Maternal Breast Feeding And Its Substitutes In Nineteenth Century French Art
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Maternal Breast-Feeding and Its Substitutes in Nineteenth-Century French Art by Gal Ventura Pdf
Gal Ventura explores the ideological sources promoting maternal breast-feeding in modern Western society, through a survey of hundreds of artworks produced in France from the French Revolution to the beginning of the twentieth century.
Author : Lisa Algazi Marcus Publisher : Liverpool University Press Page : 176 pages File Size : 52,9 Mb Release : 2022-05-13 Category : History ISBN : 9781802070644
Mother’s Milk and Male Fantasy in Nineteenth-Century French Narrative by Lisa Algazi Marcus Pdf
Should all mothers breast-feed their children? This question remains controversial in the twenty-first century. In an interview with the newspaper Liberation in 2010, feminist philosopher Elisabeth Badinter claimed that the pressure to breast-feed signified “a reduction of woman to the status of an animal species, as though we were all female chimpanzees.” The debate over maternal nursing held even more urgency before pasteurization provided a safe alternative in the early 1900s. While scholars of literary criticism and art history have described the abundance of breast-feeding imagery following the publication of Rousseau’s Emile in 1762, little has been written on its manifestations in the nineteenth century. Despite an ongoing propaganda campaign to encourage mothers to nurse, reflected in such diverse sources as medical theses, paintings, and fictional cautionary tales, French mothers continued to entrust their infants to wet nurses more often and for longer than was the norm in other European countries throughout the nineteenth century and well into the twentieth. This book examines representations of breast-feeding in French literature and culture from 1800 to 1900 and their apparent dissonance with the socio-historical realities of French mothers.
Visual Culture and Pandemic Disease Since 1750 by Marsha Morton,Ann-Marie Akehurst Pdf
Through case studies, this book investigates the pictorial imaging of epidemics globally, especially from the late eighteenth century through the 1920s when, amidst expanding Western industrialism, colonialism, and scientific research, the world endured a succession of pandemics in tandem with the rise of popular visual culture and new media. Images discussed range from the depiction of people and places to the invisible realms of pathogens and emotions, while topics include the messaging of disease prevention and containment in public health initiatives, the motivations of governments to ensure control, the criticism of authority in graphic satire, and the private experience of illness in the domestic realm. Essays explore biomedical conditions as well as the recurrent constructed social narratives of bias, blame, and othering regarding race, gender, and class that are frequently highlighted in visual representations. This volume offers a pictured genealogy of pandemic experience that has continuing resonance. The book will be of interest to scholars working in art history, visual studies, history of medicine, and medical humanities.
Wild With Child by Rebecca Jaremko Bromwich,Elana Finestone Pdf
This book invites readers to step lightly into a transformative realm where the conventional narratives of pregnancy, motherhood, and femininity are defied, reshaped, and celebrated. In response to decades of limited portrayals of pregnant women and mothers as merely &‘ good,' &‘ bad,' or &‘ monstrous,' this anthology intervenes with a diverse array of contributions from scholars, artists, activists, and those who have lived the journey of motherhood. It brings forth a colourful mosaic of perspectives that push beyond the confines of societal norms, presenting images, writings, and creative expressions bursting with authenticity and power. This anthology is an affirmation, a celebration, and a transformative journey that invites all to join in reframing the pregnant body and the lived experiences of motherhood, and in to deeper engagements with maternal feminist writing and thought.
Dress and Ideology by Shoshana-Rose Marzel,Guy D. Stiebel Pdf
Dress and fashion are powerful visual means of communicating ideology, whether political, social or religious. From the communist values of equality, simplicity and solidarity exemplified in the Mao suit to the myriad of fashion protests of feminists such as French revolutionary women's demand to wear trousers, dress can symbolize ideological orthodoxy as well as revolt. With contributions from a wide range of international scholars, this book presents the first scholarly analysis of dress and ideology through accessible case studies. Chapters are organized thematically and explore dress in relation to topics including nation, identity, religion, politics and utopias, across an impressive chronological reach from antiquity to the present day. Dress & Ideology will appeal to students and scholars of fashion, history, sociology, cultural studies, politics and gender studies.
The Cultural Construction of Hidden Spaces by Anonim Pdf
This essay collection focuses on enclosure, deception and secrecy in three spatial areas – the body, clothing and furniture. It contributes to the study of private life and explores the micro-history of hidden spaces. The contents of pockets may prove a surer index to their owner’s real thoughts than anything they say; a piece of furniture with ingenious mechanisms created to conceal secrets may also reveal someone’s attempts to break in and thus give away as much as it holds. Though the book’s focus is on particular material or imagined objects, taken as a whole it exemplifies a range of interdisciplinary encounters between history, literary criticism, art history, philosophy, psychoanalysis, sociology, criminology, archival studies, museology and curating, and women’s studies.
Bazaar Literature reorients our understanding of Victorian social reform fiction by reading it in light of the copious amount of literature generated for charity bazaars. Bazaars were ubiquitous during the nineteenth century, part of the vibrant and massive private sector response to a rapidly industrializing society. Typically organized and run by women, charity bazaars were often called "fancy fairs" since they specialized in ladies' hand-crafted "fancy" work. Indeed, they were a key method women used to intervene in political, social, and cultural affairs. Yet their conventional purpose—to raise money for charity—has led to their being widely overlooked and misunderstood. Bazaar Literature remedies these misconceptions by demonstrating how the literature written in conjunction with bazaars shaped the social, political, and literary movements of its time. This study draws upon a wide variety of texts printed to be sold at bazaars, including literature by Robert Louis Stevenson, Harriet Martineau, and Elizabeth Barrett Browning, alongside fictional depictions of fancy fairs by Charlotte Yonge, George Eliot, Frances Trollope, and Anthony Trollope. The book revises our understanding of the larger literary market in social reform fiction, revealing a parodic, self-critical strain that is paradoxically braided with strident political activism and its realist sensibilities.
Patricia R. Ivinski,Sterling and Francine Clark Art Institute
Author : Patricia R. Ivinski,Sterling and Francine Clark Art Institute Publisher : Sterling and Francine Clark Art Museum Page : 64 pages File Size : 52,6 Mb Release : 1998 Category : Art ISBN : STANFORD:36105110493421
Practice of the Presence by Brother Lawrence of the Resurrection Pdf
A perennial classic since 1692, Brother Lawrence's book has continued to offer simple spiritual guidance for any situation. Now, award-winning translator Carmen Acevedo Butcher frees the text from wooden, patriarchal translations, bringing readers the opportunity to engage with Brother Lawrence's wisdom in a whole new way.
Author : George D. Sussman Publisher : Urbana : University of Illinois Press Page : 240 pages File Size : 50,6 Mb Release : 1982 Category : Business & Economics ISBN : UOM:39015018839194
In the nineteenth century, infants were commonly breast-fed; by the middle of the twentieth century, women typically bottle-fed their babies on the advice of their doctors. In this book, Rima D. Apple discloses and analyzes the complex interactions of science, medicine, economics, and culture that underlie this dramatic shift in infant-care practices and women’s lives. As infant feeding became the keystone of the emerging specialty of pediatrics in the twentieth century, the manufacture of infant food became a lucrative industry. More and more mothers reported difficulty in nursing their babies. While physicians were establishing themselves and the scientific experts and the infant-food industry was hawking the scientific bases of their products, women embraced “scientific motherhood,” believing that science could shape child care practices. The commercialization and medicalization of infant care established an environment that made bottle feeding not only less feared by many mothers, but indeed “natural” and “necessary.” Focusing on the history of infant feeding, this book clarifies the major elements involved in the complex and sometimes contradictory interaction between women and the medical profession, revealing much about the changing roles of mothers and physicians in American society. “The strength of Apple’s book is her ability to indicate how the mutual interests of mothers, doctors, and manufacturers led to the transformation of infant feeding. . . . Historians of science will be impressed with the way she probes the connections between the medical profession and the manufacturers and with her ability to demonstrate how medical theories were translated into medical practice.”—Janet Golden, Isis
Medieval and Renaissance Lactations by Dr Jutta Gisela Sperling Pdf
The premise of this volume is that the ubiquity of lactation imagery in early modern visual culture and the discourse on breastfeeding in humanist, religious, medical, and literary writings is a distinct cultural phenomenon that deserves systematic study. Chapters by art historians, social and legal historians, historians of science, and literary scholars explore some of the ambiguities and contradictions surrounding the issue, and point to the need for further study, in particular in the realm of lactation imagery in the visual arts. This volume builds on existing scholarship on representations of the breast, the iconography of the Madonna Lactans, allegories of abundance, nature, and charity, women mystics' food-centered practices of devotion, the ubiquitous practice of wet-nursing, and medical theories of conception. It is informed by studies on queer kinship in early modern Europe, notions of sacred eroticism in pre-tridentine Catholicism, feminist investigations of breastfeeding as a sexual practice, and by anthropological and historical scholarship on milk exchange and ritual kinship in ancient Mediterranean and medieval Islamic societies. Proposing a variety of different methods and analytical frameworks within which to consider instances of lactation imagery, breastfeeding practices, and their textual references, this volume also offers tools to support further research on the topic.
Remarks on the Subject of Lactation by Edward Morton Pdf
"Remarks on the Subject of Lactation" by Edward Morton. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Reconciling Art and Mothering by RachelEpp Buller Pdf
Reconciling Art and Mothering contributes a chorus of new voices to the burgeoning body of scholarship on art and the maternal and, for the first time, focuses exclusively on maternal representations and experiences within visual art throughout the world. This innovative essay collection joins the voices of practicing artists with those of art historians, acknowledging the fluidity of those categories. The twenty-five essays of Reconciling Art and Mothering are grouped into two sections, the first written by art historians and the second by artists. Art historians reflect on the work of artists addressing motherhood-including Marguerite G?rd, Chana Orloff, and Ren?Cox-from the early nineteenth century to the present day. Contributions by contemporary artist-mothers, such as Gail Rebhan, Denise Ferris, and Myrel Chernick, point to the influence of past generations of artist-mothers, to the inspiration found in the work of maternally minded literary and cultural theorists, and to attempts to broaden definitions of maternity. Working against a hegemonic construction of motherhood, the contributors discuss complex and diverse feminist mothering experiences, from maternal ambivalence to queer mothering to quests for self-fulfillment. The essays address mothering experiences around the globe, with contributors hailing from North and South America, Europe, Asia, Africa, and Australia.