The Rise Of Musical Classics In Eighteenth Century England

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The Rise of Musical Classics in Eighteenth-century England

William Weber
The Rise of Musical Classics in Eighteenth century England Book PDF

Author : William Weber
Publisher : Oxford University Press, USA
Page : 296 pages
File Size : 42,9 Mb
Release : 1996
Category : History
ISBN : UVA:X006040289

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The Rise of Musical Classics in Eighteenth-century England by William Weber Pdf

This is the first book to explore the formation of musical 'classics' in regard to repertory and social context. It examines the performance of old music in eighteenth-century England, from the interest in music of the Elizabethan period at the beginning of the century, through the performance of works by Henry Purcell, Arcangelo Corelli, and other English and Italian composers, and the development of festivals that featured choral-orchestral works of Purcell and Handel. It concludes with the establishment of the Concert of Antient Music in 1776, where the traditions of performing old works came together as a self-conscious canon focused upon the work of Handel. The book examines closely the political and social reasons for these developments. In addition, it shows how they laid the groundwork for the classical-music tradition of the nineteenth century.

Music in the British Provinces, 1690-1914

Peter Holman
Music in the British Provinces 1690 1914 Book PDF

Author : Peter Holman
Publisher : Routledge
Page : 428 pages
File Size : 53,5 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351557320

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Music in the British Provinces, 1690-1914 by Peter Holman Pdf

The period covered by this volume, roughly from Purcell to Elgar, has traditionally been seen as a dark age in British musical history. Much has been done recently to revise this view, though research still tends to focus on London as the commercial and cultural hub of the British Isles. It is becoming increasingly clear, however, that by the mid-eighteenth century musical activity outside London was highly distinctive in terms of its reach, the way it was organized, and its size, richness, and quality. There was an extraordinary amount of musical activity of all sorts, in provincial theatres and halls, in the amateur orchestras and choirs that developed in most towns of any size, in taverns, and convivial clubs, in parish churches and dissenting chapels, and, of course, in the home. This is the first book to concentrate specifically on musical life in the provinces, bringing together new archival research and offering a fresh perspective on British music of the period. The essays brought together here testify to the vital role played by music in provincial culture, not only in socializing and networking, but in regional economies and rivalries, demographics and class dynamics, religion and identity, education and recreation, and community and the formation of tradition. Most important, perhaps, as our focus shifts from London to the regions, new light is shed on neglected figures and forgotten repertoires, all of them worthy of reconsideration.

Music in Eighteenth-Century Britain

DavidWyn Jones
Music in Eighteenth Century Britain Book PDF

Author : DavidWyn Jones
Publisher : Routledge
Page : 427 pages
File Size : 51,7 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351557405

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Music in Eighteenth-Century Britain by DavidWyn Jones Pdf

This collection of essays by some of the leading scholars in the field looks at various aspects of musical life in eighteenth-century Britain. The significant roles played by institutions such as the Freemasons and foreign embassy chapels in promoting music making and introducing foreign styles to English music are examined, as well as the influence exerted by individuals, both foreign and British. The book covers the spectrum of British music, both sacred and secular, and both cosmopolitan and provincial. In doing so it helps to redress the picture of eighteenth-century British music which has previously portrayed Handel and London as its primary constituents.

The Routledge Companion to Britain in the Eighteenth Century

Jeremy Gregory,John Stevenson
The Routledge Companion to Britain in the Eighteenth Century Book PDF

Author : Jeremy Gregory,John Stevenson
Publisher : Routledge
Page : 514 pages
File Size : 55,9 Mb
Release : 2012-11-12
Category : History
ISBN : 9781136008382

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The Routledge Companion to Britain in the Eighteenth Century by Jeremy Gregory,John Stevenson Pdf

Enormously rich and wide-ranging, The Routledge Companion to Britain in the Eighteenth Century brings together, in one handy reference, a wide range of essential information on the major aspects of eighteenth century British history. The information included is chronological, statistical, tabular and bibliographical, and the book begins with the eighteenth century political system before going on to cover foreign affairs and the empire, the major military and naval campaigns, law and order, religion, economic and financial advances, and social and cultural history. Key features of this user-friendly volume include: wide-ranging political chronologies major wars and rebellions key treaties and their terms chronologies of religious events approximately 500 biographies of leading figures essential data on population, output and trade a detailed glossary of terms a comprehensive cultural and intellectual chronology set out in tabular form a uniquely detailed and comprehensive topic bibliography. All those studying or teaching eighteenth century British history will find this concise volume an indispensable resource for use and reference.

Music-Making in North-East England during the Eighteenth Century

Roz Southey
Music Making in North East England during the Eighteenth Century Book PDF

Author : Roz Southey
Publisher : Routledge
Page : 272 pages
File Size : 46,9 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351556781

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Music-Making in North-East England during the Eighteenth Century by Roz Southey Pdf

The north-east of England in the eighteenth century was a region where many different kinds of musical activity thrived and where a wide range of documentation survives. Such activities included concert-giving, teaching, tuning and composition, as well as music in the theatre and in church. Dr Roz Southey examines the impulses behind such activities and the meanings that local people found inherent in them. It is evident that music could be perceived or utilized for extremely diverse purposes; as entertainment, as a learned art, as an aid to piety, as a profession, a social facilitator and a support to patriotism and nationalism. Musical societies were established throughout the century, and Southey illustrates the social make-up of the members, as well as the role of Gentlemen Amateurs in the organizing of concerts, and the connections with London and other centres. The book draws upon a rich selection of source material, including local newspapers, council and ecclesiastical records, private papers and diaries and accounts of local tradesman, as well as surviving examples of music composed in the area by Charles Avison, Thomas Ebdon and John Garth of Durham, amongst many others. Charles Avison's importance is focused upon particularly, and his Essay on Musical Expression is considered alongside other contemporary writings of lesser fame. Southey provides a fascinating insight into the type and social class of audiences and their influence on the repertoire performed. The book moves from a consideration of music being used as a 'fashion item', evidenced by the patronage of 'big name' soloists from London and abroad, to fiddlers, ballad singers, music at weddings, funerals, public celebrations, and music for marking the events of the American War of Independence and the French Revolutionary Wars. It can be seen, therefore, that the north east was an area of important musical activity, and that the music was always interwoven into the political, economic, religious and commercial fabric of eighteenth-century life.

Music as a Science of Mankind in Eighteenth-Century Britain

Dr Maria Semi
Music as a Science of Mankind in Eighteenth Century Britain Book PDF

Author : Dr Maria Semi
Publisher : Ashgate Publishing, Ltd.
Page : 208 pages
File Size : 47,6 Mb
Release : 2013-01-28
Category : Music
ISBN : 9781409495161

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Music as a Science of Mankind in Eighteenth-Century Britain by Dr Maria Semi Pdf

Music as a Science of Mankind offers a philosophical and historical perspective on the intellectual representation of music in British eighteenth-century culture. From the field of natural philosophy, involving the science of sounds and acoustics, to the realm of imagination, involving resounding music and art, the branches of modern culture that were involved in the intellectual tradition of the science of music proved to be variously appealing to men of letters. Among these, a particularly rich field of investigation was the British philosophy of the mind and of human understanding, developed between the seventeenth and eighteenth centuries, which looked at music and found in its realm a way of understanding human experience. Focussing on the world of sensation – trying to describe how the human mind could develop ideas and emotions by its means – philosophers and physicians often took their cases from art's products, be it music (sounds), painting (colours) or poetry (words as signs of sound conveying a meaning), thus looking at art from a particular point of view: that of the perceiving mind. The relationship between music and the philosophies of mind is presented here as a significant part of the construction of a Science of Man: a huge and impressive 'project' involving both the study of man's nature, to which – in David Hume's words – 'all sciences have a relation', and the creation of an ideal of what Man should be. Maria Semi sheds light on how these reflections moved towards a Science of Music: a complex and articulated vision of the discipline that was later to be known as 'musicology'; or Musikwissenschaft.

Music as a Science of Mankind in Eighteenth-Century Britain

Maria Semi,translated by Timothy Keates
Music as a Science of Mankind in Eighteenth Century Britain Book PDF

Author : Maria Semi,translated by Timothy Keates
Publisher : Routledge
Page : 196 pages
File Size : 53,5 Mb
Release : 2016-04-29
Category : Music
ISBN : 9781317092209

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Music as a Science of Mankind in Eighteenth-Century Britain by Maria Semi,translated by Timothy Keates Pdf

Music as a Science of Mankind offers a philosophical and historical perspective on the intellectual representation of music in British eighteenth-century culture. From the field of natural philosophy, involving the science of sounds and acoustics, to the realm of imagination, involving resounding music and art, the branches of modern culture that were involved in the intellectual tradition of the science of music proved to be variously appealing to men of letters. Among these, a particularly rich field of investigation was the British philosophy of the mind and of human understanding, developed between the seventeenth and eighteenth centuries, which looked at music and found in its realm a way of understanding human experience. Focussing on the world of sensation - trying to describe how the human mind could develop ideas and emotions by its means - philosophers and physicians often took their cases from art's products, be it music (sounds), painting (colours) or poetry (words as signs of sound conveying a meaning), thus looking at art from a particular point of view: that of the perceiving mind. The relationship between music and the philosophies of mind is presented here as a significant part of the construction of a Science of Man: a huge and impressive 'project' involving both the study of man's nature, to which - in David Hume's words - 'all sciences have a relation', and the creation of an ideal of what Man should be. Maria Semi sheds light on how these reflections moved towards a Science of Music: a complex and articulated vision of the discipline that was later to be known as 'musicology'; or Musikwissenschaft.

Music and the Middle Class

William Weber
Music and the Middle Class Book PDF

Author : William Weber
Publisher : Routledge
Page : 212 pages
File Size : 48,9 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351557566

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Music and the Middle Class by William Weber Pdf

First published in 1975, Music and the Middle Class made a trail-blazing contribution to the social history of music, bringing together sociological and historical methods that have subsequently become accepted as central to the discipline of musicology. Moreover, the major themes of the book are ones which scholars today continue to grapple with: the nature of the middle class(es) and their role in cultural definition; the concept of taste publics distinct from social status; and the establishment of the musical canon. This classic text is reissued here in Ashgate's Music in Nineteenth-Century Britain series, though of course the book ranges beyond its study of London to discuss in detail the contrasting concert life of Paris and Vienna. This edition features a substantial new preface which takes into account the significant work that has been done in this field since the book first appeared, and provides a unique opportunity to assess the impact the book has had on our thinking about the European middle class and its role in musical life.

Concert Life in Eighteenth-Century Britain

Susan Wollenberg
Concert Life in Eighteenth Century Britain Book PDF

Author : Susan Wollenberg
Publisher : Routledge
Page : 320 pages
File Size : 43,6 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351571210

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Concert Life in Eighteenth-Century Britain by Susan Wollenberg Pdf

In recent years there has been a considerable revival of interest in music in eighteenth-century Britain. This interest has now expanded beyond the consideration of composers and their music to include the performing institutions of the period and their relationship to the wider social scene. The collection of essays presented here offers a portrayal of concert life in Britain that contributes greatly to the wider understanding of social and cultural life in the eighteenth century. Music was not merely a pastime but was irrevocably linked with its social, political and literary contexts. The perspectives of performers, organisers, patrons, audiences, publishers, copyists and consumers are considered here in relation to the concert experience. All of the essays taken together construct an understanding of musical communities and the origins of the modern concert system. This is achieved by focusing on the development of music societies; the promotion of musical events; the mobility and advancement of musicians; systems of patronage; the social status of musicians; the repertoire performed and published; the role of women pianists and the 'topography' of concerts. In this way, the book will not only appeal to music specialists, but also to social and cultural historians.

The Origins and Ascendancy of the Concert Mass

Stephanie Rocke
The Origins and Ascendancy of the Concert Mass Book PDF

Author : Stephanie Rocke
Publisher : Routledge
Page : 207 pages
File Size : 47,6 Mb
Release : 2020-12-30
Category : Music
ISBN : 9781000300192

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The Origins and Ascendancy of the Concert Mass by Stephanie Rocke Pdf

The mass is an extraordinary musical form. Whereas other Western art music genres from medieval times have fallen out of favour, the mass has not merely survived but flourished. A variety of historical forces within religious, secular, and musical arenas saw the mass expand well beyond its origins as a cycle of medieval chants, become concertised and ultimately bifurcate. Even as Western societies moved away from their Christian origins to become the religiously plural and politically secular societies of today, and the Church itself moved in favour of congregational singing, composers continued to compose masses. By the early twentieth century two forms of mass existed: the liturgical mass composed for church services, and the concert mass composed for secular venues. Spanning two millennia, The Origins and Ascendancy of the Concert Mass outlines the origins and meanings of the liturgical texts, defines the concert mass, explains how and why the split occurred, and provides examples that demonstrate composers’ gradual appropriation of the genre as a vehicle for personal expression on serious issues. By the end of the twentieth century the concert mass had become a repository for an eclectic range of theological and political ideas.

Eighteenth-Century Britain, 1688-1783

Jeremy Black
Eighteenth Century Britain 1688 1783 Book PDF

Author : Jeremy Black
Publisher : Bloomsbury Publishing
Page : 375 pages
File Size : 51,9 Mb
Release : 2008-09-10
Category : History
ISBN : 9781350306929

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Eighteenth-Century Britain, 1688-1783 by Jeremy Black Pdf

Jeremy Black sets the politics of eighteenth century Britain into the fascinating context of social, economic, cultural, religious and scientific developments. The second edition of this successful text by a leading authority in the field has now been updated and expanded to incorporate the latest research and scholarship.

Handel's Oratorios and Eighteenth-Century Thought

Ruth Smith
Handel s Oratorios and Eighteenth Century Thought Book PDF

Author : Ruth Smith
Publisher : Cambridge University Press
Page : 502 pages
File Size : 46,9 Mb
Release : 1995-05-04
Category : Music
ISBN : 9780521402651

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Handel's Oratorios and Eighteenth-Century Thought by Ruth Smith Pdf

In this wide-r anging and challenging book, Ruth Smith claims that the words to Handel's oratorios reflect the events and ideas of their time and have far greater meaning than has hitherto been realised. She explores eighteenth-century literature, music, aesthetics, politics and religion to reveal Handel's texts as conduits for the thought and sensibility of their time. The book thus enriches our understanding of Handel, his times, and the close relationship between music and its intellectual contexts.

Music in Eighteenth-Century England

Charles Cudworth
Music in Eighteenth Century England Book PDF

Author : Charles Cudworth
Publisher : Cambridge University Press
Page : 298 pages
File Size : 49,9 Mb
Release : 1983
Category : Music
ISBN : 0521235251

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Music in Eighteenth-Century England by Charles Cudworth Pdf

The essays in this book are devoted to the social and intellectual background of eighteenth-century music.

Historical Dictionary of English Music

Charles Edward McGuire,Steven E. Plank
Historical Dictionary of English Music Book PDF

Author : Charles Edward McGuire,Steven E. Plank
Publisher : Scarecrow Press
Page : 368 pages
File Size : 52,8 Mb
Release : 2011-04-08
Category : Music
ISBN : 9780810879515

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Historical Dictionary of English Music by Charles Edward McGuire,Steven E. Plank Pdf

The Historical Dictionary of English Music seeks to identify and briefly annotate a wide range of subjects relating to English musical culture, largely from the early 15th century through 1958, dates that reflect the coalescence of an identifiable English style in the early Renaissance and the death of the iconic Ralph Vaughan Williams in the mid-20th century. This book is an excellent access point for students, researchers, and anyone wanting to know more about English music.

The Rock Canon

CarysWyn Jones
The Rock Canon Book PDF

Author : CarysWyn Jones
Publisher : Routledge
Page : 198 pages
File Size : 43,6 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351540841

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The Rock Canon by CarysWyn Jones Pdf

Canons are central to our understanding of our culture, and yet in the last thirty years there has been much conflict and uncertainty created by the idea of the canon. In essence, the canon comprises the works and artists that are widely accepted to be the greatest in their field. Yet such an apparently simple construct embodies a complicated web of values and mechanisms. Canons are also inherently elitist; however, Carys Wyn Jones here explores the emerging reflections of values, terms and mechanisms from the canons of Western literature and classical music in the reception of rock music. Jones examines the concept of the canon as theorized by scholars in the fields of literary criticism and musicology, before moving on to search for these canonical facets in the reception of rock music, as represented by ten albums: Bob Dylan's Highway 61 Revisited, The Beach Boys' Pet Sounds, The Beatles' Revolver, The Velvet Underground's The Velvet Underground & Nico, Van Morrison's Astral Weeks, Marvin Gaye's What's Going On, The Rolling Stones' Exile on Main St., Patti Smith's Horses, The Sex Pistols' Never Mind the Bollocks: Here's the Sex Pistols, and Nirvana's Nevermind. Jones concludes that in the reception of rock music we are not only trying to organize the past but also mediate the present, and any canon of rock music must now negotiate a far more pluralized culture and possibly accept a greater degree of change than has been evident in the canons of literature and classical music in the last two centuries.