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Light and Obscurity in Symbolism by Deborah Cibelli,Rosina Neginsky Pdf
The idea of light and darkness is one of the central ideas of the Symbolist movement, since this is a movement of contrasts. It encompasses the major themes of Symbolism, such as good and evil, beauty and ugliness, the visible and the invisible, and the divine and the earthly. This volume brings together a range of studies in order to understand the notion of light and darkness and a variety of its Symbolist interpretations. It also stresses the interdisciplinary nature of the concepts of light and darkness in Symbolism, as well as the cohabitation and symbiosis of both, which are together or separately at the core of this movement.
This book is the first to discover and probe in depth memory phenomena captured in literary works. Using literature as a laboratory for the workings of the mind, this comparative study of writers from Jean-Jacques Rousseau to Octavio Paz, including Proust, Breton, Woolf and Faulkner, uncovers valuable material for the classification of the memory process. Nalbantian's daring interdisciplinary work, involving literature, science, and art, forges a new model for dialogue between the disciplines.
His pervasive interest in Bruges suffuses his work with the quiet, spiritual atmosphere of the "dead" city, a theme frequently evoked by writers of the fin de siecle.
The Poetization of Metaphors in the Work of Novalis by Veronica Freeman Pdf
The poet Friedrich von Hardenberg (Novalis) (1772-1801) exemplifies romantic ideals in his nostalgic yearning for spiritual fulfillment and, in doing so, invokes the language of authentic mystics. While romantics and mystics believe in the common goal of original union, the path toward wholeness has led them down separate roads, which, it may be argued, have converged only linguistically. This book, therefore, emphasizes the importance of examining metaphors in their respective traditions.
Seeds of Decadence in the Late Nineteenth-Century Novel by Suzanne Nalbantian Pdf
A comparative assessment of the transmutation of a decadent mentality into an identifiable narrative style. The author examines the work of five major novelists in the last quarter of the nineteenth century and attempts to trace perplexities, perversities and combinations of excess.
Charles Dickens, A Tale of Two Cities and the French Revolution by C. Jones,J. McDonagh,J. Mee Pdf
A Tale of Two Cities has always been one of Dickens's most popular texts. Using a variety of disciplinary approaches, this new collection of essays examines the origins of Dickens vision of the French Revolution, the literary power of the text itself, and its enduring place in British culture through stage and screen adaptations.
Spiritual Selfhood and the Modern Idea by David Donovan Pdf
Thomas Carlyle (1795-1881) and T. S. Eliot (1888-1965) were icons of their age, literary giants who dominated the British cultural landscape of the nineteenth and twentieth centuries. Yet both were cosmopolitan outsiders who lived in London as expatriates but remained products of their biographical histories Carlyle as the working class Scotsman and Eliot the transplanted New England patrician. Carlyle quickly earned himself a reputation as the "Chelsea Sage" of the Victorian Era, the cultural prophet whose creative and critical works, informal salon gatherings, and oracular personality generated an unprecedented following among both the intellectuals and masses. His opinion and company were sought out by almost every major luminary of his century, including John Stuart Mill, Charles Dickens, and Ralph Waldo Emerson. And his social and political insights, like his aesthetic and philosophical views, touched on wide-ranging subjects from Romatic poetry and German history to parliamentary reform and slavery abolition. Similarly, T. S. Eliot's reputation as a writer and social observer enjoyed mythic status as he became the preeminent twentieth-century critic of the English-speaking world. In his verse masterpiece The Waste Land, spiritual drama Murder in the Cathedral, Christian social initiatives with Moot, and editorial leadership at The Criterion, Eliot conversed with the principal figures and movements of his time, from Charles Maurras and the struggles against communism to G. K. Chesterton and disputes over Anglican reform. Ultimately, however, both men may be seen as moderns whose sensitivities inclined them to encounter the monumental historical changes of their day with a unique historical perspective and an informed cultural conservatism. Democratization, industrialization, urbanization, and population growth were signs of changing times, signs demanding a new vision and mode of expression to integrate and process rapidly transforming realities. And Carlyle and Eliot address these by establishing a spiritual response to modernity's loss of faith in transcendent authority. Their conceptions of self, society, and God are communicated, in other words, through a literary form that engages the conditions of modernity through the language, categories, and symbols of the Western humanistic and Christian traditions. And because their cultural and theoretical judgments fall on that historical continuum between the pre-modern and postmodern, their lives and works are particularly relevant as case studies that can tell us much about the historical progression of European intellectual and cultural history into the twenty-first century.
Textual Metonymy employs a theoretical framework combining rhetoric, figurative theory and textlinguistics. In the process, a very full historical account of treatments of metonymy from classical traditions up to the present time is given and critiqued. The author proposes a semiotic approach to the treatment of metonymy, on the basis of which a textual model of metonymy as a process of representation is developed to account for text cohesion and text coherence.
This book of essays is the first to probe Anais Nin's achievements as a literary artist. With an introduction by the editor, Suzanne Nalbantian, the collection examines the literary strategies of Nin in their psychoanalytical and stylistic dimensions. Various contributors scrutinize Nin's artistry, identifying her unique modernist techniques and her poetic vision. Others observe the transfer of her psychoanalytical positions to narrative. The volume also contains fresh views of Nin by her brother Joaquin Nin-Culmell as well as innovative analyses of the reception of her works.
Nineteenth Century Literature Criticism by Kathy D. Darrow Pdf
A convenient source of critical commentary on the careers and works of acclaimed authors who died between 1800 and 1899. A cumulative title index is published separately (included in subscription).