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Of Memory, Reminiscence, and Writing by David Farrell Krell Pdf
"Krell creates a remarkable interplay of meanings, allusions, and connotations--an interplay of multiple resonance which is finely tuned to Derrida's thought and which makes his essay as artful as it is conceptually disciplined. He is surely one of the most astute translators and readers in contemporary Continental thought." --Charles E. Scott
These essays survey the histories, the theories and the fault lines that compose the field of memory research. Drawing on the advances in the sciences and in the humanities, they address the question of how memory works, highlighting transactions between the interiority of subjective memory and the larger fields of public or collective memory.
Zsolt Komáromy’s Figures of Memory: From the Muses to Eighteenth-Century British Aesthetics effects a rapprochement between memory studies and eighteenth-century British aesthetics. It argues that the assessment of memory in the history of aesthetics and criticism has been determined by the ideological import of the creative imagination, based on the dichotomies of imitative versus creative or reproductive versus productive mental and artistic procedures. The legacy of such an opposition can still be felt in the way the literary relevance of memory is based on either viewing it as a representational (reproductive, imitative) power that is a counterterm to the creative sense of the imagination, or as a constructive (productive, creative) power that is assimilated by the creative imagination. The notion of memory, however, harbors problems that unsettle such dichotomies. This book does the timely work of employing insights offered by memory studies in reconsidering memory in the history of aesthetics: it suggests that memory’s literary relevance is explained precisely by the problems that make it resistant to the reproductive-productive opposition. These problems are explored through various “figures” representing senses of memory, such as the Muses, or metaphors for memory in philosophical and critical discourse. Tracing figures of memory from the Muses through Plato and Descartes to works by Pope, Addison, Gerard and Kames, Komáromy reveals an undercurrent of thought in eighteenth-century British aesthetics that questions memory’s nominal opposition to the imagination , and that exploits memory’s simultaneously reproductive and constructive nature in the emerging theory of the imagination. By thus claiming that the tradition of memory’s literary relevance is not marginalized but in fact perpetuated in eighteenth-century British critical thought, Figures of Memory gives a powerful new perspective on the history of memory in aesthetics and criticism. A theoretical work with claims for historical generalization, Figures of Memory will appeal to those interested in the history of aesthetics and criticism, in memory studies, in literary theory, to students of literature and memory, of literature and psychology, and to scholars of the eighteenth century with theoretical interests.
Memory has long been ignored by rhetoricians because the written word has made memorization virtually obsolete. Recently however, as part of a revival of interest in classical rhetoric, scholars have begun to realize that memory offers vast possibilities for today's writers. Synthesizing research from rhetoric, psychology, philosophy, and literary and composition studies, this volume brings together many historical and contemporary theories of memory. Yet its focus is clear: memory is a generator of knowledge and a creative force which deserves attention at the beginning of and throughout the writing process. This volume emphasizes the importance of recognizing memory's powers in an age in which mass media influence us all and electronic communication changes the way we think and write. It also addresses the importance of the individual memory and voice in an age which promotes conformity. Written in a strong, lively personal manner, the book covers a great deal of scholarly material. It is never overbearing, and the extensive bibliography offers rich vistas for further study.
In recent decades, memory has become one of the major concepts and a dominant topic in philosophy, sociology, politics, history, science, cultural studies, literary theory, and the discussions of trauma and the Holocaust. In contemporary debates, the concept of memory is often used rather broadly and thus not always unambiguously. For this reason, the clarification of the range of the historical meaning of the concept of memory is a very important and urgent task. This volume shows how the concept of memory has been used and appropriated in different historical circumstances and how it has changed throughout the history of philosophy. In ancient philosophy, memory was considered a repository of sensible and mental impressions and was complemented by recollection-the process of recovering the content of past thoughts and perceptions. Such an understanding of memory led to the development both of mnemotechnics and the attempts to locate memory within the structure of cognitive faculties. In contemporary philosophical and historical debates, memory frequently substitutes for reason by becoming a predominant capacity to which one refers when one wants to explain not only the personal identity but also a historical, political, or social phenomenon. In contemporary interpretation, it is memory, and not reason, that acts in and through human actions and history, which is a critical reaction to the overly rationalized and simplified concept of reason in the Enlightenment. Moreover, in modernity memory has taken on one of the most distinctive features of reason: it is thought of as capable not only of recollecting past events and meanings, but also itself. In this respect, the volume can be also taken as a reflective philosophical attempt by memory to recall itself, its functioning and transformations throughout its own history.
"In recent decades, memory has become a dominant topic in philosophy, politics, history, science, literature, and the discussions of trauma and the Holocaust. This volume shows how the concept of memory has been used in different historical circumstances and how it has changed throughout the history of philosophy"--
Occupying Memory investigates the forces of trauma and mourning as deeply rhetorical to account for their capacity to seize one’s life. With the Occupy Movement as its guide, the work strives to challenge hegemonic power by keeping memory “in question” and receptive to alternative futures to come.
The Art of Recollection in Jena Romanticism by Laurie Ruth Johnson Pdf
This study examines the ways in which memory is understood and aestheticized in Romantic texts, and argues that these works reveal serious doubt about the explanatory ability of the philosophical, psychological and aesthetic discourses against which modern thought is constructed. The Jena Romantics represent the experience and presentation of memory as privileged and creative, but also as not always capable of giving reliable information about the actual past. But rather than depicting signifiers with no stable referents, their portrayal of memory and remembering as creative displays a belief that meaning is accessible through its representations. This belief results in an emphasis on originality over imitation, but also blurs distinctions between memory and historiography. The form of the fragment embodies the dilemmas and possibilities that the Romantics associate with memory. The book includes a survey of theories of memory and how they contribute to a specifically Romantic model for memory that can lead to new interpretations of Romantic fragments; chapters on eighteenth-century aesthetic and psychological theories of memory that precede and influence Romantic texts, and on understandings of memory in critical and idealist philosophy; interpretations of the poetic and philosophical production of Novalis and Friedrich Schlegel; and a conclusion that demonstrates the persistence of the Romantic model for memory in contemporary memory theory and cultural production.
Author : W. J. T. Mitchell,William John Thomas Mitchell Publisher : University of Chicago Press Page : 466 pages File Size : 43,5 Mb Release : 1995-09 Category : Art ISBN : 0226532321
Picture Theory by W. J. T. Mitchell,William John Thomas Mitchell Pdf
What precisely, W. J. T. Mitchell asks, are pictures (and theories of pictures) doing now, in the late twentieth century, when the power of the visual is said to be greater than ever before, and the "pictorial turn" supplants the "linguistic turn" in the study of culture? This book by one of America's leading theorists of visual representation offers a rich account of the interplay between the visible and the readable across culture, from literature to visual art to the mass media.
1543 and All That by G. Freeland,Anthony Corones Pdf
Australia and New Zealand boast an active community of scholars working in the field of history, philosophy and social studies of science. Australasian Studies in History and Philosophy of Seien ce aims to provide a distinctive publication of essays on a connected outlet for their work. Each volume comprises a group theme, edited by an Australian or a New Zealander with special expertise in that particular area. In each volume, a majority of the contributors is from Australia or New Zealand. Contributions from elsewhere are by no means ruled out, however, and are indeed actively encouraged wherever appropriate to the balance of the volume in question. Earlier volumes in the series have been welcomed for significantly advancing the discussion of the topics they have dealt with. I believe that the present volume will be greeted equally enthusiastically by readers in many parts of the world. R. W Horne General Editor Australasian Studies in History and Philosophy of Science ix LIST OF ILLUSTRATIONS Frontispiece. Andreas Vesalius, Sixth Plate ofthe Muscles, woodcut, designed by Jan Steven van Kalkar, from De humani corporis fabrica (Basel, 1543). (Photo. Scientific Illustration; repr. by kind permission of the University of New South Wales Library. ) In: GUY FREELAND, 'Introduction: In Praise of Toothing-Stones' Fig. 1. Michael Esson, Vesalian Interpretation 3 (1992). (Repr. by kind permission ofthe Artist. ) Fig. 2. Reliefs, University of Padua.
Regimes of Memory by Katharine Hodgkin,Susannah Radstone Pdf
A focus on memory has come to prominence across a wide range of disciplines. History, literature, philosophy, anthropology, and cultural studies have placed memory at the heart of their interrogations of subjectivity, narrative, time and imagination. At the same time, memory has emerged as a central theme and preoccupation in popular literature, film and television, and the emergence of memory as an academic theme cannot be separated from its prominence in the wider culture. This volume represents, explores and interrogates the current developments, engaging directly with the place of memory in culture, and with memory's meaning's and history.
Transformations of Memory and Forgetting in Sixteenth-Century France by Nicolas Russell Pdf
This book proposes that in a number of French Renaissance texts, we observe a shift in thinking about memory and forgetting. Focusing on a corpus of texts by Marguerite de Navarre, Pierre de Ronsard and Michel de Montaigne, it explores several parallel transformations of and challenges to classical and medieval discourses on memory.
Author : Norman M. Klein Publisher : Verso Books Page : 504 pages File Size : 50,9 Mb Release : 2020-05-05 Category : Social Science ISBN : 9781789604139
Los Angeles is a city which has long thrived on the continual re-creation of own myth. In this extraordinary and original work, Norman Klein examines the process of memory erasure in LA. Using a provocative mixture of fact and fiction, the book takes us on an 'anti-tour' of downtown LA, examines life for Vietnamese immigrants in the City of Dreams, imagines Walter Benjamin as a Los Angeleno, and finally looks at the way information technology has recreated the city, turning cyberspace into the last suburb. In this new edition, Norman Klein examines new models for erasure in LA. He explores the evolution of the Latino majority, how the Pacific economy is changing the structure of urban life, the impact of collapsing infrastructure in the city, and the restructuring of those very districts that had been 'forgotten'.