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The Improbable Rise of Redneck Rock by Jan Reid Pdf
"This is the biography of George T. Ruby, an African American statesman who was active in Texas politics and fought for equal rights for black freedmen in Reconstruction Texas"--
The Improbable Rise of Redneck Rock by Jan Reid Pdf
Musical magic hit Austin, Texas, in the early 1970s. At now-legendary venues such as Threadgill's, Vulcan Gas Company, and the Armadillo World Headquarters, a host of country, rock-and-roll, blues, and folk musicians came together and created a sound and a scene that Jan Reid vividly detailed in his 1974 book, The Improbable Rise of Redneck Rock. The breadth of talent still astounds—Willie Nelson, Janis Joplin, Jerry Jeff Walker, Doug Sahm, Delbert McClinton, Michael Martin Murphey, Willis Alan Ramsey, Kinky Friedman, Steve Fromholz, Bobby Bridger, Billy Joe Shaver, Marcia Ball, and Townes Van Zandt. Reid's book even inspired the nationally popular and long-running PBS series Austin City Limits, which focused attention on the trends that fed the music scene—progressive country, country rock, western swing, blues, and bluegrass among them. In this new edition, Jan Reid revitalizes his classic look at the Austin music scene. He has substantially reworked the early chapters to include musicians and musical currents from other parts of Texas that significantly contributed to the delightful convergence of popular cultures in Austin. Four new chapters and an epilogue show how the creative burst of the seventies directly spawned a new generation of talents who carry on the tradition—Lyle Lovett, Stevie Ray Vaughan, The Fabulous Thunderbirds, Robert Earl Keen, Steve Earle, Jimmy LaFave, Kelly Willis, Joe Ely, Bruce and Charlie Robison, and The Dixie Chicks.
Willman looks at the way country music's increasing popularity and conservative drift parallel the transformation of the Democratic South into the heart of the Republican mainstream.
And Other Neighborly Names by Richard Bauman,Roger D. Abrahams Pdf
"And Other Neighborly Names"—the title is from a study by Americo Paredes of the names, complimentary and otherwise, exchanged across cultural boundaries by Anglos and Mexicans—is a collection of essays devoted to various aspects of folk tradition in Texas. The approach builds on the work of the folklorists who have helped give the study of folklore in Texas such high standing in the field-Mody Boatright, J. Frank Dobie, John Mason Brewer, the Lomaxes, and of course Paredes himself, to whom this book is dedicated. Focusing on the ways in which traditions arise and are maintained where diverse peoples come together, the editors and other essayists—John Holmes McDowell, Joe Graham, Alicia María González, Beverly J. Stoeltje, Archie Green, José E. Limón, Thomas A. Green, Rosan A. Jordan, Patrick B. Mullen, and Manuel H. Peña—examine conjunto music, the corrido, Gulf fishermen's stories, rodeo traditions, dog trading and dog-trading tales, Mexican bakers' lore, Austin's "cosmic cowboy" scene, and other fascinating aspects of folklore in Texas. Their emphasis is on the creative reaction to socially and culturally pluralistic situations, and in this they represent a distinctively Texan way of studying folklore, especially as illustrated in the performance-centered approach of Paredes, Boatright, and others who taught at the University of Texas at Austin. As an overview of this approach—its past, present, and future—"And Other Neighborly Names" makes a valuable contribution both to Texas folklore and to the discipline as a whole.
Torching the Fink Books and Other Essays on Vernacular Culture by Archie Green Pdf
Archie Green--shipwright, folklorist, teacher, and lobbyist--was a legendary figure in the field of American folklore and vernacular culture studies. An inspiration to a generation of students and scholars, Green was known for the remarkable passion, intelligence, and curiosity he brought to his explorations of everyday people, their communities, their work, and their forms of expression. This book gathers twelve essays intended to represent the range of Green's writings over forty years. Selections include a study of folk depictions in the art of Thomas Hart Benton, investigations of occupational and labor language, and a contemplative account of personal and political morality in the study of Appalachian musicians. In an afterword, Green traces his career and reflects on the state of folklore as a discipline. Woven through the foreword by Robert Cantwell is Green's biography, key to understanding his unique mix of activism and scholarship.
Early '70s Radio focuses on the emergence of commercial music radio "formats," which refer to distinct musical genres aimed toward specific audiences. This formatting revolution took place in a period rife with heated politics, identity anxiety, large-scale disappointments and seemingly insoluble social problems. As industry professionals worked overtime to understand audiences and to generate formats, they also laid the groundwork for market segmentation. Audiences, meanwhile, approached these formats as safe havens wherein they could re-imagine and redefine key issues of identity. A fresh and accessible exercise in audience interpretation, Early '70s Radio is organized according to the era's five prominent formats and analyzes each of these in relation to their targeted demographics, including Top 40, "soft rock", album-oriented rock, soul and country. The book closes by making a case for the significance of early '70s formatting in light of commercial radio today.
Musical magic hit Austin, Texas, in the early 1970s. At now-legendary venues such as Threadgill's, Vulcan Gas Company, and the Armadillo World Headquarters, a host of country, rock-and-roll, blues, and folk musicians came together and created a sound and a scene that Jan Reid vividly detailed in his 1974 book, The Improbable Rise of Redneck Rock. The breadth of talent still astounds--Willie Nelson, Janis Joplin, Jerry Jeff Walker, Doug Sahm, Delbert McClinton, Michael Martin Murphey, Willis Alan Ramsey, Kinky Friedman, Steve Fromholz, Bobby Bridger, Billy Joe Shaver, Marcia Ball, and Townes Van Zandt. Reid's book even inspired the nationally popular and long-running PBS series Austin City Limits, which focused attention on the trends that fed the music scene--progressive country, country rock, western swing, blues, and bluegrass among them. In this new edition, Jan Reid revitalizes his classic look at the Austin music scene. He has substantially reworked the early chapters to include musicians and musical currents from other parts of Texas that significantly contributed to the delightful convergence of popular cultures in Austin.
On April 20, 1998, Jan Reid was shot during a robbery in Mexico City, where he had gone to watch his friend, the boxer Jesus Chavez, fight. In The Bullet Meant for Me, Reid powerfully recounts his ordeal, the long chain of life events that brought him to that fateful attack, and his struggle to regain the ability to walk and to be a full partner in a deeply satisfying marriage. Re-examining the whole trajectory of his life, Reid questions how much the Texan ideal of manhood shaped his identity, including his love for boxing and participation in the sport. He meditates on male friendship as he tells the story of his close relationship with Chavez, whose career and personal travails Reid details with empathy and insight. And he describes his long months in physical therapy, during which he drew on the unwavering love of his wife and daughter, as well as the courage and strength he had learned from boxing, to heal his body and spirit. A moving, intimate portrait of a man, a friendship, and a marriage, The Bullet Meant for Me is Jan Reid's most personal book.
The Rise of the Sunbelt Cities by David C. Perry,Alfred J. Watkins Pdf
Original contributions deal with one of the most intriguing developments in recent urban history -- the sudden economic and political rise of the Sunbelt cities in the American South. 'This is a provocative book. Its essays go substantially beyond popular treatments of southward shifts in population and economics. They put the rise of sunbelt cities into the context of American urban history, and clarify the events taking place in various urban strata...All told, the book will carry its weight as a supplement to urban politics courses at the undergraduate level and several of its pieces will find themselves widely cited by specialists in the field.' -- American Political Science Review, Vol 73, September 1979
Don Graham brings together the history, color, and character of Texas's capital city since 1839 when it was selected, on the advice of Mirabeau B. Lamar, as the site for a new capital of the then-Republic of Texas. Essays, fiction, and poetry reveal the variety of literary responses to Austin through the decades and are organized in a roughly chronological fashion to reveal the themes, places, and personalities that have defined the life of the city. Austin was always about three things--natural beauty, government, and education--and thus many of the pieces in this volume dwell upon one and sometimes all of these themes. Besides O. Henry, the other most important figures in the city's history were J. Frank Dobie, Roy Bedichek, and Walter P. Webb: folklorist, naturalist, historian. During their heyday, from the 1930s through the early 1960s, they were the face of literary culture in the city. They remain a source of interest, pride, and sometimes controversy. Austin is a well-known haven of liberal political activism, represented by such well-known figures as Lyndon B. Johnson, Ralph Yarborough, Ann and David Richards, Liz Carpenter, Willie Morris, John Henry Faulk, and Molly Ivins. The city is also a haven for literary writers, many of whom appear in these pages: Carolyn Osborn, Rolando Hinojosa-Smith, Dagoberto Gilb, Stephen Harrigan, and Lawrence Wright, to name a few. Among the poets, Thomas Whitbread, Dave Oliphant, David Wevill, and Christopher Middleton have long been on the scene. Certain sites recur--the University Tower, Barton Springs, various watering holes of another kind--so that for anybody who has ever spent time in Austin will experience twinges of nostalgia for vanished icons, closed-down venues, long-gone sites of pleasure brought to life once again, in these pages.
Doug Sahm was a singer, songwriter, and guitarist of legendary range and reputation. The first American musician to capitalize on the 1960s British invasion, Sahm vaulted to international fame leading a faux-British band called the Sir Douglas Quintet, whose hits included "She's About a Mover," "The Rains Came," and "Mendocino." He made the cover of Rolling Stone magazine in 1968 and 1971 and performed with the Grateful Dead, Dr. John, Willie Nelson, Boz Scaggs, and Bob Dylan. Texas Tornado is the first biography of this national music legend. Jan Reid traces the whole arc of Sahm's incredibly versatile musical career, as well as the manic energy that drove his sometimes turbulent personal life and loves. Reid follows Sahm from his youth in San Antonio as a prodigy steel guitar player through his breakout success with the Sir Douglas Quintet and his move to California, where, with an inventive take on blues, rock, country, and jazz, he became a star in San Francisco and invented the "cosmic cowboy" vogue. Reid also chronicles Sahm's later return to Texas and to chart success with the Grammy Award–winning Texas Tornados, a rowdy "conjunto rock and roll band" that he modeled on the Beatles and which included Sir Douglas alum Augie Meyers and Tejano icons Freddy Fender and Flaco Jimenez. With his exceptional talent and a career that bridged five decades, Doug Sahm was a rock and roll innovator whose influence can only be matched among his fellow Texas musicians by Buddy Holly, Roy Orbison, Janis Joplin, and Stevie Ray Vaughan. Texas Tornado vividly captures the energy and intensity of this musician whose life burned out too soon, but whose music continues to rock.