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“An excellent novel. A lovely and moving portrait of society’s outcasts…affirms the essential humanity of its poor and stubborn residents, for whom each day of survival is a victory” (The New York Times Book Review). Set on the high ground at the heart of Cape Ann, the village of Dogtown is peopled by widows, orphans, spinsters, scoundrels, whores, free Africans, and “witches.” Among the inhabitants of this hamlet are Black Ruth, who dresses as a man and works as a stonemason; Mrs. Stanley, an imperious madam whose grandson, Sammy, comes of age in her brothel; Oliver Younger, who survives a miserable childhood at the hands of his aunt; and Cornelius Finson, a freed slave. At the center of it all is Judy Rhines, a fiercely independent soul, deeply lonely, who nonetheless builds a life for herself against all imaginable odds. Rendered in stunning, haunting detail, with Anita Diamant’s keen ear for language and profound compassion for her characters, The Last Days of Dogtown is an extraordinary retelling of a long-forgotten chapter of early American life.
Endeavoring to build a life for herself in a dying early nineteenth-century New England town, Judy Rhines struggles with feelings of profound loneliness and impacts the lives of Black Ruth, a freed slave who dresses as a man and works as a stone mason; Mrs. Stanley, an imperious madam; and Oliver, who overcomes a painful childhood. By the author of The Red Tent. Reprint. 200,000 first printing.
The area known as Dogtown -- an isolated colonial ruin and surrounding 3,000-acre woodland in storied seaside Gloucester, Massachusetts -- has long exerted a powerful influence over artists, writers, eccentrics, and nature lovers. But its history is also woven through with tales of witches, supernatural sightings, pirates, former slaves, drifters, and the many dogs Revolutionary War widows kept for protection and for which the area was named. In 1984, a brutal murder took place there: a mentally disturbed local outcast crushed the skull of a beloved schoolteacher as she walked in the woods. Dogtown's peculiar atmosphere -- it is strewn with giant boulders and has been compared to Stonehenge -- and eerie past deepened the pall of this horrific event that continues to haunt Gloucester even today. In alternating chapters, Elyssa East interlaces the story of this grisly murder with the strange, dark history of this wilderness ghost town and explores the possibility that certain landscapes wield their own unique power. East knew nothing of Dogtown's bizarre past when she first became interested in the area. As an art student in the early 1990s, she fell in love with the celebrated Modernist painter Marsden Hartley's stark and arresting Dogtown landscapes. She also learned that in the 1930s, Dogtown saved Hartley from a paralyzing depression. Years later, struggling in her own life, East set out to find the mysterious setting that had changed Hartley's life, hoping that she too would find solace and renewal in Dogtown's odd beauty. Instead, she discovered a landscape steeped in intrigue and a community deeply ambivalent about the place: while many residents declare their passion for this profoundly affecting landscape, others avoid it out of a sense of foreboding. Throughout this richly braided first-person narrative, East brings Dogtown's enigmatic past to life. Losses sustained during the American Revolution dealt this once thriving community its final blow. Destitute war widows and former slaves took up shelter in its decaying homes until 1839, when the last inhabitant was taken to the poorhouse. He died seven days later. Dogtown has remained abandoned ever since, but continues to occupy many people's imaginations. In addition to Marsden Hartley, it inspired a Bible-thumping millionaire who carved the region's rocks with words to live by; the innovative and influential postmodernist poet Charles Olson, who based much of his epic Maximus Poems on Dogtown; an idiosyncratic octogenarian who vigilantly patrols the land to this day; and a murderer who claimed that the spirit of the woods called out to him. In luminous, insightful prose, Dogtown takes the reader into an unforgettable place brimming with tragedy, eccentricity, and fascinating lore, and examines the idea that some places can inspire both good and evil, poetry and murder.
In the first decades of the nineteenth century there was once a place called Dogtown. Located on a rocky outcrop on Cape Ann, the northernmost boundary of Massachusetts Bay, it was a miserable place really, less a village than a motley collection of people scraping out a meagre existence who had nowhere else to go. With a sure and delicate touch, Anita Diamant introduces us to the Dogtown community, each of whom has their own quietly compelling story, secrets and sadness, interweaving the stories of the mysterious black African woman Ruth, who dresses as a man; the carpenter who doubles as an amateur dentist; the child Sammy, who arrived in Dogtown with a note attached to his coat; the touching and tender love story of Judy Rhines and Cornelius; and presiding over all, the benign and diminutive Easter Carter, host of what passes as the local tavern. Reminiscent of Annie Proulx's The Shipping News, The Last Days of Dogtown vividly brings to life an unforgettable community of eccentrics and misfits, the sad and the lonely, the forgotten people of the New World. With great depth of feeling, Diamant shows us the value and sorrow of these quiet, small lives, lived in that harsh, windswept landscape and under that bright sky.
Atlit is a holding camp for "illegal" immigrants in Israel in 1945. There, about 270 men and women await their future and try to recover from their past. Diamant, with infinite compassion and understanding, tells the stories of the women gathered in this place. Shayndel is a Polish Zionist who fought the Germans with a band of partisans. Leonie is a Parisian beauty. Tedi is Dutch, a strapping blond who wants only to forget. Zorah survived Auschwitz. Haunted by unspeakable memories and too many losses to bear, these young women, along with a stunning cast of supporting characters who work in or pass through Atlit, begin to find salvation in the bonds of friendship and shared experience, as they confront the challenge of re-creating themselves and discovering a way to live again.
‘Intensely moving . . . feminist . . . a riveting tale of love’ - Observer Her name is Dinah. In the Bible, her fate is merely hinted at in a brief and violent detour within the verses of the Book of Genesis that recount the life of Jacob and his infamous dozen sons. Anita Diamant’s The Red Tent is an extraordinary and engrossing tale of ancient womanhood and family honour. Told in Dinah’s voice, it opens with the story of her mothers – the four wives of Jacob – each of whom embodies unique feminine traits, and concludes with Dinah’s own startling and unforgettable story of betrayal, grief and love. Deeply affecting and intimate, The Red Tent is a feminist classic which combines outstandingly rich storytelling with an original insight into women’s society in a fascinating period of early history. Such is its warmth and candour, it is guaranteed to win the hearts and minds of women across the world.
Follows the growing friendship between fifty-nine-year-old Kathleen, recently diagnosed with breast cancer, and the slightly younger Joyce, increasingly distant from her teenage daughter and struggling to write a second novel.
From the bestselling author of The Red Tent and Good Harbor, a collection of intimate, autobiographical reflections on the milestones, revelations, and balancing acts of life as a wife, mother, friend, and member of a religious community. Before The Red Tent won her international literary acclaim, Anita Diamant was a columnist in Boston. Over the course of twenty years, she wrote essays that reflected the shape and evolution of her life, as well as the trends of her generation. In the end, her musings about love and marriage, birth and death, nature versus nurture, politics and religion—and everything from female friendships to quitting smoking—have created a public diary of the progress of her life that resonated deeply with her readers. Now, Pitching My Tent collects the finest columns of a writer who is a reporter by training and a storyteller by heart, all revised and enriched with new material. Personal, inspiring, and often funny, Pitching My Tent displays the warmth, humor, and wisdom that Diamant's legions of fans have come to cherish.
When Addie Baum's 22-year old granddaughter asks her about her childhood, Addie realises the moment has come to relive the full history that shaped her. Addie Baum was a Boston Girl, born in 1900 to immigrant Jewish parents who lived a very modest life. But Addie's intelligence and curiosity propelled her to a more modern path. Addie wanted to finish high school and to go to college. She wanted a career, to find true love. She wanted to escape the confines of her family. And she did. Told against the backdrop of World War I, and written with the same immense emotional impact that has made Diamant's previous novels bestsellers, The Boston Girl is a moving portrait of one woman's complicated life in the early 20th Century, and a window into the lives of all women seeking to understand the world around them.
"Explores the subject of menstruation, from toxic historic and religious roots to how young activists are challenging the silence and shame that can erode self-esteem and even threaten lives ..."--Page 4 of cover.
These compelling, winningly illustrated true stories, each uniquely moving and inspirational, draw upon the experience of veterinarians, trainers, and volunteers to probe a range of tough, touching cases that evoke both the joy and the occasional but inevitable heartbreak that accompanies this work. Each chapter follows a dog from the first day at Dogtown until he ultimately finds (or doesn't find) a permanent new home, focusing both on the relationship between the dog and the Dogtown staff and on the latest discoveries about animal health and behavior. We learn how dogs process information, how trauma affects their behavior, and how people can help them overcome their problems. In the end, we come to see that there are no "bad dogs" and that with patience, care, and compassion, people can help dogs to heal.
From the opening line—"Captain Ahab was neither my first husband nor my last"—you will know that you are in the hands of a master storyteller and in the company of a fascinating woman hero. Inspired by a brief passage in Moby-Dick, Sena Jeter Naslund has created an enthralling and compellingly readable saga, spanning a rich, eventful, and dramatic life. At once a family drama, a romantic adventure, and a portrait of a real and loving marriage, Ahab's Wife gives new perspective on the American experience. This P.S. edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.
In the wake of racial tensions in 1960s Alabama, sheltered white college student Stella participates in her first freedom movement and finds her life changed in several ways when she develops friendships with local African Americans.
Complete, authoritative, and indispensable, The New Jewish Wedding provides the couple with options--some new, some old--to create a wedding combining spiritual meaning and joyous celebration. Step-by-step, Diamant guides readers through planning the cermony and the party that follows--from finding a rabbi and wording the invitations to hiring a caterer.
In this warm and tender story by the Caldecott Honor-winning creator of Thank You, Omu!, join a mother and daughter on an up-and-down journey that reminds them of what's best about Saturdays: precious time together. Today would be special. Today would be splendid. It was Saturday! But sometimes, the best plans don't work out exactly the way you expect.... In this heartfelt and universal story, a mother and daughter look forward to their special Saturday routine together every single week. But this Saturday, one thing after another goes wrong--ruining storytime, salon time, picnic time, and the puppet show they'd been looking forward to going to all week. Mom is nearing a meltdown...until her loving daughter reminds her that being together is the most important thing of all. Author-artist Oge Mora's highly anticipated follow up to Caldecott Honor Thank You, Omu! features the same magnificently radiant artwork and celebration of sharing so beloved in her debut picture book.