Semiotics And Title Sequences

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Semiotics and Title Sequences

Author : Michael Betancourt
Publisher : Taylor & Francis
Page : 180 pages
File Size : 53,8 Mb
Release : 2017-09-19
Category : Art
ISBN : 9781351798280

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Semiotics and Title Sequences by Michael Betancourt Pdf

Title sequences are the most obvious place where photography and typography combine on-screen, yet they are also a commonly neglected part of film studies. Semiotics and Title Sequences presents the first theoretical model and historical consideration of how text and image combine to create meaning in title sequences for film and television, before extending its analysis to include subtitles, intertitles, and the narrative role for typography. Detailed close readings of classic films starting with The Cabinet of Dr. Caligari, and including To Kill A Mockingbird, Dr. Strangelove, and The Good, the Bad and the Ugly, along with designs from television programs such as Magnum P.I., Castle, and Vikings present a critical assessment of title sequences as both an independent art form and an introduction to the film that follows.

Semiotics and Title Sequences

Author : Michael Betancourt
Publisher : Unknown
Page : 130 pages
File Size : 40,9 Mb
Release : 2017
Category : Digital video
ISBN : OCLC:1105792481

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Semiotics and Title Sequences by Michael Betancourt Pdf

Title sequences are the most obvious place where photography and typography combine on-screen, yet they are also a commonly neglected part of film studies. Semiotics and Title Sequences presents the first theoretical model and historical consideration of how text and image combine to create meaning in title sequences for film and television, before extending its analysis to include subtitles, intertitles, and the narrative role for typography. Detailed close readings of classic films starting with The Cabinet of Dr. Caligari, and including To Kill A Mockingbird, Dr. Strangelove, and The Good, the Bad and the Ugly, along with designs from television programs such as Magnum P.I., Castle, and Vikings present a critical assessment of title sequences as both an independent art form and an introduction to the film that follows.

Semiotics and Title Sequences

Author : Michael Betancourt
Publisher : Taylor & Francis
Page : 130 pages
File Size : 41,6 Mb
Release : 2017-09-19
Category : Art
ISBN : 9781351798297

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Semiotics and Title Sequences by Michael Betancourt Pdf

Title sequences are the most obvious place where photography and typography combine on-screen, yet they are also a commonly neglected part of film studies. Semiotics and Title Sequences presents the first theoretical model and historical consideration of how text and image combine to create meaning in title sequences for film and television, before extending its analysis to include subtitles, intertitles, and the narrative role for typography. Detailed close readings of classic films starting with The Cabinet of Dr. Caligari, and including To Kill A Mockingbird, Dr. Strangelove, and The Good, the Bad and the Ugly, along with designs from television programs such as Magnum P.I., Castle, and Vikings present a critical assessment of title sequences as both an independent art form and an introduction to the film that follows.

Title Sequences as Paratexts

Author : Michael Betancourt
Publisher : Routledge
Page : 162 pages
File Size : 46,5 Mb
Release : 2017-10-30
Category : Art
ISBN : 9781351329477

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Title Sequences as Paratexts by Michael Betancourt Pdf

In his third book on the semiotics of title sequences, Title Sequences as Paratexts, theorist Michael Betancourt offers an analysis of the relationship between the title sequence and its primary text—the narrative whose production the titles credit. Using a wealth of examples drawn from across film history—ranging from White Zombie (1931), Citizen Kane (1940) and Bullitt (1968) to Prince of Darkness (1987), Mission: Impossible (1996), Sucker Punch (2011) and Guardians of the Galaxy, Vol. 2 (2017)—Betancourt develops an understanding of how the audience interprets title sequences as instances of paranarrative, simultaneously engaging them as both narrative exposition and as credits for the production. This theory of cinematic paratexts, while focused on the title sequence, has application to trailers, commercials, and other media as well.

Synchronization and Title Sequences

Author : Michael Betancourt
Publisher : Taylor & Francis
Page : 142 pages
File Size : 51,6 Mb
Release : 2017-09-19
Category : Art
ISBN : 9781351619394

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Synchronization and Title Sequences by Michael Betancourt Pdf

Synchronization and Title Sequences proposes a semiotic analysis of the synchronization of image and sound in motion pictures using title sequences. Through detailed historical close readings of title designs that use either voice-over, an instrumental opening, or title song to organize their visuals—from Vertigo (1958) to The Player (1990) and X-Men: First Class (2011)—author Michael Betancourt develops a foundational framework for the critique and discussion of motion graphics’ use of synchronization and sound, as well as a theoretical description of how sound-image relationships develop on-screen.

Ideologies of the Real in Title Sequences, Motion Graphics and Cinema

Author : Michael Betancourt
Publisher : Routledge
Page : 273 pages
File Size : 44,7 Mb
Release : 2019-08-13
Category : Art
ISBN : 9780429534300

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Ideologies of the Real in Title Sequences, Motion Graphics and Cinema by Michael Betancourt Pdf

This book explores the question of realism in motion pictures. Specifically, it explores how understanding the role of realism in the history of title sequences in film can illuminate discussions raised by the advent of digital cinema. Ideologies of the Real in Title Sequences, Motion Graphics and Cinema fills a critical and theoretical void in the existing literature on motion graphics. Developed from careful analysis of André Bazin, Stanley Cavell, and Giles Deleuze’s approaches to cinematic realism, this analysis uses title sequences to engage the interface between narrative and non-narrative media to consider cinematic realism in depth through highly detailed close readings of the title sequences for Bullitt (1968), Kolchak: The Night Stalker (1974), The Number 23 (2007), The Kingdom (2008), Blade Runner: 2049 (2017) and the James Bond films. From this critique, author Michael Betancourt develops a modal approach to cinematic realism where ontology is irrelevant to indexicality. His analysis shows the continuity between historical analogue film and contemporary digital motion pictures by developing a framework for rethinking how realism shapes interpretation.

Advances in Design and Digital Communication III

Author : Nuno Martins,Daniel Brandão
Publisher : Springer Nature
Page : 839 pages
File Size : 52,5 Mb
Release : 2022-10-26
Category : Architecture
ISBN : 9783031203640

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Advances in Design and Digital Communication III by Nuno Martins,Daniel Brandão Pdf

This book reports on research findings and practical lessons featuring advances in the areas of digital and interaction design, graphic design and branding, design education, society and communication in design practice, and related ones. Gathering the proceedings of the 6th International Conference on Digital Design and Communication, Digicom 2022, held on November 3–5, 2022, as an hybrid event, from Barcelos, Portugal, and continuing the tradition of the previous book, it describes new design strategies and solutions to foster digital communication within and between the society, institutions and brands. By highlighting innovative ideas and reporting on multidisciplinary projects, it offers a source of inspiration for designers of all kinds, including graphic and web designers, UI, UX and social media designers, and to researchers, advertisers, artists, and brand and corporate communication managers alike.

Typography and Motion Graphics: The 'Reading-Image'

Author : Michael Betancourt
Publisher : Routledge
Page : 156 pages
File Size : 55,5 Mb
Release : 2018-11-20
Category : Art
ISBN : 9780429627835

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Typography and Motion Graphics: The 'Reading-Image' by Michael Betancourt Pdf

In his latest book, Michael Betancourt explores the nature and role of typography in motion graphics as a way to consider its distinction from static design, using the concept of the ‘reading-image’ to model the ways that motion typography dramatizes the process of reading and audience recognition of language on-screen. Using both classic and contemporary title sequences—including The Man With the Golden Arm (1955), Alien (1979), Flubber (1998), Six Feet Under (2001), The Number 23 (2007) and Scott Pilgrim vs. The World (2010)—Betancourt develops an argument about what distinguishes motion graphics from graphic design. Moving beyond title sequences, Betancourt also analyzes moving or kinetic typography in logo designs, commercials, film trailers, and information graphics, offering a striking theoretical model for understanding typography in media.

Cinematic Articulation in Motion Graphics

Author : Michael Betancourt
Publisher : CRC Press
Page : 219 pages
File Size : 44,8 Mb
Release : 2021-09-16
Category : Art
ISBN : 9781000438444

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Cinematic Articulation in Motion Graphics by Michael Betancourt Pdf

This book develops a critical and theoretical approach to the semiotics of motion pictures as they are applied to a broader range of constructions than traditional commercial narrative productions. This interdisciplinary approach begins with the problems posed by motion perception to develop a model of cinematic interpretation that includes both narrative and non-narrative types of productions. Contrasting traditional theatrical projection and varieties of new media, this book integrates analyses of title sequences, music videos, and visual effects with discussions on classic and avant-garde films. It further explores the intersection between formative audio-visual cues identified by viewers and how viewers’ desires direct engagement with the motion picture to present a framework for understanding cinematic articulation. This new theoretical model incorporates much of what was neglected and gives greater prominence to formerly critical marginal productions by showing the fundamental connections that link all moving imagery and animated text, whether it tells a story or not. This insightful work will appeal to students and academics in film and media studies.

African American Female Leadership in Major Motion Pictures

Author : Tracy L.F. Worley
Publisher : Taylor & Francis
Page : 87 pages
File Size : 52,8 Mb
Release : 2024-02-09
Category : Performing Arts
ISBN : 9781040011966

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African American Female Leadership in Major Motion Pictures by Tracy L.F. Worley Pdf

This book explores the factors contributing to the under-representation of African American female directors in mainstream cinema leadership. It also unmasks the potential strategies African American female film directors might pursue to reduce this inequity. Author Tracy L. F. Worley draws on research around ethics to conclude that there are specific consequences of the male gaze on women in cinema leadership, especially African American female directors of box office cinema. Combining extensive analysis of ethics and ethical stance relative to the motion picture industry with perspectives from working African American female directors, the text discusses the ethical considerations and historical inequities, including the male gaze, and uses those findings to define how the inequities can be opportunities. The efficacy model for cinematic leadership is presented as a mechanism for viewing obstacles through the lenses of gender, ethnicity, and culture so they become drivers for African American women to achieve success. Ideal for students of directing and filmmaking, as well as aspiring professional filmmakers wishing to gain a better understanding of the industry as it stands today.

Creating Dialogue for TV

Author : Monika Bednarek
Publisher : Routledge
Page : 88 pages
File Size : 40,6 Mb
Release : 2019-01-22
Category : Art
ISBN : 9780429639340

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Creating Dialogue for TV by Monika Bednarek Pdf

As entertaining as it is enlightening, Creating Dialogue for TV: Screenwriters Talk Television presents interviews with five Hollywood professionals who talk about all things related to dialogue – from naturalistic style to the building of characters to swearing and dialect. Screenwriters/showrunners David Mandel (Curb Your Enthusiasm, Veep), Jane Espenson (Buffy, Battlestar Galactica, Once Upon a Time), Robert Berens (Supernatural), Sheila Lawrence (Gilmore Girls, Ugly Betty, The Marvelous Mrs Maisel), and Doris Egan (Tru Calling, House, Reign) field a linguist’s inquiries about the craft of writing dialogue. This book is for anyone who has ever wondered what creative processes and attitudes lie behind the words they encounter when tuning into their favourite television show. It provides direct insights into Hollywood writers’ knowledge and opinions of how language is used in television narratives, and in doing so shows how language awareness, attitudes and the craft of using words are utilised to create popular TV series. The book will appeal to students and teachers in screenwriting, creative writing and linguistics as well as lay readers.

Film & TV Tax Incentives in the U.S.

Author : Glenda Cantrell,Daniel Wheatcroft
Publisher : Taylor & Francis
Page : 64 pages
File Size : 54,8 Mb
Release : 2018-03-09
Category : Performing Arts
ISBN : 9781351037082

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Film & TV Tax Incentives in the U.S. by Glenda Cantrell,Daniel Wheatcroft Pdf

Entertainment tax incentives are one of the greatest tools in the arsenal of filmmaking. They pay a portion of production expenditures back to the filmmaker, while creating powerful economic engines for the states who implement them properly. They are high in the list of considerations for executives to sign off before a movie receives the go-ahead for production, even to the point of dictating the location of where a production is filmed. Yet, they are misunderstood by the filmmakers who use them, the politicians who create them, the economists who measure them, and even the scholars who study them. This book puts all the pieces together in a comprehensive look at how the entertainment industry works, how it uses incentives, and how incentives can benefit a filmmaker – or a state.

Open Space New Media Documentary

Author : Patricia R. Zimmermann,Helen De Michiel
Publisher : Routledge
Page : 120 pages
File Size : 51,6 Mb
Release : 2017-11-22
Category : Performing Arts
ISBN : 9781351762083

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Open Space New Media Documentary by Patricia R. Zimmermann,Helen De Michiel Pdf

Open Space New Media Documentary examines an emerging and significant area of documentary practice in the twenty-first century: community-based new media documentary projects that move across platforms and utilize participatory modalities. The book offers an innovative theorization of these collaborative and collective new media practices, which the authors term "open space," gesturing towards a more contextual critical nexus of technology, form, histories, community, convenings, collaborations, and mobilities. It looks at a variety of low cost, sustainable and scalable documentary projects from across the globe, where new technologies meet places and people in Argentina, Canada, India, Indonesia, Peru, South Africa, Ukraine, and the USA.

The Theory and Practice of Motion Design

Author : R. Brian Stone,Leah Wahlin
Publisher : Routledge
Page : 330 pages
File Size : 53,7 Mb
Release : 2018-06-19
Category : Art
ISBN : 9781351034531

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The Theory and Practice of Motion Design by R. Brian Stone,Leah Wahlin Pdf

This collection offers an expansive, multiplatform exploration of the rapidly-expanding area of motion design and motion graphics, taking into account both theoretical questions and creative professional practice. Spanning interaction design, product interfaces, kinetic data visualizations, typography, TV and film title design, brand building, narrative storytelling, history, exhibits and environments, editors R. Brian Stone and Leah Wahlin offer an interdisciplinary range of academic essays and professional interviews that together form a dialogue between motion design theory and professional practice. Written for both those critically engaged with motion design as well as those working or aspiring to work professionally in the field, the book features a range of international contributors and interviews with some of the best-known designers in the field, including Kyle Cooper, Karin Fong, and Daniel Alenquer. The Theory and Practice of Motion Design seeks to illuminate the diverse, interdisciplinary field of motion design by offering a structured examination of how motion design has evolved, what forces define our current understanding and implementation of motion design, and how we can plan for and imagine the future of motion design as it unfolds.

The Oxford Handbook of New Audiovisual Aesthetics

Author : John Richardson,Claudia Gorbman,Carol Vernallis
Publisher : Oxford University Press
Page : 748 pages
File Size : 48,7 Mb
Release : 2013-08-20
Category : Music
ISBN : 9780199985098

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The Oxford Handbook of New Audiovisual Aesthetics by John Richardson,Claudia Gorbman,Carol Vernallis Pdf

This handbook provides powerful ways to understand changes in the current media landscape. Media forms and genres are proliferating as never before, from movies, computer games and iPods to video games and wireless phones. This essay collection by recognized scholars, practitioners and non-academic writers opens discussion in exciting new directions.