At Work In The Early Modern English Theater

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At Work in the Early Modern English Theater

Author : Matthew Kendrick
Publisher : Rowman & Littlefield
Page : 207 pages
File Size : 54,8 Mb
Release : 2015-06-11
Category : Literary Criticism
ISBN : 9781611478259

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At Work in the Early Modern English Theater by Matthew Kendrick Pdf

At Work in the Early Modern English Theater: Valuing Labor explores the economics of the theater by examining how drama seeks to make sense of changing conceptions of labor. With the growth of commerce and market relations in sixteenth- and seventeenth-century England came the corresponding degradation and exploitation of workers, many of whom made their frustrations known through petitions and pamphlets. Poverty affected all sectors of society in early modern England and many laborers, even London citizens from more prosperous trades, could expect to experience periods of impoverishment. This group of precarious laborers included actors and playwrights, many of whom had direct connections to London’s more established trades and occupations. Scholars have argued that dispossessed laborers turned to other forms of labor in lieu of their traditional livelihoods, including brigandage, piracy, begging, and cozening. To this list of alternative communities and applications of labor in the early modern period, Matthew Kendrick’s scholarship adds the London theaters. Each chapter is guided by the central premise that anxiety over the objectification and dispossession of labor in its various forms is enacted on stage, and that drama helps to formulate, by merit of the theater’s socioeconomic identity, an emerging laboring subjectivity engendered by the violent development of capitalism. As the nexus of a declining feudal social structure and an emerging capitalist regime of commodity production, a location in which dispossessed labor intersected with traditions of skilled labor and the unwieldy consumerist energies of the marketplace, the space of the theater was uniquely situated to channel and give dramatic form to the growing antagonisms and tensions that shaped labor. The stage offers a space in which to negotiate the value and meaning of labor in an increasingly exploitative society.

Labors Lost

Author : Natasha Korda
Publisher : University of Pennsylvania Press
Page : 345 pages
File Size : 51,9 Mb
Release : 2011-09-21
Category : Literary Criticism
ISBN : 9780812204315

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Labors Lost by Natasha Korda Pdf

Labors Lost offers a fascinating and wide-ranging account of working women's behind-the-scenes and hitherto unacknowledged contributions to theatrical production in Shakespeare's time. Natasha Korda reveals that the purportedly all-male professional stage relied on the labor, wares, ingenuity, and capital of women of all stripes, including ordinary crafts- and tradeswomen who supplied costumes, props, and comestibles; wealthy heiresses and widows who provided much-needed capital and credit; wives, daughters, and widows of theater people who worked actively alongside their male kin; and immigrant women who fueled the fashion-driven stage with a range of newfangled skills and commodities. Combining archival research on these and other women who worked in and around the playhouses with revisionist readings of canonical and lesser-known plays, Labors Lost retrieves this lost history by detailing the diverse ways women participated in the work of playing, and the ways male players and playwrights in turn helped to shape the cultural meanings of women's work. Far from a marginal phenomenon, the gendered division of theatrical labor was crucial to the rise of the commercial theaters in London and had an influence on the material culture of the stage and the dramatic works of Shakespeare and his contemporaries.

Disguise on the Early Modern English Stage

Author : Professor Peter Hyland
Publisher : Ashgate Publishing, Ltd.
Page : 192 pages
File Size : 48,9 Mb
Release : 2013-05-28
Category : Literary Criticism
ISBN : 9781409478775

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Disguise on the Early Modern English Stage by Professor Peter Hyland Pdf

Disguise devices figure in many early modern English plays, and an examination of them clearly affords an important reflection on the growth of early theatre as well as on important aspects of the developing nation. In this study Peter Hyland considers a range of practical issues related to the performance of disguise. He goes on to examine various conceptual issues that provide a background to theatrical disguise (the relation of self and "other", the meaning of mask and performance). He looks at many disguise plays under three broad headings. He considers moral issues (the almost universal association of disguise with "evil"); social issues (sumptuary legislation, clothing, and the theatre, and constructions of class, gender and national or racial identity); and aesthetic issues (disguise as an emblem of theatre, and the significance of disguise for the dramatic artist). The study serves to examine the significant ways in which disguise devices have been used in early modern drama in England.

Working Subjects in Early Modern English Drama

Author : Natasha Korda
Publisher : Routledge
Page : 360 pages
File Size : 53,7 Mb
Release : 2016-02-11
Category : Performing Arts
ISBN : 9781134783113

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Working Subjects in Early Modern English Drama by Natasha Korda Pdf

Working Subjects in Early Modern English Drama investigates the ways in which work became a subject of inquiry on the early modern stage and the processes by which the drama began to forge new connections between labor and subjectivity in the period. The essays assembled here address fascinating and hitherto unexplored questions raised by the subject of labor as it was taken up in the drama of the period: How were laboring bodies and the goods they produced, marketed and consumed represented onstage through speech, action, gesture, costumes and properties? How did plays participate in shaping the identities that situated laboring subjects within the social hierarchy? In what ways did the drama engage with contemporary discourses (social, political, economic, religious, etc.) that defined the cultural meanings of work? How did players and playwrights define their own status with respect to the shifting boundaries between high status/low status, legitimate/illegitimate, profitable/unprofitable, skilled/unskilled, formal/informal, male/female, free/bound, paid/unpaid forms of work? Merchants, usurers, clothworkers, cooks, confectioners, shopkeepers, shoemakers, sheepshearers, shipbuilders, sailors, perfumers, players, magicians, servants and slaves are among the many workers examined in this collection. Offering compelling new readings of both canonical and lesser-known plays in a broad range of genres (including history plays, comedies, tragedies, tragi-comedies, travel plays and civic pageants), this collection considers how early modern drama actively participated in a burgeoning, proto-capitalist economy by staging England's newly diverse workforce and exploring the subject of work itself.

Working Subjects in Early Modern English Drama

Author : Dr Michelle M Dowd,Ms Natasha Korda
Publisher : Ashgate Publishing, Ltd.
Page : 314 pages
File Size : 41,5 Mb
Release : 2013-05-28
Category : Performing Arts
ISBN : 9781409478379

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Working Subjects in Early Modern English Drama by Dr Michelle M Dowd,Ms Natasha Korda Pdf

Working Subjects in Early Modern English Drama investigates the ways in which work became a subject of inquiry on the early modern stage and the processes by which the drama began to forge new connections between labor and subjectivity in the period. The essays assembled here address fascinating and hitherto unexplored questions raised by the subject of labor as it was taken up in the drama of the period: How were laboring bodies and the goods they produced, marketed and consumed represented onstage through speech, action, gesture, costumes and properties? How did plays participate in shaping the identities that situated laboring subjects within the social hierarchy? In what ways did the drama engage with contemporary discourses (social, political, economic, religious, etc.) that defined the cultural meanings of work? How did players and playwrights define their own status with respect to the shifting boundaries between high status/low status, legitimate/illegitimate, profitable/unprofitable, skilled/unskilled, formal/informal, male/female, free/bound, paid/unpaid forms of work? Merchants, usurers, clothworkers, cooks, confectioners, shopkeepers, shoemakers, sheepshearers, shipbuilders, sailors, perfumers, players, magicians, servants and slaves are among the many workers examined in this collection. Offering compelling new readings of both canonical and lesser-known plays in a broad range of genres (including history plays, comedies, tragedies, tragi-comedies, travel plays and civic pageants), this collection considers how early modern drama actively participated in a burgeoning, proto-capitalist economy by staging England's newly diverse workforce and exploring the subject of work itself.

Thinking Through Place on the Early Modern English Stage

Author : Andrew Bozio
Publisher : Oxford University Press
Page : 226 pages
File Size : 43,9 Mb
Release : 2020-02-06
Category : Literary Criticism
ISBN : 9780192585721

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Thinking Through Place on the Early Modern English Stage by Andrew Bozio Pdf

Thinking Through Place on the Early Modern English Stage argues that environment and embodied thought continually shaped one another in the performance of early modern English drama. It demonstrates this, first, by establishing how characters think through their surroundings — not only how they orient themselves within unfamiliar or otherwise strange locations, but also how their environs function as the scaffolding for perception, memory, and other forms of embodied thought. It then contends that these moments of thinking through place theorise and thematise the work that playgoers undertook in reimagining the stage as the setting of the dramatic fiction. By tracing the relationship between these two registers of thought in such plays as The Malcontent, Dido Queen of Carthage, Tamburlaine, King Lear, The Knight of the Burning Pestle, and Bartholomew Fair, this book shows that drama makes visible the often invisible means by which embodied subjects acquire a sense of their surroundings. It also reveals how, in doing so, theatre altered the way that playgoers perceived, experienced, and imagined place in early modern England.

Performing Disability in Early Modern English Drama

Author : Leslie C. Dunn
Publisher : Springer Nature
Page : 333 pages
File Size : 40,6 Mb
Release : 2021-01-04
Category : Literary Criticism
ISBN : 9783030572082

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Performing Disability in Early Modern English Drama by Leslie C. Dunn Pdf

Performing Disability in Early Modern English Drama investigates the cultural work done by early modern theatrical performances of disability. Proffering an expansive view of early modern disability in performance, the contributors suggest methodologies for finding and interpreting it in unexpected contexts. The volume also includes essays on disabled actors whose performances are changing the meanings of disability in Shakespeare for present-day audiences. By combining these two areas of scholarship, this text makes a unique intervention in early modern studies and disability studies alike. Ultimately, the volume generates a conversation that locates and theorizes the staging of particular disabilities within their historical and literary contexts while considering continuity and change in the performance of disability between the early modern period and our own.

Unfixable Forms

Author : Katherine Schaap Williams
Publisher : Cornell University Press
Page : 213 pages
File Size : 43,5 Mb
Release : 2021-06-15
Category : Literary Criticism
ISBN : 9781501753510

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Unfixable Forms by Katherine Schaap Williams Pdf

Unfixable Forms explores how theatrical form remakes—and is in turn remade by—early modern disability. Figures described as "deformed," "lame," "crippled," "ugly," "sick," and "monstrous" crowd the stage in English drama of the sixteenth and seventeenth centuries. In each case, such a description distills cultural expectations about how a body should look and what a body should do—yet, crucially, demands the actor's embodied performance. In the early modern theater, concepts of disability collide with the deforming, vulnerable body of the actor. Reading dramatic texts alongside a diverse array of sources, ranging from physic manuals to philosophical essays to monster pamphlets, Katherine Schaap Williams excavates an archive of formal innovation to argue that disability is at the heart of the early modern theater's exploration of what it means to put the body of an actor on the stage. Offering new interpretations of canonical works by William Shakespeare, Ben Jonson, Thomas Dekker, Thomas Middleton, and William Rowley, and close readings of little-known plays such as The Fair Maid of the Exchange and A Larum For London, Williams demonstrates how disability cuts across foundational distinctions between nature and art, form and matter, and being and seeming. Situated at the intersections of early modern drama, disability studies, and performance theory, Unfixable Forms locates disability on the early modern stage as both a product of cultural constraints and a spark for performance's unsettling demands and electrifying eventfulness.

Clothing and Queer Style in Early Modern English Drama

Author : James M. Bromley
Publisher : Oxford University Press
Page : 233 pages
File Size : 53,6 Mb
Release : 2021
Category : Literary Criticism
ISBN : 9780198867821

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Clothing and Queer Style in Early Modern English Drama by James M. Bromley Pdf

This book examines early modern drama's depiction of non-standard forms of masculinity grounded in superficiality, inauthenticity, affectation, and the display of the extravagantly clothed body. Practices of extravagant dress destabilized distinctions between able-bodied and disabled, human and non-human, and the past and present, distinctions that structure normative ways of thinking about sexuality. In city comedies by Ben Jonson, George Chapman, Thomas Middleton, and Thomas Dekker, extravagantly dressed male characters imagine alternatives to the prevailing modes of subjectivity, sociability, and eroticism in early modern London. While these characters are situated in hostile narrative and historical contexts, this book draws on recent work on disability, materiality, and queer temporality to rethink their relationship to those contexts in order to access the world-making possibilities of early modern queer style. In their rich representations of life in London around the turn of the seventeenth century, these plays not only were, but also remain, uniquely sensitive to the intersection of sexuality, urbanization, and material culture. The attachments and pleasures of early modern sartorial extravagance they depict can estrange us from the epistemologies that narrow current thinking about sexuality's relationship to authenticity, pedagogy, interiority, and privacy.

Staging the Blazon in Early Modern English Theater

Author : Sara Morrison
Publisher : Routledge
Page : 232 pages
File Size : 50,7 Mb
Release : 2016-04-01
Category : Performing Arts
ISBN : 9781317050735

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Staging the Blazon in Early Modern English Theater by Sara Morrison Pdf

Offering the first sustained and comprehensive scholarly consideration of the dramatic potential of the blazon, this volume complicates what has become a standard reading of the Petrarchan convention of dismembering the beloved through poetic description. At the same time, it contributes to a growing understanding of the relationship between the material conditions of theater and interpretations of plays by Shakespeare and his contemporaries. The chapters in this collection are organized into five thematic parts emphasizing the conventions of theater that compel us to consider bodies as both literally present and figuratively represented through languge. The first part addresses the dramatic blazon as used within the conventions of courtly love. Examining the classical roots of the Petrarchan blazon, the next part explores the violent eroticism of a poetic technique rooted in Ovidian notions of metamorphosis. With similar attention paid to brutality, the third part analyzes the representation of blazonic dismemberment on stage and screen. Figurative battles become real in the fourth part, which addresses the frequent blazons surfacing in historical and political plays. The final part moves to the role of audience, analyzing the role of the observer in containing the identity of the blazoned woman as well as her attempts to resist becoming an objectified spectacle.

Manly Mechanicals on the Early Modern English Stage

Author : Ronda Arab
Publisher : Susquehanna University Press
Page : 227 pages
File Size : 44,8 Mb
Release : 2011
Category : Drama
ISBN : 9781575911595

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Manly Mechanicals on the Early Modern English Stage by Ronda Arab Pdf

Based on the author's dissertation (doctoral)--Columbia University, 2001.

Boy Actors in Early Modern England

Author : Harry R. McCarthy
Publisher : Cambridge University Press
Page : 263 pages
File Size : 41,5 Mb
Release : 2022-09
Category : Literary Criticism
ISBN : 9781009098953

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Boy Actors in Early Modern England by Harry R. McCarthy Pdf

This innovative study draws on theatre history and present-day performance to re-appraise the remarkable skills of early modern boy actors.

Music, Dance, and Drama in Early Modern English Schools

Author : Amanda Eubanks Winkler
Publisher : Cambridge University Press
Page : 261 pages
File Size : 55,6 Mb
Release : 2020-06-04
Category : Art
ISBN : 9781108490863

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Music, Dance, and Drama in Early Modern English Schools by Amanda Eubanks Winkler Pdf

The first book to systematically analyze the role the performing arts played in English schools after the Reformation.

Intersectionalities of Class in Early Modern English Drama

Author : Ronda Arab,Laurie Ellinghausen
Publisher : Springer Nature
Page : 279 pages
File Size : 45,7 Mb
Release : 2023-08-26
Category : Literary Criticism
ISBN : 9783031355646

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Intersectionalities of Class in Early Modern English Drama by Ronda Arab,Laurie Ellinghausen Pdf

Defining class broadly as an identity categorization based on status, wealth, family, bloodlines, and occupation, Intersectionalities of Class in Early Modern English Drama e xplores class as a complicated, contingent phenomenon modified by a wider range of social categories apart from those defining terms, including, but not limited to, race, gender, religion, and sexuality. This collection of essays – featuring a range of international contributors – explores a broad range of questions about the intersectional factors influencing class status in early modern England, including how cultural behaviors and non-class social categories affected status and social mobility, in what ways hegemonies of elite prerogatives could be disrupted or entrenched by the myriad of intersectional factors that informed social identity, and how class position informed the embodied experience and expression of affect, gender, sexuality, and race as well as relationships to place, space, land, and the natural and civic worlds.

New Directions in Early Modern English Drama

Author : Aidan Norrie,Mark Houlahan
Publisher : Walter de Gruyter GmbH & Co KG
Page : 253 pages
File Size : 41,7 Mb
Release : 2020-07-06
Category : Drama
ISBN : 9781501514029

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New Directions in Early Modern English Drama by Aidan Norrie,Mark Houlahan Pdf

This collection examines some of the people, places, and plays at the edge of early modern English drama. Recent scholarship has begun to think more critically about the edge, particularly in relation to the canon and canonicity. This book demonstrates that the people and concepts long seen as on the edge of early modern English drama made vital contributions both within the fictive worlds of early modern plays, and without, in the real worlds of playmakers, theaters, and audiences. The book engages with topics such as child actors, alterity, sexuality, foreignness, and locality to acknowledge and extend the rich sense of playmaking and all its ancillary activities that have emerged over the last decade. The essays by a global team of scholars bring to life people and practices that flourished on the edge, manifesting their importance to both early modern audiences, and to current readers and performers.