Robert Lepage Ex Machina

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Robert Lepage / Ex Machina

Author : James Reynolds
Publisher : Bloomsbury Publishing
Page : 256 pages
File Size : 44,5 Mb
Release : 2019-02-07
Category : Performing Arts
ISBN : 9781474276597

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Robert Lepage / Ex Machina by James Reynolds Pdf

Robert Lepage/Ex Machina: Revolutions in Theatrical Space provides an ideal introduction to one of our most innovative companies – and a much-needed and timely reappraisal of Lepage's oeuvre. International, interdisciplinary and intercultural to the core, Ex Machina have negotiated some of the most complex creative and cultural challenges of our time. This book maps the story of that journey by analysing the full spectrum of their richly varied work. Through a comprehensive historiography of productions since 1994, Robert Lepage/Ex Machina offers a detailed picture of the relationship between director and company, while connecting Ex Machina to culturally specific features of Québec, and its theatre. This book reveals for the first time how overlooked aspects of creativity and culture shaped the company's early work, while installing a dynamic interplay between director and company that would spark a unique and ongoing evolution of praxis. Central to this re-evaluation of practice is the book's identification of an architectural aesthetic at the heart of Ex Machina's work, an aesthetic which provides its artistic and political centres of gravity. Moreover, this architectural aesthetic powers the emergence of concrete narrative as a new and distinctive mode of theatrical storytelling – uniting story and space, body and technology, content and form – and demanding that we discover the politics of these performances in the energetic gestures of theatre design, and space itself. Drawing on extensive interviews with Lepage, Ex Machina personnel and collaborative partners, Robert Lepage/Ex Machina calls upon us to revise both our creative and critical perceptions of this vital and distinctive practice.

The Blue Dragon

Author : Robert Lepage,Marie Michaud
Publisher : Unknown
Page : 0 pages
File Size : 41,5 Mb
Release : 2011
Category : Comics & Graphic Novels
ISBN : 1770890378

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The Blue Dragon by Robert Lepage,Marie Michaud Pdf

In this stunning graphic novel adaptation of Robert Lepage and Marie Michaud's play of the same name, East meets West, the personal meets the political, and old meets new. Claire, a Quebecoise art dealer, arrives in China to adopt a little girl. There she visits Pierre, her ex-husband, who after fifteen years in China has been absorbed into a life of bicycles, tea, and calligraphy and has begun to question the new directions his adopted country is going in. Claire and Pierre's lover, the young Chinese artist Xiao Ling, become fast friends. Through this classic love triangle, "The Blue Dragon" looks at aging, cultural confusion, fertility, and creativity, and confronts some of modern China's most intriguing paradoxes. Fred Jourdain's gorgeous, colourful, and cinematic drawings do full justice to "The Blue Dragon's" genesis as one of the Robert Lepage's most dazzling theatrical constructions. A feast for the mind as well as for the senses, "The Blue Dragon" is a graphic novel for grownups.

Seven Streams Of The River Ota

Author : Robert Lepage,Eric Bernier
Publisher : A&C Black
Page : 121 pages
File Size : 51,6 Mb
Release : 1996-11-04
Category : Drama
ISBN : 9781408148952

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Seven Streams Of The River Ota by Robert Lepage,Eric Bernier Pdf

"Of all Lepage's magic boxes, this is the masterpiece" (Independent on Sunday) Early one August morning in 1945, several kilos of uranium dropped over Japan changed the course of human history. Fifty years later, Hiroshima's vitality is striking: the city where survival itself seemed unimaginable today incarnates the notion of renaissance. Robert Lepage and Ex Machina's The Seven Streams of the River Ota makes Hiroshima a literal and metaphoric site for theatrical journey through the last half-century. In The Seven Streams, Hiroshima is a mirror in which seeming opposites - East and West, tragedy and comedy, male and female, life and death - are revealed as reflections of the same reality.

Robert Lepage / Ex Machina

Author : James Reynolds
Publisher : Bloomsbury Publishing
Page : 256 pages
File Size : 51,9 Mb
Release : 2019-02-07
Category : Performing Arts
ISBN : 9781474276580

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Robert Lepage / Ex Machina by James Reynolds Pdf

Robert Lepage/Ex Machina: Revolutions in Theatrical Space provides an ideal introduction to one of our most innovative companies – and a much-needed and timely reappraisal of Lepage's oeuvre. International, interdisciplinary and intercultural to the core, Ex Machina have negotiated some of the most complex creative and cultural challenges of our time. This book maps the story of that journey by analysing the full spectrum of their richly varied work. Through a comprehensive historiography of productions since 1994, Robert Lepage/Ex Machina offers a detailed picture of the relationship between director and company, while connecting Ex Machina to culturally specific features of Québec, and its theatre. This book reveals for the first time how overlooked aspects of creativity and culture shaped the company's early work, while installing a dynamic interplay between director and company that would spark a unique and ongoing evolution of praxis. Central to this re-evaluation of practice is the book's identification of an architectural aesthetic at the heart of Ex Machina's work, an aesthetic which provides its artistic and political centres of gravity. Moreover, this architectural aesthetic powers the emergence of concrete narrative as a new and distinctive mode of theatrical storytelling – uniting story and space, body and technology, content and form – and demanding that we discover the politics of these performances in the energetic gestures of theatre design, and space itself. Drawing on extensive interviews with Lepage, Ex Machina personnel and collaborative partners, Robert Lepage/Ex Machina calls upon us to revise both our creative and critical perceptions of this vital and distinctive practice.

Robert Lepage

Author : Aleksandar Saša Dundjerovic
Publisher : Routledge
Page : 165 pages
File Size : 54,9 Mb
Release : 2008-11-25
Category : Performing Arts
ISBN : 9781134187638

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Robert Lepage by Aleksandar Saša Dundjerovic Pdf

Routledge Performance Practitioners is a series of introductory guides to the key theatre-makers of the last century. Each volume explains the background to and the work of one of the major influences on twentieth- and twenty-first-century performance. Robert Lepage is one of Canada’s foremost playwrights and directors. His company, Ex Machina, has toured to international acclaim and he has lent his talents to areas as diverse as opera, concert tours, acting, and installation art. His most celebrated work blends acute personal narratives with bold global themes. This is the first book to combine: an overview of the key phases in Lepage’s life and career an examination of the issues and questions pertinent to his work a discussion of The Dragons’ Trilogy as a paradigm of his working methods a variety of practical exercises designed to give an insight into Lepage’s creative process. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners are unbeatable value for today’s student.

The Library at Night

Author : Alberto Manguel
Publisher : Vintage Canada
Page : 355 pages
File Size : 45,8 Mb
Release : 2011-07-27
Category : Biography & Autobiography
ISBN : 9780307370273

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The Library at Night by Alberto Manguel Pdf

In the tradition of A History of Reading, this book is an account of Manguel’s astonishment at the variety, beauty and persistence of our efforts to shape the world and our lives, most notably through something almost as old as reading itself: libraries. The Library at Night begins with the design and construction of Alberto Manguel’s own library at his house in western France – a process that raises puzzling questions about his past and his reading habits, as well as broader ones about the nature of categories, catalogues, architecture and identity. Thematically organized and beautifully illustrated, this book considers libraries as treasure troves and architectural spaces; it looks on them as autobiographies of their owners and as statements of national identity. It examines small personal libraries and libraries that started as philanthropic ventures, and analyzes the unending promise – and defects – of virtual ones. It compares different methods of categorization (and what they imply) and libraries that have built up by chance as opposed to by conscious direction. In part this is because this is about the library at night, not during the day: this book takes in what happens after the lights go out, when the world is sleeping, when books become the rightful owners of the library and the reader is the interloper. Then all daytime order is upended: one book calls to another across the shelves, and new alliances are created across time and space. And so, as well as the best design for a reading room and the makeup of Robinson Crusoe’s library, this book dwells on more "nocturnal" subjects: fictional libraries like those carried by Count Dracula and Frankenstein’s monster; shadow libraries of lost and censored books; imaginary libraries of books not yet written. The Library at Night is a fascinating voyage through the mind of one our most beloved men of letters. It is an invitation into his memory and vast knowledge of books and civilizations, and throughout – though mostly implicitly – it is also a passionate defence of literacy, of the unique pleasures of reading, of the importance of the book. As much as anything else, The Library at Night reminds us of what a library stands for: the possibility of illumination, of a better path for our society and for us as individuals. That hope too, at the close, is replaced by something that fits this personal and eclectic book even better: something more fragile, and evanescent than illumination, though just as important.

Theatricality of Robert Lepage

Author : Aleksandar Saša Dundjerovi?
Publisher : McGill-Queen's Press - MQUP
Page : 346 pages
File Size : 47,8 Mb
Release : 2007-08-24
Category : Biography & Autobiography
ISBN : 9780773581654

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Theatricality of Robert Lepage by Aleksandar Saša Dundjerovi? Pdf

The Theatricality of Robert Lepage studies several productions, including The Dragons' Trilogy, Vinci and Tectonic Plates, The Seven Streams of River Ota, Zulu Time, and The Far Side of the Moon. Dundjerovic provides major new insights into Lepage's creative process through an examination of his workshops, open rehearsals, and performances, as well as interviews with Lepage and his collaborators. Outlining the key production elements of Lepage's theatricality, Dundjerovic provides a practitioner's view of how Lepage creates as a director, actor, and writer and explores Lepage's practice within both the local Québécois and the international theatre context.

Robert Lepage's Original Stage Productions

Author : Karen Fricker
Publisher : Unknown
Page : 0 pages
File Size : 46,7 Mb
Release : 2024-05-28
Category : Electronic
ISBN : 1526178885

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Robert Lepage's Original Stage Productions by Karen Fricker Pdf

This book calls upon globalisation, queer, cinema, and affect studies to explore key Robert Lepage productions from 1984 to 2008, analysing the systems through which his work is produced and disseminated.

Robert Lepage

Author : Robert Lepage,Rémy Charest
Publisher : Methuen Drama
Page : 232 pages
File Size : 51,6 Mb
Release : 1997
Category : Drama
ISBN : UOM:39015039923894

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Robert Lepage by Robert Lepage,Rémy Charest Pdf

'Interviews with one of the world''s most stimulating creative talents. Audiences internationally have been thrilled and moved by such remarkable and personal works as Robert Lepage''s The Dragon''s Trilogy, Needles and Opium and The Seven Streams of the River Ota; versions of world classics like Strindberg''s A Dream Play and Shakespeare''s The Tempest, Coriolanus, Macbeth and a solo Hamlet; and films including The Confessional and Polygraph, a version of his stage play. In these revealing interviews with Quebec journalist Remy Charest, Lepage explores the sources of his creative inspiration and the compelling ideas that have animated his best known productions. He reveals strong views on art, culture, place and politics. In these lengthy interviews with Quebec journalist R my Charest, Lepage explores the sources of his creative inspiration and the compelling ideas that have animated his best known productions. He reveals strong views on art, culture, place and politics.'

Ex Machina

Author : Patrick Caux,Bernard Gilbert
Publisher : Unknown
Page : 88 pages
File Size : 48,5 Mb
Release : 2009
Category : Biography & Autobiography
ISBN : STANFORD:36105124105300

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Ex Machina by Patrick Caux,Bernard Gilbert Pdf

This gorgeous full-colour book documents the dynamic creative arts company Ex Machina, including Robert Lepage's Dragon's Trilogy.

Intermediality and Spectatorship in the Theatre Work of Robert Lepage

Author : Aristita I. Albacan
Publisher : Cambridge Scholars Publishing
Page : 343 pages
File Size : 53,6 Mb
Release : 2016-09-23
Category : Performing Arts
ISBN : 9781443812894

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Intermediality and Spectatorship in the Theatre Work of Robert Lepage by Aristita I. Albacan Pdf

Robert Lepage has imposed himself in the past three decades as a Wunderkind of contemporary theatre, with eagerly awaited and widely acclaimed productions at the most prestigious theatre festivals and venues around the world. Soon after his international breakthrough with The Dragon’s Trilogy (1984), Lepage’s work became an object of particular scrutiny for critics and scholars, and continues to be subject to media exposure, inspiring cultural critique, academic study and the admiration of audiences across the world. A recurrent fascination with the formal novelty of his theatrical approach imbues most, if not all, critical considerations. However, in spite of the wide interest provoked, little space has been devoted to the quintessential impact of his work on spectatorship, and, most importantly, to connecting the dots between his creative practice and its substantial impact on audiences. Intermediality and Spectatorship in the Theatre Work of Robert Lepage bridges this gap by exploring the notion that intermediality – observed both as a mise-en-scene strategy and a perceptual effect in performance – is situated at the core of the director’s approach. This approach is situated in direct relation to the evolving expectations and medial competencies of spectators, demonstrating an in-depth understanding of the ways in which different media can be engaged in the creative process in a holistic way in order to alter the regime of spectatorship, to enhance its creative and cognitive potential. Lepage’s work and theatre making process are analysed here from an interdisciplinary perspective that combines theatre, media and cultural studies, and which is applied to his solo shows, namely Vinci (1986), Needles and Opium (1991), Elsinore (1995), Far Side of the Moon (2000) and Project Andersen (2005). In bringing to the forefront interconnecting notions of intermediality and contemporary spectatorship, the book highlights the director’s preoccupation with an ongoing dialogue with audiences across the world, and their particular involvement in the development of one of the most innovative practices of the Western theatre landscape.

Robert Lepage's Scenographic Dramaturgy

Author : MELISSA. POLL
Publisher : Palgrave MacMillan
Page : 212 pages
File Size : 53,6 Mb
Release : 2019-08-03
Category : Electronic
ISBN : 3030103625

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Robert Lepage's Scenographic Dramaturgy by MELISSA. POLL Pdf

Digital Performance

Author : Steve Dixon
Publisher : MIT Press
Page : 1027 pages
File Size : 41,9 Mb
Release : 2007-02-23
Category : Performing Arts
ISBN : 9780262303323

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Digital Performance by Steve Dixon Pdf

The historical roots, key practitioners, and artistic, theoretical, and technological trends in the incorporation of new media into the performing arts. The past decade has seen an extraordinarily intense period of experimentation with computer technology within the performing arts. Digital media has been increasingly incorporated into live theater and dance, and new forms of interactive performance have emerged in participatory installations, on CD-ROM, and on the Web. In Digital Performance, Steve Dixon traces the evolution of these practices, presents detailed accounts of key practitioners and performances, and analyzes the theoretical, artistic, and technological contexts of this form of new media art. Dixon finds precursors to today's digital performances in past forms of theatrical technology that range from the deus ex machina of classical Greek drama to Wagner's Gesamtkunstwerk (concept of the total artwork), and draws parallels between contemporary work and the theories and practices of Constructivism, Dada, Surrealism, Expressionism, Futurism, and multimedia pioneers of the twentieth century. For a theoretical perspective on digital performance, Dixon draws on the work of Philip Auslander, Walter Benjamin, Roland Barthes, Jean Baudrillard, and others. To document and analyze contemporary digital performance practice, Dixon considers changes in the representation of the body, space, and time. He considers virtual bodies, avatars, and digital doubles, as well as performances by artists including Stelarc, Robert Lepage, Merce Cunningham, Laurie Anderson, Blast Theory, and Eduardo Kac. He investigates new media's novel approaches to creating theatrical spectacle, including virtual reality and robot performance work, telematic performances in which remote locations are linked in real time, Webcams, and online drama communities, and considers the "extratemporal" illusion created by some technological theater works. Finally, he defines categories of interactivity, from navigational to participatory and collaborative. Dixon challenges dominant theoretical approaches to digital performance—including what he calls postmodernism's denial of the new—and offers a series of boldly original arguments in their place.

Prima Facie

Author : Suzie Miller
Publisher : Henry Holt and Company
Page : 330 pages
File Size : 49,9 Mb
Release : 2024-01-30
Category : Fiction
ISBN : 9781250292216

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Prima Facie by Suzie Miller Pdf

“Enthralling and sharp-witted...Highly recommended.” —Karin Slaughter, New York Times and #1 international bestselling author “Bold, fearless...Prima Facie is a deeply rewarding, absolute must read.” —Chris Whitaker, New York Times bestselling author of We Begin at the End This is not life, this is law... Tessa Ensler loves her job. She’s worked her way up to being a top criminal defense barrister against all the odds, and fights to defend those pleading not guilty. Tessa believes in the law, believes in the system. Her quick-witted cross-examinations and intelligence in the courtroom see her clocking up win after win - including securing freedom for men accused of rape and sexual assault. Innocence until proven guilty is, after all, the bedrock of a civilized society. But when Tessa is raped by a coworker, she struggles to find the strength to bring him to justice in the face of the barriers and opposition within that same system. Determined to have her day in court, Tessa is forced to confront the stark reality that the law was not written for victims, and that she is the one on trial. She fights on, even as her evidence is manipulated to make her look like a liar, even while she is retraumatized in the stand. Based on the Olivier and Tony Award-winning play, Suzie Miller’s Prima Facie is an unforgettable story of what happens when a victim is asked to navigate a system that is not set up to accommodate the lived experience of sexual assault survivors.

Reading the Material Theatre

Author : Richard Paul Knowles
Publisher : Cambridge University Press
Page : 252 pages
File Size : 53,9 Mb
Release : 2004-05-13
Category : Drama
ISBN : 052164416X

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Reading the Material Theatre by Richard Paul Knowles Pdf

Reading the Material Theatre develops and demonstrates a method of theatrical performance analysis that takes into account the entire theatre experience, from production to reception. Beginning with semiotic and cultural materialist theory, Knowles quickly moves into detailed politicized analysis of the ways in which specific aspects of theatrical production, and specific contexts of reception, shape the audience's understanding of what they experience in the theatre. It concludes with five case studies of the cultural work performed by a major Shakespearean repertory theatre, a small nationalist theatre devoted to new play development, a major New York-based avant-garde touring theatre company, a British socialist company dedicated to the work of Shakespeare, and a range of international festivals. This accessible 2004 volume provides a first-step introduction to key terms and areas of performance theory, including reception history, performance analysis, and production analysis.