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"This book of biblical scholarship explores the passion story in its four very distinct Gospel versions alongside its musical appropriation by Johann Sebastian Bach's in his oratorio. It probes the founding myth of the Christian West as not merely the sacrifice of a god (by a god), but also the abandonment of a son by a father, due to a creation gone awry that left humanity to fend on its own"--
Johann Sebastian Bach's the "St Matthew Passion" stands as a singular expression of religious sensibility. Highlighting the inspiration Bach drew from opera, this book illuminates the hybrid forms that comprise the work, thereby clarifying many of the composer's dramatic strategies.
From acclaimed bestselling author James Runcie, a meditation on grief and music, told through the story of Bach's writing of the St. Matthew Passion. In 1727, Stefan Silbermann is a grief-stricken thirteen-year-old, struggling with the death of his mother and his removal to a school in distant Leipzig. Despite his father's insistence that he try not to think of his mother too much, Stefan is haunted by her absence, and, to make matters worse, he's bullied by his new classmates. But when the school's cantor, Johann Sebastian Bach, takes notice of his new pupil's beautiful singing voice and draws him from the choir to be a soloist, Stefan's life is permanently changed. Over the course of the next several months, and under Bach's careful tutelage, Stefan's musical skill progresses, and he is allowed to work as a copyist for Bach's many musical works. But mainly, drawn into Bach's family life and away from the cruelty in the dorms and the lonely hours of his mourning, Stefan begins to feel at home. When another tragedy strikes, this time in the Bach family, Stefan bears witness to the depths of grief, the horrors of death, the solace of religion, and the beauty that can spring from even the most profound losses. Joyous, revelatory, and deeply moving, The Great Passion is an imaginative tour de force that tells the story of what it was like to sing, play, and hear Bach's music for the very first time.
The publication of the King James version of the Bible, translated between 1603 and 1611, coincided with an extraordinary flowering of English literature and is universally acknowledged as the greatest influence on English-language literature in history. Now, world-class literary writers introduce the book of the King James Bible in a series of beautifully designed, small-format volumes. The introducers' passionate, provocative, and personal engagements with the spirituality and the language of the text make the Bible come alive as a stunning work of literature and remind us of its overwhelming contemporary relevance.
The Politics of Race and Ethnicity in Matthew's Passion Narrative by Wongi Park Pdf
In Matthew’s passion narrative, the ethnoracial identity of Jesus comes into sharp focus. The repetition of the title “King of the Judeans” foregrounds the politics of race and ethnicity. Despite the explicit use of terminology, previous scholarship has understood the title curiously in non-ethnoracial ways. This book takes the peculiar omission in the history of interpretation as its point of departure. It provides an expanded ethnoracial reading of the text, and poses a fundamental ideological question that interrogates the pattern in the larger context of modern biblical scholarship. Wongi Park issues a critique of the dominant narrative and presents an alternative reading of Matthew’s passion narrative. He identifies a critical vocabulary and framework of analysis to decode the politics of race and ethnicity implicit in the history of interpretation. Ultimately, the book lends itself to a broader research agenda: the destabilization of the dominant narrative of early Christianity’s non-ethnoracial origins.
Bach's St. Matthew Passion is universally acknowledged to be one of the world's supreme musical masterpieces, yet in the years after Bach's death it was forgotten by all but a small number of his pupils and admirers. The public rediscovered it in 1829, when Felix Mendelssohn conducted the work before a glittering audience of Berlin artists and intellectuals, Prussian royals, and civic notables. The concert soon became the stuff of legend, sparking a revival of interest in and performance of Bach that has continued to this day. Mendelssohn's performance gave rise to the notion that recovering and performing Bach's music was somehow "national work." In 1865 Wagner would claim that Bach embodied "the history of the German spirit's inmost life." That the man most responsible for the revival of a masterwork of German Protestant culture was himself a converted Jew struck contemporaries as less remarkable than it does us today—a statement that embraces both the great achievements and the disasters of 150 years of German history. In this book, Celia Applegate asks why this particular performance crystallized the hitherto inchoate notion that music was central to Germans' collective identity. She begins with a wonderfully readable reconstruction of the performance itself and then moves back in time to pull apart the various cultural strands that would come together that afternoon in the Singakademie. The author investigates the role played by intellectuals, journalists, and amateur musicians (she is one herself) in developing the notion that Germans were "the people of music." Applegate assesses the impact on music's cultural place of the renewal of German Protestantism, historicism, the mania for collecting and restoring, and romanticism. In her conclusion, she looks at the subsequent careers of her protagonists and the lasting reverberations of the 1829 performance itself.
The Suffering Son of David in Matthew's Passion Narrative by Nathan C. Johnson Pdf
In this book, Nathan C. Johnson offers the first full-scale study of David traditions in the Gospel of Matthew's story of Jesus's death. He offers a solution to the tension between Matthew's assertion that Jesus is the Davidic messiah and his humiliating death. To convince readers of his claim that Jesus was the Davidic messiah, Matthew would have to bridge the gap between messianic status and disgraceful execution. Johnson's proposed solution to this conundrum is widely overlooked yet refreshingly simple. He shows how Matthew makes his case for Jesus as the Davidic messiah in the passion narrative by alluding to texts in which David, too, suffered. Matthew thereby participates in a common intertextual, Jewish approach to messianism. Indeed, by alluding to suffering David texts, Matthew attempts to turn the tables of the problem of a crucified messiah by portraying Jesus as the Davidic messiah not despite, but because of his suffering.
The Matthew Passion by John Fenton,John C. Fenton Pdf
For personal reading or group study, this is a Lenten book, based on Matthew's Gospel. Includes a reading and prayer for every day from Ash Wednesday to Easter Day and a duscussion guide for eight small group meetings.
"Every year, Johann Sebastian Bach's major vocal works are performed to mark liturgical milestones in the Christian calendar. Written by a renowned Bach scholar, this concise and accessible book provides an introduction to the music and cultural contexts of the composer's most beloved masterpieces, including the Magnificat, Christmas Oratorio, and St. John Passion. In addition to providing historical information, each chapter highlights significant aspects--such as the theology of love--of a particular piece. This penetrating volume is the first to treat the vocal works as a whole, showing how the compositions were embedded in their original performative context within the liturgy as well as discussing Bach's musical style, from the detailed level of individual movements to the overarching aspects of each work. Published in the approach to Easter when many of these vocal works are performed, this outstanding volume will appeal to casual concertgoers and scholars alike." -- Publisher's description
Book URL: https://www.areditions.com/rr/ycm2/ycm2_017.html The St. Matthew Passion by Richard Davy from the Eton Choirbook is the earliest surviving polyphonic setting of the passion by a known composer. Much of it is intended to be chanted to the Sarum recitation tone for the passion, but Davy sets polyphonically the synagoga¿the sayings of the disciples, the priests, Pilate, and others¿making a total of forty-two polyphonic movements. Unfortunately, its first two folios are missing, making it necessary to reconstruct the first eleven movements completely, and two of the four voices for the next twelve. Such reconstructions have been attempted before, but this edition brings together new analytic tools to aid in the reconstruction and, as an additional option for the presentation of the work, sets the entire passion to the early English translation of the gospel by William Tyndale, a student at Magdalen College Oxford only a few years after the composer¿s period of residence there.
Musical settings of the story of Christ¿s Passion, as recounted by St. Matthew, date back to antiquity. First incorporated into the liturgy as a chant for Palm Sunday, the Passion text of St. Matthew developed over the centuries into elaborate settings for choir and soloists with instrumental accompaniment. J.S. Bach¿s ¿St. Matthew Passion¿ is widely acknowledged as the pinnacle of this tradition and as one of the greatest achievements of Western music. Here, Reeves offers 21 verse meditations directly inspired by Bach¿s masterpiece. Written and arranged to be heard as well as read, these eloquent poems capture Reeves¿s own experience of hearing Bach¿s work performed in various cities around the world. The poems are introduced by short passages of prose.
This brilliant memoir is Adam Zagajewski's recollection of 1960s and 1970s communist Poland, where he was a fledgling writer, student of philosophy, and vocal dissident at the university in Krakow, Poland's most beautiful and ancient city.
