Moscow Prime Time

Author : Kristin Roth-Ey
Publisher : Cornell University Press
Page : 329 pages
File Size : 43,6 Mb
Release : 2011-05-15
Category : History
ISBN : 9781501771422

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Moscow Prime Time by Kristin Roth-Ey Pdf

When Nikita Khrushchev visited Hollywood in 1959 only to be scandalized by a group of scantily clad actresses, his message was blunt: Soviet culture would soon consign the mass culture of the West, epitomized by Hollywood, to the "dustbin of history." In Moscow Prime Time, a portrait of the Soviet broadcasting and film industries and of everyday Soviet consumers from the end of World War II through the 1970s, Kristin Roth-Ey shows us how and why Khrushchev’s ambitious vision ultimately failed to materialize. The USSR surged full force into the modern media age after World War II, building cultural infrastructures—and audiences—that were among the world’s largest. Soviet people were enthusiastic radio listeners, TV watchers, and moviegoers, and the great bulk of what they were consuming was not the dissident culture that made headlines in the West, but orthodox, made-in-the-USSR content. This, then, was Soviet culture’s real prime time and a major achievement for a regime that had long touted easy, everyday access to a socialist cultural experience as a birthright. Yet Soviet success also brought complex and unintended consequences. Emphasizing such factors as the rise of the single-family household and of a more sophisticated consumer culture, the long reach and seductive influence of foreign media, and the workings of professional pride and raw ambition in the media industries, Roth-Ey shows a Soviet media empire transformed from within in the postwar era. The result, she finds, was something dynamic and volatile: a new Soviet culture, with its center of gravity shifted from the lecture hall to the living room, and a new brand of cultural experience, at once personal, immediate, and eclectic—a new Soviet culture increasingly similar, in fact, to that of its self-defined enemy, the mass culture of the West. By the 1970s, the Soviet media empire, stretching far beyond its founders’ wildest dreams, was busily undermining the very promise of a unique Soviet culture—and visibly losing the cultural cold war. Moscow Prime Time is the first book to untangle the paradoxes of Soviet success and failure in the postwar media age.

Author : Anonim
Publisher : Unknown
Page : 128 pages
File Size : 41,8 Mb
Release : 2011
Category : Electronic
ISBN : 0801448743

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Teaching Collection (SSEES by Anonim Pdf

Author : Anikó Imre
Publisher : Duke University Press
Page : 328 pages
File Size : 46,8 Mb
Release : 2016-06-03
Category : Performing Arts
ISBN : 9780822374466

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TV Socialism by Anikó Imre Pdf

In TV Socialism, Anikó Imre provides an innovative history of television in socialist Europe during and after the Cold War. Rather than uniform propaganda programming, Imre finds rich evidence of hybrid aesthetic and economic practices, including frequent exchanges within the region and with Western media, a steady production of varied genre entertainment, elements of European public service broadcasting, and transcultural, multi-lingual reception practices. These televisual practices challenge conventional understandings of culture under socialism, divisions between East and West, and the divide between socialism and postsocialism. Taking a broad regional perspective encompassing Eastern Europe and the Soviet Union, Imre foregrounds continuities between socialist television and the region’s shared imperial histories, including the programming trends, distribution patterns, and reception practices that extended into postsocialism. Television, she argues, is key to understanding European socialist cultures and to making sense of developments after the end of the Cold War and the enduring global legacy of socialism.

Author : Christine Elaine Evans
Publisher : Yale University Press
Page : 359 pages
File Size : 52,8 Mb
Release : 2016-01-01
Category : History
ISBN : 9780300208481

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Between Truth and Time by Christine Elaine Evans Pdf

CHAPTER SIX: "KVN Is an Honest Game": Game Shows and the Problem of Authority -- CHAPTER SEVEN: A Dress Rehearsal for Life: Artloto and What? Where? When? -- Epilogue: The Origins of Central Television's Perestroika -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z

Author : Simon Huxtable
Publisher : Oxford University Press
Page : 266 pages
File Size : 45,9 Mb
Release : 2022-04-14
Category : History
ISBN : 9780192672193

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News from Moscow by Simon Huxtable Pdf

News from Moscow is a social and cultural history of Soviet journalism after World War II. Focusing on the youth newspaper Komsomol'skaia Pravda, the study draws on transcripts of behind-the-scenes editorial meetings to chart the changing professional ethos of the Soviet journalist. Simon Huxtable shows how journalists viewed themselves both as propagandists bringing the Party's ideas to the wider public, but also as reformers who tried to implement new ideas that would help usher the country towards Communism. The volume focuses on both aspects of the journalists' role, from propaganda editorials in praise of Comrade Stalin and articles lauding young heroes' exploits in the Virgin Lands, to revolutionary new initiatives, such as the country's first ever polling institute and clubs promoting the virtues of unfettered public debate. Soviet journalism, argues Huxtable, was riven with an unresolvable tension between innovation and conservativism: the more journalists tried to promote new innovations to perfect Soviet society, the more officials grew anxious about the disruptive consequences of reform. By demonstrating the day-to-day conflicts that characterised the press's activity, and by showing that the production of Soviet propaganda involved much more than redrafting orders from above, News from Moscow offers a new perspective on Soviet propaganda that expands our understanding of the possibilities and limits of reform in a period of rapid change.

Author : Artemy M. Kalinovsky,Craig Daigle
Publisher : Routledge
Page : 613 pages
File Size : 46,6 Mb
Release : 2014-06-05
Category : Political Science
ISBN : 9781134700721

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The Routledge Handbook of the Cold War by Artemy M. Kalinovsky,Craig Daigle Pdf

This new Handbook offers a wide-ranging overview of current scholarship on the Cold War, with essays from many leading scholars. The field of Cold War history has consistently been one of the most vibrant in the field of international studies. Recent scholarship has added to our understanding of familiar Cold War events, such as the Korean War, the Cuban Missile Crisis and superpower détente, and shed new light on the importance of ideology, race, modernization, and transnational movements. The Routledge Handbook of the Cold War draws on the wealth of new Cold War scholarship, bringing together essays on a diverse range of topics such as geopolitics, military power and technology and strategy. The chapters also address the importance of non-state actors, such as scientists, human rights activists and the Catholic Church, and examine the importance of development, foreign aid and overseas assistance. The volume is organised into nine parts: Part I: The Early Cold War Part II: Cracks in the Bloc Part III: Decolonization, Imperialism and its Consequences Part IV: The Cold War in the Third World Part V: The Era of Detente Part VI: Human Rights and Non-State Actors Part VII: Nuclear Weapons, Technology and Intelligence Part VIII: Psychological Warfare, Propaganda and Cold War Culture Part IX: The End of the Cold War This new Handbook will be of great interest to all students of Cold War history, international history, foreign policy, security studies and IR in general.

Author : Cyril Buffet
Publisher : Routledge
Page : 232 pages
File Size : 44,6 Mb
Release : 2017-10-02
Category : Social Science
ISBN : 9781317358787

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Cinema in the Cold War by Cyril Buffet Pdf

The film industry was an important propaganda element during the Cold War. As with other conflicts, the Cold War was fought not just with weapons, but with words and images. Throughout the conflict, cinema was a reflection of the societies, the ideologies, and the political climates in which the films were produced. On both sides, great stars, major companies, famous scriptwriters, and filmmakers were enlisted to help the propaganda effort. It was not only propaganda that was created by the cinema of the Cold War – it also articulated criticism, and the movie industries were centres of the fabrication of modern myths. The cinema was undoubtedly a place of Cold War confrontation and rivalry, and yet there were aesthetic, technical, narrative exchanges between West and East. All genres of film contributed to the Cold War: thrillers, westerns, comedies, musicals, espionage films, documentaries, cartoons, science fiction, historical dramas, war films, and many more. These films shaped popular culture and national identities, creating vivid characters like James Bond, Alec Leamas, Harry Palmer, and Rambo. While the United States and the Soviet Union were the two main protagonists in this on-screen duel, other countries, such as Britain, Germany, Poland, Italy, and Czechoslovakia, also played crucially important parts, and their prominent cinematographic contributions to the Cold War are all covered in this volume. This book was originally published as a special issue of Cold War History.

Author : Polly Jones
Publisher : Oxford University Press
Page : 336 pages
File Size : 42,8 Mb
Release : 2019-08-14
Category : History
ISBN : 9780192526489

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Revolution Rekindled by Polly Jones Pdf

Towards the end of the Khrushchev era, a major Soviet initiative was launched to rekindle popular enthusiasm for the revolution, which eventually gave rise to over 150 biographies and historical novels (The Fiery Revolutionaries/Plamennye revoliutsionery series), authored by many key post-Stalinist writers and published throughout late socialism until the Soviet collapse. What new meanings did revolution take on as it was reimagined by writers, including dissidents, leading historians, and popular historical novelists? How did their millions of readers engage with these highly varied texts? To what extent does this Brezhnev-era publishing phenomenon challenge the notion of late socialism as a time of 'stagnation', and how does it confirm it? By exploring the complex processes of writing, editing, censorship, and reading of late Soviet literature, Revolution Rekindled highlights the dynamic negotiations that continued within Soviet culture well past the apparent turning point of 1968, through to the late Gorbachev era. It also complicates the opposition between 'official' and underground post-Stalinist culture by showing how Soviet writers and readers engaged with both, as they sought answers to key questions of revolutionary history, ethics and ideology. Polly Jones reveals the enormous breadth and vitality of the 'historical turn' amongst the late Soviet population. Revolution Rekindled is the first archival, oral history, and literary study of this unique late socialist publishing experiment, from its beginnings in the early 1960s to its collapse in the early 1990s. It draws on a wide range of previously untapped archives, including those of the publisher Politizdat, of Soviet institutions in charge of propaganda, publishing, and literature, and of many individual writers. It also uses in-depth interviews with Brezhnev-era writers, editors, and publishers, and assesses the generic and stylistic innovations within the series' biographies and novels.

Author : Masha Salazkina
Publisher : Univ of California Press
Page : 230 pages
File Size : 42,5 Mb
Release : 2024
Category : History
ISBN : 9780520400757

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Romancing Yesenia by Masha Salazkina Pdf

"This book considers the unexpected and mostly unexamined popularity of the Mexican film Yesenia (Alfredo B. Crevenna, 1971) in the Soviet Union. Set during the Second Franco-Mexican war, this unassuming movie melodrama was based on a successful television series, itself an adaptation of a popular women's romance graphic novel, a genre that was extremely common in mid-century Mexico. Screened in the Soviet Union in 1975, Yesenia became the highest grossing film in the history of Soviet film exhibition, unsurpassed by any movie, foreign or domestic. Based on ticket sales alone, it was seen by an astounding 91.4 million viewes in only the first year of its release. Yesenia's popularity in the socialist bloc, largely unbeknown to its Mexican producers, continued for decades after its initial release as the film migrated from cinemas to television screens and video. Boosted by its success with Soviet audiences, the film enjoyed a similarly spectacular exhibition history in China in the late 1970s, when the country was opening itself up to more international media, paving the way for other Mexican and Latin American productions broadcasted on Chinese television in decades to follow. Approaching this period restrospectively, cognizant of more contemporary developments in the global media, I conceive of this episode in film history through a framework of television culture whose increasing impact, I argue, shaped both the film's Mexican production and its subsequent reception within the Socialist bloc. I also argue that Yesenia's popularity carved out a crucial node within the global circuit of cultural and industrial networks, further enabling Latin American media's transcontinental reach"--Provided by publisher.

Author : Masha Salazkina
Publisher : Univ of California Press
Page : 388 pages
File Size : 52,9 Mb
Release : 2023-06-13
Category : Performing Arts
ISBN : 9780520393769

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World Socialist Cinema by Masha Salazkina Pdf

A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. In this capacious transnational film history, renowned scholar Masha Salazkina proposes a groundbreaking new framework for understanding the cinematic cultures of twentieth-century socialism. Taking as a point of departure the vast body of work screened at the Tashkent International Festival of Cinemas of Asia, Africa, and Latin America in the 1960s and 1970s, World Socialist Cinema maps the circulation of films between the Soviet Bloc and the countries of the Global South in the mid- to late twentieth century, illustrating the distribution networks, festival circuits, and informal channels that facilitated this international network of artistic and intellectual exchange. Building on decades of meticulous archival work, this long-anticipated film history unsettles familiar stories to provide an alternative to Eurocentric, national, and regional narratives, rooted outside of the capitalist West.

Author : Alan D. Roe
Publisher : Oxford University Press, USA
Page : 361 pages
File Size : 47,8 Mb
Release : 2020
Category : History
ISBN : 9780190914554

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Into Russian Nature by Alan D. Roe Pdf

"Into Russian Nature examines the history of the Russian national park movement. Russian biologists and geographers had been intrigued with the idea of establishing national parks before the Great October Revolution, but pushed the Soviet government successfully to establish nature reserves (zapovedniki) during the USSR's first decades. However, as the state pushed scientists to make zapovedniki more "useful" during the 1930s, some of the system's staunchest defenders started supporting tourism in them. In the decades after World War II, the USSR experienced a tourism boom and faced a chronic shortage of tourism facilities. Also during these years, Soviet scientists took active part in Western-dominated international environmental protection organizations where they became more familiar with national parks. In turn, they enthusiastically promoted parks for the USSR as a means to reconcile environmental protection and economic development goals, bring international respect to Soviet nature protection efforts, and help instil a love for the country's nature and a desire to protect it in Russian/Soviet citizens. By the late 1980s, their supporters pushed transformative, in some cases quixotic, park proposals. At the same time, national park opponents presented them as an unaffordable luxury during a time of economic struggle, especially after the USSR's collapse. Despite unprecedented collaboration with international organizations, Russian national parks received little governmental support as they became mired in land-use conflicts with local populations. While the history of Russia's national parks illustrates a bold attempt at reform, the state's failure's to support them has left Russian park supporters deeply disillusioned. "--

Author : Vicky Davis
Publisher : Bloomsbury Publishing
Page : 367 pages
File Size : 46,7 Mb
Release : 2017-11-30
Category : Political Science
ISBN : 9781786722737

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Myth Making in the Soviet Union and Modern Russia by Vicky Davis Pdf

The 1943 battle to free the Soviet Black Sea port of Novorossiisk from German occupation was fought from the beach head of Malaia zemlia, where the young Colonel Leonid Brezhnev saw action. Despite widespread scepticism of the state's appropriation and inflation of this historical event, the heroes of the campaign are still commemorated in Novorossiisk today by an amalgam of memoir, monuments and ritual. Through the prism of this provincial Russian town, Vicky Davis sheds light on the character of Brezhnev as perceived by his people, and on the process of memory for the ordinary Russian citizen. Davis analyses the construction and propagation of the local war myth to link the individual citizens of Novorossiisk with evolving state policy since World War II and examines the resultant social and political connotations. Her compelling new interdisciplinary evidence reveals the complexity of myth and memory, challenging existing assumptions to show that there is still scope for the local community - and even the individual - in memory construction in an authoritarian environment. This book represents a much-needed departure from the study of myth and memory in larger cities of the former Soviet Union, adding nuance to the existing portrait of Brezhnev and demonstrating the continued importance of war memory in Russia today.

Author : Eleonory Gilburd
Publisher : Harvard University Press
Page : 420 pages
File Size : 40,5 Mb
Release : 2018-11-05
Category : History
ISBN : 9780674989757

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To See Paris and Die by Eleonory Gilburd Pdf

After Stalin died a torrent of Western novels, films, and paintings invaded Soviet streets and homes. Soviet citizens invested these imports with political and personal significance, transforming them into intimate possessions. Eleonory Gilburd reveals how Western culture defined the last three decades of the Soviet Union, its death, and afterlife.

Author : Stephen Lovell
Publisher : Oxford Studies in Medieval Eur
Page : 250 pages
File Size : 51,6 Mb
Release : 2015
Category : History
ISBN : 9780198725268

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Russia in the Microphone Age by Stephen Lovell Pdf

The first history in English of Soviet radio from its earliest days to the advent of television, showing the role played by broadcasting in establishing control of the Soviet State up to the 1970s: including the Cultural Revolution, Stalinist 1930s, World War II, the Cold War, and de-Stalinization.

Author : Michelle Daniel
Publisher : Academic Studies PRess
Page : 236 pages
File Size : 46,6 Mb
Release : 2023-04-25
Category : Biography & Autobiography
ISBN : 9781644696491

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The DJ Who “Brought Down” the USSR by Michelle Daniel Pdf

Of the many Cold War radio DJs who broadcast to the USSR, Seva Novgorodsev must be near the top of the list. A masterful BBC presenter, Seva was considered a sage of rock ‘n’ roll. His programs introduced forbidden western popular music and culture into the USSR, rendering him an “enemy voice” and ideological saboteur to the Central Committee of the Communist Party. Despite KGB threats and constant media pillorying, Seva remained on the air for 38 years, acquiring millions of listeners all across the breadth of the USSR and beyond. He became a cult phenomenon, dismantling the Soviet way of life in the hearts and minds of youth. This is the story of Russia’s first and best-known DJ.