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Author : Carlo Caballero
Publisher : Cambridge University Press
Page : 352 pages
File Size : 53,6 Mb
Release : 2004-03-11
Category : Biography & Autobiography
ISBN : 0521543983
A wide-ranging study of Fauré and his contemporaries.
Author : Edward A. Lippman
Publisher : Unknown
Page : 515 pages
File Size : 50,6 Mb
Release : 1986
Category : Music
ISBN : 0945193106
Author : Jessica C. E. Gienow-Hecht
Publisher : Berghahn Books
Page : 278 pages
File Size : 54,6 Mb
Release : 2015-04-01
Category : History
ISBN : 9781782385011
Bringing together scholars from the fields of musicology and international history, this book investigates the significance of music to foreign relations, and how it affected the interaction of nations since the late 19th century. For more than a century, both state and non-state actors have sought to employ sound and harmony to influence allies and enemies, resolve conflicts, and export their own culture around the world. This book asks how we can understand music as an instrument of power and influence, and how the cultural encounters fostered by music changes our ideas about international history.
Author : Leonard B. Meyer
Publisher : University of Chicago Press
Page : 389 pages
File Size : 45,9 Mb
Release : 2010-04-15
Category : Music
ISBN : 9780226521442
Meyer makes a valuable statement on aesthetics, criteria for assessing great works of music, compositional practices and theories of the present day, and predictions of the future of Western culture. His postlude, written for the book's twenty-fifth anniversary, looks back at his thoughts on the direction of music in 1967.
Author : Edward A. Lippman
Publisher : Pendragon Press
Page : 540 pages
File Size : 41,7 Mb
Release : 1986
Category : Music
ISBN : 0945193106
Musical aesthetics in this century--like music itself--is distinguished by its concern with specifically musical forms and principles-with the interrelationships and transformation of motifs with the permutations of sets of tones with the characteristics of forms such as the fugue or sonata and with underlying or background structures that are not really audible themselves but that nevertheless are important determinants of the form and sense of the music. Thus music and musical thought i n this century have been significantly determined by a reaction against the predominating qualities and values of the 19th century; musical hermeneutics symbolism and semiotics having replaced the traditional problem of emotional content. This volume is the third of three which are designed to present the main trends of Western musical thought in the area of philosophy and aesthetics. Each section of the work presenting the fundamental statements of a given aesthetic issue has its own brief introduction defining and interrelating the relevant ideas; the various sections seek to clarify the underlying historical continuities of thought. Each also concludes with its own bibliography.
Author : Elliott Antokoletz
Publisher : Routledge
Page : 526 pages
File Size : 43,5 Mb
Release : 2014-03-14
Category : Music
ISBN : 9781135037307
A History of Twentieth-Century Music in a Theoretic-Analytical Context is an integrated account of the genres and concepts of twentieth-century art music, organized topically according to aesthetic, stylistic, technical, and geographic categories, and set within the larger political, social, economic, and cultural framework. While the organization is topical, it is historical within that framework. Musical issues interwoven with political, cultural, and social conditions have had a significant impact on the course of twentieth-century musical tendencies and styles. The goal of this book is to provide a theoretic-analytical basis that will appeal to those instructors who want to incorporate into student learning an analysis of the musical works that have reflected cultural influences on the major musical phenomena of the twentieth century. Focusing on the wide variety of theoretical issues spawned by twentieth-century music, A History of Twentieth-Century Music in a Theoretic-Analytical Context reflects the theoretical/analytical essence of musical structure and design.
Author : Edward A. Lippman
Publisher : U of Nebraska Press
Page : 564 pages
File Size : 45,9 Mb
Release : 1994-01-01
Category : Music
ISBN : 0803279515
Among the fine arts music has always held a paramount position. "Musical training is a more potent instrument than any other, because rhythm and harmony find their way into the inward places of the soul, " wrote Plato. From the "music of the spheres" of Pythagoras to the "Future Music" of Wagner, from churches, courts, cathedrals, and concert halls to amateur recitals, military marches, and electronic records, music has commanded the perpetual attention of every civilization in history. This book follows through the centuries the debates about the place and function of music, the perceived role of music as a good or bad influence on the development of character, as a magical art or a domestic entertainment, and as a gateway to transcendental truths. Edward Lippman describes the beginnings of musical tradition in the myths and philosophies of antiquity. He shows how music theory began to take on new dimensions and intensity in the seventeenth century, how musical aesthetics was specifically defined and elaborated in the eighteenth century, and how, by the nineteenth century, music became the standard by which other arts were judged. The twentieth century added problems, pressure, and theories as music continued to diversify and as cultures viewed each other with more respect.
Author : George Rochberg
Publisher : University of Michigan Press
Page : 292 pages
File Size : 50,7 Mb
Release : 2004
Category : Music
ISBN : 0472030264
A revised paperback edition of composer George Rochberg's landmark essays "Rochberg presents the rare spectacle of a composer who has made his peace with tradition while maintaining a strikingly individual profile. . . . [H]e succeeds in transforming the sublime concepts of traditional music into contemporary language." ---Washington Post "An indispensable book for anyone who wishes to understand the sad and curious fate of music in the twentieth century." ---Atlantic Monthly "The writings of George Rochberg stand as a pinnacle from which our past and future can be viewed." ---Kansas City Star As a composer, George Rochberg has played a leading role in bringing about a transformation of contemporary music through a reassessment of its relation to tonality, melody, and harmony. In The Aesthetics of Survival, the author addresses the legacy of modernism in music and its related effect on the cultural milieu, particularly its overemphasis on the abstract, rationalist thinking embraced by contemporary science, technology, and philosophy. Rochberg argues for the renewal of holistic values in order to ensure the survival of music as a humanly expressive art. A renowned composer, thinker, and teacher, George Rochberg has been honored with innumerable awards, including, most recently, an Alfred I. du Pont Award for Outstanding Conductors and Composers, and an André and Clara Mertens Contemporary Composer Award. He lives in Pennsylvania.
Author : Hans-Joachim Braun
Publisher : JHU Press
Page : 268 pages
File Size : 49,6 Mb
Release : 2002-09-16
Category : Music
ISBN : 0801868858
Braun (Universitat der Bundeswehr) presents 13 contributions by scholars in two fields of history--musicology and technology. Topics include the role of Yamaha in Japan's musical development, the social construction of the synthesizer, the player piano as a precursor of computer music, the musical role of airplanes and locomotives, the origins of the 45-RPM record, violin vibrato and the phonograph, Jimi Hendrix, the aesthetic challenge of sound sampling, and others. Originally published in 2000 as I Sing the Body Electric: Music and Technology in the 20th Century. Annotation copyrighted by Book News, Inc., Portland, OR.
Author : Karol Berger,Anthony Newcomb
Publisher : Harvard University Press
Page : 438 pages
File Size : 47,8 Mb
Release : 2005
Category : Music
ISBN : UOM:39015061451574
This book encourages a debate over musical modernity; a debate considering the question whether an examination of the history of European art music may enrich our picture of modernity and whether our understanding of music's development may be transformed by insights into the nature of modernity provided by other historical disciplines.
Author : Peter le Huray,James Day
Publisher : CUP Archive
Page : 420 pages
File Size : 45,6 Mb
Release : 1988-04-07
Category : Music
ISBN : 0521359015
This is an abridged, paperback edition of Peter le Huray and James Day's invaluable anthology of writings concerned with the role of music in eighteenth- and early-nineteenth-century aesthetics. This volume retains all the most important and significant items from the original hardcover edition. Over fifty writers are represented here, including such major figures as Rousseau, Kant, Schlegel, Schopenhauer and Hegel, and the useful introductions and biographical details of the original are also retained. The aesthetic literature of the period is profuse but this carefully edited volume offers a balanced selection which illuminates the ways people experienced music and how they came to an understanding in particular of the new music of their day.
Author : Elliott Antokoletz
Publisher : Routledge
Page : 843 pages
File Size : 40,9 Mb
Release : 2014-03-14
Category : Music
ISBN : 9781135037291
A History of Twentieth-Century Music in a Theoretic-Analytical Context is an integrated account of the genres and concepts of twentieth-century art music, organized topically according to aesthetic, stylistic, technical, and geographic categories, and set within the larger political, social, economic, and cultural framework. While the organization is topical, it is historical within that framework. Musical issues interwoven with political, cultural, and social conditions have had a significant impact on the course of twentieth-century musical tendencies and styles. The goal of this book is to provide a theoretic-analytical basis that will appeal to those instructors who want to incorporate into student learning an analysis of the musical works that have reflected cultural influences on the major musical phenomena of the twentieth century. Focusing on the wide variety of theoretical issues spawned by twentieth-century music, A History of Twentieth-Century Music in a Theoretic-Analytical Context reflects the theoretical/analytical essence of musical structure and design.
Author : Serena Facci,Michela Garda
Publisher : Routledge
Page : 157 pages
File Size : 42,6 Mb
Release : 2021-03-01
Category : Music
ISBN : 9781000352658
By integrating theoretical approaches to the female voice with the musicological investigation of female singers’ practices, the contributors to this volume offer fresh viewpoints on the material, symbolic and cultural aspects of the female voice in the twentieth century. Various styles and genres are covered, including Western art music, experimental composition, popular music, urban folk and jazz. The volume offers a substantial and innovative appraisal of the role of the female voice from the perspective of twentieth-century performance practices, the centrality of female singers’ experimentations and extended vocal techniques along with the process of the ‘subjectivisation’ of the voice.
Author : M. J. Grant
Publisher : Cambridge University Press
Page : 288 pages
File Size : 51,5 Mb
Release : 2005-06-08
Category : Art
ISBN : 0521619920
Serial music was one of the most important aesthetic movements to emerge in post-war Europe, but its uncompromising music and modernist aesthetic has often been misunderstood. This book focuses on the controversial journal die Reihe, whose major contributors included Stockhausen, Eimert, Pousseur, Dieter Schnebel and G. M. Koenig, and discusses it in connection with many lesser-known sources in German musicology. It traces serialism's debt to the theories of Klee and Mondrian, and its relationship to developments in concrete art, modern poetry and the information aesthetics and semiotics of Max Bense and Umberto Eco. M. J. Grant sketches an aesthetic theory of serialism as experimental music, arguing that serial theory's embrace of both rigorous intellectualism and aleatoric processes is not, as many have suggested, a paradox, but the key to serial thought and to its relevance for contemporary theory.
Author : Jonathan Lewis
Publisher : Routledge
Page : 186 pages
File Size : 41,5 Mb
Release : 2015-11-19
Category : Philosophy
ISBN : 9781317297970
This innovative study re-evaluates the philosophical significance of aesthetics in the context of contemporary debates on the nature of philosophy. Lewis's main argument is that contemporary conceptions of meaning and truth have been reified, and that aesthetics is able to articulate why this is the case, with important consequences for understanding the horizons and nature of philosophical inquiry. Reification and the Aesthetics of Music challenges the most emphatic and problematic conceptions of meaning and truth in both analytic philosophy and postmodern thought by acknowledging the ontological and logical primacy of our concrete, practice-based experiences with aesthetic phenomena. By engaging with a variety of aesthetic practices, including Beethoven's symphonies and string quartets, Wagner's music dramas, Richard Strauss's Elektra, the twentieth-century avant-garde, Jamaican soundsystem culture, and punk and contemporary noise, this book demonstrates the aesthetic relevance of reification as well as the concept's applicability to contemporary debates within philosophy.
