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Crossing genres of films, this book contains movies that have lessons in them as a way of finding insights into daily life. While other critics summarize a film, focus on the amount of profanity and nudity it contains, and decide whether it's worthwhile to watch, Herbert Cohen takes a different tactic and views films as life lessons. This collection of meaningful films, with inspiring and emotional stories that help understand the plight of others, provides new ways to approach self-growth.
This is a thematic survey of American films with significant Jewish content that made an important statement about America. Both familiar and lesser known films are included. An introduction discusses why American Jews were attracted to films as audiences, performers and business people, and evaluates how films help audiences think about their lives. The book then focuses on themes and representative and important films, placing them in their cultural contexts. One of the aspects of American Jewish life brought out by the films in general is the tensions between an American and a Jewish identity and between a Jewish identity and a broader human identity. Other themes are assimilation and acculturation, interfaith relations, Israel, marriage and family relations, the role of women, Jews and American politics, and anti-Semitism including the Holocaust.
The 50 Greatest Jewish Movies by Kathryn Bernheimer Pdf
The first book to review and rank movies depicting the Jewish experience, "The 50 Greatest Jewish Movies" provides an insightful analysis of the ways in which Hollywood and the film community have handled such issues as anti-Semitism, assimilation, relations with gentiles, the Holocaust and its aftereffects, Zionism, and the Jewish commitment to social justice. Photos.
Movie-Made Jews focuses on a rich, usable American Jewish cinematic tradition. This tradition includes fiction and documentary films that make Jews through antisemitism, Holocaust indirection, and discontent with assimilation. It prominently features the unapologetic assertion of Jewishness, queerness, and alliances across race and religion. Author Helene Meyers shows that as we go to our local theater, attend a Jewish film festival, play a DVD, watch streaming videos, Jewishness becomes part of the multicultural mosaic rather than collapsing into a generic whiteness or being represented as a life apart. This engagingly-written book demonstrates that a Jewish movie is neither just a movie nor for Jews only. With incisive analysis, Movie-Made Jews challenges the assumption that American Jewish cinema is a cinema of impoverishment and assimilation. While it’s a truism that Jews make movies, this book brings into focus the diverse ways movies make Jews.
Kosher pork -- an oxymoron? Anna Shternshis's fascinating study traces the creation of a Soviet Jewish identity that disassociated Jewishness from Judaism. The cultural transformation of Soviet Jews between 1917 and 1941 was one of the most ambitious experiments in social engineering of the past century. During this period, Russian Jews went from relative isolation to being highly integrated into the new Soviet culture and society, while retaining a strong ethnic and cultural identity. This identity took shape during the 1920s and 1930s, when the government attempted to create a new Jewish culture, "national in form" and "socialist in content." Soviet and Kosher is the first study of key Yiddish documents that brought these Soviet messages to Jews, notably the "Red Haggadah," a Soviet parody of the traditional Passover manual; songs about Lenin and Stalin; scripts from regional theaters; Socialist Realist fiction; and magazines for children and adults. More than 200 interviews conducted by the author in Russia, Germany, and the United States testify to the reception of these cultural products and provide a unique portrait of the cultural life of the average Soviet Jew.
Film critic Rabbi Herbert J. Cohen views films as potential life lessons, and defines a "kosher movie" as one that has something valuable to say about the human condition. In this survey spanning many genres, Cohen presents films as tools for self-discovery and for navigating challenges of life. What do romantic comedies really say about love? What can Mad Max teach us about the value of time? What parenting lessons can we learn from The Secret Life of Pets? Exploring more than 100 stand-out movies from the past 30 years, Cohen shares inspiring personal anecdotes about self-growth, relationships, parenting, aging, dealing with adversity and more."A harmonious convergence of faith and art." - Senator Joseph Lieberman"It's like Chicken Soup for the Soul meets Roger Ebert."- Vincent Coppola, former Newsweek writer and noted author"Rabbi Cohen is clearly a movie fan. His passion and insight, discovering moral values beyond what may have been intended is a refreshing spin on the typical film critique."- Steve Posen, movie producer
Jewish Identity in French Cinema (1950-2010) by Serge Bokobza Pdf
This book examines the expression of a Jewish identity in French films and the characteristics used by filmmakers to portray this nebulous concept in movies produced after the Shoah and World War II. Throughout a sixty-year span, French directors struggled to define Jewish identity and a correlation with the larger question of French national identity. The study delves into the larger question of Jewish identity as characterised in works of cinematic fiction in accordance with the history of the Jews of France, using the centrality of the emancipation paradigm of 1791 and the theoretical frame provided by Jean-Paul Sartre’s Réflexions sur la question juive. The book identifies and describes three categories of films produced between 1950 and 2010 that represent the manner in which directors portrayed an evolving Jewish identity and its relation to French society, rejecting the practice of labeling a film as “Jewish” because of the ethnicity of a director or writer. Based on extensive research including the review of over 200 full-length films, the book provides an overview of features addressing the concept of Jewish identity and includes a Descriptive Filmography of productions matching the author’s definition of a Jewish-identity film. From the template La Grande Illusion to contemporary releases, the book argues that French Jewish-identity films dwell in the sociological realm of Jewishness, as the epicenter of tension is rooted in identity rather than religion.
Author : Wendy I. Zierler Publisher : State University of New York Press Page : 330 pages File Size : 50,7 Mb Release : 2017-08-15 Category : Performing Arts ISBN : 9781438466163
Brings popular cinema and Jewish religious texts into a meaningful dialogue. Finalist for the 2017 National Jewish Book Award in Modern Jewish Thought and Experience presented by the Jewish Book Council Movies and Midrash uses cinema as a springboard to discuss central Jewish texts and matters of belief. A number of books have drawn on films to explicate Christian theology and belief, but Wendy I. Zierler is the first to do so from a Jewish perspective, exploring what Jewish tradition, text, and theology have to say about the lessons and themes arising from influential and compelling films. The book uses the method of “inverted midrash”: while classical rabbinical midrash begins with exegesis of a verse and then introduces a mashal (parable) as a means of further explication, Zierler turns that process around, beginning with the culturally familiar cinematic parable and then analyzing related Jewish texts. Each chapter connects a secular film to a different central theme in classical Jewish sources or modern Jewish thought. Films covered include The Truman Show (truth), Memento (memory), Crimes and Misdemeanors (sin), Magnolia (confession and redemption), The Descendants (birthright), Forrest Gump (cleverness and simplicity), and The Hunger Games (creation of humanity in God’s image), among others. Wendy I. Zierler is Sigmund Falk Professor of Modern Jewish Literature and Feminist Studies at Hebrew Union College–Jewish Institute of Religion and the author of And Rachel Stole the Idols: The Emergence of Modern Hebrew Women’s Writing.
The New World’s earliest Jewish immigrants and their unique, little-known history: A New York Times bestseller from the author of Life at the Dakota. In 1654, twenty-three Jewish families arrived in New Amsterdam (now New York) aboard a French privateer. They were the Sephardim, members of a proud orthodox sect that had served as royal advisors and honored professionals under Moorish rule in Spain and Portugal but were then exiled from their homeland by intolerant monarchs. A small, closed, and intensely private community, the Sephardim soon established themselves as businessmen and financiers, earning great wealth. They became powerful forces in society, with some, like banker Haym Salomon, even providing financial support to George Washington’s army during the American Revolution. Yet despite its major role in the birth and growth of America, this extraordinary group has remained virtually impenetrable and unknowable to outsiders. From author of “Our Crowd” Stephen Birmingham, The Grandees delves into the lives of the Sephardim and their historic accomplishments, illuminating the insulated world of these early Americans. Birmingham reveals how these families, with descendants including poet Emma Lazarus, Barnard College founder Annie Nathan Meyer, and Supreme Court Justice Benjamin N. Cardozo, influenced—and continue to influence—American society.
1946-53, the XX century's "Middle Ages". AmeriKKKans arraign their kosher people as the USSR's moles. SSoviets not only mirror that, but might ship all Jews to the starving, icy Siberian mini Zion named the Jewish Autonomous Region. Kiev's life teaches Roma, 13, that kissing rumps is better than tasting their fruits. The police summon his dad, jail the brass and friends. Some commit suicide. The boy is ripe for his personal show-trial too. In that bedlam, girls pour their hearts to him. Yet, he plans to swim to Turkey. S.I. Fishgal's (www.publishedauthors.net/sifishgal) PIDDLER ON THE HOOF (PublishAmerica) shows the hero's childhood. MEIN KRAMPF (Lulu) does his fiery, forbidden love with a Russian coach, 22, later. As a gentleman, Fishgal made his intriguing, truthful books independent. His horse sense, crisp and funny language, topsy-turvy idioms and plays of words are striking.
Christmas is not everybody’s favorite holiday. Historically, Jews in America, whether participating in or refraining from recognizing Christmas, have devised a multitude of unique strategies to respond to the holiday season. Their response is a mixed one: do we participate, try to ignore the holiday entirely, or create our own traditions and make the season an enjoyable time? This book, the first on the subject of Jews and Christmas in the United States, portrays how Jews are shaping the public and private character of Christmas by transforming December into a joyous holiday season belonging to all Americans. Creative and innovative in approaching the holiday season, these responses range from composing America’s most beloved Christmas songs, transforming Hanukkah into the Jewish Christmas, creating a national Jewish tradition of patronizing Chinese restaurants and comedy shows on Christmas Eve, volunteering at shelters and soup kitchens on Christmas Day, dressing up as Santa Claus to spread good cheer, campaigning to institute Hanukkah postal stamps, and blending holiday traditions into an interfaith hybrid celebration called “Chrismukkah” or creating a secularized holiday such as Festivus. Through these venerated traditions and alternative Christmastime rituals, Jews publicly assert and proudly proclaim their Jewish and American identities to fashion a universally shared message of joy and hope for the holiday season. See also: http://www.akosherchristmas.org
Reel Food is the first book devoted to food as a vibrant and evocative element of film, featuring original essays by major food studies scholars, among them Carole Counihan and Michael Ashkenazi. This collection reads various films through their uses of food-from major food films like Babette's Feast and Big Night to less obvious choices including The Godfather trilogy and The Matrix. The contributors draw attention to the various ways in which food is employed to make meaning in film. In some cases, such as Soul Food and Tortilla Soup, for example, food is used to represent racial and ethnic identities. In other cases, such as Chocolat and Like Water for Chocolate, food plays a role in gender and sexual politics. And, of course, there is also discussion of the centrality of popcorn to the movie-going experience. This book is a feast for scholars, foodies, and cinema buffs. It will be of major interest to anyone working in popular culture, film studies, and food studies, at both the undergraduate and graduate level.
Contemporary Israeli Haredi Society by Kimmy Caplan,Nissim Leon Pdf
This edited volume offers profiles of contemporary Israeli Haredi (i.e., Jewish Ultra-Orthodox) society from several disciplinary points of view, resisting a generalized approach and examining the different, sometimes competing currents, that define it. It is argued that Haredi society has undergone a process of rejuvenation in recent history: demographically, it has experienced steady and consistent growth; on the Israeli political stage, Haredi parties have become increasingly influential; and culturally, the Haredi presence is increasingly felt in Israeli news media, popular movies, and TV series. Each of the chapters in the book focuses on a particular topic and combines research findings with an assessment of the current state of the field. These topics encompass Haredi ideology, politics, military service, education, geography, the media, and healthcare – together, they paint a complex picture of Haredi society as one of contradictory layers, dimensions, and aspects. Making sense of contemporary Haredi society is critical for anyone interested in understanding Israeli society as a whole, but the book will also appeal to historians of religion, scholars of contemporary conservative enclave religious societies and cultures, and those who focus on Jewish studies in the modern era.
