The Man Who Knew Hitchcock

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The Man Who Knew Hitchcock

Author : Herbert Coleman
Publisher : Scarecrow Press
Page : 411 pages
File Size : 52,9 Mb
Release : 2007-02-08
Category : Performing Arts
ISBN : 9781461706922

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The Man Who Knew Hitchcock by Herbert Coleman Pdf

As a script supervisor, second unit director, producer, and director, Herbert Coleman's film career spanned seven decades. Active in Hollywood from 1926 through 1988, he enjoyed a lengthy and illustrious career, highlighted by an impressive string of commercial and critical successes with one of the greats of cinema, Alfred Hitchcock. In this memoir, Coleman describes working on such classics as The Big Clock, Carrie, Five Graves to Cairo, For Whom the Bell Tolls, and Roman Holiday. Coleman also provides vivid portraits of the many celebrated stars he worked with, including Gary Cooper, Bing Crosby, Cary Grant, Audrey Hepburn, Grace Kelly, Alan Ladd, Ray Milland, Shirley MacLaine, Steve McQueen, and Jimmy Stewart, as well as some of the greatest directors of the era, including Cecil B. DeMille, Erich von Stroheim, Billy Wilder, and William Wyler. Above all, Coleman discusses for the first time his long working relationship with Hitchcock during the director's most creatively fertile period. Coleman provides fresh insights into the making of some of Hitchcock's most celebrated films including Rear Window, To Catch a Thief, The Trouble with Harry, Vertigo, and North By Northwest. He also discusses his work on Alfred Hitchcock Presents, the director's long running television series. Not only an historical record of several important and dynamic periods in Hollywood, this memoir offers intimate insight about Hitchcock and other legendary filmmaking notables. Featuring many stories that would have been lost were it not for this book, The Man Who Knew Hitchcock: A Hollywood Memoir is sure to be of interest to film students, film buffs, and in particular to anyone fascinated by the master of suspense. Illustrated with photos. Published in hardcover as The Hollywood I Knew: A Memoir, 1916-1988 (0-8108-4120-7)

Alfred Hitchcock

Author : Michael Wood
Publisher : Unknown
Page : 0 pages
File Size : 45,9 Mb
Release : 2018-03-20
Category : Motion pictures
ISBN : 1477801340

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Alfred Hitchcock by Michael Wood Pdf

Widely regarded as the greatest filmmaker of the twentieth century, Alfred Hitchcock had a gift for creating suspense and a shrewd knowledge of human psychology. His film career, spanning more than half a century, is studded with classics from The 39 Steps to Psycho, North by Northwest to Vertigo (which in 2012 unseated Citizen Kane as the best movie of all time according to Sight and Sound). A master of intricate storytelling, Hitchcock was one of the first directors whose films belonged to both popular culture and high art. By the end of his life, he had gone from being the overweight son of a greengrocer in a London suburb to Hollywood's reigning director, whose cameo roles in his own films were one of their most anticipated features, and whose profile was recognized by millions (thanks to the television show Alfred Hitchcock Presents). Michael Wood describes this journey with the wit and erudition that are the trademarks of his work, showcasing his singular ability to detect hidden patterns within apparently disparate forms. Whether he is writing about Henry James or Hollywood in the 1920s, he is alert to the fundamental truth lurking behind the stated meaning. In Hitchcock, Wood has found his ideal subject--an artist for whom explicit statement was anathema, who made conventional plot a hiding place rather than a source of revelation.

Alfred Hitchcock

Author : Paula Marantz Cohen
Publisher : University Press of Kentucky
Page : 216 pages
File Size : 43,5 Mb
Release : 2014-10-17
Category : Performing Arts
ISBN : 9780813157795

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Alfred Hitchcock by Paula Marantz Cohen Pdf

This provocative study traces Alfred Hitchcock's long directorial career from Victorianism to postmodernism. Paula Cohen considers a sampling of Hitchcock's best films -- Shadow of a Doubt, Rear Window, Vertigo, Psycho -- as well as some of his more uneven ones -- Rope, The Wrong Man, Topaz -- and makes connections between his evolution as a filmmaker and trends in the larger society. Drawing on a number of methodologies including feminism, psychoanalysis, and family systems, the author provides an insightful look at the paradox of a Victorian-style gentleman who evolved into one of the leading masters of the modern medium of film. Cohen sees Hitchcock's films as developing, in part, as a masculine response to the domestic, psychological novels that had appealed primarily to women during the Victorian era. His career, she argues, can be seen as an attempt to balance "the two faces of Victorianism": the masculine legacy of law and hierarchy and the feminine legacy of feeling and imagination. Also central to her thesis is the Victorian model of the nuclear family and its permutations, especially the father-daughter dyad. She postulates a fundamental dynamic in Hitchcock's films, what she calls a "daughter's effect," and relates it to the social role of the family as an institution and to Hitchcock's own relationship with his daughter, Patricia, who appeared in three of his films. Cohen argues that Hitchcock's films reflect his Victorian legacy and serve as a map for ideological trends. She charts his development from his British period through his classic Hollywood years into his later phase, tracing a conceptual evolution that corresponds to an evolution in cultural identity -- one that builds on a Victorian inheritance and ultimately discards it.

The Women Who Knew Too Much

Author : Tania Modleski
Publisher : Routledge
Page : 202 pages
File Size : 47,7 Mb
Release : 2012-11-12
Category : Literary Criticism
ISBN : 9781135199869

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The Women Who Knew Too Much by Tania Modleski Pdf

First published in 1988, The Women Who Knew Too Much remains a classic work in film theory and criticism. The book consists of a theoretical introduction and analyses of seven important films by Alfred Hitchcock, each of which provides a basis for an analysis of the female spectator as well as of the male spectator. Modleski considers the emotional and psychic investments of men and women in female characters whose stories often undermine the mastery of the cinematic Master of Suspense. This new edition features a new chapter which considers the last 15 years of Hitchcock criticism as it relates to the ideas in this landmark book.

A Hitchcock Reader

Author : Marshall Deutelbaum,Leland Poague
Publisher : John Wiley & Sons
Page : 425 pages
File Size : 44,9 Mb
Release : 2009-02-24
Category : Performing Arts
ISBN : 9781405155564

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A Hitchcock Reader by Marshall Deutelbaum,Leland Poague Pdf

This new edition of A Hitchcock Reader aims to preserve what has been so satisfying and successful in the first edition: a comprehensive anthology that may be used as a critical text in introductory or advanced film courses, while also satisfying Hitchcock scholars by representing the rich variety of critical responses to the director's films over the years. a total of 20 of Hitchcock's films are discussed in depth - many others are considered in passing section introductions by the editors that contextualize the essays and the films they discuss well-researched bibliographic references, which will allow readers to broaden the scope of their study of Alfred Hitchcock

The Man Who Knew Too Much Illustrated

Author : G K Chesterton
Publisher : Unknown
Page : 206 pages
File Size : 51,8 Mb
Release : 2020-12-14
Category : Electronic
ISBN : 9798581194959

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The Man Who Knew Too Much Illustrated by G K Chesterton Pdf

he Man Who Knew Too Much is a 1956 American suspense thriller film directed and produced by Alfred Hitchcock, starring James Stewart and Doris Day. The film is Hitchcock's second film using this title following his own 1934 film of the same name featuring a significantly different plot and script

The Man Who Knew Too Much Illustrated

Author : Gilbert Keith Chesterton
Publisher : Unknown
Page : 200 pages
File Size : 49,6 Mb
Release : 2021-05-02
Category : Electronic
ISBN : 9798747485938

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The Man Who Knew Too Much Illustrated by Gilbert Keith Chesterton Pdf

The Man Who Knew Too Much is a 1956 American suspense thriller film directed and produced by Alfred Hitchcock, starring James Stewart and Doris Day. The film is Hitchcock's second film using this title, following his own 1934 film of the same name featuring a significantly different plot and script.In the book-length interview Hitchcock/Truffaut (1967), in response to fellow filmmaker François Truffaut's assertion that aspects of the remake were by far superior, Hitchcock replied "Let's say the first version is the work of a talented amateur and the second was made by a professional."[5][6]The film won an Academy Award for Best Original Song for "Que Sera, Sera (Whatever Will Be, Will Be)", sung by Doris Day. It premiered at the 1956 Cannes Film Festival on April 29

Hitchcock's America

Author : Jonathan Freedman,Richard Millington
Publisher : Oxford University Press
Page : 201 pages
File Size : 50,5 Mb
Release : 1999-02-25
Category : Performing Arts
ISBN : 9780195353310

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Hitchcock's America by Jonathan Freedman,Richard Millington Pdf

Alfred Hitchcock's American films are not only among the most admired works in world cinema, they also offer some of our most acute responses to the changing shape of American society in the 1940s, 50s, and 60s. The authors of this anthology show how famous films such as Strangers on a Train, Vertigo, North by Northwest, and Rear Window, along with more obscure ones such as Rope, The Wrong Man, and Family Plot, register the ideologies and insurgencies, the normative assumptions and the cultural alternatives, that shaped these tumultuous decades. They argue that, just as these films occupy a visual landscape defined by the grand monuments of American civic life--Mt. Rushmore, the Statue of Liberty, the United Nations--they are also marked by their preoccupation with the social mores and private practices of mid-century America. Not only are big-city and suburban life the explicit subjects of films like Rear Window and Shadow of a Doubt, so are the forms of experience that emerge within these social spaces, whether the urban voyeurism examined by the former or the intertwining of banality and violence depicted in the latter. Indeed, just about every form of American life that was achieving social power at this time--the national security state; the science and art of psychoanalysis; the privileging of the free-wheeling, improvisatory self; the postwar codification and fissuring of gender roles; road-culture and its ancillary creation, the motel--is given detailed, critical, and mordant examination in Hitchcocks films. The Hitchcock who emerges is not merely the inspired technician and psychological excavator that critics of the past two generations have justly hailed; he is also a cultural critic of remarkable insight and undeniable prescience.

Hitchcock's Rereleased Films

Author : Walter Raubicheck,Walter Srebnick
Publisher : Wayne State University Press
Page : 310 pages
File Size : 50,7 Mb
Release : 1991
Category : Motion picture producers and directors
ISBN : 081432326X

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Hitchcock's Rereleased Films by Walter Raubicheck,Walter Srebnick Pdf

Features essays from some fifteen authors written about Hitchcock and five of his most significant films: Rear window, Vertigo, The man who knew too much, Rope, and The trouble with Harry.

Writing with Hitchcock

Author : Steven DeRosa
Publisher : Unknown
Page : 334 pages
File Size : 40,5 Mb
Release : 2001
Category : Performing Arts
ISBN : 0571199909

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Writing with Hitchcock by Steven DeRosa Pdf

An entertaining, in-depth look at the films, including Rear Window, made by Alfred Hitchcock with screenwriter John Michael Hayes. In spring 1953, the great director Alfred Hitchcock decided to take a chance and work with a young writer, John Michael Hayes. The decision turned out to be a pivotal one, for the four films that Hitchcock made with Hayes over the next several years -- Rear Window, To Catch a Thief, The Trouble with Harry, and The Man Who Knew Too Much -- represented an extraordinarily successful change of style. Each of the movies was distinguished by a combination of glamorous stars, sophisticated dialogue, and inventive plots -- James Stewart and Grace Kelly trading barbs in the tensely plotted Rear Window, Cary Grant and Grace Kelly engaging in witty repartee in To Catch a Thief -- and resulted in some of Hitchcock's most distinctive and intimate work, based in large part on Hayes's exceptional scripts. Exploring for the first time the details of this collaboration, Steven DeRosa follows Hitchcock and Hayes through each film from initial discussions to completed picture and presents an analysis of each screenplay. He also reveals the personal story -- filled with inspiration and humor, jealousy and frustration -- of the initial synergy between the two very different men before their relationship fell apart. Writing with Hitchcock not only provides new insight into four films from a master but also sheds light on the process through which classic motion pictures are created.

The Women Who Knew Too Much

Author : Tania Modleski
Publisher : Routledge
Page : 210 pages
File Size : 49,9 Mb
Release : 2015-08-11
Category : Social Science
ISBN : 9781317417293

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The Women Who Knew Too Much by Tania Modleski Pdf

Originally published in 1988, The Women Who Knew Too Much remains a classic work in film theory and feminist criticism. The book consists of a theoretical introduction and analyses of seven important films by Alfred Hitchcock, each of which provides a basis for an analysis of the female spectator as well as of the male spectator. Modleski considers the emotional and psychic investments of men and women in female characters whose stories often undermine the mastery of the cinematic "master of suspense." The third edition features an interview with the author by David Greven, in which he and Modleski reflect on how feminist and queer approaches to Hitchcock studies may be brought into dialogue. A teaching guide and discussion questions by Ned Schantz help instructors and students to delve into this seminal work of feminist film theory.

After Hitchcock

Author : David Boyd,R. Barton Palmer
Publisher : University of Texas Press
Page : 291 pages
File Size : 47,5 Mb
Release : 2010-01-01
Category : Performing Arts
ISBN : 9780292783232

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After Hitchcock by David Boyd,R. Barton Palmer Pdf

Alfred Hitchcock is arguably the most famous director to have ever made a film. Almost single-handedly he turned the suspense thriller into one of the most popular film genres of all time, while his Psycho updated the horror film and inspired two generations of directors to imitate and adapt this most Hitchcockian of movies. Yet while much scholarly and popular attention has focused on the director's oeuvre, until now there has been no extensive study of how Alfred Hitchcock's films and methods have affected and transformed the history of the film medium. In this book, thirteen original essays by leading film scholars reveal the richness and variety of Alfred Hitchcock's legacy as they trace his shaping influence on particular films, filmmakers, genres, and even on film criticism. Some essays concentrate on films that imitate Hitchcock in diverse ways, including the movies of Brian de Palma and thrillers such as True Lies, The Silence of the Lambs, and Dead Again. Other essays look at genres that have been influenced by Hitchcock's work, including the 1970s paranoid thriller, the Italian giallo film, and the post-Psycho horror film. The remaining essays investigate developments within film culture and academic film study, including the enthusiasm of French New Wave filmmakers for Hitchcock's work, his influence on the filmic representation of violence in the post-studio Hollywood era, and the ways in which his films have become central texts for film theorists.

The Men Who Knew Too Much

Author : Susan M. Griffin,Alan Nadel
Publisher : OUP USA
Page : 278 pages
File Size : 44,6 Mb
Release : 2012-02-13
Category : Literary Criticism
ISBN : 9780199764426

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The Men Who Knew Too Much by Susan M. Griffin,Alan Nadel Pdf

The Men Who Knew Too Much innovatively pairs these two greats, showing them to be at once classic and contemporary. Over a dozen major scholars and critics take up works by James and Hitchcock, in paired sets, to explore the often surprising ways that reading James helps us watch Hitchcock and what watching Hitchcock tells us about reading James.

It's Only a Movie

Author : Charlotte Chandler
Publisher : Simon and Schuster
Page : 433 pages
File Size : 42,9 Mb
Release : 2008-12-09
Category : Biography & Autobiography
ISBN : 9781847397096

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It's Only a Movie by Charlotte Chandler Pdf

IT'S ONLY A MOVIE is as close to an autobiography by Alfred Hitchcock that you could ever have. Drawn from years of interviews with her subject, his friends and the actors who worked with him on such classics as THE BIRDS, PSYCHO and REAR VIEW WINDOW, Charlotte Chandler has created a rich, complex, affectionate and honest picture of the man and his milieu. This is Hitchcock in his own voice and through the eyes of those who knew him better than anyone could.

The Twelve Lives of Alfred Hitchcock: An Anatomy of the Master of Suspense

Author : Edward White
Publisher : W. W. Norton & Company
Page : 343 pages
File Size : 52,8 Mb
Release : 2021-04-13
Category : Biography & Autobiography
ISBN : 9781324002406

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The Twelve Lives of Alfred Hitchcock: An Anatomy of the Master of Suspense by Edward White Pdf

Winner of the 2022 Edgar Award for Best Biography An Economist Best Book of 2021 A fresh, innovative biography of the twentieth century’s most iconic filmmaker. In The Twelve Lives of Alfred Hitchcock, Edward White explores the Hitchcock phenomenon—what defines it, how it was invented, what it reveals about the man at its core, and how its legacy continues to shape our cultural world. The book’s twelve chapters illuminate different aspects of Hitchcock’s life and work: “The Boy Who Couldn’t Grow Up”; “The Murderer”; “The Auteur”; “The Womanizer”; “The Fat Man”; “The Dandy”; “The Family Man”; “The Voyeur”; “The Entertainer”; “The Pioneer”; “The Londoner”; “The Man of God.” Each of these angles reveals something fundamental about the man he was and the mythological creature he has become, presenting not just the life Hitchcock lived but also the various versions of himself that he projected, and those projected on his behalf. From Hitchcock’s early work in England to his most celebrated films, White astutely analyzes Hitchcock’s oeuvre and provides new interpretations. He also delves into Hitchcock’s ideas about gender; his complicated relationships with “his women”—not only Grace Kelly and Tippi Hedren but also his female audiences—as well as leading men such as Cary Grant, and writes movingly of Hitchcock’s devotion to his wife and lifelong companion, Alma, who made vital contributions to numerous classic Hitchcock films, and burnished his mythology. And White is trenchant in his assessment of the Hitchcock persona, so carefully created that Hitchcock became not only a figurehead for his own industry but nothing less than a cultural icon. Ultimately, White’s portrayal illuminates a vital truth: Hitchcock was more than a Hollywood titan; he was the definitive modern artist, and his significance reaches far beyond the confines of cinema.