Music As Cognition

Music As Cognition Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Music As Cognition book. This book definitely worth reading, it is an incredibly well-written.

Music Cognition: The Basics

Author : Henkjan Honing
Publisher : Routledge
Page : 198 pages
File Size : 52,5 Mb
Release : 2021-09-30
Category : Psychology
ISBN : 9781000451566

Get Book

Music Cognition: The Basics by Henkjan Honing Pdf

Why do people attach importance to the wordless language we call music? Music Cognition: The Basics considers the role of our cognitive functions, such as perception, memory, attention, and expectation in perceiving, making, and appreciating music. In this volume, Henkjan Honing explores the active role these functions play in how music makes us feel; exhilarated, soothed, or inspired. Grounded in the latest research in areas of psychology, biology, and cognitive neuroscience, and with clear examples throughout, this book concentrates on underappreciated musical skills such as sense of rhythm, beat induction, and relative pitch, that make people intrinsically musical creatures—supporting the conviction that all humans have a unique, instinctive attraction to music. The scope of the topics discussed ranges from the ability of newborns to perceive a beat, to the unexpected musical expertise of ordinary listeners. It is a must read for anyone studying the psychology of music, auditory perception, or simply interested in why we enjoy music the way we do.

Music and Embodied Cognition

Author : Arnie Cox
Publisher : Indiana University Press
Page : 304 pages
File Size : 44,5 Mb
Release : 2016-09-06
Category : Music
ISBN : 9780253021670

Get Book

Music and Embodied Cognition by Arnie Cox Pdf

Taking a cognitive approach to musical meaning, Arnie Cox explores embodied experiences of hearing music as those that move us both consciously and unconsciously. In this pioneering study that draws on neuroscience and music theory, phenomenology and cognitive science, Cox advances his theory of the "mimetic hypothesis," the notion that a large part of our experience and understanding of music involves an embodied imitation in the listener of bodily motions and exertions that are involved in producing music. Through an often unconscious imitation of action and sound, we feel the music as it moves and grows. With applications to tonal and post-tonal Western classical music, to Western vernacular music, and to non-Western music, Cox’s work stands to expand the range of phenomena that can be explained by the role of sensory, motor, and affective aspects of human experience and cognition.

The Routledge Companion to Music Cognition

Author : Richard Ashley,Renee Timmers
Publisher : Routledge
Page : 718 pages
File Size : 53,5 Mb
Release : 2017-06-26
Category : Music
ISBN : 9781351761932

Get Book

The Routledge Companion to Music Cognition by Richard Ashley,Renee Timmers Pdf

WINNER OF THE SOCIETY OF MUSIC THEORY’S 2019 CITATION OF SPECIAL MERIT FOR MULTI-AUTHORED VOLUMES The Routledge Companion to Music Cognition addresses fundamental questions about the nature of music from a psychological perspective. Music cognition is presented as the field that investigates the psychological, physiological, and physical processes that allow music to take place, seeking to explain how and why music has such powerful and mysterious effects on us. This volume provides a comprehensive overview of research in music cognition, balancing accessibility with depth and sophistication. A diverse range of global scholars—music theorists, musicologists, pedagogues, neuroscientists, and psychologists—address the implications of music in everyday life while broadening the range of topics in music cognition research, deliberately seeking connections with the kinds of music and musical experiences that are meaningful to the population at large but are often overlooked in the study of music cognition. Such topics include: Music’s impact on physical and emotional health Music cognition in various genres Music cognition in diverse populations, including people with amusia and hearing impairment The relationship of music to learning and accomplishment in academics, sport, and recreation The broader sociological and anthropological uses of music Consisting of over forty essays, the volume is organized by five primary themes. The first section, "Music from the Air to the Brain," provides a neuroscientific and theoretical basis for the book. The next three sections are based on musical actions: "Hearing and Listening to Music," "Making and Using Music," and "Developing Musicality." The closing section, "Musical Meanings," returns to fundamental questions related to music’s meaning and significance, seen from historical and contemporary perspectives. The Routledge Companion to Music Cognition seeks to encourage readers to understand connections between the laboratory and the everyday in their musical lives.

Musical Cognition

Author : Henkjan Honing
Publisher : Routledge
Page : 167 pages
File Size : 55,5 Mb
Release : 2017-12-04
Category : Music
ISBN : 9781351297349

Get Book

Musical Cognition by Henkjan Honing Pdf

Why do people attach importance to the wordless language we call music? Musical Cognition suggests that music is a game. In music, our cognitive functions such as perception, memory, attention, and expectation are challenged; yet, as listeners, we often do not realize that the listener plays an active role in reaching the awareness that makes music so exhilarating, soothing, and inspiring. In reality, the author contends, listening does not happen in the outer world of audible sound, but in the inner world of our minds and brains. Recent research in the areas of psychology and neuro-cognition allows Henkjan Honing to be explicit in a way that many of his predecessors could not. His lucid, evocative writing style guides the reader through what is known about listening to music while avoiding jargon and technical diagrams. With clear examples, the book concentrates on underappreciated musical skills-"sense of rhythm" and "relative pitch"-skills that make people musical creatures. Research on how living creatures respond to music supports the conviction that all humans have a unique, instinctive attraction to music. Everyone is musical. Musical Cognition includes a selection of intriguing examples from recent literature exploring the role that an implicit or explicit knowledge of music plays when one listens to it. The scope of the topics discussed ranges from the ability of newborns to perceive a beat, to the unexpected musical expertise of ordinary listeners. The evidence shows that music is second nature to most human beings-biologically and socially.

Music as Cognition

Author : Mary Louise Serafine
Publisher : Columbia University Press
Page : 266 pages
File Size : 55,8 Mb
Release : 1988-02-04
Category : Music
ISBN : 0231513321

Get Book

Music as Cognition by Mary Louise Serafine Pdf

Music as Cognition

The Cognition of Basic Musical Structures

Author : David Temperley
Publisher : MIT Press
Page : 432 pages
File Size : 40,5 Mb
Release : 2004-08-20
Category : Music
ISBN : 0262701057

Get Book

The Cognition of Basic Musical Structures by David Temperley Pdf

In this book, David Temperley addresses a fundamental question about music cognition: how do we extract basic kinds of musical information, such as meter, phrase structure, counterpoint, pitch spelling, harmony, and key from music as we hear it? Taking a computational approach, Temperley develops models for generating these aspects of musical structure. The models he proposes are based on preference rules, which are criteria for evaluating a possible structural analysis of a piece of music. A preference rule system evaluates many possible interpretations and chooses the one that best satisfies the rules. After an introductory chapter, Temperley presents preference rule systems for generating six basic kinds of musical structure: meter, phrase structure, contrapuntal structure, harmony, and key, as well as pitch spelling (the labeling of pitch events with spellings such as A flat or G sharp). He suggests that preference rule systems not only show how musical structures are inferred, but also shed light on other aspects of music. He substantiates this claim with discussions of musical ambiguity, retrospective revision, expectation, and music outside the Western canon (rock and traditional African music). He proposes a framework for the description of musical styles based on preference rule systems and explores the relevance of preference rule systems to higher-level aspects of music, such as musical schemata, narrative and drama, and musical tension.

Perception And Cognition Of Music

Author : Irene Deliege,John A. Sloboda
Publisher : Psychology Press
Page : 461 pages
File Size : 48,6 Mb
Release : 2004-08-02
Category : Music
ISBN : 9781135472245

Get Book

Perception And Cognition Of Music by Irene Deliege,John A. Sloboda Pdf

This text comprises of papers relating to music and mind. It presents a range of approaches from the psychological through the computational, to the musicological.

Grounding the Analysis of Cognitive Processes in Music Performance

Author : Linda T. Kaastra
Publisher : Routledge
Page : 154 pages
File Size : 45,6 Mb
Release : 2020-10-25
Category : Music
ISBN : 9780429619168

Get Book

Grounding the Analysis of Cognitive Processes in Music Performance by Linda T. Kaastra Pdf

Through the systematic analysis of data from music rehearsals, lessons, and performances, this book develops a new conceptual framework for studying cognitive processes in musical activity. Grounding the Analysis of Cognitive Processes in Music Performance draws uniquely on dominant paradigms from the fields of cognitive science, ethnography, anthropology, psychology, and psycholinguistics to develop an ecologically valid framework for the analysis of cognitive processes during musical activity. By presenting a close analysis of activities including instrumental performance on the bassoon, lessons on the guitar, and a group rehearsal, chapters provide new insights into the person/instrument system, the musician’s use of informational resources, and the organization of perceptual experience during musical performance. Engaging in musical activity is shown to be a highly dynamic and collaborative process invoking tacit knowledge and coordination as musicians identify targets of focal awareness for themselves, their colleagues, and their students. Written by a cognitive scientist and classically trained bassoonist, this specialist text builds on two decades of music performance research; and will be of interest to researchers, academics, and postgraduate students in the fields of cognitive psychology and music psychology, as well as musicology, ethnomusicology, music theory, and performance science. Linda T. Kaastra has taught courses in cognitive science, music, and discourse studies at the University of British Columbia (UBC) and Simon Fraser University. She earned a PhD from UBC’s Individual Interdisciplinary Graduate Studies Program.

Conceptualizing Music

Author : Lawrence M. Zbikowski
Publisher : Oxford University Press
Page : 376 pages
File Size : 55,9 Mb
Release : 2002-11-14
Category : Music
ISBN : 9780198032175

Get Book

Conceptualizing Music by Lawrence M. Zbikowski Pdf

This book shows how recent work in cognitive science, especially that developed by cognitive linguists and cognitive psychologists, can be used to explain how we understand music. The book focuses on three cognitive processes--categorization, cross-domain mapping, and the use of conceptual models--and explores the part these play in theories of musical organization. The first part of the book provides a detailed overview of the relevant work in cognitive science, framed around specific musical examples. The second part brings this perspective to bear on a number of issues with which music scholarship has often been occupied, including the emergence of musical syntax and its relationship to musical semiosis, the problem of musical ontology, the relationship between words and music in songs, and conceptions of musical form and musical hierarchy. The book will be of interest to music theorists, musicologists, and ethnomusicologists, as well as those with a professional or avocational interest in the application of work in cognitive science to humanistic principles.

Psychology of Music

Author : Diana Deutsch
Publisher : Elsevier
Page : 542 pages
File Size : 44,9 Mb
Release : 2013-10-22
Category : Music
ISBN : 9781483292731

Get Book

Psychology of Music by Diana Deutsch Pdf

The Psychology of Music draws together the diverse and scattered literature on the psychology of music. It explores the way music is processed by the listener and the performer and considers several issues that are of importance both to perceptual psychology and to contemporary music, such as the way the sound of an instrument is identified regardless of its pitch or loudness, or the types of information that can be discarded in the synthetic replication of a sound without distorting perceived timbre. Comprised of 18 chapters, this book begins with a review of the classical psychoacoustical literature on tone perception, focusing on characteristics of particular relevance to music. The attributes of pitch, loudness, and timbre are examined, and a summary of research methods in psychoacoustics is presented. Subsequent chapters deal with timbre perception; the subjective effects of different sound fields; temporal aspects of music; abstract structures formed by pitch relationships in music; different tests of musical ability; and the importance of abstract structural representation in understanding how music is performed. The final chapter evaluates the relationship between new music and psychology. This monograph should be a valuable resource for psychologists and musicians.

The Cognitive Neuroscience of Music

Author : Isabelle Peretz,Robert J. Zatorre
Publisher : OUP Oxford
Page : 478 pages
File Size : 45,5 Mb
Release : 2003-07-10
Category : Music
ISBN : 9780198525196

Get Book

The Cognitive Neuroscience of Music by Isabelle Peretz,Robert J. Zatorre Pdf

This title includes the following features: The first book to describe the neural bases of music; Edited and written by the leading researchers in this field; An important addition to OUP's acclaimed list in music psychology

Music, Cognition, and Computerized Sound

Author : Perry R. Cook
Publisher : MIT Press
Page : 398 pages
File Size : 44,5 Mb
Release : 2001-01-26
Category : Computers
ISBN : 0262531909

Get Book

Music, Cognition, and Computerized Sound by Perry R. Cook Pdf

The first book to provide comprehensive introductory coverage of the multiple topics encompassed under psychoacoustics. How hearing works and how the brain processes sounds entering the ear to provide the listener with useful information are of great interest to psychologists, cognitive scientists, and musicians. However, while a number of books have concentrated on individual aspects of this field, known as psychoacoustics, there has been no comprehensive introductory coverage of the multiple topics encompassed under the term. Music, Cognition, and Computerized Sound is the first book to provide that coverage, and it does so via a unique and useful approach. The book begins with introductory chapters on the basic physiology and functions of the ear and auditory sections of the brain, then proceeds to discuss numerous topics associated with the study of psychoacoustics, including cognitive psychology and the physics of sound. The book has a particular emphasis on music and computerized sound. An accompanying download includes many sound examples to help explicate the text and is available with the code included in the book at http://mitpress.mit.edu/mccs. To download sound samples, you can obtain a unique access code by emailing [email protected] or calling 617-253-2889 or 800-207-8354 (toll-free in the U.S. and Canada).The contributing authors include John Chowning, Perry R. Cook, Brent Gillespie, Daniel J. Levitin, Max Mathews, John Pierce, and Roger Shepard.

Exploring the Musical Mind

Author : John Sloboda
Publisher : Oxford University Press
Page : 476 pages
File Size : 45,9 Mb
Release : 2005
Category : Music
ISBN : 0198530137

Get Book

Exploring the Musical Mind by John Sloboda Pdf

Brings together in one volume important material from various hard-to-locate sources, giving the reader access to a body of work from one of the founders of music psychology Complements and updates Sloboda's 'The musical mind'

Music Cognition

Author : W. Jay Dowling,J. L. Harwood
Publisher : Academic Press
Page : 258 pages
File Size : 44,9 Mb
Release : 1986-01-11
Category : Music
ISBN : 0122214307

Get Book

Music Cognition by W. Jay Dowling,J. L. Harwood Pdf

Academic Press Series in Cognition and Perception: A Series of Monographs and Treatises: Music Cognition focuses on the perception and cognition of music. The book first elaborates on the sense and perception of sound and timbre, consonance, and dissonance. Discussions focus on timbre, consonance and dissonance, sound waves, loudness, localization, music materials, music, cognition, and culture. The text then takes a look at musical scales and melody, including memory for melodic features, scales in other cultures, absolute pitch, Western scales and equal temperament, and alternative accounts. The manuscript ponders on melodic organization, rhythm and organization of time, emotion, and meaning, and cultural contexts of musical experience. Topics include function of music in society, description from within cultures, a cognitive theory of emotion, temporal experience, perception of rhythm, and cross-cultural studies. The book is a dependable reference for music experts and researchers interested in music cognition.

Foundations in Music Psychology

Author : Peter Jason Rentfrow,Daniel J. Levitin
Publisher : MIT Press
Page : 961 pages
File Size : 50,5 Mb
Release : 2019-03-12
Category : Music
ISBN : 9780262039277

Get Book

Foundations in Music Psychology by Peter Jason Rentfrow,Daniel J. Levitin Pdf

A state-of-the-art overview of the latest theory and research in music psychology, written by leaders in the field. This authoritative, landmark volume offers a comprehensive state-of-the-art overview of the latest theory and research in music perception and cognition. Eminent scholars from a range of disciplines, employing a variety of methodologies, describe important findings from core areas of the field, including music cognition, the neuroscience of music, musical performance, and music therapy. The book can be used as a textbook for courses in music cognition, auditory perception, science of music, psychology of music, philosophy of music, and music therapy, and as a reference for researchers, teachers, and musicians. The book's sections cover music perception; music cognition; music, neurobiology, and evolution; musical training, ability, and performance; and musical experience in everyday life. Chapters treat such topics as pitch, rhythm, and timbre; musical expectancy, musicality, musical disorders, and absolute pitch; brain processes involved in music perception, cross-species studies of music cognition, and music across cultures; improvisation, the assessment of musical ability, and singing; and music and emotions, musical preferences, and music therapy. Contributors Fleur Bouwer, Peter Cariani, Laura K. Cirelli, Annabel J. Cohen, Lola L. Cuddy, Shannon de L'Etoile, Jessica A. Grahn, David M. Greenberg, Bruno Gingras, Henkjan Honing, Lorna S. Jakobson, Ji Chul Kim, Stefan Koelsch, Edward W. Large, Miriam Lense, Daniel Levitin, Charles J. Limb, Psyche Loui, Stephen McAdams, Lucy M. McGarry, Malinda J. McPherson, Andrew J. Oxenham, Caroline Palmer, Aniruddh Patel, Eve-Marie Quintin, Peter Jason Rentfrow, Edward Roth, Frank A. Russo, Rebecca Scheurich, Kai Siedenburg, Avital Sternin, Yanan Sun, William F. Thompson, Renee Timmers, Mark Jude Tramo, Sandra E. Trehub, Michael W. Weiss, Marcel Zentner