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The private collection of a prominent Egyptian art gallery owner. Egypt's modern art scene has been marked by many influential local and foreign painters. Mona Abaza retraces the highlights of the country's twentieth-century art world through the private collection of one of Cairo's most reputable private gallery owners, Sherwet Shafei. The 200 color reproductions of paintings from Sherwet Shafei's collection represent works from very early pioneers such as Mahmoud Sa�d and Ragheb Ayad to later figures such as Hamed Nada and Youssef Sida. In a comprehensive introduction that examines the life and career of Sherwet Shafei and her pivotal role in promoting and creating a market for modern Egyptian art, the author also addresses the tendencies of emerging art collectors in Egypt's "blossoming" market, the burdens of forgery, and the impact of globalization on the art industry. This book serves as a repository of Egyptian cultural heritage by offering a rare viewing of a valuable collection that has yet to be displayed in its entirety.
Modern Art in Egypt by Fatenn Mostafa Kanafani Pdf
Following a spectacular surge in interest for Egyptian masters, Modern Art in Egypt fills the void in Egyptian art history, chronicling the lives and legacies of six pioneering artists working under the British occupation. Using Western-style academic art as a starting point, these artists championed cultural progress, re-appropriating Egyptian visual culture from European orientalists to found a neo-Pharaonic School of Realism. Modern Art in Egypt charts the years from Muhammad Ali's educational reforms to the mass influx of foreigners during the nineteenth-century. With a focus on the al-Nahda thought movement, this book provides an overview of the key policy-makers, reformists and feminists who founded the first School of Fine Arts in Egypt, as well as cultural salons, museums and arts collectives. By combining political and aesthetic histories, Fatenn Mostafa breaks the prevailing understanding that has preferred to see non-Western art as derivatives of Western art movements. Modern Art in Egypt re-establishes Egypt's presence within the global Modernist canon.
Arthur Goldschmidt,Amy J. Johnson,Barak A. Salmoni
Author : Arthur Goldschmidt,Amy J. Johnson,Barak A. Salmoni Publisher : American Univ in Cairo Press Page : 552 pages File Size : 53,7 Mb Release : 2005 Category : History ISBN : 9774249003
Re-envisioning Egypt 1919-1952 by Arthur Goldschmidt,Amy J. Johnson,Barak A. Salmoni Pdf
Re-Envisioning Egypt, 1919-1952 presents new and often dismissed aspects of the constitutional monarchy era in Egyptian history. It demonstrates that many of the domestic and regional sociopolitical and cultural changes credited to the 1952 revolutionaries actually began in the decades before the July coup. Arguing against the predominant view of the pre-revolutionary era in Egypt as one of creeping decay, the volume restores understandings of the 1919-1952 years as integral to modern nation-state formation and social transformation. The book's contributors show that Egypt's real revolutions were long-term processes emerging over several decades prior to 1952. The leaders of the 1952 coup capitalized on these developments, yet earlier changes in Egyptian society fundamentally facilitated their actions and policies. This volume includes revisionist discussion of domestic political issues and foreign policy; the military, education, social reform, and class; as well as popular media, art, and literature. By introducing new approaches to these under-appreciated categories of analysis through exploration of untapped sources and by re-examining the political context of the time, Re-Envisioning Egypt, 1919-1952 proposes innovative methodologies for understanding this crucial period in Egyptian history, casting these years as fundamental to the country's twentieth-century trajectory. Contributors: Tewfik Aclimandos, Malak Badrawi, Andrew Flibbert, Nancy Gallagher, Arthur Goldschmidt, Mervat Hatem, Misako Ikeda, Amy J. Johnson, Anne-Claire Kerboeuf, Samia Kholoussi, Hanan Kholoussy, Fred Lawson, Shaun T. Lopez, Scott David McIntosh, Roger Owen, Lucie Ryzova, Barak A. Salmoni, James Whidden, Caroline Williams.
Modern Egyptian Art, 1910-2003 by Liliane Karnouk Pdf
From the early years of the twentieth century, with the rejection of European political and cultural domination in Europe, modern artistic expression in Egypt was influenced by and often reflected the country's growing national consciousness. In the years following the 1952 revolution, wealthy patrons of the arts disappeared from Egypt's cosmopolitan art world and were replaced by the state, which by the 1960s exercised full control over all cultural activities, including the arts. In the 1990s, as elsewhere throughout the world, Egyptian art was affected by general shifts in culture brought about by globalization. The disruption of a sense of place and feelings of belonging were a response to the influx of the challenging, and at times, disquieting information available to whole cultures and communities through new media. Examining the work of over 70 artists from 1910 until the present day, Liliane Karnouk traces the parallel steps of modern Egyptian art and the social and political environment in which that art was and continues to be created. Fully illustrated with over 280 color and black-and-white illustrations, this comprehensive volume is both a feast for the eyes and a mine of information for artists and non-specialists alike.
Trade, Reputation, and Child Labor in Twentieth-Century Egypt by E. Goldberg Pdf
The conventional wisdom that political and economic actors in colonial countries are passive and reactive is undermined by Goldberg's close examination of the decisions and calculations of leading political and economic actors. Goldberg shows how critical decisions affecting Egypt's integration into the world economy were based on clear understandings of what policies were most likely to advance the interests of leading interest groups, with results that continue to bedevil Egypt's political economy today. Drawing on core concepts in political economy, Goldberg focuses on how Egyptian cotton growers decided to invest in the development of product reputation, developed institutions to protect that reputation, and engaged in coalition politics to protect their interests. The result was a heavy reliance on child labour and thus the failure to provide education and skills necessary for economic development, undermining subsequent attempts to industrialize Egypt and move it away from the production of primary goods. This is a tale of paradoxes and unintended consequences of rational action.
Modern Painting in Egypt Hb by Aime Azar,Didier AZAR Pdf
Modern Painting in Egypt is an invitation to travel through the Egyptian art scene of the 20th century, highlighting several major painters, as well as their role in the construction of heritage culture of Egypt. This edition brings up to date the book by Aimé Azar, a well-known specialist in modern Egyptian art. Published in 1961 by Éditions Nouvelles, it is now out of print. Augmented and enriched, this new edition in two volumes provides readers, a comprehensive understanding of this period of art history, through texts and iconography by great qualities. The book is divided into seven chapters, followed by more than 90 biographies of Egyptian artists and foreigners, presented in chronological order and covering 40 years of modern Egyptian art. A corpus of more than 600 paintings and drawings adorns the book, to allow the reader to understand the essence of Egyptian painting, as well as the extent of its nuances. Translated and reprinted in Arabic in 2006, it is now published in English, in order to provide an international impetus to the subject.
Author : Virginia Danielson Publisher : University of Chicago Press Page : 315 pages File Size : 51,6 Mb Release : 2008-11-10 Category : Music ISBN : 9780226136080
Umm Kulthum, the "voice of Egypt," was the most celebrated musical performer of the century in the Arab world. More than twenty years after her death, her devoted audience, drawn from all strata of Arab society, still numbers in the millions. Thanks to her skillful and pioneering use of mass media, her songs still permeate the international airwaves. In the first English-language biography of Umm Kulthum, Virginia Danielson chronicles the life of a major musical figure and the confluence of artistry, society, and creativity that characterized her remarkable career. Danielson examines the careful construction of Umm Kulthum's phenomenal popularity and success in a society that discouraged women from public performance. From childhood, her mentors honed her exceptional abilities to accord with Arab and Muslim practice, and as her stature grew, she remained attentive to her audience and the public reception of her work. Ultimately, she created from local precendents and traditions her own unique idiom and developed original song styles from both populist and neo-classical inspirations. These were enthusiastically received, heralded as crowning examples of a new, yet authentically Arab-Egyptian, culture. Danielson shows how Umm Kulthum's music and public personality helped form popular culture and contributed to the broader artistic, societal, and political forces that surrounded her. This richly descriptive account joins biography with social theory to explore the impact of the individual virtuoso on both music and society at large while telling the compelling story of one of the most famous musicians of all time. "She is born again every morning in the heart of 120 million beings. In the East a day without Umm Kulthum would have no color."—Omar Sharif
Author : Jack D. Flam,Miriam Deutch Publisher : Univ of California Press Page : 514 pages File Size : 50,7 Mb Release : 2003 Category : Art ISBN : 0520212789
Primitivism and Twentieth-century Art by Jack D. Flam,Miriam Deutch Pdf
"This is a much needed, important collection-a goldmine of sources for scholars and students. The texts articulate the key Primitivist aesthetic discourses of the period, offering crucial insight into the complex and always changing nexus between culture, politics, and representation. Because of the breadth of the materials covered and the controversies they raise, this anthology is one of the all too rare volumes that not only will provide reference materials for years to come but also will feature centrally in classroom discussions."--Suzanne Preston Blier, author of African Vodun: Art, Psychology, and Power "For almost a century art historians have fretted about the notion of primitivism in the arts. This comprehensive-in both senses of the word-anthology is a peerless source of the history of responses to works categorized as 'primitive.' In its range, the book touches upon all the troubling questions-formal, anthropological, political, historical-that have bedeviled the study of the arts of Oceania, Africa, and North and South America, and provides the grounds, at last, for intelligent pursuit of keener distinctions. I regard this book as a superb contribution to the study of Modern art; in fact, indispensable."--Dore Ashton, author of Noguchi East and West "An extraordinarily useful and complete collection of primary documents, many translated for the first time into English, and almost all unlikely to be encountered elsewhere without serious effort. Its five sections, each with a lively and scholarly introduction, reveal the diverse views of artists and writers on primitive art from Matisse, Picasso, and Fry to many far less known and sometimes surprising figures. The book also uncovers the politics and aesthetics of the major museum exhibitions that gained acceptance for art that had been both reviled and mythologized. Recent texts included are all germane. This book will be invaluable for any college course on the topic."--Shelly Errington, author of The Death of Authentic Primitive Art and Other Tales of Progress "An exceptionally valuable anthology of seventy documents--most heretofore unavailable in English--on the ongoing controversies surrounding Primitivism and Modern art. Insightfully chosen and annotated, the collection is brilliantly introduced by Jack Flam's essay on the historical progression, contexts, and cultural complexities of more than one hundred years' ideas about Primitivism. Rich, timely, illuminating."--Herbert M. Cole, author of Icons: Ideals and Power in the Art of Africa
Arab Nationalism in the Twentieth Century by Adeed Dawisha Pdf
Like a great dynasty that falls to ruin and is eventually remembered more for its faults than its feats, Arab nationalism is remembered mostly for its humiliating rout in the 1967 Six Day War, for inter-Arab divisions, and for words and actions distinguished by their meagerness. But people tend to forget the majesty that Arab nationalism once was. In this elegantly narrated and richly documented book, Adeed Dawisha brings this majesty to life through a sweeping historical account of its dramatic rise and fall. Dawisha argues that Arab nationalism--which, he says, was inspired by nineteenth-century German Romantic nationalism--really took root after World War I and not in the nineteenth century, as many believe, and that it blossomed only in the 1950s and 1960s under the charismatic leadership of Egypt's Gamal 'Abd al-Nasir. He traces the ideology's passage from the collapse of the Ottoman Empire through its triumphant ascendancy in the late 1950s with the unity of Egypt and Syria and with the nationalist revolution of Iraq, to the mortal blow it received in the 1967 Arab defeat by Israel, and its eventual eclipse. Dawisha criticizes the common failure to distinguish between the broader, cultural phenomenon of "Arabism" and the political, secular desire for a united Arab state that defined Arab nationalism. In recent decades competitive ideologies--not least, Islamic militancy--have inexorably supplanted the latter, he contends. Dawisha, who grew up in Iraq during the heyday of Arab nationalism, infuses his work with rare personal insight and extraordinary historical breadth. In addition to Western sources, he draws on an unprecedented wealth of Arab political memoirs and studies to tell the fascinating story of one of the most colorful and significant periods of the contemporary Arab world. In doing so, he also gives us the means to more fully understand trends in the region today. Complete with a hard-hitting new and expanded section that surveys recent nationalism and events in the Middle East, Arab Nationalism in the Twentieth Century tells the fascinating story of one of the most colorful and significant periods in twentieth-century Middle Eastern history.
A Companion to Ancient Egyptian Art by Melinda K. Hartwig Pdf
A Companion to Ancient Egyptian Art presents a comprehensive collection of original essays exploring key concepts, critical discourses, and theories that shape the discipline of ancient Egyptian art. • Winner of the 2016 PROSE Award for Single Volume Reference in the Humanities & Social Sciences • Features contributions from top scholars in their respective fields of expertise relating to ancient Egyptian art • Provides overviews of past and present scholarship and suggests new avenues to stimulate debate and allow for critical readings of individual art works • Explores themes and topics such as methodological approaches, transmission of Egyptian art and its connections with other cultures, ancient reception, technology and interpretation, • Provides a comprehensive synthesis on a discipline that has diversified to the extent that it now incorporates subjects ranging from gender theory to ‘X-ray fluorescence’ and ‘image-based interpretations systems’
Twentieth Century Design by Jonathan M. Woodham Pdf
A look at the wider issues of design and industrial culture throughout Europe, Scandinavia, North America, and the Far East. The book explores the way in which 20th-century designs such as the Coca-Cola bottle have affected our culture more than those considered true classics
Drawn from a 20th-century French collection, this volume interprets classic motifs of ancient Egypt in a dynamic Art Deco style. Hundreds of images include serpents, scarabs, and mythological creatures as well as a profusion of stylized flowers. Individual motifs can serve as striking spot illustrations, and dozens of borders and panels can be used as repeating patterns.
