Stan Brakhage In Rolling Stock 1980 1990

Author : Jerry White
Publisher : Wilfrid Laurier Univ. Press
Page : 379 pages
File Size : 40,9 Mb
Release : 2018-04-19
Category : Performing Arts
ISBN : 9781771123068

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Stan Brakhage in Rolling Stock, 1980-1990 by Jerry White Pdf

This is a collection of writings by the giant of experimental cinema, Stan Brakhage, that shows him in a completely new light, as part of world cinema. For the duration of the 1980s, Brakhage contributed to the Boulder literary magazine Rolling Stock, mostly publishing reports from the Telluride Film Festival. These reports show that Brakhage was keenly interested in world cinema, anxious to meet and dialogue with filmmakers of many different stripes. The book also contains substantial discussion of Brakhage's work in light of the filmmakers he encountered at Telluride and discussed in Rolling Stock. Long chapters are given over to Soviet filmmakers such as Andrei Tarkovsky, Larissa Shepitko, and Sergei Parajanov, as well as the German filmmaker Hans-Jürgen Syberberg. Brakhage was a keen viewer of these filmmakers and their contemporaries, both at Telluride and in his role as teacher at the University of Colorado, and Stan Brakhage and Rolling Stock attempts to place his work alongside theirs and thus reclaim him for world cinema. The book's appendices reprint letters Brakhage wrote to Stella Pence (Telluride's co-founder and managing director), as well as summaries of his work for Telluride and a brace of difficult-to-find reviews.

Author : Barbara Mennel
Publisher : University of Illinois Press
Page : 144 pages
File Size : 53,8 Mb
Release : 2023-09-05
Category : Performing Arts
ISBN : 9780252054808

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Su Friedrich by Barbara Mennel Pdf

Auteurism expanded With acclaimed films like Sink or Swim and The Odds of Recovery, Su Friedrich’s body of work stands at the forefront of avant-garde and Queer cinema. Barbara Mennel examines the career of an experimental auteur whose merger of technical innovation and political critique connects with both cinephiles and activists. Friedrich’s integration of cinematic experimentation with lesbian advocacy serves as a beginning rather than an end point of analysis. With that in mind, Mennel provides an essential overview of the filmmaker’s oeuvre while highlighting the defining characteristics of her artistic and political signature. She also situates Friedrich within the cultural, political, and historical contexts that both shape the films and are shaped by them. Finally, Mennel expands our notion of auteurism to include directors who engage in collaborative and creative processes rooted in communities.

Author : Katherine Wilson
Publisher : TrineDay
Page : 442 pages
File Size : 42,7 Mb
Release : 2021-09-22
Category : Biography & Autobiography
ISBN : 9781634243568

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Echoes From The Set Volume II (1967- 1977) Shadows From the Underground by Katherine Wilson Pdf

With the help of University of Oregon professors, as well as professors from CU Boulder and University of Cincinnati, this book ties together the author's personal experiences and interviews of members of the New Hollywood and those that influenced them, such as the Merry Pranksters and their film crew, Poetic Cinema Filmmakers, still living members of the Beat Generation, and through academic articles and books, from Plato to Yeats and the time's literary theory deconstructionists, answers the question of what created them.

Author : Maarten van Gageldonk,László Munteán,Ali Shobeiri
Publisher : Springer Nature
Page : 257 pages
File Size : 53,5 Mb
Release : 2020-08-20
Category : Performing Arts
ISBN : 9783030348885

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Animation and Memory by Maarten van Gageldonk,László Munteán,Ali Shobeiri Pdf

​This book examines the role of memory in animation, as well as the ways in which the medium of animation can function as a technology of remembering and forgetting. By doing so, it establishes a platform for the cross-fertilization between the burgeoning fields of animation studies and memory studies. By analyzing a wide range of different animation types, from stop motion to computer animation, and from cell animated cartoons to painted animation, this book explores the ways in which animation can function as a representational medium. The five parts of the book discuss the interrelation of animation and memory through the lens of materiality, corporeality, animation techniques, the city, and animated documentaries. These discussions raise a number of questions: how do animation films bring forth personal and collective pasts? What is the role of found footage, objects, and sound in the material and affective dimensions of animation? How does animation serve political ends? The essays in this volume offer answers to these questions through a wide variety of case studies and contexts. The book will appeal to both a broad academic and a more general readership with an interest in animation studies, memory studies, cultural studies, comparative visual arts, and media studies. Chapter “Introduction” is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.

Author : R. Bruce Elder
Publisher : Wilfrid Laurier Univ. Press
Page : 591 pages
File Size : 45,8 Mb
Release : 2018-06-30
Category : Performing Arts
ISBN : 9781771122726

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Cubism and Futurism by R. Bruce Elder Pdf

Cubism and futurism were closely related movements that vied with each other in the economy of renown. Perception, dynamism, and the dynamism of perception—these were the issues that passed back and forth between the two. Cubism and Futurism: Spiritual Machines and the Cinematic Effect shows how movement became, in the traditional visual arts, a central factor with the advent of the cinema: gone were the days when an artwork strived merely to lift experience out the realm of change and flow. The cinema at this time was understood as an electric art, akin to X-rays, coloured light, and sonic energy. In this book, celebrated filmmaker and author Bruce Elder connects the dynamism that the cinema made an essential feature of the new artwork to the new science of electromagnetism. Cubism is a movement on the cusp of the transition from the Cartesian world of standardized Cartesian coordinates and interchangeable machine parts to a Galvanic world of continuities and flows. In contrast, futurism embraced completely the emerging electromagnetic view of reality. Cubism and Futurism examines the similarity and differences between the two movements’ engagement with the new science of energy and shows that the notion of energy made central to the new artwork by the cinema assumed a spiritual dimension, as the cinema itself came to be seen as a pneumatic machine.

Author : Klaus Kertess,Whitney Museum of American Art,John Ashbery
Publisher : ABRAMS
Page : 272 pages
File Size : 50,5 Mb
Release : 1995
Category : Architecture
ISBN : UOM:39015034869191

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1995 Biennial Exhibition by Klaus Kertess,Whitney Museum of American Art,John Ashbery Pdf

Author : Nicholas Thomas,James Vinson,Samantha Cook
Publisher : Chicago : St. James Press
Page : 980 pages
File Size : 41,6 Mb
Release : 1990
Category : Motion picture actors and actresses
ISBN : UOM:39015021501229

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International Dictionary of Films and Filmmakers: Directors by Nicholas Thomas,James Vinson,Samantha Cook Pdf

Each entry contains information, lists of cast and crew, a select bibliography and an essay by a specialist in the field. Many include a still shot.

Author : Jerry White
Publisher : Wilfrid Laurier Univ. Press
Page : 219 pages
File Size : 55,7 Mb
Release : 2013-08-01
Category : Performing Arts
ISBN : 9781554589371

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Two Bicycles by Jerry White Pdf

Jean-Luc Godard and Anne-Marie Miéville are among the most important postwar filmmakers; they have worked across forms, across media, and across countries. This book, the first to be devoted specifically to the work they did together, examines the way they expanded the possibilities of cinema by using cutting-edge video equipment in a constant search for a new kind of filmmaking. Two Bicycles examines all of the films, videos, and television works that the two did together, and moves slowly across France and Switzerland, with detours in Quebec, Mozambique, and Palestine. Their amazingly varied body of work includes a twelve-hour television series, some experimental videos, an acclaimed feature film with Isabelle Huppert, a cigarette commercial, and much else. Overall the book shows the degree to which this work departs radically from the legacy of the French New Wave, and in many ways shows signs of having been formed by the distinct culture of Switzerland, to which Godard and Miéville returned in the 1970s to set up their “atelier,” Sonimage. Two Bicycles offers a chance to explore a body of work that is as unique and demanding as it is rich and revelatory. Godard and Miéville have worked together for four decades but have never seemed more relevant.

Author : Jerry White
Publisher : Wilfrid Laurier Univ. Press
Page : 285 pages
File Size : 43,8 Mb
Release : 2009-11-17
Category : Performing Arts
ISBN : 9781554582990

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The Radio Eye by Jerry White Pdf

The Radio Eye: Cinema in the North Atlantic, 1958–1988, examines the way in which media experiments in Quebec, Newfoundland, the Faroe Islands, and the Irish-Gaelic-speaking communities of Ireland use film, video, and television to advocate for marginalized communities and often for “smaller languages.” The Radio Eye is not, however, a set of isolated case studies. Author Jerry White illustrates the degree to which these experiments are interconnected, sometimes implicitly but more often quite explicitly. Media makers in the North Atlantic during the period 1958–1988 were very aware of each other’s cultures and aspirations, and, by structuring the book in two interlocking parts, White illustrates the degree to which a common project emerged during those three decades. The book is bound together by White’s belief that these experiments are following in the idealism of Soviet silent filmmaker Dziga Vertov, who wrote about his notion of “the Radio Eye.” White also puts these experiments in the context of work by the Cuban filmmaker and theorist Julio García Espinosa and his notion of “imperfect cinema,” Jürgen Habermas and his notions of the “public sphere,” and Édourard Glissant’s ideas about “créolité” as the defining aspect of modern culture. This is a genuinely internationalist moment, and these experiments are in conversation with a wide array of thought across a number of languages.

Author : Anonim
Publisher : Unknown
Page : 780 pages
File Size : 45,7 Mb
Release : 2005
Category : Motion pictures
ISBN : STANFORD:36105131545373

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Canadian Journal of Film Studies by Anonim Pdf

Author : Elizabeth Groeneveld
Publisher : Wilfrid Laurier Univ. Press
Page : 267 pages
File Size : 47,5 Mb
Release : 2016-08-30
Category : Social Science
ISBN : 9781771121026

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Making Feminist Media by Elizabeth Groeneveld Pdf

Making Feminist Media provides new ways of thinking about the vibrant media and craft cultures generated by Riot Grrrl and feminism’s third wave. It focuses on a cluster of feminist publications—including BUST, Bitch, HUES, Venus Zine, and Rockrgrl—that began as zines in the 1990s. By tracking their successes and failures, this book provides insight into the politics of feminism’s recent past. Making Feminist Media brings together interviews with magazine editors, research from zine archives, and analysis of the advertising, articles, editorials, and letters to the editor found in third-wave feminist magazines. It situates these publications within the long history of feminist publishing in the United States and Canada and argues that third-wave feminist magazines share important continuities and breaks with their historical forerunners. These publishing lineages challenge the still-dominant—and hotly contested— wave metaphor categorization of feminist culture. The stories, struggles, and strategies of these magazines not only represent contemporary feminism, they create and shape feminist cultures. The publications provide a feminist counter-public sphere in which the competing interests of editors, writers, readers, and advertisers can interact. Making Feminist Media argues that reading feminist magazines is far more than the consumption of information or entertainment: it is a profoundly intimate and political activity that shapes how readers understand themselves and each other as feminist thinkers.

Author : Taille
Publisher : Wilfrid Laurier Univ. Press
Page : 93 pages
File Size : 53,5 Mb
Release : 1981
Category : Drama
ISBN : 9780889201200

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Jean de la Taille by Taille Pdf

Jean de La Taille's play Les Corrivaus is the comical story of the rivalry between Filadelfe and Euverte for the lovely Fleurdelys. Difficulties are resolved symmetrically, and matrimony is the order at the end of the day--though, in the best Renaissance tradition, the difficulties had appeared grave indeed. The play should appeal to anyone interested in the theatre, but it is of considerable importance to historians of Renaissance drama, since it is generally accepted as the earliest surviving French humanist comedy written in prose, and the first to be based on Italian models. In particular, La Taille draws heavily upon Le Maçon's translation of Boccaccio's Decameron. The play also amplifies understanding of numerous conventions of Renaissance drama--especially those related to stagecraft, plot, and thematic treatment--yet La Taille transcends mere conventionality in his skilled treatment of character and plot. He also manages to accomplish his didactic purpose, informing his audience of the foibles of lovers, with a minimum of sententious moralizing.

Author : James Quandt
Publisher : Toronto International Film Festival
Page : 784 pages
File Size : 41,7 Mb
Release : 2012-02-01
Category : Performing Arts
ISBN : 0968296955

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Robert Bresson by James Quandt Pdf

Robert Bresson, published in 1998, remains one of the most acclaimed and thorough examinations of the French director’s vision and style. Robert Bresson (Revised) reproduces essential contributions from the original edition, including essays by Susan Sontag, André Bazin, P. Adams Sitney, and Kristin Thompson, and features new or original material by David Bordwell, Mark Rappaport, Shigehiko Hasumi, Jonathan Rosenbaum, Serge Daney, Jean-Michel Frodon, Colin Burnett, Richard Suchenski, and filmmakers Jean-Pierre Gorin and the Dardenne brothers, Jean-Pierre and Luc. With more than thirty key articles by leading critics and scholars, interviews, commentaries by important contemporary filmmakers, and an illuminating symposium on the director’s current stature, Robert Bresson (Revised) is an invaluable volume for anyone seeking to understand the director’s austere perfectionism and the beauty of his singular body of work. Published by the Toronto International Film Festival and distributed in Canada by Wilfrid Laurier University Press. Distributed outside Canada by Indiana University Press.

Author : Patricia Aufderheide
Publisher : Oxford University Press
Page : 176 pages
File Size : 43,6 Mb
Release : 2007-11-28
Category : Performing Arts
ISBN : 9780199839988

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Documentary Film: A Very Short Introduction by Patricia Aufderheide Pdf

Documentary film can encompass anything from Robert Flaherty's pioneering ethnography Nanook of the North to Michael Moore's anti-Iraq War polemic Fahrenheit 9/11, from Dziga Vertov's artful Soviet propaganda piece Man with a Movie Camera to Luc Jacquet's heart-tugging wildlife epic March of the Penguins. In this concise, crisply written guide, Patricia Aufderheide takes readers along the diverse paths of documentary history and charts the lively, often fierce debates among filmmakers and scholars about the best ways to represent reality and to tell the truths worth telling. Beginning with an overview of the central issues of documentary filmmaking--its definitions and purposes, its forms and founders--Aufderheide focuses on several of its key subgenres, including public affairs films, government propaganda (particularly the works produced during World War II), historical documentaries, and nature films. Her thematic approach allows readers to enter the subject matter through the kinds of films that first attracted them to documentaries, and it permits her to make connections between eras, as well as revealing the ongoing nature of documentary's core controversies involving objectivity, advocacy, and bias. Interwoven throughout are discussions of the ethical and practical considerations that arise with every aspect of documentary production. A particularly useful feature of the book is an appended list of "100 great documentaries" that anyone with a serious interest in the genre should see. Drawing on the author's four decades of experience as a film scholar and critic, this book is the perfect introduction not just for teachers and students but also for all thoughtful filmgoers and for those who aspire to make documentaries themselves. About the Series: Combining authority with wit, accessibility, and style, Very Short Introductions offer an introduction to some of life's most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundreds of key topics, from philosophy to Freud, quantum theory to Islam.

Author : Brian Fauteux
Publisher : Wilfrid Laurier Univ. Press
Page : 230 pages
File Size : 45,5 Mb
Release : 2015-11-02
Category : Performing Arts
ISBN : 9781771121521

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Music in Range by Brian Fauteux Pdf

Music in Range explores the history of Canadian campus radio, highlighting the factors that have shaped its close relationship with local music and culture. The book traces how campus radio practitioners have expanded stations from campus borders to sur-rounding musical and cultural communities by acquiring FM licenses and establishing community-based mandates. The culture of a campus station extends beyond its studio and into the wider community where it is connected to the local music scene within its broadcast range. The book examines campus stations and local music in Vancouver, Winnipeg, and Sackville, NB, and highlights the ways that campus stations—through music-based programming, their operational practices, and the culture under which they operate—produce alternative methods and values for circulating local and independent Canadian artists at a time when ubiquitous commercial media outlets do exactly the opposite. Music in Range sheds light on a radio sector that is an integral component of Canada’s musical and cultural fabric and positions campus radio as a worthy site of attention at a time when connectivity and sharing between musicians, music fans, and cultural intermediaries are increasingly shaping our experience of music, radio, and sound.