Revolt Of The Filmmakers

Author : George Faraday
Publisher : Penn State Press
Page : 270 pages
File Size : 45,6 Mb
Release : 2010-11-01
Category : Business & Economics
ISBN : 027104246X

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Revolt of the Filmmakers by George Faraday Pdf

One of the many unforeseen consequences of the fall of the Soviet Union has been the sudden collapse of the domestic film industry, probably the most privileged mass cultural medium of the Soviet Union. By the mid-1980s, some 150 feature films were produced annually for audiences numbering nearly four billion per year. Since 1991, however, cinema attendance has plummeted by a factor of at least one hundred, and the remnants of the once huge audiences now watch an overwhelming number of imported, mostly American, films. Revolt of the Filmmakers is the first account of Russia's film industry since this disastrous decline. According to Faraday, who was film correspondent for The Moscow Times during the mid-1990s, the turning point came during the years of perestroika, when Russian filmmakers achieved an unprecedented degree of freedom from managerial control. They immediately used their newfound liberty to dismantle the industry's central administrative structures in the name of artistic autonomy. Filmmakers were at last free to follow their own aesthetic criteria, and many began to orient their work entirely toward critical acclaim at festivals. But the unintended result of this revolution in the name of art was the alienation of the mass Russian audience. Today some filmmakers are attempting to regain a mass audience by celebrating and mythologizing national cultural identity, but the Russian film industry has never fully recovered from the "revolt" of the filmmakers. For this book Faraday has interviewed Russian filmgoers, critics, directors, and other industry insiders. Among those directors whose work he considers are Alexei Balabanov (The Castle), Nikita Mikhalkov (Burnt by the Sun), Karen Shaknazarov (American Daughter), Pyotr Todorovsky (Moscow Country Nights), and Marina Tsurtsumia (Only Death Comes for Sure). He also draws upon documentary evidence, including the Russian press and the diaries of Andrei Tarkovsky (The Sacrifice, Solaris). Few predicted that the loosening of state ideological and institutional controls would threaten the survival of Russia's once-mighty film industry. Even today Lenin's often-quoted, if apocryphal, declaration that "cinema is the most important of all the arts" remains emblazoned over the gateway to Mosfilm studios--but its relevance is in doubt at the start of a new millennium.

Author : Christina Gerhardt,Marco Abel
Publisher : Screen Cultures: German Film a
Page : 340 pages
File Size : 46,9 Mb
Release : 2019
Category : History
ISBN : 9781571139955

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Celluloid Revolt by Christina Gerhardt,Marco Abel Pdf

Provides new insights into German-language cinema around 1968 and its relationship to the period's epoch-making cultural and political happenings.

Author : Allyson Field,Jan-Christopher Horak,Jacqueline Najuma Stewart
Publisher : Univ of California Press
Page : 482 pages
File Size : 44,6 Mb
Release : 2015-11-13
Category : Performing Arts
ISBN : 9780520284685

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L.A. Rebellion by Allyson Field,Jan-Christopher Horak,Jacqueline Najuma Stewart Pdf

"L.A. Rebellion: Creating a New Black Cinema is the first book dedicated to the films and filmmakers of the L.A. Rebellion, a group of African and African American independent film and video artists that formed at the University of California, Los Angeles, in the 1970s and 1980s. The group--including Charles Burnett, Julie Dash, Haile Gerima, Billy Woodberry, Jamaa Fanaka, and Zeinabu irene Davis--shared a desire to create alternatives to the dominant modes of narrative, style, and practice in American cinema, works that reflected the full complexity of Black experiences. This landmark collection of essays and oral histories examines the creative output of the L.A. Rebellion, contextualizing the group's film practices and offering sustained analyses of the wide range of works, with particular attention to newly discovered films and lesser-known filmmakers. Based on extensive archival work and preservation, this collection includes a complete filmography of the movement, over 100 illustrations (most of which are previously unpublished), and a bibliography of primary and secondary materials. This is an indispensible sourcebook for scholars and enthusiasts, establishing the key role played by the L.A. Rebellion within the histories of cinema, Black visual culture, and postwar art in Los Angeles"--Provided by publisher.

Author : Natalya Chernyshova
Publisher : Routledge
Page : 262 pages
File Size : 52,8 Mb
Release : 2013-06-26
Category : Social Science
ISBN : 9781135046279

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Soviet Consumer Culture in the Brezhnev Era by Natalya Chernyshova Pdf

After decades of turmoil and trauma, the Brezhnev era brought stability and an unprecedented rise in living standards to the Soviet Union, enabling ordinary people to enjoy modern consumer goods on an entirely new scale. This book analyses the politics and economics of the state’s efforts to improve living standards, and shows how mass consumption was often used as an instrument of legitimacy, ideology and modernization. However, the resulting consumer revolution brought its own problems for the socialist regime. Rising well-being and the resulting ethos of consumption altered citizens’ relationship with the state and had profound consequences for the communist project. The book uses a wealth of sources to explore the challenge that consumer modernity was posing to Soviet ‘mature socialism’ between the mid-1960s and the early 1980s. It combines analysis of economic policy and public debates on consumerism with the stories of ordinary people and their attitudes to fashion, Western goods and the home. The book contests the notion that Soviet consumers were merely passive, abused, eternally queuing victims and that the Brezhnev era was a period of ‘stagnation’, arguing instead that personal consumption provided the incentive and the space for individuals to connect and interact with society and the regime even before perestroika. This book offers a lively account of Soviet society and everyday life during a period which is rapidly becoming a new frontier of historical research.

Author : Alyssa Goldstein Sepinwall
Publisher : Univ. Press of Mississippi
Page : 337 pages
File Size : 40,6 Mb
Release : 2021-05-28
Category : Social Science
ISBN : 9781496833129

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Slave Revolt on Screen by Alyssa Goldstein Sepinwall Pdf

Recipient of the 2021 Honorary Mention for the Haiti Book Prize from the Haitian Studies Association In Slave Revolt on Screen: The Haitian Revolution in Film and Video Games author Alyssa Goldstein Sepinwall analyzes how films and video games from around the world have depicted slave revolt, focusing on the Haitian Revolution (1791–1804). This event, the first successful revolution by enslaved people in modern history, sent shock waves throughout the Atlantic World. Regardless of its historical significance however, this revolution has become less well-known—and appears less often on screen—than most other revolutions; its story, involving enslaved Africans liberating themselves through violence, does not match the suffering-slaves-waiting-for-a-white-hero genre that pervades Hollywood treatments of Black history. Despite Hollywood’s near-silence on this event, some films on the Revolution do exist—from directors in Haiti, the US, France, and elsewhere. Slave Revolt on Screen offers the first-ever comprehensive analysis of Haitian Revolution cinema, including completed films and planned projects that were never made. In addition to studying cinema, this book also breaks ground in examining video games, a pop-culture form long neglected by historians. Sepinwall scrutinizes video game depictions of Haitian slave revolt that appear in games like the Assassin’s Creed series that have reached millions more players than comparable films. In analyzing films and games on the revolution, Slave Revolt on Screen calls attention to the ways that economic legacies of slavery and colonialism warp pop-culture portrayals of the past and leave audiences with distorted understandings.

Author : Kristin Roth-Ey
Publisher : Cornell University Press
Page : 329 pages
File Size : 45,8 Mb
Release : 2011-05-15
Category : History
ISBN : 9781501771422

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Moscow Prime Time by Kristin Roth-Ey Pdf

When Nikita Khrushchev visited Hollywood in 1959 only to be scandalized by a group of scantily clad actresses, his message was blunt: Soviet culture would soon consign the mass culture of the West, epitomized by Hollywood, to the "dustbin of history." In Moscow Prime Time, a portrait of the Soviet broadcasting and film industries and of everyday Soviet consumers from the end of World War II through the 1970s, Kristin Roth-Ey shows us how and why Khrushchev’s ambitious vision ultimately failed to materialize. The USSR surged full force into the modern media age after World War II, building cultural infrastructures—and audiences—that were among the world’s largest. Soviet people were enthusiastic radio listeners, TV watchers, and moviegoers, and the great bulk of what they were consuming was not the dissident culture that made headlines in the West, but orthodox, made-in-the-USSR content. This, then, was Soviet culture’s real prime time and a major achievement for a regime that had long touted easy, everyday access to a socialist cultural experience as a birthright. Yet Soviet success also brought complex and unintended consequences. Emphasizing such factors as the rise of the single-family household and of a more sophisticated consumer culture, the long reach and seductive influence of foreign media, and the workings of professional pride and raw ambition in the media industries, Roth-Ey shows a Soviet media empire transformed from within in the postwar era. The result, she finds, was something dynamic and volatile: a new Soviet culture, with its center of gravity shifted from the lecture hall to the living room, and a new brand of cultural experience, at once personal, immediate, and eclectic—a new Soviet culture increasingly similar, in fact, to that of its self-defined enemy, the mass culture of the West. By the 1970s, the Soviet media empire, stretching far beyond its founders’ wildest dreams, was busily undermining the very promise of a unique Soviet culture—and visibly losing the cultural cold war. Moscow Prime Time is the first book to untangle the paradoxes of Soviet success and failure in the postwar media age.

Author : Sevket Akyildiz,Richard Carlson
Publisher : Routledge
Page : 382 pages
File Size : 54,6 Mb
Release : 2013-10-15
Category : Political Science
ISBN : 9781134495207

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Social and Cultural Change in Central Asia by Sevket Akyildiz,Richard Carlson Pdf

Focusing on Soviet culture and its social ramifications both during the Soviet period and in the post-Soviet era, this book addresses important themes associated with Sovietisation and socialisation in the Central Asian states of Kazakhstan, Kyrgyzstan, Tajikistan, Turkmenistan, and Uzbekistan. The book contains contributions from scholars in a variety of disciplines, and looks at topics that have been somewhat marginalised in contemporary studies of Central Asia, including education, anthropology, music, literature and poetry, film, history and state-identity construction, and social transformation. It examines how the Soviet legacy affected the development of the republics in Central Asia, and how it continues to affect the society, culture and polity of the region. Although each state in Central Asia has increasingly developed its own way, the book shows that the states have in varying degrees retained the influence of the Soviet past, or else are busily establishing new political identities in reaction to their Soviet legacy, and in doing so laying claim to, re-defining, and reinventing pre-Soviet and Soviet images and narratives. Throwing new light and presenting alternate points of view on the question of the Soviet legacy in the Soviet Central Asian successor states, the book is of interest to academics in the field of Russian and Central Asian Studies.

Author : Jennifer Frost
Publisher : University Press of Kansas
Page : 334 pages
File Size : 40,6 Mb
Release : 2017-10-27
Category : Performing Arts
ISBN : 9780700624966

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Producer of Controversy by Jennifer Frost Pdf

With films ranging from High Noon to Guess Who’s Coming to Dinner, Stanley Kramer (1913–2001) was one of the most successful and prolific director-producers of his day. But even as critics praised his courage in taking on such issues as nuclear war, racism, fascism, and the battle between science and religion, others condemned his work as “emptily pretentious“ and “hollow, falsely sentimental, overproduced.” Whether Kramer was “one of the great filmmakers of all time” (Kevin Spacey at the Golden Globe Awards) or “one of Hollywood’s worst directors” (preeminent film critic Andrew Sarris in The Village Voice), he had a strong and undeniable influence on American culture during the Cold War. Producer of Controversy is the first book to take a close-up look at Kramer’s career, films, and liberal politics in an effort to explain his contributions and historical significance. Kramer learned filmmaking within the old studio system, but over a career spanning forty years he did much to shape the independent moviemaking that emerged after World War II. Jennifer Frost pays particular attention to four of his key “message movies”—The Defiant Ones, On the Beach, Inherit the Wind, and Judgment at Nuremberg—to show how Kramer’s controversial films opened up public debate about the most important issues of his time—among average filmgoers as well as professional critics, political commentators, and public figures. In this context, she for the first time fully documents the Hollywood Right’s attacks on Kramer in the 1950s; details his resistance to the anticommunist Red Scare and the Hollywood blacklist; exposes his role as a cultural diplomat with the Soviet Union; and reveals his important contribution to the liberal and radical politics of the 1960s. Her book is at once an absorbing work of cultural history and a thoroughgoing reassessment of Stanley Kramer’s place in the pantheon of American filmmakers.

Author : Mark Shiel
Publisher : Temple University Press
Page : 0 pages
File Size : 53,7 Mb
Release : 2018-06-01
Category : Architecture
ISBN : 1439910030

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Architectures of Revolt by Mark Shiel Pdf

Coinciding with the fiftieth anniversary of the worldwide mass protest movements of 1968—against war, imperialism, racism, poverty, misogyny, and homophobia—the exciting anthology Architectures of Revolt explores the degree to which the real events of political revolt in the urban landscape in 1968 drove change in the attitudes and practices of filmmakers and architects alike. In and around 1968, as activists and filmmakers took to the streets, commandeering public space, buildings, and media attention, they sought to re-make the urban landscape as an expression of utopian longing or as a dystopian critique of the established order. In Architectures of Revolt, the editor and contributors chronicle city-specific case studies from Paris, Berlin, Milan, and Chicago to New York, Los Angeles, Mexico City, and Tokyo. The films discussed range from avant-garde and agitprop shorts to mainstream narrative feature films. All of them share a focus on the city and, often, particular streets and buildings as places of political contestation and sometimes violence, which the medium of cinema was uniquely equipped to capture. Contributors include: Stephen Barber, Stanley Corkin, Jesse Lerner, Jon Lewis, Gaetana Marrone, Jennifer Stob, Andrew Webber, and the editor.

Author : Christina Gerhardt,Sara Saljoughi
Publisher : Wayne State University Press
Page : 413 pages
File Size : 45,7 Mb
Release : 2018-10-17
Category : Performing Arts
ISBN : 9780814342947

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1968 and Global Cinema by Christina Gerhardt,Sara Saljoughi Pdf

Examines the political cinema of 1968 in relation to global events.

Author : Roy Armes
Publisher : Indiana University Press
Page : 418 pages
File Size : 55,6 Mb
Release : 2008-07-11
Category : History
ISBN : 9780253351166

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Dictionary of African Filmmakers by Roy Armes Pdf

Chiefly short biographies and filmographies.

Author : Brandon French
Publisher : New York : Ungar
Page : 165 pages
File Size : 47,6 Mb
Release : 1978
Category : Motion pictures
ISBN : 0804461589

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On the Verge of Revolt by Brandon French Pdf

Author : Roy Armes
Publisher : Indiana University Press
Page : 216 pages
File Size : 50,5 Mb
Release : 2010-08-23
Category : Performing Arts
ISBN : 9780253004598

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Arab Filmmakers of the Middle East by Roy Armes Pdf

In this landmark dictionary, Roy Armes details the scope and diversity of filmmaking across the Arab Middle East. Listing more than 550 feature films by more than 250 filmmakers, and short and documentary films by another 900 filmmakers, this volume covers the film production in Iraq, Jordan, Lebanon, Palestine, Syria, and the Gulf States. An introduction by Armes locates film and filmmaking traditions in the region from early efforts in the silent era to state-funded productions by isolated filmmakers and politically engaged documentarians. Part 1 lists biographical information about the filmmakers and their feature films. Part 2 details key feature films from the countries represented. Part 3 indexes feature-film titles in English and French with details about the director, date, and country of origin.

Author : Samantha N. Sheppard
Publisher : Univ of California Press
Page : 269 pages
File Size : 44,8 Mb
Release : 2020-06-16
Category : Performing Arts
ISBN : 9780520973855

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Sporting Blackness by Samantha N. Sheppard Pdf

Sporting Blackness examines issues of race and representation in sports films, exploring what it means to embody, perform, play out, and contest blackness by representations of Black athletes on screen. By presenting new critical terms, Sheppard analyzes not only “skin in the game,” or how racial representation shapes the genre’s imagery, but also “skin in the genre,” or the formal consequences of blackness on the sport film genre’s modes, codes, and conventions. Through a rich interdisciplinary approach, Sheppard argues that representations of Black sporting bodies contain “critical muscle memories”: embodied, kinesthetic, and cinematic histories that go beyond a film’s plot to index, circulate, and reproduce broader narratives about Black sporting and non-sporting experiences in American society.

Author : Josepha Ivanka Wessels
Publisher : Bloomsbury Publishing
Page : 292 pages
File Size : 52,9 Mb
Release : 2019-07-11
Category : Social Science
ISBN : 9781788316163

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Documenting Syria by Josepha Ivanka Wessels Pdf

Syria is now one of the most important countries in the world for the documentary film industry. Since the 1970s, Syrian cinema masters played a defining role in avant-garde filmmaking and political dissent against authoritarianism. After the outbreak of violence in 2011, an estimated 500,000 video clips were uploaded making it one of the first YouTubed revolutions in history. This book is the first history of documentary filmmaking in Syria. Based on extensive media ethnography and in-depth interviews with Syrian filmmakers in exile, the book offers an archival analysis of the documentary work by masters of Syrian cinema, such as Nabil Maleh, Ossama Mohammed, Mohammed Malas, Hala Al Abdallah, Hanna Ward, Ali Atassi and Omar Amiralay. Joshka Wessels traces how the works of these filmmakers became iconic for a new generation of filmmakers at the beginning of the 21st century and maps the radical change in the documentary landscape after the revolution of 2011. Special attention is paid to the late Syrian filmmaker and pro-democracy activist, Bassel Shehadeh, and the video-resistance from Aleppo and Raqqa against the regime of President Bashar al-Assad and the Islamic State. An essential resource for scholars of Syrian Studies, this book will also be highly relevant to the fields of media & conflict research, anthropology and political science.