ Otago Daily Times ‘This quirky collection of occasional writings from 2007 to 2017 paints a picture of a modest man with a curious mind...Beresford retains a wry sense of humour and an enjoyable willingness to share candid and unflattering details.’ Big Issue ‘A collection of warm, droll and often frank personal essays...An honest and reflective book.’ AU Review
The revealing and candid memoir of Australia's legendary playwright and screenwriter The definitive memoir of David Williamson, author of iconic dramas such as The Removalists, The Club, Don's Party, Emerald City and Travelling North, as well as more than fifty other plays, explores the life of the writer and the true stories and real lives that inspired his works. A powerful force in theatre since the 1970s, Williamson's plays have uniquely explored the pulse of our Australianness. After five decades of chronicling the blunders, mishaps and messes that he and his fellow Australians got themselves into, Williamson has penned his long-awaited memoir, Home Truths. It reveals the story of the man behind the work: how a childhood defined by marital discord sparked a lifelong fascination with the power of drama to explore emotional conflict; how a mechanical engineering student became our most successful playwright; the anxiety that plagued him as he crafted his plays; the joy of connecting with an audience and the enduring sting of the critics; and the great love story that defined his personal life. Fearless, candid and witty, Williamson also writes about the plethora of odd, interesting, caustic and brilliant people – actors, directors, writers, theatre critics, politicians – who have intersected with his life and work: from a young Jacki Weaver and Chris Haywood in the first Sydney production of The Removalists in 1971 to Nicole Kidman on the brink of stardom in the 1988 feature film of Emerald City and lively dinners with political powerhouse Paul Keating; and from Graham Kennedy in the 1976 film version of Don's Party through eventful overseas travels with Gareth Evans, Peter Carey and Tim Winton to a West End production of Up for Grabs starring Madonna, and the satisfaction of seeing his sons Felix and Rory tread the boards in several of his own plays. Praise for David Williamson: 'Australia's most enduringly popular social comedy writer … keenly observant and satirical.' The Sydney Morning Herald 'Williamson always keeps us engaged … his words weave a spellbinding course … testament to the power of [his] language.' The Daily Telegraph 'Our greatest dramatic entertainer.' Chris Boyd, Financial Review 'His genius has been to define for us, in advance of our own recognition, the qualities which make up the Australian character.' Katharine Brisbane, The Australian 'It would be impossible to fault Williamson for not being brutally honest.' Jasper Lindell, Canberra Times 'Known for his sharp wit, brutal dialogue and fierce politics, Williamson's book is savage, funny and tender in equal parts. It's also first-class eyewitness cultural history.' Filmink 'Home Truths unfurls a sweeping and surprising life. It is a potpourri of Australian middle-class mores, exiting cultural schisms in the nation's theatre fuelled by young men and women who would go on to change the face of stage and screen, the politics of the day, love trysts and betrayal, backstage drama, fame and financial success, family, enemies made and friends lost, marriage and divorce, all backdropped by Williamson's remarkable work.' Matthew Condon, The Australian '... the overall momentum is powerfully sustained. Home Truths is as much a collective portrait as a self-portrait, and anyone who picks it up is likely to be carried on by the surge and the propulsion.' Peter Craven, Sydney Morning Herald 'Like so many of his plays, it is name-dropping, gossipy and wonderfully entertaining.' Susan Lever, Inside Story 'The book is packed with detail, personal and professional, as he covers his life step by step, highs and lows, plenty of each.' NZ Listener
Zombie Myths of Australian Military History by Craig A. J. Stockings Pdf
In this fascinating account, leading Australian military historians tackle 10 of the most enduring historical zombies, or national myths, that have staggered their way through the halls of military history for more than 200 years. From Aboriginal resistance and invasion to Australia’s recent involvement in East Timor, this record disproves the incorrectly memorialized and so-called gallant deeds of past Australian servicemen. Provocative and opinionated, this record attempts to correct the historical record.
Michael Allred (b. 1962) stands out for his blend of spiritual and philosophical approaches with an art style reminiscent of 1960s era superhero comics, which creates a mixture of both postmodernism and nostalgia. His childhood came during an era where pop art and camp embraced elements of kitsch and pastiche and introduced them into the lexicon of popular culture. Allred's use of both in his work as a cartoonist on his signature comic book Madman in the early 1990s offset the veiled autobiography of his own spiritual journey through Mormonism and struggles with existentialism. Thematically, Allred's work deals heavily with the afterlife as his creations struggle with the grander questions--whether his modern Frankenstein hero Madman, cosmic rock 'n' roller Red Rocket 7, the undead heroine of iZombie (co-created with writer Chris Roberson), or the cast of superhero team book The Atomics. Allred also enjoys a position in the creator-driven generation that informs the current batch of independent cartoonists and has experienced his own brush with a major Hollywood studio's aborted film adaptation of Madman. Allred's other brushes with Hollywood include an independent adaptation of his comic book The G-Men from Hell, an appearance as himself in Kevin Smith's romantic comedy Chasing Amy (where he provided illustrations for a fictitious comic book), the television adaptation of iZombie, and an ongoing relationship with director Robert Rodriguez on a future Madman film. Michael Allred: Conversations features several interviews with the cartoonist from the early days of Madman's success through to his current mainstream work for Marvel Comics. To read them is to not only witness the ever-changing state of the comic book industry, but also to document Allred's growth as a creative genius.
Covering a range from supernatural fiction to dark fantasy to graphic horror, these 25 interviewees discuss the creative challenges, expectations and conventions of the horror genre. These authors, directors and actors working in the horror genre include Clive Barker, Neil Gaiman, James Herbert, Joe Hill, Steve Niles, Sarah Pinborough, John Carpenter, Mick Garris, Stuart Gordon, Rob Zombie, Christa Campbell, Zach Galligan, Betsy Palmer and Ron Perlman.
Fans of this rising star of several recent major motion pictures ("Pearl Harbor, Blackhawk Down, 40 Days and 40 Nights")--who has been compared to Gary Cooper and Leonardo DiCaprio--can get the inside scoop on Hartnett's life story and his insights on his meteoric rise as an actor. Packed with full-color photos.
There's a Fax from Bruce by Bruce Beresford,Sue Milliken Pdf
Reading like a survival manual for aspiring filmmakers, this book offers a fascinating insight into film-making in the 1990s from two of Australias most successful film practitioners. Between 1989 and 1997, Bruce Beresford and Sue Milliken made nine films between them, two of which they made together. And when they werent on set, they used the fax machine to stay in touch. As well as taking care of business, the faxes were a commentary -- sometimes droll and often wry -- on life around them, written to amuse and liberally laced with industry gossip. Sent from Broome and South Africa and beyond, they make a fun, fascinating, informative and ultimately charming read.
THE NUMBER ONE BESTSELLER 'Will have you laughing out loud ... lovely' Cosmopolitan You'd think twenty-seven years would be enough time to wise up to the rules of love and loss, especially Rule Number 1: Do not, at any time, let him see how much he has hurt you. But no, Izzy Keegan was probably off doing sambuca shots when that lesson was being taught. So, starting with public humiliation (that infamous blow-up with her Ex and his new woman . . . huge mistake), and taking in temporary insanity, rebound sex, and a night in a police cell along the way, Izzy has to make up her own rules for coping with heartbreak. Luckily she has friends who are there for her through thick and thin (even if 'doing an Izzy' is their new shorthand for completely losing it). And she's got her foot in the door of the film business (though dogsbody wasn't exactly the job she dreamt of doing). Now, all she has to do is put the dirty cheating love-rat behind her. You'd think twenty-seven years would be enough time to wise up to the rules of love and loss. Make that twenty-seven and a bit . . . _________ 'Witty, observant and very Bridget Jones-like, this brilliant read is thoroughly enjoyable' Closer magazine 'Like Jane Austen on ecstasy' Sunday Independent 'A funny romantic comedy ... like Bridget Jones on Viagra' Irish Daily Mail 'Fun, bubbly, gutsy and lively' U Magazine 'Tender, romantic and laugh aloud funny' Irish Examiner 'Sharp and sassy' Irish Tatler 'She can really write . . . a deserved No 1' Irish Independent
In a world of rising tensions between Russia and the United States, the Middle East and Europe, Sunnis and Shiites, Islamism and liberalism, Turkey is at the epicentre. And at the heart of Turkey is its right-wing populist president, Recep Tayyip Erdo?an. Since 2002, Erdo?an has consolidated his hold on domestic politics while using military and diplomatic means to solidify Turkey as a regional power. His crackdown has been brutal and consistent - scores of journalists arrested, academics officially banned from leaving the country, university deans fired and many of the highest-ranking military officers arrested. In some senses, the nefarious and failed 2016 coup has given Erdo?an the licence to make good on his repeated promise to bring order and stability under a 'strongman'. Here, leading Turkish expert Soner Cagaptay will look at Erdo?an's roots in Turkish history, what he believes in and how he has cemented his rule, as well as what this means for the world. The book will also unpick the 'threats' Erdogan has worked to combat - from the liberal Turks to the Gulen movement, from coup plotters to Kurdish nationalists - all of which have culminated in the crisis of modern Turkey.
Dwight B. Wilmerding is only twenty-eight, but he’s having a midlife crisis. He lives a dissolute existence in a tiny apartment with three (sometimes four) slacker roommates, holds a mind-numbing job at the pharmaceutical giant Pfizer, and has a chronic inability to make up his mind. Encouraged by one of his roommates to try an experimental drug meant to banish indecision, Dwight jumps at the chance (not without some vacillation about the hazards of jumping) and swallows the first fateful pill. And when all at once he is “pfired” by Pfizer and invited to a rendezvous in exotic Ecuador with the girl of his long-ago prep-school dreams, he finds himself on the brink of a new life. The trouble–well, one of the troubles–is that Dwight can’t decide if the pills are working. Deep in the jungles of the Amazon, in the foreign country of a changed outlook, his would-be romantic escape becomes a hilarious journey into unbidden responsibility and unwelcome knowledge–and an unexpected raison d’être.
