Synchronization And Title Sequences

Synchronization And Title Sequences Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Synchronization And Title Sequences book. This book definitely worth reading, it is an incredibly well-written.

Synchronization and Title Sequences

Author : Michael Betancourt
Publisher : Taylor & Francis
Page : 142 pages
File Size : 45,8 Mb
Release : 2017-09-19
Category : Art
ISBN : 9781351619394

Get Book

Synchronization and Title Sequences by Michael Betancourt Pdf

Synchronization and Title Sequences proposes a semiotic analysis of the synchronization of image and sound in motion pictures using title sequences. Through detailed historical close readings of title designs that use either voice-over, an instrumental opening, or title song to organize their visuals—from Vertigo (1958) to The Player (1990) and X-Men: First Class (2011)—author Michael Betancourt develops a foundational framework for the critique and discussion of motion graphics’ use of synchronization and sound, as well as a theoretical description of how sound-image relationships develop on-screen.

Title Sequences as Paratexts

Author : Michael Betancourt
Publisher : Routledge
Page : 162 pages
File Size : 43,8 Mb
Release : 2017-10-30
Category : Art
ISBN : 9781351329477

Get Book

Title Sequences as Paratexts by Michael Betancourt Pdf

In his third book on the semiotics of title sequences, Title Sequences as Paratexts, theorist Michael Betancourt offers an analysis of the relationship between the title sequence and its primary text—the narrative whose production the titles credit. Using a wealth of examples drawn from across film history—ranging from White Zombie (1931), Citizen Kane (1940) and Bullitt (1968) to Prince of Darkness (1987), Mission: Impossible (1996), Sucker Punch (2011) and Guardians of the Galaxy, Vol. 2 (2017)—Betancourt develops an understanding of how the audience interprets title sequences as instances of paranarrative, simultaneously engaging them as both narrative exposition and as credits for the production. This theory of cinematic paratexts, while focused on the title sequence, has application to trailers, commercials, and other media as well.

Ideologies of the Real in Title Sequences, Motion Graphics and Cinema

Author : Michael Betancourt
Publisher : Routledge
Page : 273 pages
File Size : 48,6 Mb
Release : 2019-08-13
Category : Art
ISBN : 9780429534300

Get Book

Ideologies of the Real in Title Sequences, Motion Graphics and Cinema by Michael Betancourt Pdf

This book explores the question of realism in motion pictures. Specifically, it explores how understanding the role of realism in the history of title sequences in film can illuminate discussions raised by the advent of digital cinema. Ideologies of the Real in Title Sequences, Motion Graphics and Cinema fills a critical and theoretical void in the existing literature on motion graphics. Developed from careful analysis of André Bazin, Stanley Cavell, and Giles Deleuze’s approaches to cinematic realism, this analysis uses title sequences to engage the interface between narrative and non-narrative media to consider cinematic realism in depth through highly detailed close readings of the title sequences for Bullitt (1968), Kolchak: The Night Stalker (1974), The Number 23 (2007), The Kingdom (2008), Blade Runner: 2049 (2017) and the James Bond films. From this critique, author Michael Betancourt develops a modal approach to cinematic realism where ontology is irrelevant to indexicality. His analysis shows the continuity between historical analogue film and contemporary digital motion pictures by developing a framework for rethinking how realism shapes interpretation.

Semiotics and Title Sequences

Author : Michael Betancourt
Publisher : Taylor & Francis
Page : 130 pages
File Size : 53,7 Mb
Release : 2017-09-19
Category : Art
ISBN : 9781351798297

Get Book

Semiotics and Title Sequences by Michael Betancourt Pdf

Title sequences are the most obvious place where photography and typography combine on-screen, yet they are also a commonly neglected part of film studies. Semiotics and Title Sequences presents the first theoretical model and historical consideration of how text and image combine to create meaning in title sequences for film and television, before extending its analysis to include subtitles, intertitles, and the narrative role for typography. Detailed close readings of classic films starting with The Cabinet of Dr. Caligari, and including To Kill A Mockingbird, Dr. Strangelove, and The Good, the Bad and the Ugly, along with designs from television programs such as Magnum P.I., Castle, and Vikings present a critical assessment of title sequences as both an independent art form and an introduction to the film that follows.

Typography and Motion Graphics: The 'Reading-Image'

Author : Michael Betancourt
Publisher : Routledge
Page : 156 pages
File Size : 50,8 Mb
Release : 2018-11-20
Category : Art
ISBN : 9780429627835

Get Book

Typography and Motion Graphics: The 'Reading-Image' by Michael Betancourt Pdf

In his latest book, Michael Betancourt explores the nature and role of typography in motion graphics as a way to consider its distinction from static design, using the concept of the ‘reading-image’ to model the ways that motion typography dramatizes the process of reading and audience recognition of language on-screen. Using both classic and contemporary title sequences—including The Man With the Golden Arm (1955), Alien (1979), Flubber (1998), Six Feet Under (2001), The Number 23 (2007) and Scott Pilgrim vs. The World (2010)—Betancourt develops an argument about what distinguishes motion graphics from graphic design. Moving beyond title sequences, Betancourt also analyzes moving or kinetic typography in logo designs, commercials, film trailers, and information graphics, offering a striking theoretical model for understanding typography in media.

African American Female Leadership in Major Motion Pictures

Author : Tracy L.F. Worley
Publisher : Taylor & Francis
Page : 87 pages
File Size : 52,7 Mb
Release : 2024-02-09
Category : Performing Arts
ISBN : 9781040011966

Get Book

African American Female Leadership in Major Motion Pictures by Tracy L.F. Worley Pdf

This book explores the factors contributing to the under-representation of African American female directors in mainstream cinema leadership. It also unmasks the potential strategies African American female film directors might pursue to reduce this inequity. Author Tracy L. F. Worley draws on research around ethics to conclude that there are specific consequences of the male gaze on women in cinema leadership, especially African American female directors of box office cinema. Combining extensive analysis of ethics and ethical stance relative to the motion picture industry with perspectives from working African American female directors, the text discusses the ethical considerations and historical inequities, including the male gaze, and uses those findings to define how the inequities can be opportunities. The efficacy model for cinematic leadership is presented as a mechanism for viewing obstacles through the lenses of gender, ethnicity, and culture so they become drivers for African American women to achieve success. Ideal for students of directing and filmmaking, as well as aspiring professional filmmakers wishing to gain a better understanding of the industry as it stands today.

Contemporary Challenges in Mediatisation Research

Author : Katarzyna Kopecka-Piech,Göran Bolin
Publisher : Taylor & Francis
Page : 192 pages
File Size : 53,8 Mb
Release : 2023-04-03
Category : Language Arts & Disciplines
ISBN : 9781000828160

Get Book

Contemporary Challenges in Mediatisation Research by Katarzyna Kopecka-Piech,Göran Bolin Pdf

This book focuses on key challenges related to conducting research on mediatisation, presenting the most current theoretical, empirical, and methodological challenges and problems, addressing ignored and less frequently discussed topics, critical and controversial themes, and defining niches and directions of development in mediatisation. With a focus on the under-representation of certain topics and aspects, as well as methodological, technological, and ethical dilemmas, the chapters consider the main critical objections formulated against mediatisation studies and exchange critical positions. Moving beyond areas of common focus – culture, sport, and religion – to emerging areas of study such as fashion, the military, business, and the environment, the book then offers a critical assessment of the transformation of fields and the relevance of new and dynamic (meta)processes including datafication, counter-mediatisation, and platformisation. Charting new paths of development in mediatisation, this book will be of interest to scholars and students of mediatisation, media studies, media literacy, communication studies, and research methods.

Creating Dialogue for TV

Author : Monika Bednarek
Publisher : Routledge
Page : 88 pages
File Size : 52,7 Mb
Release : 2019-01-22
Category : Art
ISBN : 9780429639340

Get Book

Creating Dialogue for TV by Monika Bednarek Pdf

As entertaining as it is enlightening, Creating Dialogue for TV: Screenwriters Talk Television presents interviews with five Hollywood professionals who talk about all things related to dialogue – from naturalistic style to the building of characters to swearing and dialect. Screenwriters/showrunners David Mandel (Curb Your Enthusiasm, Veep), Jane Espenson (Buffy, Battlestar Galactica, Once Upon a Time), Robert Berens (Supernatural), Sheila Lawrence (Gilmore Girls, Ugly Betty, The Marvelous Mrs Maisel), and Doris Egan (Tru Calling, House, Reign) field a linguist’s inquiries about the craft of writing dialogue. This book is for anyone who has ever wondered what creative processes and attitudes lie behind the words they encounter when tuning into their favourite television show. It provides direct insights into Hollywood writers’ knowledge and opinions of how language is used in television narratives, and in doing so shows how language awareness, attitudes and the craft of using words are utilised to create popular TV series. The book will appeal to students and teachers in screenwriting, creative writing and linguistics as well as lay readers.

Film & TV Tax Incentives in the U.S.

Author : Glenda Cantrell,Daniel Wheatcroft
Publisher : Taylor & Francis
Page : 64 pages
File Size : 48,9 Mb
Release : 2018-03-09
Category : Performing Arts
ISBN : 9781351037082

Get Book

Film & TV Tax Incentives in the U.S. by Glenda Cantrell,Daniel Wheatcroft Pdf

Entertainment tax incentives are one of the greatest tools in the arsenal of filmmaking. They pay a portion of production expenditures back to the filmmaker, while creating powerful economic engines for the states who implement them properly. They are high in the list of considerations for executives to sign off before a movie receives the go-ahead for production, even to the point of dictating the location of where a production is filmed. Yet, they are misunderstood by the filmmakers who use them, the politicians who create them, the economists who measure them, and even the scholars who study them. This book puts all the pieces together in a comprehensive look at how the entertainment industry works, how it uses incentives, and how incentives can benefit a filmmaker – or a state.

Open Space New Media Documentary

Author : Patricia R. Zimmermann,Helen De Michiel
Publisher : Routledge
Page : 120 pages
File Size : 48,7 Mb
Release : 2017-11-22
Category : Performing Arts
ISBN : 9781351762083

Get Book

Open Space New Media Documentary by Patricia R. Zimmermann,Helen De Michiel Pdf

Open Space New Media Documentary examines an emerging and significant area of documentary practice in the twenty-first century: community-based new media documentary projects that move across platforms and utilize participatory modalities. The book offers an innovative theorization of these collaborative and collective new media practices, which the authors term "open space," gesturing towards a more contextual critical nexus of technology, form, histories, community, convenings, collaborations, and mobilities. It looks at a variety of low cost, sustainable and scalable documentary projects from across the globe, where new technologies meet places and people in Argentina, Canada, India, Indonesia, Peru, South Africa, Ukraine, and the USA.

Cinematic Articulation in Motion Graphics

Author : Michael Betancourt
Publisher : CRC Press
Page : 219 pages
File Size : 44,5 Mb
Release : 2021-09-16
Category : Art
ISBN : 9781000438444

Get Book

Cinematic Articulation in Motion Graphics by Michael Betancourt Pdf

This book develops a critical and theoretical approach to the semiotics of motion pictures as they are applied to a broader range of constructions than traditional commercial narrative productions. This interdisciplinary approach begins with the problems posed by motion perception to develop a model of cinematic interpretation that includes both narrative and non-narrative types of productions. Contrasting traditional theatrical projection and varieties of new media, this book integrates analyses of title sequences, music videos, and visual effects with discussions on classic and avant-garde films. It further explores the intersection between formative audio-visual cues identified by viewers and how viewers’ desires direct engagement with the motion picture to present a framework for understanding cinematic articulation. This new theoretical model incorporates much of what was neglected and gives greater prominence to formerly critical marginal productions by showing the fundamental connections that link all moving imagery and animated text, whether it tells a story or not. This insightful work will appeal to students and academics in film and media studies.

Music in Action Film

Author : James Buhler,Mark Durrand
Publisher : Routledge
Page : 304 pages
File Size : 41,6 Mb
Release : 2020-11-16
Category : Music
ISBN : 9781351204262

Get Book

Music in Action Film by James Buhler,Mark Durrand Pdf

Music in Action Film is the first volume to address the central role of music and sound in action film—arguably the most dominant form of commercial cinema today. Bringing together 15 essays by established and emerging scholars, the book encompasses both Hollywood blockbusters and international films, from classic works such as The Seven Samurai to contemporary superhero franchises. The contributors consider action both as genre and as a mode of cinematic expression, in chapters on evolving musical conventions; politics, representation, and identity; musical affect and agency; the functional role of music and sound design in action film; and production technologies. Breaking new critical ground yet highly accessible, this book will be of interest to students and scholars of music and film studies.

The MXF Book

Author : Nick Wells,Oliver Morgan,Jim Wilkinson,Bruce Devlin
Publisher : Taylor & Francis
Page : 415 pages
File Size : 49,6 Mb
Release : 2013-06-26
Category : Performing Arts
ISBN : 9781136068379

Get Book

The MXF Book by Nick Wells,Oliver Morgan,Jim Wilkinson,Bruce Devlin Pdf

Written by a top team of industry professionals, this must-have guide will introduce you to everything you'll need to know about MXF. The MXF Book introduces and explains the MXF standard and helps engineers write MXF applications. The book also explains the reasons behind many details of the specification documents.

Music in Cinema

Author : Michel Chion
Publisher : Columbia University Press
Page : 217 pages
File Size : 41,8 Mb
Release : 2021-10-12
Category : Art
ISBN : 9780231552851

Get Book

Music in Cinema by Michel Chion Pdf

Michel Chion is renowned for his explorations of the significance of frequently overlooked elements of cinema, particularly the role of sound. In this inventive and inviting book, Chion considers how cinema has deployed music. He shows how music and film not only complement but also transform each other. The first section of the book examines film music in historical perspective, and the second section addresses the theoretical implications of the crossover between art forms. Chion discusses a vast variety of films across eras, genres, and continents, embracing all the different genres of music that filmmakers have used to tell their stories. Beginning with live accompaniment of silent films in early movie houses, the book analyzes Al Jolson’s performance in The Jazz Singer, the zither in The Third Man, Godard’s patchwork sound editing, the synthesizer welcoming the flying saucer in Close Encounters of the Third Kind, and the Kinshasa orchestra in Felicité, among many more. Chion considers both original scores and incorporation of preexisting works, including the use and reuse of particular composers across cinematic traditions, the introduction of popular music such as jazz and rock, and directors’ attraction to atonal and dissonant music as well as musique concrète, of which he is a composer. Wide-ranging and original, Music in Cinema offers a welcoming overview for students and general readers as well as refreshingly new and valuable perspectives for film scholars.

A Short Guide to Writing About Motion Graphics

Author : Michael Betancourt
Publisher : Wildside Press LLC
Page : 132 pages
File Size : 44,8 Mb
Release : 2020-04-20
Category : Art
ISBN : 9781479450244

Get Book

A Short Guide to Writing About Motion Graphics by Michael Betancourt Pdf

"A Short Guide to Writing About Motion Graphics" is the one essential textbook for any student writing critically about non-narrative motion pictures. This book explains in accessible language what research is for and how to use it when writing critical examinations of motion pictures that do not tell stories. Explained using clear examples taken from published writing, this book shows how to approach a writing assignment from beginning to completion, covering such topics as "The Purpose of Research," "How to Create and Use a Close Reading," "The Relationship Between Writing and Revision," and "Common Problems and Their Solutions." This book is an essential guide for any student writing about motion graphics. The process it presents has one simple goal: writing clearly for publication.