Red Women On The Silver Screen

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Red Women on the Silver Screen

Author : Lynne Attwood
Publisher : Rivers Oram Press
Page : 296 pages
File Size : 46,7 Mb
Release : 1993
Category : Performing Arts
ISBN : UOM:39015029866079

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Red Women on the Silver Screen by Lynne Attwood Pdf

The Soviet Union was the first country in the world to declare women equal to men. At the same time, cinema was emerging as the newest and most accessible form of popular entertainment, and as a powerful tool in propagandizing the Party line. This book looks at the interaction between these two phenomena: at the extent to which women's new status and roles were reflected and promoted on Soviet screens throughout the country's history. Part I, written by Lynne Attwood, provides an essential framework for readers unfamiliar with Soviet studies. It offers a lucid and lively account of the milestones in Soviet history, the importance of film within this history and the changing images and experiences of Soviet women within both cinema and society. In Parts II and III, women from the former Soviet Union - film critics, directors, camera-operators and script-writers - relate their own experiences in the film industry, and their responses to the images of women portrayed on screen. This crisply-written book, illustrated with evocative photographs from Soviet films, will provide readers with a real insight into the relationship between women and film in the Soviet Union.

Women in Russia and Ukraine

Author : Rosalind J. Marsh
Publisher : Cambridge University Press
Page : 376 pages
File Size : 47,8 Mb
Release : 1996-03-14
Category : History
ISBN : 0521498724

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Women in Russia and Ukraine by Rosalind J. Marsh Pdf

In this book, leading western specialists and Russian and Ukrainian feminists examine how gender has shaped Russian and Ukrainian history from the twelfth century to the present. In particular, they analyse the current backlash against women's emancipation. Using new archival materials and the insights of feminist theory, the contributors explore the relevance of gender equality and difference in Russian history. They find that women have not merely submitted to the patriarchal system, but instead have found creative ways of resisting it. Chapters focusing on contemporary Russia discuss abortion, pornography, sexual minorities, young women's lifestyles, the impact of economic reform on women and the development of the women's movement. This book will be of interest to students and specialists in Russian, Ukrainian and women's studies, as well as to historians, political scientists, sociologists and economists.

Women and Martyrdom in Stalinist War Cinema

Author : Mozhgan Samadi
Publisher : Cambridge Scholars Publishing
Page : 238 pages
File Size : 52,9 Mb
Release : 2024-04-03
Category : Performing Arts
ISBN : 9781527589148

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Women and Martyrdom in Stalinist War Cinema by Mozhgan Samadi Pdf

The key question asked in this book is, how did Stalinist war cinema present Soviet women's resistance against the Nazi forces during World War II? This book challenges those scholarly works which support the idea of the compatibility of femininity and combat under Stalinism. Despite the Soviet regime’s claim of being opposed to any religious heritage, this book reveals how Stalinist cinema drew on Russian religious tradition and culture in the creation of cinematic representations of Soviet women during WWII. Further, the book shows how the adoption of Russian cultural and religious heritage in Soviet war cinema served Stalinist collective identity-construction policies and state-citizen relations. In so doing, this study contributes to a range of fields within Russian and Soviet studies, including gender studies, cinema studies, Soviet modernity, and the study of identity-construction and state-nation relations. Whilst this book is aimed at researchers and academics, it provides a supplementary source for undergraduate and postgraduate students of Soviet/Russian studies.

Women and Gender in Central and Eastern Europe, Russia, and Eurasia

Author : Mary Zirin,Irina Livezeanu,Christine D. Worobec,June Pachuta Farris
Publisher : Routledge
Page : 2091 pages
File Size : 44,8 Mb
Release : 2015-03-26
Category : Political Science
ISBN : 9781317451976

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Women and Gender in Central and Eastern Europe, Russia, and Eurasia by Mary Zirin,Irina Livezeanu,Christine D. Worobec,June Pachuta Farris Pdf

This is the first comprehensive, multidisciplinary, and multilingual bibliography on "Women and Gender in East Central Europe and the Balkans (Vol. 1)" and "The Lands of the Former Soviet Union (Vol. 2)" over the past millennium. The coverage encompasses the relevant territories of the Russian, Hapsburg, and Ottoman empires, Germany and Greece, and the Jewish and Roma diasporas. Topics range from legal status and marital customs to economic participation and gender roles, plus unparalleled documentation of women writers and artists, and autobiographical works of all kinds. The volumes include approximately 30,000 bibliographic entries on works published through the end of 2000, as well as web sites and unpublished dissertations. Many of the individual entries are annotated with brief descriptions of major works and the tables of contents for collections and anthologies. The entries are cross-referenced and each volume includes indexes.

Women in Polish Cinema

Author : Ewa Mazierska,Elżbieta Ostrowska
Publisher : Berghahn Books
Page : 260 pages
File Size : 50,7 Mb
Release : 2006
Category : Motion pictures
ISBN : 1571819487

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Women in Polish Cinema by Ewa Mazierska,Elżbieta Ostrowska Pdf

Polish film has long enjoyed an outstanding reputation but its best known protagonists tend to be male. This book points to the important role of women as key characters in Polish films, such as the enduring female figure in Polish culture, the "Polish Mother," female characters in socialist realistic cinema, women depicted in the films of the Polish School, Solidarity heroines, and women in the films from the postcommunist period. Not less important for the success of Polish cinema are Polish women filmmakers, four of whom are presented in this volume: Wanda Jakubowska, Agnieszka Holland, Barbara Sass and Dorota Kędzierzawska, whose work is examined.

Women's Cinema

Author : Alison Butler
Publisher : Columbia University Press
Page : 133 pages
File Size : 53,6 Mb
Release : 2019-07-25
Category : Literary Criticism
ISBN : 9780231851350

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Women's Cinema by Alison Butler Pdf

Women's Cinema provides an introduction to critical debates around women's filmmaking and relates those debates to a variety of cinematic practices. Taking her cue from the groundbreaking theories of Claire Johnston, Alison Butler argues that women's cinema is a minor cinema that exists inside other cinemas, inflecting and contesting the codes and systems of the major cinematic traditions from within. Using canonical directors and less established names, ranging from Chantal Akerman to Moufida Tlatli, as examples, Butler argues that women's cinema is unified in spite of its diversity by the ways in which it reworks cinematic conventions.

Women, Islam and Cinema

Author : Gönül Dönmez-Colin
Publisher : Reaktion Books
Page : 212 pages
File Size : 46,5 Mb
Release : 2004-11-04
Category : Performing Arts
ISBN : 9781861895868

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Women, Islam and Cinema by Gönül Dönmez-Colin Pdf

This is the first book to examine the troubled relationships between women, Islam and cinema. Film critic and author Gönül Dönmez-Colin explores the role of women as spectators, images and image constructors in the cinemas of the countries where Islam is the predominant religion, focusing on Iran and Turkey from the Middle East, drawing parallels from Kazakhstan and Uzbekistan, the two Central Asian Republics of the former Soviet Union, and Pakistan, Bangladesh, Malaysia and Indonesia, the prominently Muslim Asian countries with a challenging film industry. Some of the relevant films made in India by and for Muslim Indians are also explored. Dönmez-Colin examines prevalent cinematic archetypes, including the naïve country girl who is deceived and dishonored, or the devious seductress who destroys the sanctity of marriage, and looks well at controversial elements such as screen rape, which, feminist film critics claim, caters to male voyeurism. She also discusses recurring themes, such as the myths of femininity, the endorsement of polygamy and the obsession with male children, as well as the most common stereotypes, depicting women as mothers, wives and daughters. Given the diversity of cultures, rather than viewing national cinemas as aspects of a single development, the author focuses on individual histories, traditions and social and economic circumstances as points of reference, which are examined in the context of social and political evolution and the status of women within Islam. Women, Islam and Cinema is a much-needed and timely work that will appeal to the curious reader as well as to the student of film.

Esfir Shub

Author : Ilana Shub Sharp
Publisher : Bloomsbury Publishing USA
Page : 354 pages
File Size : 41,9 Mb
Release : 2021-12-30
Category : Performing Arts
ISBN : 9781501376504

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Esfir Shub by Ilana Shub Sharp Pdf

Esfir Shub was the only prominent female director of nonfiction film present at the dawning of the Soviet film industry. She was, in fact, the first woman both to write critical texts on cinema and then practically apply these theorisations in her own films. As such, her syncretism of cinema theory and praxis inspired her to ask questions regarding both the nature of nonfiction film, such as the problem of authenticity and reality, and the function of the artist in society; issues which are still relevant in contemporary discussions about the documentary. Accordingly, this book demonstrates Shub's position not only as a significant filmmaker and recognised member of the early Soviet avant-garde but also as a key figure in global cinema history. Shub deserves recognition both as the founder and ardent promoter of the compilation film genre and as a pioneer of the theory and practice of documentary filmmaking.

Women in Soviet Film

Author : Marina Rojavin,Tim Harte
Publisher : Routledge
Page : 216 pages
File Size : 48,9 Mb
Release : 2017-09-22
Category : Social Science
ISBN : 9781315409832

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Women in Soviet Film by Marina Rojavin,Tim Harte Pdf

This book illuminates and explores the representation of women in Soviet cinema from the late 1950s, through the 1960s, and into the 1970s, a period when Soviet culture shifted away, to varying degrees, from the well-established conventions of socialist realism. Covering films about working class women, rural and urban women, and women from the intelligentsia, it probes various cinematic genres and approaches to film aesthetics, while it also highlights how Soviet cinema depicted the ambiguity of emerging gender roles, pressing social issues, and evolving relationships between men and women. It thereby casts a penetrating light on society and culture in this crucial period of the Soviet Union’s development.

A Companion to Russian Cinema

Author : Birgit Beumers
Publisher : John Wiley & Sons
Page : 672 pages
File Size : 45,7 Mb
Release : 2016-05-17
Category : Performing Arts
ISBN : 9781118424735

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A Companion to Russian Cinema by Birgit Beumers Pdf

A Companion to Russian Cinema provides an exhaustive and carefully organised guide to the cinema of pre-Revolutionary Russia, of the Soviet era, as well as post-Soviet Russian cinema, edited by one of the most established and knowledgeable scholars in Russian cinema studies. The most up-to-date and thorough coverage of Russian, Soviet and post-Soviet cinema, which also effectively fills gaps in the existing scholarship in the field This is the first volume on Russian cinema to explore specifically the history of movie theatres, studios, and educational institutions The editor is one of the most established and knowledgeable scholars in Russian cinema studies, and contributions come from leading experts in the field of Russian Studies, Film Studies and Visual Culture Chapters consider the arts of scriptwriting, sound, production design, costumes and cinematography Provides five portraits of key figures in Soviet and Russia film history, whose works have been somewhat neglected

'Russian Americans' in Soviet Film

Author : Marina L. Levitina
Publisher : Bloomsbury Publishing
Page : 409 pages
File Size : 40,5 Mb
Release : 2015-09-29
Category : History
ISBN : 9780857729699

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'Russian Americans' in Soviet Film by Marina L. Levitina Pdf

Certain aspects of American popular culture had a formative influence on early Soviet identity and aspirations. Traditionally, Soviet Russia and the United States between the 1920s and the 1940s are regarded as polar opposites on nearly every front. Yet American films and translated adventure fiction were warmly received in 1920s Russia and partly shaped ideals of the New Soviet Person into the 1940s. Cinema was crucial in propagating this new social hero. While open admiration of American film stars and heroes of literary fiction in the Soviet press was restricted from the late 1920s onwards, many positive heroes of Soviet Socialist Realist films in the 1930s and 1940s were partially a product of Soviet Americanism of the previous decade. Some of the new Soviet heroes in films of the 1930s and 1940s possessed traits noticeably evocative of the previously popular American film stars such as Douglas Fairbanks, Pearl White and Mary Pickford. Others cinematically represented the contemporary trope of the 'Russian American,' an ideal worker exemplifying the Stalinist marriage of 'Russian revolutionary sweep' with 'American efficiency. 'Russian Americans' in Soviet Film analyses the content, reception and underlying influences of over 60 Soviet and American films, the book explores new territory in Soviet cinema and Soviet-American cultural relations. It presents groundbreaking archival research encompassing Soviet audience surveys, Soviet film journals and reviews, memoirs and articles by Soviet filmmakers, and scripts, among other sources. The book reveals that values of optimism, technological skill, efficiency and self-reliance - perceived as quintessentially American - were incorporated into new Soviet ideals through channels of cross-cultural dissemination, resulting in cultural synthesis.

Hollywood Behind the Wall

Author : Daniela Berghahn
Publisher : Manchester University Press
Page : 312 pages
File Size : 55,7 Mb
Release : 2005-07-15
Category : History
ISBN : 0719061725

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Hollywood Behind the Wall by Daniela Berghahn Pdf

Daniela Berghahn demonstrates that East German cinema occupies an ambivalent position between German national cinema on the one hand and East European and Soviet cinema on the other. The book includes a wide-ranging exploration of post-unification cinemafrom East Germany.

The Girl from God's Country

Author : Kay Armatage
Publisher : University of Toronto Press
Page : 440 pages
File Size : 47,5 Mb
Release : 2003-01-01
Category : Performing Arts
ISBN : 9780802085429

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The Girl from God's Country by Kay Armatage Pdf

Armatage reintroduces film studies scholars to Nell Shipman, a pioneer in both Canadian and American film, and one of proportionately numerous women from Hollywood's silent era who wrote, directed, produced, and acted in motion pictures.

The European Cinema Reader

Author : Catherine Fowler
Publisher : Psychology Press
Page : 296 pages
File Size : 44,5 Mb
Release : 2002
Category : History
ISBN : 0415240913

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The European Cinema Reader by Catherine Fowler Pdf

This comprehensive introduction to national cinemas in Europe brings together classic writings by key filmmakers such as Sergei Eisenstein, Luis Buñuel and John Grierson, and critics from Andre Bazin to Peter Wollen.

World Socialist Cinema

Author : Masha Salazkina
Publisher : Univ of California Press
Page : 388 pages
File Size : 55,6 Mb
Release : 2023-06-13
Category : Electronic
ISBN : 9780520393752

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World Socialist Cinema by Masha Salazkina Pdf

A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. In this capacious transnational film history, renowned scholar Masha Salazkina proposes a groundbreaking new framework for understanding the cinematic cultures of twentieth-century socialism. Taking as a point of departure the vast body of work screened at the Tashkent International Festival of Cinemas of Asia, Africa, and Latin America in the 1960s and 1970s, World Socialist Cinema maps the circulation of films between the Soviet Bloc and the countries of the Global South in the mid- to late twentieth century, illustrating the distribution networks, festival circuits, and informal channels that facilitated this international network of artistic and intellectual exchange. Building on decades of meticulous archival work, this long-anticipated film history unsettles familiar stories to provide an alternative to Eurocentric, national, and regional narratives, rooted outside of the capitalist West.