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In Ride the Dark Trail, Louis L’Amour tells the story of Logan Sackett, a cynical drifter who changes his ways to help a widow keep her land. Logan Sackett is wild and rootless, riding west in search of easy living. Then he meets Emily Talon, a fiery old widow who is even wilder than he is. Tall and lean, Em is determined to defend herself against the jealous locals who are trying to take her home. Logan doesn’t want to get involved—until he finds out that Em was born a Sackett. Em is bucking overwhelming odds, but Logan won’t let her stand alone. For even the rebellious drifter knows that part of being a Sackett is backing up your family when they need you.
Ride the Dark Trail: The Sacketts by Louis L'Amour Pdf
In Ride the Dark Trail, Louis L’Amour tells the story of Logan Sackett, a cynical drifter who changes his ways to help a widow keep her land. Logan Sackett is wild and rootless, riding west in search of easy living. Then he meets Emily Talon, a fiery old widow who is even wilder than he is. Tall and lean, Em is determined to defend herself against the jealous locals who are trying to take her home. Logan doesn’t want to get involved—until he finds out that Em was born a Sackett. Em is bucking overwhelming odds, but Logan won’t let her stand alone. For even the rebellious drifter knows that part of being a Sackett is backing up your family when they need you.
For use in schools and libraries only. Holding out alone against outlaws at her ranch, Emily Sackett Talon, sixty-seven and a widow, faces certain death unless Logan Sackett can reach her in time.
Bud Miles was a boy when he crossed the Mississippi. But Bud buried his father after an Indian attack, and as the wagon train pushed on through Sioux country, the boy stood as tall as any man. . . . Tell Sackett killed cougars at fourteen and fought a war at fifteen. Now Tell was hauling dangerous freight—a soldier's wife and a fortune in gold—knowing that someone wanted him dead. . . . Laurie Bonnet was a mail-order bride who thought she was a failure on the frontier. But when the chips were down, she was the only one who could save her husband's life. . . . In these marvelous stories of the West, Louis L'Amour tells of travelers, gunfighters, homesteaders, and adventurers: men and women making hard and sudden choices and fighting battles that could cut a person's life short—or open up a bold new future on the American frontier.
Louis L’Amour tells the story of two brothers who must struggle to survive in a wild and beautiful land to build themselves a ranch and a future. Trouble was following Flagan Sackett with a vengeance. Captured and tortured by a band of Apaches, he escaped into the rugged San Juan country, where he managed to stay alive until his brother Galloway could find him. But the brothers were about to encounter worse trouble ahead. Their plan to establish a ranch angered the Dunn clan, who had decided that the vast range would be theirs alone. Now Galloway and Flagan would face an enemy who killed for sport—but as long as other Sacketts lived, they would not fight alone.
Sherman Alexie meets William Gibson. Louise Erdrich meets Franz Kafka. Leslie Marmon Silko meets Philip K. Dick. However you might want to put it, this is Native American fiction in a whole new world. A surrealistic revisiting of the Cherokee Removal, Riding the Trail of Tears takes us to north Georgia in the near future, into a virtual-reality tourist compound where customers ride the Trail of Tears, and into the world of Tallulah Wilson, a Cherokee woman who works there. When several tourists lose consciousness inside the ride, employees and customers at the compound come to believe, naturally, that a terrorist attack is imminent. Little does Tallulah know that Cherokee Little People have taken up residence in the virtual world and fully intend to change the ride’s programming to suit their own point of view. Told by a narrator who knows all but can hardly be trusted, in a story reflecting generations of experience while recalling the events in a single day of Tallulah’s life, this funny and poignant tale revises American history even as it offers a new way of thinking, both virtual and very real, about the past for both Native Americans and their Anglo counterparts.
In The Lonely Men, Louis L’Amour spins the tale of a man who must elude an Apache trap—only to discover that his greatest enemy might be very close to home. Tell Sackett had fought his share of Indians and managed to take something of value from his battles: a deep and abiding respect. But that respect is lost when Apache braves kidnap his nephew, forcing Tell to cross the border into the Sierra Madres to bring the boy back. What troubles Tell more, though, is the boy’s mother: Could she possibly be inventing a rescue mission to deliver her husband’s brother into an ambush? Tell knows that the only things he can depend on are his wits and cold steel. But against such adversaries, even these formidable weapons may not be enough.
In Lonely on the Mountain, Louis L’Amour’s solitary wandering Sackett brothers make a stand together—to save one of their own. The rare letters Tell Sackett received always had trouble inside. And the terse note from his cousin Logan is no exception. Logan faces starvation or a hanging if Tell can’t drive a herd of cattle from Kansas to British Columbia before winter. To get to Logan, he must brave prairie fires, buffalo stampedes, and Sioux war parties. But worse trouble waits, for a mysterious enemy shadows Sackett’s every move across the Dakotas and the Canadian Rockies. Tell Sackett has never abandoned another Sackett in need. He will bring aid to Logan—or die trying.
'One of the best books I've read in the last five or ten years... Wild is angry, brave, sad, self-knowing, redemptive, raw, compelling, and brilliantly written, and I think it's destined to be loved by a lot of people, men and women, for a very long time.' Nick Hornby