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Author : Heinrich Schenker
Publisher : CUP Archive
Page : 156 pages
File Size : 44,6 Mb
Release : 1994-11-24
Category : Music
ISBN : 0521455413
A translation of Volume I of a major work by one of the leading music theorists of the century.
Author : Heinrich Schenker,William Drabkin,Ian Bent,Richard Kramer,Hedi Siegel,John Rothgeb
Publisher : Courier Corporation
Page : 164 pages
File Size : 43,8 Mb
Release : 2014-11-19
Category : Music
ISBN : 9780486780023
Three-volume set features complete translation of major writings by a distinguished Austrian music theorist. Volume I includes analyses of keyboard pieces by Bach, Scarlatti, Chopin, and Beethoven; Bach's music for solo violin, and more.
Author : Heinrich Schenker,Richard Kramer,Hedi Siegel
Publisher : Courier Corporation
Page : 160 pages
File Size : 44,8 Mb
Release : 2014-10-13
Category : Music
ISBN : 9780486799353
Three-volume set features complete translation of major writings by a distinguished Austrian music theorist. Volume I includes analyses of keyboard pieces by Bach, Scarlatti, Chopin, and Beethoven; Bach's music for solo violin, and more.
Author : Heinrich Schenker
Publisher : Cambridge University Press
Page : 147 pages
File Size : 46,7 Mb
Release : 1994-11-24
Category : Music
ISBN : 0521455413
Volume I of this work is translated here by a team of distinguished theorists. It includes analyses of keyboard works by Bach, Scarlatti, Chopin, Beethoven and Handel and solo violin music by Bach, as well as more general essays on aspects of Schenkerian theory. Volume 2 (1926) and Volume 3 (1930) were published in 1995/6. Long awaited in English translation, this edition will also be invaluable to scholars for the editorial annotations and elucidations provided by Dr Drabkin and his translators.
Author : Heinrich Schenker,Ian Bent
Publisher : CUP Archive
Page : 158 pages
File Size : 46,7 Mb
Release : 1996
Category : Schenkerian analysis
ISBN : 8210379456XXX
Author : Heinrich Schenker
Publisher : Unknown
Page : 128 pages
File Size : 41,5 Mb
Release : 1994
Category : Schenkerian analysis
ISBN : LCCN:93033355
Volume I of this work is translated here by a team of distinguished theorists. It includes analyses of keyboard works by Bach, Scarlatti, Chopin, Beethoven and Handel and solo violin music by Bach, as well as more general essays on aspects of Schenkerian theory. Volume 2 (1926) and Volume 3 (1930) were published in 1995/6. Long awaited in English translation, this edition will also be invaluable to scholars for the editorial annotations and elucidations provided by Dr Drabkin and his translators.
Author : Adolf Bernhard Marx
Publisher : Cambridge University Press
Page : 217 pages
File Size : 41,5 Mb
Release : 1997-12-04
Category : Music
ISBN : 9780521452748
A. B. Marx was one of the most important German music theorists of his time. Drawing on idealist aesthetics and the ideology of Bildung, he developed a holistic pedagogical method as well as a theory of musical form that gives pride of place to Beethoven. This volume offers a generous selection of the most salient of his writings, the majority presented here in English for the first time. It features Marx's oft-cited but little understood material on sonata form, his progressive program for compositional pedagogy and his detailed critical analysis of Beethoven's 'Eroica' Symphony. These writings thus deal with issues that fall directly among the concerns of mainstream theory and analysis in the last two centuries: the relation of form and content, the analysis of instrumental music, the role of pedagogy in music theory, and the nature of musical understanding.
Author : Beate Julia Perrey
Publisher : Cambridge University Press
Page : 276 pages
File Size : 43,7 Mb
Release : 2002
Category : Music
ISBN : 0521814790
This book offers a theory of Romantic song by re-evaluating Schumann's Dichterliebe of 1840, one of the most enigmatic works of the repertoire. It investigates the poetics of Early Romanticism in order to understand the mysterious magnetism and singular imaginative energy that imbues Schumann's musical language. The Romantics rejected the ideal of a coherent and organic whole and cherished the suggestive openness of the Romantic fragment, the disconcerting tone of Romantic irony and the endlessness of Romantic reflection - thereby realizing an aesthetic of fragmentation. Close readings of many songs from Dichterliebe show the singer's intense involvement with the piano's voice, suggesting a 'split Self' and the presence of the 'Other'. Seeing Schumann as the 'second poet of the poem' - here of Heine's famous Lyrisches Intermezzo - this book considers essential issues of musico-poetic intertextuality, introducing into musicology a hermeneutic that seeks to synthesize philosophical, literary-critical, music-analytical and psycho-analytical modes of thought.
Author : Nicholas Cook
Publisher : Oxford University Press
Page : 569 pages
File Size : 50,9 Mb
Release : 2024
Category : Music
ISBN : 9780197663981
Modern Western musical thought tends to represent music as a thing--a pattern, a structure, even an organism--than as a human practice. Music, Encounter, Togetherness focusses on music as something people do, as a mode of encounter between individuals and cultures, and as an agent of interpersonal and social togetherness. It presents music as a utopian dimension of everyday life.
Author : Nicholas Cook
Publisher : Oxford University Press
Page : 482 pages
File Size : 53,6 Mb
Release : 2013
Category : Music
ISBN : 9780199357406
In Beyond the Score: Music as Performance, author Nicholas Cook supplants the traditional musicological notion of music as writing, asserting instead that it is as performance that music is loved, understood, and consumed. This book reconceives music as an activity through which meaning is generated in real time, as Cook rethinks familiar assumptions and develops new approaches. Focusing primarily but not exclusively on the Western 'art' tradition, Cook explores perspectives that range from close listening to computational analysis, from ethnography to the study of recordings, and from the social relations constructed through performance to the performing (and listening) body. In doing so, he reveals not only that the notion of music as text has hampered academic understanding of music, but also that it has inhibited performance practices, placing them in a textualist straightjacket. Beyond the Score has a strong historical emphasis, touching on broad developments in twentieth-century performance style and setting them into their larger cultural context. Cook also investigates the relationship between recordings and performance, arguing that we do not experience recordings as mere reproductions of a performance but as performances in their own right. Beyond the Score is a comprehensive exploration of new approaches and methods for the study of music as performance, and will be an invaluable addition to the libraries of music scholars-including musicologists, music theorists, and music cognition scholars-everywhere.
Author : David Witten
Publisher : Psychology Press
Page : 336 pages
File Size : 41,7 Mb
Release : 1996
Category : Music
ISBN : 0815315023
Focusing on the core composers of the 19th century, this text provides an overview of the repertoire & keyboard technique of the era. This new edition includes a chapter on women composers, in particular Fanny Hensel & Clara Schumann.
Author : Patrik N. Juslin,John Sloboda
Publisher : Oxford University Press
Page : 990 pages
File Size : 55,5 Mb
Release : 2011-03-17
Category : Education
ISBN : 9780199604968
A successor to the acclaimed 'Music and Emotion', The Handbook of Music and Emotion provides comprehensive coverage of the field, in all its breadth and depth. As well as summarizing what is currently known about music and emotion, it will also stimulate further research in promising directions that have been little studied.
Author : Heinrich Schenker
Publisher : Courier Corporation
Page : 146 pages
File Size : 40,9 Mb
Release : 2014-11-19
Category : Music
ISBN : 9780486780047
Volume III of this three-volume set is dominated by one of the eminent theorist's most celebrated studies: the analysis of Beethoven's "Eroica" Symphony. All four movements are discussed in painstaking detail.
Author : Karol Berger
Publisher : Oxford University Press
Page : 302 pages
File Size : 41,7 Mb
Release : 1999-12-16
Category : Music
ISBN : 9780198029526
What, if anything, has art to do with the rest of our lives, and in particular with those ethical and political issues that matter to us most? Will art created today be likely to play a role in our lives as profound as that of the best art of the past? A Theory of Art shifts the focus of aesthetics from the traditional debate of "what is art?" to the engaging question of "what is art for?" Skillfully describing the social and historical situation of art today, author Karol Berger argues that music exemplifies the current condition of art in a radical, acute, and revealing fashion. He also uniquely combines aesthetics with poetics and hermeneutics. Offering a careful synthesis of a wide breadth of scholarship from art history, musicology, literary studies, political philosophy, ethics, and metaphysics, and written in a clear, accessible style, this book will appeal to anyone with a serious interest in the arts.
Author : Ford Mylius Lallerstedt
Publisher : Archway Publishing
Page : 284 pages
File Size : 54,7 Mb
Release : 2023-11-23
Category : Science
ISBN : 9781665747400
This study focuses on a continued evaluation and integration of Schenker’s work, specifically the role of his ever-deepening understanding of counterpoint in musicalistic structures, both horizontal (melodic) and vertical (‘chordal’). It reformulates the role of this understanding in discerning the atomic, primitive elements of an abstract human species-specific, cognitive-computational process. We conjecture that the fundamental technical concepts of counterpoint plausibly form the basis of natural musical logic and coherence and somehow reflect the basis of a representing system for a generative capacity evidenced in the creation and interpretation of musicalistic expressions. It is plausible to assume that a thorough investigation of the musical generating principles of consonance and dissonance, as developed through the technical perspective of species counterpoint, can lead to surprising insights necessary for the formulation of a general theory of music. Music, like language, is obviously an extremely complex system. Music theory must simplify this complexity and endeavour to discover its primitive elements which can be used to develop a systematic representation of levels that contributes to greater descriptive and explanatory salience of musicalistic structure.
