Cinemas Identities And Beyond

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Cinemas, Identities and Beyond

D. H. Fleming,Cheung Ruby
Cinemas Identities and Beyond Book PDF

Author : D. H. Fleming,Cheung Ruby
Publisher : Cambridge Scholars Publishing
Page : 260 pages
File Size : 49,8 Mb
Release : 2020-07-13
Category : Performing Arts
ISBN : 9781527556676

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Cinemas, Identities and Beyond by D. H. Fleming,Cheung Ruby Pdf

Cinemas, Identities and Beyond examines different modes of representing and constructing identities in and through the medium of film, transcending the narrow confines of the local / national / regional, and challenging spatial and temporal boundaries. It gathers fifteen essays that explore different dimensions of identities in contexts ranging from domestic spheres, urban milieus, socio-political environments, diasporic film-making issues, anthropology, film festivals, and psychoanalysis, to the examination of stardom in society. Engaging with cinematic representations, narrative conventions, film form, industry concerns, and other socio-cultural-economic-political factors relating to the production, distribution, exhibition and consumption of film, Cinemas, Identities and Beyond contributes to one of the most thought-provoking contemporary debates on cinemas and identities in film studies. Revisiting films such as Farewell My Concubine, The Matrix trilogy, The Straight Story, El Topo, and Days of Being Wild, this anthology establishes a framework that actively queries stabilised, ideological paradigms. The book discovers new frontiers and discourses to help us better understand ourselves and our surroundings when another decade of the new millennium is about to begin. Cinemas, Identities and Beyond will prove to be of value to a broad range of scholars, critics and students who are interested in issues pertaining to identities, and their construction in and beyond film.

Identity Mediations in Latin American Cinema and Beyond

Cecilia Nuria Gil Mariño,Laura Miranda
Identity Mediations in Latin American Cinema and Beyond Book PDF

Author : Cecilia Nuria Gil Mariño,Laura Miranda
Publisher : Cambridge Scholars Publishing
Page : 405 pages
File Size : 42,5 Mb
Release : 2019-09-12
Category : Performing Arts
ISBN : 9781527539853

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Identity Mediations in Latin American Cinema and Beyond by Cecilia Nuria Gil Mariño,Laura Miranda Pdf

The appearance of sound film boosted entertainment circuits around the world, drawing cultural cartographies that forged images of spaces, nations and regions. By the late 1920s and early ‘30s, film played a key role in the configuration of national and regional cultural identities in incipient mass markets. Over the course of the twentieth and early twenty-first centuries, this transmedia logic not only went unthreatened, but also intensified with the arrival of new media and the development of new technologies. In this respect, this book strikes a dialogue between analyses that reflect the flows and transits of music, films and artists, mainly in the Ibero-American space, although it also features essays on Soviet and Asian cinema, with a view to exploring the processes of configuration of cultural identities. As such, this work views national borders as flexible spaces that permit an exploration of the appearance of transversal relations that are part of broader networks of circulation, as well as economic, social and political models beyond the domestic sphere.

New Hong Kong Cinema

Ruby Cheung
New Hong Kong Cinema Book PDF

Author : Ruby Cheung
Publisher : Berghahn Books
Page : 288 pages
File Size : 49,5 Mb
Release : 2015-11-01
Category : Performing Arts
ISBN : 9781782387046

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New Hong Kong Cinema by Ruby Cheung Pdf

The trajectory of Hong Kong films had been drastically affected long before the city’s official sovereignty transfer from the British to the Chinese in 1997. The change in course has become more visible in recent years as China has aggressively developed its national film industry and assumed the role of powerhouse in East Asia’s cinematic landscape. The author introduces the “Cinema of Transitions” to study the New Hong Kong Cinema and on- and off-screen life against this background. Using examples from the 1980s to the present, this book offers a fresh perspective on how Hong Kong-related Chinese-language films, filmmakers, audiences, and the workings of film business in East Asia have become major platforms on which “transitions” are negotiated.

Transnational Chinese Cinemas

Sheldon H. Lu
Transnational Chinese Cinemas Book PDF

Author : Sheldon H. Lu
Publisher : University of Hawaii Press
Page : 438 pages
File Size : 52,8 Mb
Release : 1997-10-01
Category : Performing Arts
ISBN : 0824818458

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Transnational Chinese Cinemas by Sheldon H. Lu Pdf

Zhang Yimou's first film, Red Sorghum, took the Golden Bear Award in 1988 at the Berlin International Film Festival. Since then Chinese films have continued to arrest worldwide attention and capture major film awards, winning an international following that continues to grow. Transnational Chinese Cinemas spans nearly the entire length of twentieth-century Chinese film history. The volume traces the evolution of Chinese national cinema, and demonstrates that gender identity has been central to its formation. Femininity, masculinity and sexuality have been an integral part of the filmic discourses of modernity, nationhood, and history. This volume represents the most comprehensive, wide-ranging, and up-to-date study of China's major cinematic traditions. It is an indispensable source book for modern Chinese and Asian history, politics, literature, and culture.

Women in African Cinema

Lizelle Bisschoff,Stefanie Van de Peer
Women in African Cinema Book PDF

Author : Lizelle Bisschoff,Stefanie Van de Peer
Publisher : Routledge
Page : 368 pages
File Size : 44,9 Mb
Release : 2019-11-14
Category : Performing Arts
ISBN : 9781351854702

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Women in African Cinema by Lizelle Bisschoff,Stefanie Van de Peer Pdf

Women in African Cinema: Beyond the Body Politic showcases the very prolific but often marginalised presence of women in African cinema, both on the screen and behind the camera. This book provides the first in-depth and sustained examination of women in African cinema. Films by women from different geographical regions are discussed in case studies that are framed by feminist theoretical and historical themes, and seen through an anti-colonial, philosophical, political and socio-cultural cinematic lens. A historical and theoretical introduction provides the context for thematic chapters exploring topics ranging from female identities, female friendships, women in revolutionary cinema, motherhood and daughterhood, women’s bodies, sexuality, and spirituality. Each chapter serves up a theoretical-historical discussion of the chosen theme, followed by two in-depth case studies that provide contextual and transnational readings of the films as well as outlining production, distribution and exhibition contexts. This book contributes to the feminist anti-racist revision of the canon by placing African women filmmakers squarely at the centre of African film culture. Demonstrating the depth and diversity of the feminine or female aesthetic in African cinema, this book will be of great interest to students and scholars of African cinema, media studies and African studies.

Handbook of Research on Contemporary Approaches to Orientalism in Media and Beyond

Tombul, I??l,Sar?, Gül?ah
Handbook of Research on Contemporary Approaches to Orientalism in Media and Beyond Book PDF

Author : Tombul, I??l,Sar?, Gül?ah
Publisher : IGI Global
Page : 990 pages
File Size : 52,5 Mb
Release : 2021-05-28
Category : Social Science
ISBN : 9781799871828

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Handbook of Research on Contemporary Approaches to Orientalism in Media and Beyond by Tombul, I??l,Sar?, Gül?ah Pdf

Orientalism is about much more than just information gathered about the East within its general postcolonial period. In this period, orientalism is a Western discourse that dominated and shaped the view of the East. There is “otherization” in the way the West has historically looked at the East and within the information presented about it. These original stories of travelers in the past and previous telling about the East are facing a reconstruction through modern types of media. Cinema, television, news, newspaper, magazine, internet, social media, photography, literature, and more are transforming the way the East is presented and viewed. Under the headings of post-orientalism, neo-orientalism, or self-orientalism, these new orientalist forms of work in combination with both new and traditional media are redefining orientalism in the media and beyond. The Handbook of Research on Contemporary Approaches to Orientalism in Media and Beyond shows how both new media and traditional media deal with orientalism today through the presentation of gender, race, religion, and culture that make up orientalist theory. The chapters focus on how orientalism is presented in the media, cinema, TV, photography, and more. This book is ideal for communications theorists, media analysts, practitioners, researchers, academicians, and students working in fields that include mass media, communications, film studies, ethnic studies, history, sociology, and cultural studies.

National Identity in Global Cinema

C. Celli
National Identity in Global Cinema Book PDF

Author : C. Celli
Publisher : Springer
Page : 178 pages
File Size : 49,9 Mb
Release : 2016-02-02
Category : Performing Arts
ISBN : 9780230117174

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National Identity in Global Cinema by C. Celli Pdf

When themes of historical and cultural identity appear and repeat in popular film, it is possible to see the real pulse of a nation and comprehend a people, their culture and their history. National Identity in Global Cinema describes how national cultures as reflected in popular cinema can truly explain the world, one country at a time.

Rethinking Genre in Contemporary Global Cinema

Silvia Dibeltulo,Ciara Barrett
Rethinking Genre in Contemporary Global Cinema Book PDF

Author : Silvia Dibeltulo,Ciara Barrett
Publisher : Springer
Page : 242 pages
File Size : 49,5 Mb
Release : 2018-08-02
Category : Performing Arts
ISBN : 9783319901343

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Rethinking Genre in Contemporary Global Cinema by Silvia Dibeltulo,Ciara Barrett Pdf

Rethinking Genre in Contemporary Global Cinema offers a unique, wide-ranging exploration of the intersection between traditional modes of film production and new, transitional/transnational approaches to film genre and related discourses in a contemporary, global context. This volume’s content—the films, genres, and movements explored, as well as methodologies used in their analysis—is diverse and, crucially, up-to-date with contemporary film-making practice and theory. Significantly, the collection extends existing scholarly discourse on film genre beyond its historical bias towards a predominant focus on Hollywood cinema, on the one hand, and a tendency to treat “other” national cinemas in isolation and/or as distinct systems of production, on the other. In view of the ever-increasing globalisation and transnational mediation of film texts and screen media and culture worldwide, the book recognises the need for film genre studies and film genre criticism to cast a broader, indeed global, scope. The collection thus rethinks genre cinema as a transitional, cross-cultural, and increasingly transnational, global paradigm of film-making in diverse contexts.

Thai Cinema

Mary J. Ainslie,Katarzyna Ancuta
Thai Cinema Book PDF

Author : Mary J. Ainslie,Katarzyna Ancuta
Publisher : Bloomsbury Publishing
Page : 288 pages
File Size : 52,7 Mb
Release : 2018-05-04
Category : Performing Arts
ISBN : 9781838609252

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Thai Cinema by Mary J. Ainslie,Katarzyna Ancuta Pdf

One of the fastest growing and most internationally renowned cinemas in Southeast Asia is that of Thailand. In the first ever book devoted solely to this major centre of creative filmmaking, experts on contemporary and historic Thai film provide a timely overview and discussion of key films, directors and current movements in the region in a comprehensive encyclopaedia format. What many critics, analysts and scholars have retrospectively christened `New Thai Cinema' began to take shape in the late 1990s when national film moved away from its position as lower-class and provincial entertainment and became a firm fixture in Bangkok multiplexes and festivals worldwide. This book will provide information on the influential figures behind the films - up to and succeeding the 1997 watershed film Dang Bireley's and Young Gangsters that began the breakaway movement - as well as detailing and explaining the traditions of popular and art-house genres specific to Thailand. Featuring contributions on Thai visionaries such as Apichatpong Weerasethakul and Wisit Sasanatieng and providing rare insight into early Thai cinema, this is an essential scholarly guide to a vibrant aspect of Southeast Asian cinema - its history, industry and aesthetic trends - for scholars and students alike.

Chinese Cinemas

Felicia Chan,Andy Willis
Chinese Cinemas Book PDF

Author : Felicia Chan,Andy Willis
Publisher : Routledge
Page : 202 pages
File Size : 40,5 Mb
Release : 2016-05-20
Category : Social Science
ISBN : 9781317431497

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Chinese Cinemas by Felicia Chan,Andy Willis Pdf

Chinese Cinemas: International Perspectives examines the impact the rapid expansion of Chinese filmmaking in mainland China has had on independent and popular Chinese cinemas both in and outside of China. While the large Chinese markets are coveted by Hollywood, the commercial film industry within the People’s Republic of China has undergone rapid expansion since the 1990s. Its own production, distribution and exhibition capacities have increased exponentially in the past 20 years, producing box-office success both domestically and abroad. This volume gathers the work of a range of established scholars and newer voices on Chinese cinemas to address questions that interrogate both Chinese films and the place and space of Chinese cinemas within the contemporary global film industries, including the impact on independent filmmaking both within and outside of China; the place of Chinese cinemas produced outside of China; and the significance of new internal and external distribution and exhibition patterns on recent conceptions of Chinese cinemas. This is an ideal book for students and researchers interested in Chinese and Asian Cinema, as well as for students studying topics such as World Cinema and Asian Studies.

Ecologies of the Moving Image

Adrian J. Ivakhiv
Ecologies of the Moving Image Book PDF

Author : Adrian J. Ivakhiv
Publisher : Wilfrid Laurier Univ. Press
Page : 435 pages
File Size : 41,8 Mb
Release : 2013-10-07
Category : Performing Arts
ISBN : 9781554589067

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Ecologies of the Moving Image by Adrian J. Ivakhiv Pdf

This book presents an ecophilosophy of cinema: an account of the moving image in relation to the lived ecologies – material, social, and perceptual relations – within which movies are produced, consumed, and incorporated into cultural life. If cinema takes us on mental and emotional journeys, the author argues that those journeys that have reshaped our understanding of ourselves, life, and the Earth and universe. A range of styles are examined, from ethnographic and wildlife documentaries, westerns and road movies, sci-fi blockbusters and eco-disaster films to the experimental and art films of Tarkovsky, Herzog, Malick, and Brakhage, to YouTube’s expanding audio-visual universe.

Turkish German Cinema in the New Millennium

Sabine Hake,Barbara Mennel
Turkish German Cinema in the New Millennium Book PDF

Author : Sabine Hake,Barbara Mennel
Publisher : Berghahn Books
Page : 260 pages
File Size : 50,7 Mb
Release : 2012-10-15
Category : Art
ISBN : 9780857457684

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Turkish German Cinema in the New Millennium by Sabine Hake,Barbara Mennel Pdf

Introduction -- CONFIGURATIONS OF STEREOTYPES AND IDENTITIES: NEW METHODOLOGIES. Daniela Berghahn: My big fat Turkish wedding: from culture clash to romcom -- David Gramling: The oblivion of influence: mythical realism in Feo Alada's When we leave -- Marco Abel: The minor cinema of Thomas Arslan: a prolegomenon -- MULTIPLE SCREENS AND PLATFORMS: FROM DOCUMENTARY AND TELEVISION TO INSTALLATION ART. Angelica Fenner: Roots and routes of the diasporic documentarian: a psychogeography of Fatih Akin's We forgot to go back -- Ingeborg Majer-O'Sickey: Gendered kicks: Buket Alakus's and Aysun Bademsoy's soccer films -- Nilgan Bayraktar: Location and mobility in Kutlu Ataman's site-specific video installation Kuba -- Brent Peterson: Turkish for beginners: teaching cosmopolitanism to Germans -- Brad Prager: "Only the wounded honor fights": Zili Alada's rage and the drama of the Turkish German perpetrator -- INSTITUTIONAL CONTEXTS: STARS, THEATERS, AND RECEPTION. Randall Halle: The German Turkish spectator and Turkish language film programming: Karli Kino, maximum distribution, and the interzone cinema -- Berna Gueneli: Mehmet Kurtulu and Birol Ünel: Sexualized masculinities, normalized ethnicities -- Karolin Machtans: The perception and marketing of Fatih Akin in the German press -- Ayìa Tunì Cox: Hyphenated identities: the reception of Turkish-German cinema in the Turkish daily press -- THE CINEMA OF FATIH AKIN: AUTHORSHIP, IDENTITY, AND BEYOND. Mine Eren: Cosmopolitan filmmaking: Fatih Akin's In July and Head-on -- Roger Hillman and Vivien Silvey: Remixing Hamburg: transnationalism in Fatih Akin's Soul kitchen -- Deniz Gukturk: World cinema goes digital: looking at Europe from the other shore.

Transnational Asian Identities in Pan-Pacific Cinemas

Philippa Gates,Lisa Funnell
Transnational Asian Identities in Pan Pacific Cinemas Book PDF

Author : Philippa Gates,Lisa Funnell
Publisher : Routledge
Page : 261 pages
File Size : 40,7 Mb
Release : 2012-03-12
Category : Social Science
ISBN : 9781136591563

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Transnational Asian Identities in Pan-Pacific Cinemas by Philippa Gates,Lisa Funnell Pdf

This collection examines the exchange of Asian identities taking place at the levels of both film production and film reception amongst pan-Pacific cinemas. The authors consider, on the one hand, texts that exhibit what Mette Hjort refers to as, "marked transnationality," and on the other, the polysemic nature of transnational film texts by examining the release and reception of these films. The topics explored in this collection include the innovation of Hollywood generic formulas into 1950's and 1960's Hong Kong and Japanese films; the examination of Thai and Japanese raced and gendered identity in Asian and American films; the reception of Hollywood films in pre-1949 China and millennial Japan; the production and performance of Asian adoptee identity and subjectivity; the political implications and interpretations of migrating Chinese female stars; and the production and reception of pan-Pacific co-productions. .

Cinema at the Periphery

Dina Iordanova,David Martin-Jones,Belén Vidal
Cinema at the Periphery Book PDF

Author : Dina Iordanova,David Martin-Jones,Belén Vidal
Publisher : Wayne State University Press
Page : 282 pages
File Size : 44,5 Mb
Release : 2010
Category : Performing Arts
ISBN : 0814333885

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Cinema at the Periphery by Dina Iordanova,David Martin-Jones,Belén Vidal Pdf

Highlights the industries, markets, identities, and histories that distinguish cinema beyond the traditional hubs of mainstream Western cinema. From Iceland to Iran, from Singapore to Scotland, a growing intellectual and cultural wave of production is taking cinema beyond the borders of its place of origin--exploring faraway places, interacting with barely known peoples, and making new localities imaginable. In these films, previously entrenched spatial divisions no longer function as firmly fixed grid coordinates, the hierarchical position of place as "center" is subverted, and new forms of representation become possible. In Cinema at the Periphery, editors Dina Iordanova, David Martin-Jones, and Belén Vidal assemble criticism that explores issues of the periphery, including questions of transnationality, place, space, passage, and migration. Cinema at the Periphery examines the periphery in terms of locations, practices, methods, and themes. It includes geographic case studies of small national cinemas located at the global margins, like New Zealand and Scotland, but also of filmmaking that comes from peripheral cultures, like Palestinian "stateless" cinema, Australian Aboriginal films, and cinema from Quebec. Therefore, the volume is divided into two key areas: industries and markets on the one hand, and identities and histories on the other. Yet as a whole, the contributors illustrate that the concept of "periphery" is not fixed but is always changing according to patterns of industry, ideology, and taste. Cinema at the Periphery highlights the inextricable interrelationship that exists between production modes and circulation channels and the emerging narratives of histories and identities they enable. In the present era of globalization, this timely examination of the periphery will interest teachers and students of film and media studies.

Bangladesh Cinema and National Identity

Zakir Hossain Raju
Bangladesh Cinema and National Identity Book PDF

Author : Zakir Hossain Raju
Publisher : Routledge
Page : 242 pages
File Size : 44,7 Mb
Release : 2014-12-17
Category : Social Science
ISBN : 9781317601814

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Bangladesh Cinema and National Identity by Zakir Hossain Raju Pdf

Throughout the twentieth and early twenty-first centuries, cinema has been adopted as a popular cultural institution in Bangladesh. At the same time, this has been the period for the articulation of modern nationhood and cultural identity of Bengali Muslims in Bangladesh. This book analyses the relationship between cinema and modernity in Bangladesh, providing a narrative of the uneven process that produced the idea of "Bangladesh cinema." This book investigates the roles of a non-Western "national" film industry in Asia in constructing nationhood and identity within colonial and postcolonial predicaments. Drawing on the idea of cinema as public sphere and the postcolonial notion of formation of the "Bangladesh" nation, interactions between cinema and middle-class Bengali Muslims in different social and political matrices are analyzed. The author explores how the conflict among different social groups turned Bangladesh cinema into a site of contesting identities. In particular, he illustrates the connections between film production and reception in Bangladesh and a variety of nationalist constructions of Bengali Muslim identity. Questioning and debunking the usual notions of "Bangladesh" and "cinema," this book positions the cinema of Bangladesh within a transnational frame. Starting with how to locate the "beginning" of the second Bengali language cinema in colonial Bengal, the author completes the investigation by identifying a global Bangladeshi cinema in the early twenty-first century. The first major academic study on this large and vibrant national cinema, this book demonstrates that Bangladesh cinema worked as different "public spheres" for different "publics" throughout the twentieth century and beyond. Filling a niche in Global Film and Media Studies and South Asian Studies, it will be of interest to scholars and students of these disciplines.