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"When Europeans first reached Australian shores, a long-held and expedient perception developed that Australian Aboriginal people did not have houses or settlements, that they occupied temporary camps, sheltering in makeshift huts or lean-tos of grass and bark. This book redresses that notion, exploring the range and complexity of Aboriginal-designed structures, spaces and territorial behaviour, from minimalist shelters to permanent houses and villages. 'Gunyah, Goondie and Wurley' encompasses Australian Aboriginal Architecture from the time of European contact to the work of the first Aboriginal graduates of university-based courses in architecture, bringing together in one place a wealth of images and research."--Publisher's website.
First Knowledges Design by Alison Page,Paul Memmott Pdf
Aboriginal design is of a distinctly cultural nature, based in the Dreaming and in ancient practices grounded in Country. It is visible in the aerodynamic boomerang, the ingenious design of fish traps and the precise layouts of community settlements that strengthen social cohesion. Alison Page and Paul Memmott show how these design principles of sophisticated function, sustainability and storytelling, refined over many millennia, are now being applied to contemporary practices. Design: Building on Country issues a challenge for a new Australian design ethos, one that truly responds to the essence of Country and its people. About the series: Each book is a collaboration between Indigenous and non-Indigenous writers and editors; the series is edited by Margo Neale, senior Indigenous curator at the National Museum of Australia. Other titles in the series include: Songlines by Margo Neale & Lynne Kelly (2020); Country by Bill Gammage & Bruce Pascoe (2021); Plants by Zena Cumpston, Michael Fletcher & Lesley Head (2022); Astronomy (2022); Innovation (2023).
Architecture for Aboriginal Children and Families by Elizabeth Grant,Michael Colbung,Ian Green Pdf
Aboriginal and Torres Strait Islander cultures are proud, living cultures. The survival and revival of cultures relies on cultural identity being an integral part of Aboriginal and Torres Strait Islander children's educational environment and providing environments that respect the ancestral ways, family, cultural and community traditions. Family is at the core of Aboriginal society and well-being. Complex kinship systems are central to how the culture is passed on and society is organised with families having the primary responsibility for the upbringing, protection and development of their children. Providing a safe communal setting of loving and caring with opportunities for a child's growth, development and self-empowerment has dramatic impacts on the overall welfare of the child and is pivotal in addressing the disadvantages experienced by the Aboriginal children. This report reviews the development, outcomes and responses of users to three Children and Family Centres constructed in South Australia. The projects are recognised as Australian exemplars in the design of facilities for Aboriginal children and families. Critical to the success of the projects were the concepts of placemaking and the creation of Aboriginal 'places'. To achieve this, the design process included developing understandings of the behavioural and cultural norms and health requirements of potential users so that spaces were designed that were easy and pleasurable to use. In collaboration with communities, the centres were layered Indigenous meanings through the use of signs, symbols and representations. The Taikurrendi, Gabmididi Manoo and Ngura Yadurirn Children and Family Centres are precedents for the future, where facilities will be designed for Aboriginal children and families that reflect preferred Indigenous lifestyles and child rearing practices and respond to the cultural identity and spirituality of Aboriginal people with respect.
Western Dualism and the Regulation of Cultural Production by Fiona MacMillan Pdf
This work examines the dualistic thinking that characterizes the legal regimes governing creativity and cultural production. It reflects on the problem of regulating creativity and cultural production according to Western thought systems in a world that is not only Western.
The Handbook of Contemporary Indigenous Architecture by Elizabeth Grant,Kelly Greenop,Albert L. Refiti,Daniel J. Glenn Pdf
This Handbook provides the first comprehensive international overview of significant contemporary Indigenous architecture, practice, and discourse, showcasing established and emerging Indigenous authors and practitioners from Australia, Aotearoa New Zealand, the Pacific Islands, Canada, USA and other countries. It captures the breadth and depth of contemporary work in the field, establishes the historical and present context of the work, and highlights important future directions for research and practice. The topics covered include Indigenous placemaking, identity, cultural regeneration and Indigenous knowledges. The book brings together eminent and emerging scholars and practitioners to discuss and compare major projects and design approaches, to reflect on the main issues and debates, while enhancing theoretical understandings of contemporary Indigenous architecture.The book is an indispensable resource for scholars, students, policy makers, and other professionals seeking to understand the ways in which Indigenous people have a built tradition or aspire to translate their cultures into the built environment. It is also an essential reference for academics and practitioners working in the field of the built environment, who need up-to-date knowledge of current practices and discourse on Indigenous peoples and their architecture.
A comprehensive narrative history of building and design styles in Australia, from traditional Aboriginal gunyahs; to the local interpretations of northern hemisphere trends; to the sustainable, climate sensitive and high-tech constructions of the 21st century. From First Nations gunyahs and First Fleet huts to 21st century eco-pavilions and skyscrapers, Davina Jackson surveys the evolution of architecture in Australia. Dr Jackson explores how early colonial building designers like James Bloodworth, Francis Greenway and John Lee Archer interpreted classical European styles using local stone and timber. She examines how medieval and Renaissance monuments influenced leading architects during the 19th century, until the fresh winds of modernism and demands for a unique Australian style took over in the 20th century, with environmental challenges and technological innovations driving change in recent years. Over two and a half centuries, our architects and builders have responded to the fierce Australian sun with verandas, porticos, colonnades, screens and Asian-inspired shade pavilions. Jackson explores these and other distinctive aspects of Australian design, why gold-boom architecture consistently impressed Victorian visitors, and the achievements of modern luminaries like Walter and Marion Griffin, Harry Seidler, Jorn Utzon, John Andrews, Glenn Murcutt and John Wardle. Illustrated throughout, Australian Architecture traces our distinctive and internationally acclaimed domestic, commercial and institutional buildings, with overviews of the main design influences and key examples to visit. This is the essential guide for designers, architects, students and anyone interested in the story of Australia's unique and fascinating architecture. 'Comprehensive, fascinating and inspiring' - Tim Ross, presenter of ABC TV's Designing a Legacy 'Davina Jackson delights with characteristic clarity' - Peter Murray OBE, Curator-in-Chief, New London Architecture 'Gleams with insights into the buildings that shape our lives.' - Emeritus Professor Grace Karskens, author of The Colony 'Long overdue' - Luigi Rosselli, award-winning architect 'An impressive and exhaustive survey' - Karen McCartney, author of Iconic Australian Houses 'A must read for every lover of Australian design.' - Raj Nandan, Chairman and CEO, Indesign Media Asia/Pacific
Kerstin Thompson Architects by LEON. VAN SCHAIK Pdf
For over twenty-five years, Kerstin Thompson has explored how architecture can respond to local conditions to positively shape lives and communities. By harnessing the potential for beauty and delight and a sensitivity to landscape, each project resonates with a spirit of generosity and community value. Kerstin Thompson Architects: Encompassing people and place takes readers on an immersive journey into the very heart of this extraordinary body of work, and documents how, over time, the practice has shifted its focus from individual housing to larger-scale public projects created by a collaborative and talented team. With high-quality images, sketches and drawings selected from Thompson's archive and discursive texts, this monograph provides a deep insight into not only what architects do - the buildings they make - but also why and how they design. The first in a series of monographs that recognises the work of Australia's most exciting architectural practices, urban designers and landscape architects.
The Push Man and Other Stories by Yoshihiro Tatsumi Pdf
Thirty years before the advent of the literary graphic novel movement in the United States, Yoshihiro Tatsumi created a library of comics that draw parallels to modern prose fiction and today's alternative comics. The stories collected in The Push Man are simultaneously haunting, disturbing, and darkly humorous. A lone man travels the country, projecting pornographic films for private individuals while attempting to maintain a normal home life. The lives of two men become intertwined when one hires the other to observe his sexual escapades through a telescope. An auto mechanic's obsession with a female TV personality turns fatal after a chance meeting between the two
The end of our high-growth world was underway well before COVID-19 arrived. In this powerful and timely argument, Danny Dorling demonstrates the benefits of a larger, ongoing societal slowdown Drawing from an incredibly rich trove of global data, this groundbreaking book reveals that human progress has been slowing down since the early 1970s. Danny Dorling uses compelling visualizations to illustrate how fertility rates, growth in GDP per person, and even the frequency of new social movements have all steadily declined over the last few generations. Perhaps most surprising of all is the fact that even as new technologies frequently reshape our everyday lives and are widely believed to be propelling our civilization into new and uncharted waters, the rate of technological progress is also rapidly dropping. Rather than lament this turn of events, Dorling embraces it as a moment of promise and a move toward stability, and he notes that many of the older great strides in progress that have defined recent history also brought with them widespread warfare, divided societies, and massive inequality.
Japan's Modern Divide by Hiroshi Hamaya,Kansuke Yamamoto,Kōtarō Iizawa,Ryūichi Kaneko,Jonathan McKean Reynolds Pdf
In the 1930s the history of Japanese photography evolved in two very different directions: one toward documentary photography, the other favoring an experimental, or avant-garde, approach strongly influenced by Western Surrealism. This book explores these two strains of modern Japanese photography through the work of two remarkable figures: Hiroshi Hamaya and Kansuke Yamamoto. Hiroshi Hamaya (1915-1999) was born and raised in Tokyo and, after an initial period of creative experimentation, turned his attention to recording traditional life and culture on the coast of the Sea of Japan. In 1940 he began photographing the New Year's rituals in a remote village, which was published as Yukiguni (Snow country). He went on to record cultural changes in China, political protests in Japan, and landscapes around the world. Kansuke Yamamoto (1914-1987) became fascinated by the innovative approaches in art and literature exemplified by such Western artists as Man Ray, Ren Magritte, and Yves Tanguy. He promoted Surrealist and avant-garde ideas in Japan through his poetry, paintings, sculptures, and photographs. Along with essays by the book's coeditors, Judith Keller and Amanda Maddox, are essays by Kotaro Iizawa, Ryuichi Kaneko, and Jonathan M. Reynolds, life chronologies, and a selection of poems by Yamamoto translated by John Solt. This book, which features more than one hundred images, accompanies an exhibition of the same name on view at the J. Paul Getty Museum from March 26 to August 25, 2013.
Captures the feel of the ceramicist’s studio with new appreciation for the beautiful, functional, and accessible works being produced by a new generation of makers Ceramics is back in a big way, experiencing a steady surge of interest and popularity not seen since the 1970s. The return to the handmade, driven by our increasingly digital lives, means there are now more makers, sellers, and collectors than ever. There is also a new desire for unique objects made by hand and the imperfections associated with the marks of the maker. Pottery captures this authenticity in ways no other medium can. From decorative pieces to the beautiful but functional, to sculptural works pushing the boundaries of the medium, Clay surveys the rich creative output of fifty of the top studio potters from around the world. It is a celebration of a new generation of artisans working in clay, a snapshot not necessarily of what is happening at the elite gallery level but rather a behind-the-scenes look at unique and eclectic offerings, both functional and sculptural, from small studios around the world.
Bamboo’s amazing versatility, strength, and beauty have given it a larger role in human culture than any other plant. Both sustainable and plentiful, it has been used for millennia to make objects ranging from clothing and housing to more exotic luxuries like phonograph needles and children’s toys, to name but a few. This acclaimed sourcebook--part history, part illustrated catalog, part cultivation guide--details the myriad uses of bamboo, along with an immense bounty of information and lore on how to grow, maintain, and harvest this extraordinary plant; how to use it in craft and construction projects, including floors, fences, papers, and play equipment; and bamboo’s place in the literary, visual, and musical arts. An encyclopedic roster of more than 1,200 bamboo species is a book in itself, as is author David Farrelly’s A-to-Z catalog of artifacts made from bamboo: acupuncture needles, blowguns, bridges, kites, ships, violins, windmills, and a thousand other things. Strong, flexible, and beautiful in both its natural and finished states, bamboo is an abundant resource that could beneficially replace many less sustainable materials currently in use, and continue to transform our culture in the process.
"One of the most powerful aspects of Louis I. Kahn's architectural space is his handling of natural light. Kahn believed that architecture began with the "making of a room," and that "a room is not a room without natural light." Throughout his career he endeavored to bring his interiors to light in the most imaginative ways. Kahn used passionate light and functional light, glaring light and indirect light, warm light and cold light, each working differently in his architecture." "This book presents the best introduction to Kahn's ideas about light in architecture. Using drawings, photographs, analytical diagrams, and critical descriptions, author Urs Buttiker investigates, in chronological order, Kahn's lighting solutions in 49 of his best-known projects. The book contains a wealth of technical details covering the entire spectrum of light modulation employed by Kahn throughout his career: the ceiling-framed window, the lookout slot, the keyhole window, many variations of brise-soleil, sliding window shutters, double space envelopes, the light cylinder, light ports, and an endless variety of skylights."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
